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PATAPHYSICS-THE-POETICS-OF-AN-IMAGINARY- SCIENCE_C_Bok

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our judgments and ' knowledge ' ," for which " there is<br />

absolutely no escape[ ...] into the real world" (Babich 89).<br />

Science, for Jarry, is also such "a statement of what is<br />

visible to the mortal eye ( it is always a matter of mortal<br />

eyes, hence vulgar and[ ...] flawedi. ..], and the sensory<br />

organ being a cause of error, the scientific instrument<br />

simply magnifies that sense in the direction of its error)"<br />

(1989:105). As Daumal avers, no science can exceed the<br />

nooscopic limit of its own anthropic focus, and thus<br />

"['p]ataphysics will measure[ ...] the extent to which<br />

everyone is stuck in the rut of individual existence" (33).<br />

Jarry adopts such a solipsistic viewpoint, in which<br />

perception "s~mbolicallv attributes the properties of<br />

objects, described bv their virtuality, to tbeir lineaments"<br />

(1965:193), the 'pataphysician wilfully mistaking the<br />

superfice of the image for the substance of the thing:<br />

"he<br />

no longer made any distinction at al1 between his thoughts<br />

and actions nor between his dreaming and[ ...] waking"<br />

(1989:103). Just as Nietzsche describes reality as a<br />

vacuous surface, in which we grasp "nothing but the mirror"<br />

(1982:141), so also does Jarry describe a reality of<br />

"parallel mirrors" that reflect their own "reciprocal<br />

emptiness" (1965:211).<br />

Like Berkeley, both Jarry and<br />

Nietzsche argue that esse is perci~i, but while Berkeley

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