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PATAPHYSICS-THE-POETICS-OF-AN-IMAGINARY- SCIENCE_C_Bok

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Exceptions, after all, can resort to an assortment of<br />

10<br />

modalities:<br />

variance (anomalos), alliance (sszvgia), or<br />

deviance (clinamen). The anomalos finds a way to differ<br />

from every other thing in a system that values the norm of<br />

equivalence; the svzsaia finds a way to equate things to<br />

each other in a system that values the norm of difference;<br />

and the clinamen finds a way to to detour around things in a<br />

system that values the fate of contrivance.<br />

Al1 three modes<br />

of exception do inform this survey on 'pataphysics so that,<br />

if its style risks everything to disrupt, to confuse, and to<br />

digress, it does so not for any lack of forma1 rigour, but<br />

for the sake of a crucial thesis. Can a ludic theory of<br />

'pataphysics be fairly judged by the nomic values of<br />

metaphysics if 'pataphysics criticizes metaphysics itself<br />

Are we not obliged to consider the problem of this question<br />

' Pataphysics , strangely enough, has two parallel<br />

histories that act out opposite strategies for criticizing<br />

such a scientific metaphysics: first, the irrationalism of<br />

the Symbolists, the Dadaists, and the Surrealists (al1 of<br />

whom argue for a poetic emancipation from science); second,<br />

the surrationalism of the Futurists, the Oulipians, and the<br />

"Pataphysicians (al1 of whom argue for a poetic<br />

appropriation of science).<br />

Jarry has influenced both<br />

strategies despite their opposition.<br />

The Futurists attack

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