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smithsonian latino art collections - Smithsonian Latino Center

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In New York, The Copper-Hewitt National Design Museum created in 1995 the <strong>Latino</strong>/Hispanic<br />

Design Archive to document the work of contemporary designers of <strong>Latino</strong> and Hispanic descent active<br />

in the United States and to become the “national repository of documentary and visual materials on<br />

<strong>Latino</strong> and Hispanic designers and their work…to facilitate research in the fields of industrial and graphic<br />

design, architecture and interior design, urban planning, and the design of textiles, wallcoverings,<br />

floorcoverings, jewelry, furniture, glass, ceramics, and theatrical and movie sets.” 66<br />

While in Fiscal Year 1995 <strong>Latino</strong> Initiatives Pool funds in the amount of $842,644 went to seven<br />

units, in Fiscal Year 1996 grants were made to 19 projects including large grants to SITES for the<br />

development of <strong>Latino</strong> exhibitions, and to the NMAH and SAAM to transport and provide conservation<br />

work to the Teodoro Vidal gift of a collection of about three thousand Puerto Rican <strong>art</strong>ifacts, religious<br />

<strong>art</strong> objects and <strong>art</strong>works. 67 Arguably the turning point for the <strong>Latino</strong> <strong>Smithsonian</strong> <strong>collections</strong> was the<br />

acquisition by gift of the Teodoro Vidal Collection in 1996 and 1997. Marvette Perez, curator at<br />

American History negotiated on behalf of the Institution with Mr. Vidal to transfer his collection to the<br />

National Museum of American History and the National Museum of American Art. The collection of<br />

3,500 objects became the Vidal Collection at NMAH and a number of paintings by Jose Campeche,<br />

religious <strong>art</strong> sculptures dating from the 17 th century on and miniatures became the Teodoro Vidal<br />

Collection at the National Museum of American Art.<br />

The establishment of the <strong>Smithsonian</strong> Institution <strong>Latino</strong> Oversight Committee with a two-year<br />

tenure (1995-1997) in 1995, assisted with the implementation of some recommendations made by the<br />

<strong>Smithsonian</strong> <strong>Latino</strong> Working Committee and the Task Force, and thus helped the Institution to cement<br />

the foundation for a larger and more visible Hispanic and <strong>Latino</strong> presence in the Institution not only in<br />

<strong>collections</strong> but in research and public programming as well. Members of the Committee included Tomás<br />

Ybarra-Frausto, Chair (Rockefeller Foundation); Ana Sol Gutiérrez Co-Chair (Montgomery County Board<br />

of Education); Miguel Bretos (now Counselor for <strong>Latino</strong> Affairs at the <strong>Smithsonian</strong> Institution); Luis R.<br />

Cancel (Esperanto Internet Services); Gilberto Cárdenas (Inter-University Program for <strong>Latino</strong> Research,<br />

University of Texas at Austin); Miriam Cruz (Equity Research Corporation); Stella Guerra-Nelson (Guerra<br />

International, Ltd.); Esther Novak (Vanguard Communications); and as Ex Officio members U.S.<br />

Congressman Lincoln Diaz-Bal<strong>art</strong>; U.S. Congressman Henry Bonilla; U.S. Congressman José E. Serrano;<br />

U.S. Congressman Esteban E. Torres; Raúl Yzaguirre (former Chair of the <strong>Smithsonian</strong> Task Force) and<br />

Manuel Melendez (Observer, <strong>Smithsonian</strong> Institution). 68 John Huerta, a member of the Committee in its<br />

early days, was named <strong>Smithsonian</strong> Institution General Counsel in November 1995. 69<br />

In its mid-term report to Secretary Heyman issued on August 16, 1996, the Oversight Committee<br />

noted the progress and the obstacles identified until then including the Institution’s “limited progress<br />

towards the inclusion of <strong>Latino</strong>s.” It added, “commitment to change has come from the top, but<br />

implementation lags far behind commitment in this very decentralized Institution. The current<br />

decentralized decision making and inconsistent implementation of <strong>Latino</strong> initiatives by the various<br />

museum directors may require that the Provost, together with Deputy Directors, carry out a more<br />

forceful oversight and reporting function with regard to operational-level activities.” 70<br />

66 Cooper-Hewitt National Design Museum, <strong>Latino</strong>/Hispanic Design Archive/Archivo de Diseño <strong>Latino</strong>/Hispano.<br />

Text on anterior inside cover.<br />

67 Mid-Term Report of the <strong>Smithsonian</strong> <strong>Latino</strong> Oversight Committee.<br />

68 Ibid.<br />

69 Towards a Shared Vision: U.S. <strong>Latino</strong>s and the <strong>Smithsonian</strong> Institution, Final Report of the <strong>Latino</strong> Oversight<br />

Committee. <strong>Smithsonian</strong> Institution, October 15, 1997; p. 77.<br />

70 Mid-Term Report of the <strong>Smithsonian</strong> <strong>Latino</strong> Oversight Committee. August 1996, p. 3. <strong>Smithsonian</strong> Institution<br />

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