Renaissance and

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Fig. 10 Giotto. NoliMe Tangere, Angel at the tomb and Christ appearing to Mary Magdalen, Padua, Arena Chapel, circa 1305. Fig. 11 Agnolo Bronzino. Venus, Cupid, Folly and Time, London, National Gallery, circa 1524. 44 IRONY OF PERSPECTIVE
Fig. 12 Sandro Botticelli. Adoration of the Magi, Florence, Uffizi Gallery, circa 1475-78. Fig. 13 Leonardo da Vinci. Adoration of the Magi, Florence, Uffizi Gallery, 1430-83. IRONY OF PERSPECTIVE 45
Page 2 and 3: *Thou. constrained by no limits in
Page 4 and 5: U.S. Labor Party Directory PERTHAMB
Page 6 and 7: Editorial i The Renaissance and the
Page 8 and 9: up behind their backs in the United
Page 10 and 11: like a bolt from the blue sky. And
Page 12 and 13: Of equal significance is the fact t
Page 14 and 15: therefore of rational, investigatio
Page 16 and 17: Spring planting is depicted in this
Page 18 and 19: Hieronymous Bosch. Detail of the Go
Page 20 and 21: visits a plague to punish man for h
Page 22 and 23: III HUMANISM The fundamental law ma
Page 24 and 25: 4,,_, Cut-away diagrammatic represe
Page 26 and 27: I t * Florence Cathedral d - A Bapt
Page 28 and 29: In one great conceptual leap, Brune
Page 30 and 31: Angelico_ in the convent of S. Marc
Page 32 and 33: VIII FICINO AND NEO-PLATONISM The p
Page 34 and 35: consciously embracing such striving
Page 36 and 37: philosophy to theology only to be f
Page 38 and 39: Fig. 2 Masaccio. The Tribute Money,
Page 40 and 41: Fig. 6 Paolo Uccello. The Deluge, F
Page 42 and 43: Fig. 10 Sandro Botticelli. The Birt
Page 44 and 45: The Irony of Perspective: Renaissan
Page 46 and 47: _!i!_i ___ _ iilil_..... i_ Fig. 6
Page 50 and 51: Fig. 14 Hugo van der Goes. Adoratio
Page 53 and 54: X LEONARDO The fundamental antinomy
Page 55 and 56: XII BEYOND THE RENAISSANCE Florence
Page 57 and 58: Footnotes 1. Cf., Lyn Marcus, Diale
Page 59 and 60: Equestrian statue of Marcus Aureliu
Page 61 and 62: general decline for the whole econo
Page 63 and 64: maintai_ the humanistic culture for
Page 65 and 66: large scale. The ideas which expres
Page 67 and 68: exemplified by the gifted and super
Page 69 and 70: who formed the indispensable social
Page 71 and 72: theology in a manner entirely coher
Page 73 and 74: III LEONARDO AND UNIFIED PERSPECTIV
Page 75 and 76: deliberately produced a "reply" to
Page 77 and 78: perspective in the early 15th centu
Page 79 and 80: Leonardo da Vinci. Study of Water a
Page 81 and 82: NOTES 1. Lyn Marcus (a.k.a. Lyndon
Page 83 and 84: The onlytruthwhich man can prove to

Renaissance and

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