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Lexicon PCM96 A Reverb Masterclass? - Audio Media

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SOUND DEVICES 788T<br />

Digital <strong>Audio</strong> Recorder<br />

TY FORD wants to present<br />

Sound Devices' new digital<br />

recorder a 'no brainer' award<br />

for its ease of use and general<br />

all-round niceness.<br />

THE REVIEWER<br />

TY FORD is a recording engineer<br />

in the US, and regular contributor<br />

to Pro <strong>Audio</strong> Review, another<br />

NewBay title.<br />

The Sound Devices 788T is (over) simply described by<br />

Sound Devices as, “a high resolution digital audio<br />

recorder with time code.” That’s sort of like saying the<br />

Hummer H1 is an off-road vehicle. This is a four pound,<br />

feature rich, eight track recorder with 160 GB SATA<br />

internal drive, rechargeable Li-Ion battery, and external<br />

power supply/charger. This is not a prosumer hard drive<br />

recorder. This is a very professional audio recorder<br />

specifically designed for film and video. There’s not enough<br />

space to go into detail about the more intimate features of<br />

this device that make it truly extraordinary. Take a trip to the<br />

788T PDF manual at www.sounddevices.com to discover<br />

all of the features.<br />

The 788T is a second gen. device. Lessons learned from<br />

their 744T have been applied. While viewed as a ‘purt near<br />

perfect’ recorder by some, the 744T reduced the range of<br />

wireless mic receivers at certain frequencies when packed<br />

in a bag with those receivers. That problem does not exist<br />

with the 788T. Also, the rechargeable battery comes out<br />

a lot more easily. Although fairly straightforward, I would<br />

suggest reading the manual before using it.<br />

Basically, you’re recording up to eight tracks of very<br />

nice sounding preamps, line or AES/EBU digital sources to<br />

16- or 24-bit wave or poly wave files to the internal HD (up<br />

to 2TB), internal CF card and/or DVD-RAM drive attached<br />

via either the 400 or 800 Firewire ports. Unlike the 744T,<br />

there are only seven sample rate choices between 32 kHz<br />

and 48.048F.<br />

The 788T generates highly accurate time code and<br />

recognises composite NTSC, PAL, and Tri-level sync.<br />

The 788T supports 23.976, 24, 25, 29.97, 29.97 DF, 30, 30 DF,<br />

and 30+ frame rates via a five-pin LEMO connector on the<br />

right panel. It can be operated without time code or in<br />

free run, record run, free run jam once or 24 hour modes.<br />

The 788T also has its own sample clock with PLL circuitry<br />

and ignores external word clock, AES clock, and video<br />

sync during playback.<br />

On the left side of the 788T are four female XLRs, four<br />

TA3Ms and a headphone jack, and rotary headphone control.<br />

The preamps in the 788T are new to Sound Devices.<br />

I can’t tell a lot of difference between them and the ones<br />

in the 744T, but the new ones are supposed to have even<br />

more dynamic range. They are extremely quiet and very<br />

nice sounding. The 788T came with firmware version<br />

1.06 installed, and I thought the input limiters sounded<br />

a bit grungy, but after downloading and updating the<br />

firmware to 1.07 they sounded a lot better.<br />

The front panel is very straightforward; eight<br />

retractable input gain knobs separated by four toggle<br />

switches. Each switch instantly brings up the Input<br />

Settings Window that allows access to each input’s<br />

mic/line/digital, phantom power, input gain, high-pass<br />

filter (mic only), input limiter, track routing, and polarity.<br />

In this mode, the audio from the particular input selected<br />

will be soloed to the headphones. A separate input<br />

delay window allows each input to be digitally delayed<br />

><br />

IS YOUR ROOM<br />

UNDER CONTROL<br />

www.trinnov.com<br />

Trinnov’s Optimizer:<br />

<br />

<br />

<br />

UK Distribution: Sound-Link Marketing - tel: 01223 264 765 - trinnov@sound-link.co.uk<br />

www.sound-link.co.uk<br />

40<br />

AUDIO MEDIA OCTOBER 2008

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