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The Library of Roger Wagner - PBA Galleries

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110. miller, henry. <strong>The</strong> World <strong>of</strong> Sex - revisions. 42 glossy photographs, each 8x10 <strong>of</strong> Miller’s<br />

holograph revisions. 2 pages <strong>of</strong> text per photograph.<br />

No place: 1957<br />

Miller was told by Olympia Press that they were to publish a side-by-side edition with one page<br />

demonstrating his holograph revisions facing a page <strong>of</strong> the final text. <strong>The</strong> book was published<br />

with only 10 such pages, maddening Miller. <strong>The</strong> photographs show the actual extent <strong>of</strong><br />

revisions and emendations by Miller on the work, which left hardly a sentence unchanged. Near<br />

fine.<br />

(800/1200)<br />

Lot 110<br />

111. miller, henry. “Third Eye Correspondence”. Envelope filled with Miller’s 9-page typed essay<br />

on T. Lobsang Rampa’s book, <strong>The</strong> Third Eye (with numerous holograph corrections by Miller) &<br />

ensuing correspondence from Rampa (Hoskins) to Miller and from Ken McCormick, editor in chief<br />

at Doubleday, to Miller.<br />

Various places: 1957-1958<br />

Fascinating correspondence regarding the famous literary hoax, in which Cyril Henry Hoskin,<br />

a plumber’s son from Plympton, England who had never been to the Orient, masqueraded as<br />

Tibetan lama “T. Lobsang Rampa” and wrote <strong>The</strong> Third Eye, an “autobiographical” account<br />

<strong>of</strong> the lama’s life in Asia, clairvoyant doings, and occult beliefs that was questioned from the<br />

outset. In 1957, before the hoax was revealed, Henry Miller was on a “one- man crusade” to<br />

bring about awareness <strong>of</strong> the importance <strong>of</strong> Rampa’s already controversial metaphysical book,<br />

and to get it published in the United States, and his essay gives many insights into Miller’s<br />

own philosophies despite the hoax. Throughout the correspondence, the hoax is revealed<br />

and Hoskin comes up with a number <strong>of</strong> explanations, one being that he had ghosted the<br />

story for a Tibetan in hiding, another that he was a Tibetan spiritually inhabiting the body<br />

<strong>of</strong> an Englishman, and (my personal favorite) that he had stolen identity papers from a dead<br />

Englishman living in the East and masqueraded as him to move to Ireland, where he resided<br />

at the time <strong>of</strong> the hoax. <strong>The</strong>re are several signed letters from him to Henry Miller, providing<br />

these explanations, and Miller’s letters back to him are very supportive. Throughout their<br />

correspondence, Hoskin’s language get more relaxed, making it quite clear that English is not his<br />

second language, and the two get down to writing about the best & worst literary agents, money,<br />

etc. As Hoskin had sworn Miller to utter secrecy regarding the revelation that he had stolen a<br />

British I.D. <strong>of</strong>f a dead body, the outside <strong>of</strong> the envelope <strong>of</strong> correspondence reads, in Miller’s<br />

hand, “Do not open until after my death - Henry Miller.” Fine - a fascinating group <strong>of</strong> letters.<br />

(600/900)<br />

Page 58

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