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Jorge Luis Borges - Labyrinths

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modest scope. He told the agent that in America it was absurd to<br />

invent a country and proposed the invention of a planet. To this<br />

gigantic idea he added another, a product of his nihilism:* that of<br />

keeping the enormous enterprise secret. At that time the twenty<br />

volumes of the Encyclopaedia Britannica were circulating in the<br />

United States; Buckley suggested that a methodical encyclopedia of<br />

the imaginary planet be written. He was to leave them his mountains<br />

of gold, his navigable rivers, his pasture lands roamed by cattle and<br />

buffalo, his Negroes, his brothels and his dollars, on one condition:<br />

"The work will make no pact with the impostor Jesus Christ." Buckley<br />

did not believe in God, but he wanted to demonstrate to this<br />

nonexistent God that mortal man was capable of conceiving a world.<br />

Buckley was poisoned in Baton Rouge in 1828; in 1914 the society<br />

delivered to its collaborators, some three hundred in number, the last<br />

volume of the First Encyclopedia of Tlön. The edition was a secret<br />

one; its forty volumes (the vastest undertaking ever carried out by<br />

man) would be the basis for another more detailed edition, written not<br />

in English but in one of the languages of Tlön. This revision of an<br />

illusory world, was called, provisionally, Orbis Tertius and one of its<br />

modest demiurgi was Herbert Ashe, whether as an agent of Gunnar<br />

Erfjord or as an affiliate, I do not know. His having received a copy of<br />

the Eleventh Volume would seem to favor the latter assumption. But<br />

what about the others<br />

*<br />

Buckley was a freethinker, a fatalist and a defender of slavery.<br />

In 1942 events became more intense. I recall one of the first of<br />

these with particular clarity and it seems that I perceived then<br />

something of its premonitory character. It happened in an apartment on<br />

Laprida Street, facing a high and light balcony which looked out<br />

toward the sunset. Princess Faucigny Lucinge had received her<br />

silverware from Poitiers. From the vast depths of a box embellished<br />

with foreign stamps, delicate immobile objects emerged: silver from<br />

Utrecht and Paris covered with hard heraldic fauna, and a samovar.<br />

Amongest them -- with the perceptible and tenuous tremor of a<br />

sleeping bird -- a compass vibrated mysteriously. The Princess did not<br />

recognize it. Its blue needle longed for magnetic north; its metal case<br />

was concave in shape; the letters around its edge corresponded to one<br />

of the alphabets of Tlön. Such was the first intrusion of this fantastic<br />

world into the world of reality.<br />

28

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