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PATAPHYSICS-THE-POETICS-OF-AN-IMAGINARY- SCIENCE_C_Bok

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it. Since Jarry develops 'pataphysics most expansively<br />

through Faustroll and his exploits in Ethernity, this survey<br />

concentrates upon the third phase of 'pataphysics in order<br />

to draw such parallels between Jarry and Nietzsche.<br />

The<br />

survey then goes on to discuss the three declensions of the<br />

exceptional (the anomalos, the sszs~ia, and the clinamen) in<br />

order to itemize their 'pataphysical similarities to modern<br />

tropes that have provided a basis for anti-metaphysical<br />

meta-philosophies--the assumption being that 'pataphysics<br />

represents an unwritten, but intrinsic, intertext to many of<br />

the radical tactics found in deconstructive methodologies .<br />

The Modernits of Jarry<br />

'Pataphysics for Jarry resembles the philosophy of<br />

Nietzsche, insofar as both writers make a case for<br />

pers~ectivism. M. Bourdon at the Iqcge de Rennes is known<br />

to have taught Jarry the philosophy of Nietzsche before its<br />

translation into French (Beaumont 21), and only a few<br />

critics,- particularly Dufresne (1993:26) and McCaffery<br />

(1997:11), have intimated that Nietzsche provides a<br />

critically neglected, but integrally important, set of<br />

antecedents for 'pataphysics.<br />

Just as Nietzsche has striven<br />

"to look at science in the perspective of the artist"<br />

(1966:19), greeting al1 philosophy with skepticism, sa also

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