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theology in a manner entirely coherent with the way come to power in Milan in 1450. Basing the necessity to<br />

Piero treats the Resurrection <strong>and</strong> other great themes launch the "Platonic revolution" on the exigencies of<br />

from the Passion <strong>and</strong> Crucifixion of Christ. For the neo- the "diplomatic revolution," <strong>and</strong> steering the difficult<br />

Platonists of this period, Christ's redemption saved course of the "d!plomatic revolution" with the<br />

the universe together with man, just as the San- scientific authority of neo-Platonic epistemology,<br />

sepolcro l<strong>and</strong>scape is transformed by the Easter Cosimo de' Medici acted against linear "logic" to<br />

dawn. When man becomes conscious of his own create the conditions for the next historical phase of<br />

divinity (creativity), he overcomes his difference development: the actual emergence of capitalism in<br />

towards his own nature, <strong>and</strong> then his diffidence the l6thcentury.<br />

towards the world also vanishes. Epistemology <strong>and</strong><br />

psychology are thus the indispensable bases for the Medicean Florence<br />

development of natural science.<br />

As "political cartoon," the Sansepolcro Resur- As the hegemonic European center of banking <strong>and</strong><br />

rection, which was made as the city emblem, unde- commerce up through the end.of the 15th century,<br />

niablycelebrates this smalltown's becominga partof Florence under Cosimo <strong>and</strong> his descendants<br />

the most advanced city-state in the world <strong>and</strong>, on a necessarily became the crossroads for commodities<br />

larger scale, represents the change in conception of <strong>and</strong> ideas. Particularly after the fall of Constantinople<br />

what one man can do which was catalyzed by the suc- to the Ottoman Turks in 1453 <strong>and</strong> the contemporaneous<br />

cesses of Cosimo de' Medici. The tomb -- the Holy invention of printing in Germany, the Florentines'<br />

Sepulchre, Sansepolcro in Italian -- is the fixed ref- ability to deliberately foster this cross-penetration, to<br />

erence point around which the painting proclaims the constantly submit new predicates to the rigor of<br />

triumph of life over death. Simultaneously in Flor- inquiry from the st<strong>and</strong>point of the universal, conence,<br />

Cosimo was revolutionizing the content of what tributed to the "Florentine genius." In art, each<br />

had been previously conceived of as foreign policy <strong>and</strong> significant advance was marked by the introduction of<br />

What had previously passed for "Humanism." In the new contingencies -- coming from Venice, from<br />

former sphere, he immediately began taking steps Fl<strong>and</strong>ers, from Germany <strong>and</strong> more far-flung trading<br />

after the Anghiari victory to lay the basis for an al- partners -- which often arrived on the scene through<br />

liance with Milan (the Peace of Lodi, 1454) which Medici banking associates who sent paintings home<br />

would guarantee peace <strong>and</strong> exp<strong>and</strong>ing economic from distant branches of the establishment. It was as<br />

markets on the Italian peninsula for the next 50 years the acknowledged intellectual center of Europe that<br />

-- but which went against the grain of the early 15th l<strong>and</strong>locked Florence throughout much of the 15th<br />

century's stubborn "republican" battle by the century was the home of the greatest theoretical<br />

Florentines against Milanese despotism. In the latter, advances in geography <strong>and</strong> navigation, as Portuguese<br />

the hard-headed banker Cosimo brought to Florence specialists sent their manuscripts there for<br />

Gemisthos Plethon, the most famous Greek of his publication in Latin <strong>and</strong> came themselves for hightime,<br />

<strong>and</strong> through his influence determined to finance level consultations.<br />

the education of his physician's son, Marsilio Ficino, It should be emphasized that the pre-eminence of<br />

to bring all of Plato's works to the Latin West. Medicean Florence in the <strong>Renaissance</strong> generally, like<br />

The overwhelming reality which determined the the great formal achievements of Leonardo da Vinci<br />

diplomatic revolution, however, is not to be located <strong>and</strong> his contemporaries, did not emerge as a bolt from<br />

within the Italian peninsula at all. Cosimo was keenly the blue but arose from historical conditions which<br />

aware that Constantinople was on the verge of falling made Florence unique. Florence was one of the last of<br />

to the Ottoman Turks, <strong>and</strong> that the West could -- <strong>and</strong> the great Italian medieval communes to flourish in the<br />

would -- do nothing to stop this calamity. His strategy 13th century -- much later than Milan <strong>and</strong> the other<br />

involved seizing the valuable markets of the East, great communes of the Lombard plain. But where<br />

about to come under Moslem rule, away from what Milan, for example, had developed in a number of<br />

had been Venetian domination. This required, in turn, areas of craft manufacture <strong>and</strong> retail trade, none of<br />

legitimizing a world-outlook under which Islam could which ever went beyond the 'scale of the small<br />

be tolerated. The connection between this necessity workshop, Florence almost from the beginning<br />

<strong>and</strong> Cosimo's crash program in reviving Greek benefited from the communes which had preceded it<br />

philosophy -- the positive core of both Christian <strong>and</strong> to operate on the scale of a world market.<br />

Islamic theology--canhardlyhavebeenaccidental. The key step in this process was Florence's<br />

Cosimo simultaneously used the "new learning" he hubristic creation in 1252 of its own gold coinage for<br />

Sponsored in Florence to win intellectual hegemony international trade, the gold florin -- an act officially<br />

over the condottiere Francesca Sforza, whom he forbidden by the Holy Roman Emperor who, ho.wever,<br />

transformed into a <strong>Renaissance</strong> prince <strong>and</strong> helped to. lacked the political power to enforce his displeasure.<br />

67

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