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ENTERTAINMENT<br />

RICHARD III<br />

An all-male staging of<br />

the William Shakespeare<br />

tragedy, starring Mark<br />

Rylance (The Other Boleyn<br />

Girl). Part of the World<br />

Shakespeare Festival<br />

(p. 105). Times vary.<br />

Shakespeare’s Globe,<br />

21 New Globe Walk, SE1.<br />

020 7401 9919.<br />

shakespearesglobe.<br />

com Ë t <strong>London</strong> Bridge,<br />

Ë Southwark.<br />

Key 43.<br />

TAROT DROME<br />

5-30 Sep Marisa Carnesky,<br />

heads the cast in a<br />

promenade performance<br />

about Tarot cards (p. 40).<br />

Wed-Sun 15.00-12.00.<br />

Old Vic Tunnels, Station<br />

Approach Road, SE1.<br />

Ë t Waterloo.<br />

Map D7.<br />

THE TAMING<br />

OF THE SHREW<br />

William Shakespeare’s<br />

comedy. It’s about a man<br />

wooing a reluctant and<br />

headstrong girl. Times vary.<br />

Shakespeare’s Globe,<br />

21 New Globe Walk, SE1.<br />

020 7401 9919.<br />

shakespearesglobe.<br />

com Ë t <strong>London</strong> Bridge,<br />

Ë Southwark. Key 43.<br />

THREE SISTERS<br />

From 8 Sep Anton<br />

Chekhov’s heart-breaking<br />

drama is about three<br />

Russian siblings whose<br />

dreams of escaping<br />

smalltown life for the<br />

excitement and bright lights<br />

of the big city are cruelly<br />

dashed. Times vary.<br />

Young Vic, 66 The Cut,<br />

SE1. 020 7922 2922.<br />

youngvic.org<br />

Ë t Waterloo. Key 52.<br />

TIMON OF ATHENS<br />

Simon Russell Beale<br />

(My Week With Marilyn)<br />

stars. The Bard’s rarelystaged<br />

fable is about<br />

conspicuous consumption,<br />

debt and ruin in Ancient<br />

Greece. Times vary.<br />

National Theatre,<br />

South Bank, SE1.<br />

020 7452 3000.<br />

nationaltheatre.org.uk<br />

Ë t Waterloo. Key 27.<br />

TWELFTH NIGHT<br />

From 22 Sep The Bard’s<br />

romantic comedy in an allmale<br />

staging starring Mark<br />

Rylance (The Other Boleyn<br />

Girl). Times vary.<br />

Shakespeare’s Globe,<br />

21 New Globe Walk, SE1.<br />

020 7401 9919.<br />

shakespearesglobe.<br />

com Ë t <strong>London</strong> Bridge,<br />

Ë Southwark. Key 43.<br />

WAR HORSE<br />

A heartbreaking story,<br />

adapted from Michael<br />

Morpurgo’s book, about the<br />

bond between a boy and his<br />

horse during World War I.<br />

When his four-legged friend<br />

is sold to the cavalry, the<br />

boy lies about his age and<br />

enlists. Mon, Wed-Sat 19.30;<br />

Tues 19.00; Thurs<br />

& Sat 14.30.<br />

New <strong>London</strong> Theatre,<br />

166 Drury Lane, WC2.<br />

020 7452 3000.<br />

warhorselondon.com<br />

Ë Covent Garden. Key 28.<br />

WHAT THE BUTLER SAW<br />

Until 25 Aug British-Iranian<br />

actor Omid Djalili stars<br />

in Joe Orton’s hysterical<br />

1960s farce. It’s about a<br />

hapless psychoanalyst Dr<br />

Prentice (Djalili) whose life<br />

is thrown into disarray when<br />

he innocently hides a naked<br />

woman. Times vary.<br />

Vaudeville Theatre,<br />

404 Strand, WC2.<br />

08444 829 675.<br />

whatthebutlersaw<br />

theplay.com<br />

Ë t Charing Cross.<br />

Key 48.<br />

THE WOMAN IN BLACK<br />

An enjoyably eerie tale<br />

of ghostly apparitions<br />

on a windswept country<br />

estate, based on Susan<br />

Hill’s book. Expect plenty<br />

of screams and shocks<br />

as a junior solicitor heads<br />

to spooky Eel Marsh House<br />

to sort out the affairs of<br />

a recently-deceased recluse.<br />

Be prepared for genuine<br />

frights. Tues-Sat 20.00; Tues<br />

& Thurs 15.00; Sat 16.00.<br />

Fortune Theatre,<br />

Russell Street, WC2.<br />

08448 717 626.<br />

thewomaninblack.com<br />

Ë Covent Garden. Key 15.<br />

<br />

‘A JOYOUS VERSION OF<br />

THE HITCHCOCK CLASSIC’<br />

SUNDAY TIMES<br />

TICKETS £25<br />

CALL 020 7907 7000 AND<br />

QUOTE ‘LONDON PLANNER’<br />

(USUALLY £47.50) VALID MON - FRI UNTIL<br />

30 SEP 12. SUBJECT TO AVAILABILITY<br />

CRITERION THEATRE PICCADILLY CIRCUS<br />

104 | visitlondon.com|LONDON PLANNER|<strong>London</strong> 2012 Issue August/September

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