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: 63 Research Articles: An Overview of Gender Representation in India Gender diversity within the media is an effective strategy only when supported by gender sensitivity and the integration of gender-just norms. Conclusion Indian men and women still have to discover their basic identity which should be neither male nor female but human. This identity encompasses the other two identities and is a liberating and life-giving force which can revitalize the whole of human society. The womans identity is to go beyond the threshold of social transition so as to get in touch with her being and personhood on the psychological level. There should be mutual respect and recognition on the part of man and woman and both must develop their concern and consideration for each other. Only a gender fair society can become an ideal human society. Bibliography Arya, Sunanda. Mass Media and Public Opinion in India. Jaipur: Printwell Publishers, 1989. Bathla, Sonia. Women, Democracy and the Media. New Delhi: Sage Publications, 1998. Chanana, Karuna, Ed. Socialisation, Education and Women: Explorations in Gender Identity. New Delhi: Orient Longman, 1988. Joshi, Ila. Women Dimension on Television. New Delhi: Concept Publishing Co., 1991. Joseph, Joni .C. Mass Media and Rural Development. Jaipur: Rawat Publications, 1997. Lakshmi, C. S. The Face Behind the Mask: Women in Tamil Literature. New Delhi: Vikas Publishing House Pvt Ltd., 1984. Naipaul, V.S. India: A Million Mutinies Now. New York: Penguin Books, 1990. O Flaherty, Wendy Doniger. Women, Androgynes, and Other Mythical Beasts. Chicago: The University of Chicago Press, 1982. Parikh, Indra. J & Pulin K Garg. Indian Women: An Inner Dialogue. New Delhi: Sage Publications, 1989. Reddy, P.A. & Jayalakshmi. M. Exposure of Women to the Mass Media. New Delhi: Classical Publishing Co., 2004. Glossary Ahalya – the wife of Gautama, was seduced by Indra and then released from her husbands curse by Rama. Anusuya - a virtuous woman who is referred to in the Ramayana. She is the wife of Sage Atri. When the three Gods, Brahma, Vishnu and Shiva try to humiliate her, she transformed them into babies with her power of chastity. Arthnareeswara – Lord Shiva wears a male earring in one ear, a female one in the other, symbolizing his dual nature (Arthnareeswara, half-man, half-woman). It is believed that He is half himself and the other half constituting of his wife Parvathi. Kannagi – In the epic Cilappatikaram, Ilanko depicts the transformation of the chaste wife Kannagi into a goddess after she avenges the unjust death of her husband.
64 Kauravas: Sons of King Dhritarashtra in the Mahabharata Lakshman Rekha – the line drawn by Lakshmana, the younger brother of Rama in the Ramayana for protecting Seetha, Ramas wife against any danger. Manu Smriti: Manu Smriti or Laws of Manu, a renowned code of Hindu law said to have consisted of 100,000 verses. The primary purpose of the book, which contains rules for the observance of ceremonies and rituals, and moral and social instruction, appears to have been to strengthen the institution of the caste system in India. Nalayini – the faithful wife who took her leper husband to the prostates house. Renuka – wife of sage Jamadagni and mother of Parasurama, an avatar of Lord Vishnu. She was killed by her son at the order of her husband who thought that she had been disloyal to him. Seeta- Lord Ramas wife in the Ramayana for whose sake a war was fought.
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Page 47 and 48: 46 In Behind a Cloud-Patterned Scre
Page 49 and 50: 48 Suwannee Kalayanasant (1993). A
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Page 57 and 58: 56 The concept of Arthanareeswara (
Page 59 and 60: 58 gender diversity and gender port
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