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PATAPHYSICS-THE-POETICS-OF-AN-IMAGINARY- SCIENCE_C_Bok

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l3~ewdney almost evokes the theories of Foucault,<br />

who argues that natural history is a quotidian discourse<br />

that attempts to decompose, then recompose, its own<br />

221<br />

language:<br />

" [ i ] t leaps over the everyday vocabulary that<br />

provides it with its immediate ground, and beyond that<br />

ground it searches for that which could have constituted its<br />

raison d'être; but, inversely, it resides in its entirety in<br />

the area of language, since it is essentially a concerted<br />

use of names and since its ultimate aim is to give things<br />

their true denomination" (1973: 161 ).<br />

"~he Governor represents a restricted econorny of<br />

function and utility (the prosaic boredom of habit and<br />

clichk). The Parasite represents a generalized economy of<br />

dysfunction and inutility (the poetic freedom of crime and<br />

flair). A parasite signifies the entropy of a system, the<br />

noise that depletes the information from its own scale of<br />

order, but that nevertheless augments the information of a<br />

another scale of order. A poet disrupts communication, not<br />

simply to break it down, but to make it more complex--to<br />

accentuate the potential for both anomaly and novelty.

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