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[ARTS]<br />

All in the Family<br />

Chamber Music Northwest’s artistic director<br />

passes love of music to new generations<br />

by Elizabeth Schwartz<br />

David Shifrin could say he owes everything to his mishpocha<br />

(extended family). The world-renowned clarinetist is also a<br />

professor at the Yale School of Music and artistic director<br />

of Chamber Music Northwest, Portland’s summer chamber<br />

music festival. His official bio is studded with more notable accomplishments<br />

than we have room to print, but suffice it to say<br />

Shifrin has worked with some of the world’s finest musicians,<br />

including Emanuel Ax, Wynton Marsalis, and the Guarneri and<br />

Emerson String Quartets.<br />

It was Shifrin’s distant relative, Argentinean-American film<br />

and television composer Lalo Schifrin, best known for writing<br />

the Mission Impossible TV show theme, who first encouraged<br />

Shifrin’s musical interests (the two families spell their surnames<br />

differently). Shifrin explains, “Lalo Schifrin’s family emigrated<br />

to Buenos Aires, and mine moved to New York. When Lalo<br />

first came to New York in the late 1950s, he opened the phone<br />

book and found my grandfather, who had the same name as<br />

his grandfather. So Lalo called us and we invited him over for<br />

Shabbat.”<br />

Schifrin encouraged Shifrin’s parents to get their son his<br />

first clarinet, an instrument he describes as “the chameleon”<br />

for its versatility and adaptability. Shifrin spent weekends with<br />

Lalo’s family as a teenager after Lalo moved to Beverly Hills,<br />

CA. In the 1980s, when Shifrin moved to Los Angeles himself,<br />

he maintained ties to Schifrin and his family. In 2005, Shifrin<br />

commissioned Dances Concertantes for Clarinet and Orchestra and<br />

another work for clarinet and strings from Schifrin. The two<br />

works were released on the Aleph label in 2006 as Shifrin plays<br />

Schifrin.<br />

As Shifrin approaches his 32 nd summer as artistic director of<br />

Chamber Music Northwest, he takes a moment to reflect on his<br />

tenure with one of <strong>Oregon</strong>’s most established summer festivals.<br />

“In 1981, when I became artistic director of CMNW, I was 31<br />

years old,” says Shifrin. “At that time, CMNW seemed to have<br />

enormous promise and potential. The musicians who played<br />

there recognized what a great fit Portland was for chamber<br />

music … We had the resources to produce concerts at the very<br />

highest level, which attracted both musicians and audiences to<br />

Portland in the month of July, the best weather anywhere, and<br />

friendly welcoming audiences who were very happy to have us.”<br />

As an artistic director, Shifrin focuses on CMNW’s administrative,<br />

artistic and financial concerns. But Shifrin does more<br />

than oversee CMNW; he is also one of its regular performing<br />

artists. This summer he’ll play at least six different works over<br />

the festival’s five weeks, including Stravinsky’s A Soldier’s Tale,<br />

Schubert’s Shepherd on the Rock, clarinet sonatas by Poulenc<br />

and Brahms, and a newly commissioned work from Portland<br />

composer David Schiff. In any given season, Shifrin performs in<br />

roughly a third of the concerts at CMNW, and freely admits to<br />

the occasional difficulties inherent in juggling his performance<br />

and administrative duties.<br />

“You have to allow a certain time to prepare for both, and it’s<br />

always a challenge. The switch has to be turned on for public<br />

speaking or performing or sitting at a desk.”<br />

“It’s important to bring music to the next<br />

generation, especially when music isn’t<br />

prevalent in public schools.” David Shifrin<br />

14 JULY 2012 | OREGON JEWISH LIFE

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