smithsonian latino art collections - Smithsonian Latino Center
smithsonian latino art collections - Smithsonian Latino Center
smithsonian latino art collections - Smithsonian Latino Center
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objectives as follows “the <strong>Center</strong> provides access to enrichment programs using the <strong>Smithsonian</strong><br />
<strong>collections</strong>, exhibitions and programs as a venue for cross-cultural understanding, community dialogue<br />
and development. The <strong>Center</strong> promotes on-going research in the field of <strong>Latino</strong> studies and culture, and<br />
provides national audiences with educational exhibitions public programs, and online and electronic<br />
resources. The <strong>Center</strong> reaches put to the vast <strong>Latino</strong> community of the United States by building<br />
dialogue and relationships between <strong>Smithsonian</strong> Institution and civic, social and cultural organizations,<br />
and colleges and universities. The <strong>Center</strong> works with government agencies, corporations, and<br />
foundations to foster the development of programming to highlight the rich <strong>Latino</strong> cultural heritage.” 88<br />
During the Regents Board meeting of January 25, 1999, in anticipation to the motion to create<br />
an Advisory Board, Secretary Heyman through Provost O’Connor reminded “that the purpose of the<br />
<strong>Center</strong> is to enhance the capacity to present throughout all <strong>Smithsonian</strong> museums the contributions to<br />
American culture and heritage that have been made by the <strong>Latino</strong> population. The Secretary<br />
emphasized that the <strong>Center</strong> will operate through existing museums as an alternative to the<br />
establishment of its own museum.” 89 During the meeting the <strong>Smithsonian</strong> Board of Regents approved<br />
the creation of the National Advisory Board of the <strong>Smithsonian</strong> <strong>Center</strong> for <strong>Latino</strong> Initiatives, “to provide<br />
advice, support, and expertise to the Secretary and Provost, to the <strong>Smithsonian</strong> Board of Regents and to<br />
the Director of the <strong>Smithsonian</strong> <strong>Center</strong> for <strong>Latino</strong> Initiatives; to help build the financial base of the<br />
<strong>Center</strong> by identifying and securing private funds; and to advocate the <strong>Center</strong>’s purpose and programs<br />
nationally and to build broad support for the <strong>Center</strong>’s mission” 90<br />
In 1999 the <strong>Center</strong> underwent a series of strategic planning exercises to organize itself under<br />
three major sections: <strong>Latino</strong> music and historical traditions; <strong>Latino</strong> <strong>art</strong>s and culture; and <strong>Latino</strong> research,<br />
outreach and educational resources as well as to administer the <strong>Latino</strong> Initiatives Pool, an annual<br />
Congressional appropriation of about one million dollars whose disbursement is made through an<br />
internal grant competition for <strong>Smithsonian</strong> units to develop <strong>Latino</strong>-focused programs, exhibitions,<br />
research and <strong>collections</strong> management. The central role of the <strong>Latino</strong> Initiatives Pool has been amply<br />
demonstrated in the publication/report Hispanic Heritage at the <strong>Smithsonian</strong>: A Decade of <strong>Latino</strong><br />
Initiatives (Washington, DC: <strong>Smithsonian</strong> Institution, 2006) which documented more than 90 initiatives<br />
undertaken during the fiscal years of 1995-2005 with over $12.4 million dollars distributed to fund<br />
projects such as exhibitions, public programs, research and publications. 91<br />
The lack of a physical exhibition space, led the <strong>Center</strong> to harness new media and technology to<br />
create an online presence through the Internet to disseminate information and a virtual space for webbased<br />
exhibitions. The <strong>Latino</strong> Virtual Gallery (LVG) was unveiled on June 9, 2000 “as an electronic<br />
environment where viewers may explore and discover <strong>Latino</strong> contributions to the <strong>art</strong>s, culture, history<br />
and the humanities.” 92 As Magdalena Mieri and Melissa Carrillo stated, “creating an exhibition in<br />
cyberspace was more than a creative solution to the problem of lack of exhibition space. It was also a<br />
way to combine the experience of visiting a museum with a new medium.” 93 The inaugural exhibition<br />
Revealing Personal Identity: The Indigenous Vision of Manuel Carrillo, was curated by Melissa Carrillo<br />
who conceptualized it and designed it in p<strong>art</strong>nership with the C.L. Sonnichsen Special Collections<br />
88 Refugio I. Rochin, “The <strong>Smithsonian</strong> Institution and the Politics of Cultural Representation: the Case of U.S.<br />
<strong>Latino</strong>s.” Paper delivered at the Building Diversity in the University and the Community, Fifth Annual Conference,<br />
University of Nebraska, Lincoln, October 27, 2000. Online at: http://works.bepress.com/refugio_rochin/7/<br />
89 Regents’ Minutes, January 25, 1999, p. 18. <strong>Smithsonian</strong> <strong>Latino</strong> <strong>Center</strong> Archives.<br />
90 Regents’ Minutes, January 25, 1999, p. 18-20. <strong>Smithsonian</strong> <strong>Latino</strong> <strong>Center</strong> Archives.<br />
91 <strong>Smithsonian</strong> <strong>Latino</strong> <strong>Center</strong>. Hispanic Heritage at the <strong>Smithsonian</strong>: A Decade of <strong>Latino</strong> Initiatives. Washington, DC:<br />
<strong>Smithsonian</strong> Institution, 2006, p. 10.<br />
92 <strong>Latino</strong> Virtual Gallery brochure, 2001-2002. <strong>Smithsonian</strong> <strong>Latino</strong> <strong>Center</strong> Archives.<br />
93 Angela Cervetti, “Exhibition Spotlight: <strong>Latino</strong> Initiatives Opens Virtural Gallery.” The Torch, A Monthly Newspaper<br />
for <strong>Smithsonian</strong> Institution Staff, No. 01-01 January 2001.<br />
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