PATAPHYSICS-THE-POETICS-OF-AN-IMAGINARY- SCIENCE_C_Bok

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onne ne suggests that al1 "this worlds genrall sicknesse" ( 336) might paradoxicslly cleanse impurity itsel f and thus "purifie/ All, by a true religious Alchimy" (334). Metaphysics involves a christological transmutation that purifies a supernal truth of al1 its errors; however, 'pataphysics involves an anti-christological transmutation that purifies an infernal error of al1 its truth (as if truth itself is the filth)-ohence, Ubu in the heraldic allegory of Caesar Antichrist performs a reverse alchemy, in which to rise above sin is to fa11 from grace. '~allyn observes that , for Copernicus and Kepler, "the world is the work of a divine poietes," and "what they aim to reveal through their own poetics is thus truly[ ...] the poetic structure of the world" (20). Donne feels snxiety about such a poetic cosmos even though its system is more aesthetic than empirical, not verified and rectified so much as symmetrized and harmonized. The problem is that such a view radically displaces humanity, propelling us into a regressive infinitude, a sublime extreme without limit, be it atomic or cosmic in scale.
44 '~homson eulogizes Newton: "The heavens are al1 hi6 own; from the wild rule/ Of whirling vortices and circling s~heres,/ To their first great simplicity restored," and "Even Light itself[...]/ Shone undiscover'd, till his brighter rnind/ Untwisted al1 the shining robe of day" (1853:336). Akenside, likewise, eulogizes Newton: "The lamp of science through the jealous maze/ Of Nature guides, when haply you reveal/ Her secret honours: [...)/ The beauteous laws of light, the central powers/ That wheel the pensile planets round the year" ( 1825: 51-52 ) . orce ce and light acquire aesthetic currency in an industry that must versify the theory by Newton in order to deify the memory of Newton. For poets influenced by the sublime of the Princi~ia, see William Powell Jones: The Rhetoric of Science: A Studs of Scientific Ideas and Irna~ery in Ei~hteenth-Centurv Enalish Poetrv (Berkeley: University of California, 1966). For poets influenced by the beauty of the Opticks, see Marjorie Nicholson: Newton Pemands -the Muse: Newton's 'Opticks' and the Ei~hteenth Centurs Poets (Hamden: Archon, 1946).
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'PATAPHYSICS: THE POETICS OF AN IMA
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PATAPHYS ICS : THE FOETICS OF AN IM
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successors (first, the Italian Futu
Page 7 and 8: cases of exceptional singularity. L
Page 9 and 10: within one thecretical perspective,
Page 11 and 12: Vaneigem, however, warns us that, b
Page 13 and 14: xiii Notes to Preface l~eschler obs
Page 15 and 16: TABLE OF CONTENTS Abstract Preface
Page 17 and 18: and ignore the piousness of al1 adm
Page 19 and 20: ut what miaht have become. It inhab
Page 21 and 22: 6 the metaphysical to the anti-meta
Page 23 and 24: of thought without any absolute inv
Page 25 and 26: Exceptions, after all, can resort t
Page 27 and 28: only in poetry, but also in science
Page 29 and 30: differ from theories in the present
Page 31 and 32: 16 is normal and known.' Nomad scie
Page 33 and 34: hybrid tensions, its metaphors not
Page 35 and 36: its subject as an absence--a vanish
Page 37 and 38: 22 And during the cyborganismic pha
Page 39 and 40: 24 lead becoming gold transmutes in
Page 41 and 42: advent of 'pataphysics does the con
Page 43 and 44: numerous elegies to scientists, par
Page 45 and 46: The Oraanismic Phase Coleridge obse
Page 47 and 48: Wordsworth claims t hat "[tlhe remo
Page 49 and 50: 34 longer stabilize its object with
Page 51 and 52: the excesses of such metastasis evo
Page 53 and 54: discover the f eatures of the real
Page 55 and 56: 40 in the as if so that the event m
Page 57: 42 '~uhn writes that "a paradigi is
Page 61 and 62: llFtichards argues that poetic wisd
Page 63 and 64: 48 15~eyerabend writes: "NO idea is
Page 65 and 66: f orgotten, influence upon the cano
Page 67 and 68: 52 as such a science creates in adv
Page 69 and 70: 54 elasticity approaches an inexora
Page 71 and 72: ironic conformity" (105). Shattuck,
Page 73 and 74: 58 does Jarry combine the noetic an
Page 75 and 76: 60 posits a panoptic absolute, whos
Page 77 and 78: 62 Dufresne observes that "the shee
Page 79 and 80: 64 observes that "whatever is self-
Page 81 and 82: together from text to text, as thou
Page 83 and 84: 68 characters (particularly Ubu), s
Page 85 and 86: 70 quantitp of vacuum seems far les
Page 87 and 88: 72 will to error. For 'pataphysics,
Page 89 and 90: criticizes the truth of such rules
Page 91 and 92: 76 from a curve (a difference in de
Page 93 and 94: 78 such a binary relation and its p
Page 95 and 96: equation is laughable--but this lau
Page 97 and 98: Pound, such a swerve is the atomic
Page 99 and 100: 84 Serres explains that, for Lucret
Page 101 and 102: The IrnaRinary Solution 'Pataphysic
Page 103 and 104: 'Pataphysics effectively reveals th
Page 105 and 106: '~austroll provides a conceit for t
Page 107 and 108: '~ort, 1 ike Nietzsche, indulges in
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8 os se-de-~a~e utters a "tautologi
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'(~audrillard explains this idea by
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(la scossa), its noise (le rumore),
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the carcrashes of Ballard): delirio
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102 tropes. Marinetti values the sp
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aesthetic tradition, wreaking havoc
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evasive history of warfare without
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Paradigms in Collision Ballard has,
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110 Jarry and Ballard in both cases
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The Shock of Exception Carrouges su
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114 Carrouges has suggested that su
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116 device destroy nature through a
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118 software of al1 our logic" (199
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120 then for these sound elements w
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122 it is one of the forms of colle
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124 the mechanism in the hyperspace
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forward vector swerves into a backw
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and whirling electrons"; after all,
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130 perspect ivism. Such an avant-g
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3~uturism suggests that a weapon si
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'~arinetti imagines that the poetry
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136 'l~uturism suggeats that just a
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138 157'inguely suggests that the o
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automatic, insofar as it results no
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potentialities" (Oulipo 1986:50). T
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eveal to itself the pata of its own
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undermined by pretending that the r
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and more by the curvilinear Dispars
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Queneau, for example, wilfully misr
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Perec cornplains that "formal manne
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constraint is proposed, but produce
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chance" (48). Oulipo agrees with Gr
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[wlhether poetry or theory, [is] no
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conceiving the literary" (72), so a
Page 177 and 178:
acting as atomic diagrams by which
Page 179 and 180:
164 sense when read left to right,
Page 181 and 182:
that anyone turning the handles on
Page 183 and 184:
single reader, reading one a second
Page 185 and 186:
170 served by the mannerism of its
Page 187 and 188:
such a swerve threatens the existen
Page 189 and 190:
'~arinetti writes: "[m]y love of pr
Page 191 and 192:
kuler, for example, proposes a feio
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%lotte argues that, when applied to
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15~ueneau has even cited Turing in
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the environmental mythopoiesis of s
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wonder over wisdom, evoking what De
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186 never-commencing discourse" (30
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of such imaginary acsdemies, langua
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(among other imaginary solutions) i
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192 1 ines that separate reason f r
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194 Canadian "Pataphysicians sugges
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Probable Ssstems Nichol defies the
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198 Nichol deploys such a "patsphys
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[that] we see in the present (alpha
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thematized investment in the classi
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sediment), and these layered forms
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206 we discover that "[tlhe tone of
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'pataphysics of such automatism in
Page 225 and 226:
210 and subsequent exploration of i
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Canada itself as anything more than
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214 classical books," and "another
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216 '~he Toronto Research Group stu
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218 h h o l provides a "patsphysica
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I1~ccaffery suggests that fossiliza
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15~ewdney suggests that natural his
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the New Scientific Mind. Trans. G.
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226 New York: Doubleday, 1959. Broc
Page 243 and 244:
Turnstone, 1983. Dawkins, Richard.
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Dufresne, Todd. "Derrida, Jarry, Ni
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and Windus, 1963. Huxley, T. H. Sel
Page 249 and 250:
234 Marinetti, F. T. Let's Murder t
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Vintage, 1974. --- . Philoso~hs and
Page 253 and 254:
238 Richards, 1. A. Science and Poe
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240 Szeemann, Harald, ed. Le Macchi
Page 257 and 258:
Weschler, Lawrence. Mr. Wilson's Ca
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