smithsonian latino art collections - Smithsonian Latino Center
smithsonian latino art collections - Smithsonian Latino Center
smithsonian latino art collections - Smithsonian Latino Center
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Ortega and M<strong>art</strong>ín Ramírez. Similarly, in the 1990s the Chuck and Jan Rosenak gift/Luisita L. and Franz H.<br />
Denghausen Endowment purchase augmented the collection with works by Tobias Anaya, Felipe Benito<br />
Archuleta, Leroy Archuleta, Frank Brito, Nicholas Herrera, George Lopez, Gregorio Marzan, Jose<br />
Mondragon, Enrique Rendon and Horacio Valdez.<br />
The new decade promises to an exciting one with new initiatives, new programs, and new acquisitions.<br />
The appointment of E. Carmen Ramos as associate curator of <strong>Latino</strong> <strong>art</strong> at the <strong>Smithsonian</strong> American Art<br />
Museum in October 2010 marked the beginning of a new period in the history of the museum and its<br />
<strong>Latino</strong> <strong>collections</strong>. As of December 2011, Dr. Ramos has acquired works by gift and purchase by <strong>art</strong>ists<br />
Carlos Almaraz, Margarita Cabrera, Christina Fernadez, Ignacio Gomez, Carmen Herrera, Delilah<br />
Montoya, Ken Gonzales-Day, The Municipio de San Juan-Puerto Rico, Raphael M. Ortiz, Paul Henry<br />
Ramirez, Sofie Rivera, Freddy Rodriguez, Emilio Sanchez, Ruben Trejo, Patssi Valdez, Kathy Vargas<br />
among others. Plans for the exhibition Our America: The <strong>Latino</strong> Presence in American Art are well under<br />
way for October 2013-March 2014. The exhibition “explores a key cornerstone in our national<br />
narrative—that we are "a nation of immigrants"—by considering the varied contributions of <strong>Latino</strong><br />
<strong>art</strong>ists to American <strong>art</strong> and culture from the mid-twentieth century to the present. Featuring more than<br />
seventy works across all media by some of the leading contemporary <strong>art</strong>ists working in the United<br />
States, the exhibition will examine how their works express an unfolding and p<strong>art</strong>icular American<br />
experience.” 1<br />
In its quest to increase and diffuse knowledge, LVM conducts pan-institutional research on <strong>Smithsonian</strong><br />
<strong>Latino</strong> Collections and resources. The <strong>Latino</strong> & Hispanic Art Collections Index here presented highlights<br />
the holdings of the following <strong>Smithsonian</strong> Institution units:<br />
Archives of American Art<br />
With over 16 million items in its continually growing <strong>collections</strong>, the Archives is the world’s largest and<br />
most widely used resource dedicated to collecting and preserving the papers and primary records of the<br />
visual <strong>art</strong>s in America.<br />
http://www.aaa.si.edu/<br />
Cooper-Hewitt National Design Museum<br />
Cooper-Hewitt, National Design Museum, <strong>Smithsonian</strong> Institution is the only museum in the nation<br />
devoted exclusively to historic and contemporary design. The Museum presents compelling perspectives<br />
on the impact of design on daily life through active educational and curatorial programming. It is the<br />
mission of Cooper-Hewitt’s staff and Board of Trustees to advance the public understanding of design<br />
across the twenty-four centuries of human creativity represented by the Museum’s collection.<br />
http://cooperhewitt.org/<br />
Hirshhorn Museum and Sculpture Garden<br />
The <strong>Smithsonian</strong>’s Hirshhorn Museum and Sculpture Garden is a leading voice for contemporary <strong>art</strong> and<br />
culture and provides a national platform for the <strong>art</strong> and <strong>art</strong>ists of our time. We seek to share the<br />
transformative power of modern and contemporary <strong>art</strong> with audiences at all levels of awareness and<br />
understanding by creating meaningful, personal experiences in which <strong>art</strong>, <strong>art</strong>ists, audiences and ideas<br />
converge. We enhance public understanding and appreciation of contemporary <strong>art</strong> through acquisition,<br />
exhibitions, education and public programs, conservation, and research.<br />
1 <strong>Smithsonian</strong> American Art Museum, Upcoming Exhibitions, Our America: The <strong>Latino</strong> Presence in American Art.<br />
http://american<strong>art</strong>.si.edu/exhibitions/archive/2013/our_america/<br />
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