RECOVERING NIGERIA'S TERRACOTTA - Afrikanet.info
RECOVERING NIGERIA'S TERRACOTTA - Afrikanet.info
RECOVERING NIGERIA'S TERRACOTTA - Afrikanet.info
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impression created that Nigeria is not properly organized to protect its cultural<br />
artefacts from predatory Westerners and their helpers thus still remains.<br />
Is this a case where one language is used when dealing with African<br />
collaborators but for the general public, an entirely different language is used<br />
which creates different, often misleading, impressions If we look at the Spiegel<br />
article, we could think only the Germans and Austrians were interested in Nok<br />
culture and the puzzles it presents. Nigerians are totally absent from the article.<br />
Not even a mention of the National Commission for Museums and Monuments<br />
can be found. Moreover, the Nigerian Police is presented as not having the right<br />
or ability to visit the area which is described as being under the tight control of a<br />
local potentate on friendly terms with the Europeans.<br />
Do we have here the familiar pattern where Africans lead Europeans to the<br />
source of the river or the mountain and are perhaps materially compensated for<br />
their efforts But who turns out to be the discoverer of the river or the<br />
mountain Whose name is forever linked to the discovery Recognition in<br />
scientific publications is not enough. How many people read such publications<br />
Unless Africans insist energetically, loudly and openly for equal general public<br />
recognition in such enterprises, this game will go on forever. Even if such<br />
projects were financed by European entities this should not lead to their<br />
complete control over the projects and the dissemination of <strong>info</strong>rmation thereon.<br />
In the context of the present dispute over looted Nigerian terracotta, we recall<br />
the 2002 case of the Nigerian Nok terracotta which were looted and eventually<br />
turned up at the Musée de Quai Branly, Paris. The French had bought the three<br />
Nok and Sokoto terracotta knowing fully well that they must have been looted<br />
and illegally exported from Nigeria since the objects were on the Red List of<br />
International Council of Museums (ICOM).(3) The intervention of ICOM was<br />
necessary to preserve Nigeria’s ownership of the terracotta. The arrangement<br />
between Nigeria and France to loan the artefacts for a renewable period of 25<br />
years raised doubts and scepticism about the will to enforce the observance of<br />
laws prohibiting illicit traffic in artefacts. (4) Moreover, the text of the curious<br />
agreement does not appear to have been published.<br />
2