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[ARTS]<br />
All in the Family<br />
Chamber Music Northwest’s artistic director<br />
passes love of music to new generations<br />
by Elizabeth Schwartz<br />
David Shifrin could say he owes everything to his mishpocha<br />
(extended family). The world-renowned clarinetist is also a<br />
professor at the Yale School of Music and artistic director<br />
of Chamber Music Northwest, Portland’s summer chamber<br />
music festival. His official bio is studded with more notable accomplishments<br />
than we have room to print, but suffice it to say<br />
Shifrin has worked with some of the world’s finest musicians,<br />
including Emanuel Ax, Wynton Marsalis, and the Guarneri and<br />
Emerson String Quartets.<br />
It was Shifrin’s distant relative, Argentinean-American film<br />
and television composer Lalo Schifrin, best known for writing<br />
the Mission Impossible TV show theme, who first encouraged<br />
Shifrin’s musical interests (the two families spell their surnames<br />
differently). Shifrin explains, “Lalo Schifrin’s family emigrated<br />
to Buenos Aires, and mine moved to New York. When Lalo<br />
first came to New York in the late 1950s, he opened the phone<br />
book and found my grandfather, who had the same name as<br />
his grandfather. So Lalo called us and we invited him over for<br />
Shabbat.”<br />
Schifrin encouraged Shifrin’s parents to get their son his<br />
first clarinet, an instrument he describes as “the chameleon”<br />
for its versatility and adaptability. Shifrin spent weekends with<br />
Lalo’s family as a teenager after Lalo moved to Beverly Hills,<br />
CA. In the 1980s, when Shifrin moved to Los Angeles himself,<br />
he maintained ties to Schifrin and his family. In 2005, Shifrin<br />
commissioned Dances Concertantes for Clarinet and Orchestra and<br />
another work for clarinet and strings from Schifrin. The two<br />
works were released on the Aleph label in 2006 as Shifrin plays<br />
Schifrin.<br />
As Shifrin approaches his 32 nd summer as artistic director of<br />
Chamber Music Northwest, he takes a moment to reflect on his<br />
tenure with one of <strong>Oregon</strong>’s most established summer festivals.<br />
“In 1981, when I became artistic director of CMNW, I was 31<br />
years old,” says Shifrin. “At that time, CMNW seemed to have<br />
enormous promise and potential. The musicians who played<br />
there recognized what a great fit Portland was for chamber<br />
music … We had the resources to produce concerts at the very<br />
highest level, which attracted both musicians and audiences to<br />
Portland in the month of July, the best weather anywhere, and<br />
friendly welcoming audiences who were very happy to have us.”<br />
As an artistic director, Shifrin focuses on CMNW’s administrative,<br />
artistic and financial concerns. But Shifrin does more<br />
than oversee CMNW; he is also one of its regular performing<br />
artists. This summer he’ll play at least six different works over<br />
the festival’s five weeks, including Stravinsky’s A Soldier’s Tale,<br />
Schubert’s Shepherd on the Rock, clarinet sonatas by Poulenc<br />
and Brahms, and a newly commissioned work from Portland<br />
composer David Schiff. In any given season, Shifrin performs in<br />
roughly a third of the concerts at CMNW, and freely admits to<br />
the occasional difficulties inherent in juggling his performance<br />
and administrative duties.<br />
“You have to allow a certain time to prepare for both, and it’s<br />
always a challenge. The switch has to be turned on for public<br />
speaking or performing or sitting at a desk.”<br />
“It’s important to bring music to the next<br />
generation, especially when music isn’t<br />
prevalent in public schools.” David Shifrin<br />
14 JULY 2012 | OREGON JEWISH LIFE