The Library of Roger Wagner - PBA Galleries
The Library of Roger Wagner - PBA Galleries
The Library of Roger Wagner - PBA Galleries
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127. miller, henry. Cousin Henry - 19 page typescript with holograph corrections. 19 page typescript memoir<br />
<strong>of</strong> Miller’s cousin Henry, with holograph corrections; accompanied by a copy <strong>of</strong> the same.<br />
No place: [1976]<br />
An interesting memoir <strong>of</strong> Miller’s childhood visits spent with Cousin Henry on 85th Street in<br />
Manhattan, the boys he played with, the girl he almost slept with, shenanigans with the gang in<br />
the streets or cool cellars during the summers, playing cards & reading aloud. From one passage,<br />
he writes: “And then there were those wonderful slices <strong>of</strong> rye bread with rich sweet butter and<br />
sugar which his mother handed us when we came home from play. She did it as if we were two<br />
little angels. Never did she suspect, sweet innocent creature, what her two `good little boys’ were<br />
capable <strong>of</strong>. Never would she have believed that we two had killed a boy in a gang rock fight.<br />
No, we looked just the same as ever that day, or perhaps a little paler, for we were conscious <strong>of</strong><br />
the crime we had committed. For days we trembled if there was an unexpected knock at the<br />
door. <strong>The</strong> police were constantly on our minds. Fortunately none <strong>of</strong> the gang knew we were<br />
responsible for the killing. We were intelligent enough to keep our mouths shut. Besides, it was<br />
an accident and not a deliberate killing. As soon as it happened we had sneaked away. We didn’t<br />
feel very heroic about it either....” Rust marks from paperclips; else about fine.<br />
(300/500)<br />
128. miller, henry. Jimmy Pasta - 22 page typescript essay with holograph corrections about Miller’s childhood<br />
friend. 22 page typescript essay, with holograph corrections, about Miller’s childhood friend, Jimmy<br />
Pasta, and school & young adulthood memories <strong>of</strong> his Brooklyn neighborhood. Accompanied by a<br />
carbon copy <strong>of</strong> the same.<br />
No place: [1976]<br />
Pasta attended P.S. 85 with Miller in Brooklyn, and later got him a job at the <strong>of</strong>fice <strong>of</strong> the<br />
Brooklyn Park Commissioner, where he began writing and eventually earned enough money<br />
for his passage to Paris. Pasta appeared as Tony Marella in Miller’s Plexus & Nexus, and is<br />
referred to many times in Miller’s notebooks <strong>of</strong> outlines for <strong>The</strong> Rosy Crucifixion. Holograph<br />
corrections are generally in the form <strong>of</strong> crossing out last names <strong>of</strong> people from Miller’s<br />
youth that he is slandering (pedophiles, homosexuals, lusty female teachers at P.S. 85, etc.).<br />
He describes, as a 21-year old, hearing lectures given by Emma Goldman which changed<br />
the course <strong>of</strong> his life, his first marriage (rarely talked about) to his piano teacher: “I married<br />
her not because I was in love with her but to escape the draft. We quarreled almost from the<br />
very beginning. Sometimes we rolled on the floor struggling with one another. It was truly<br />
disgraceful the life we led...” (She eventually joined a nunnery after he left her for June). He<br />
details extra-marital affairs, asking his first wife to let his mistress come live with them (she said<br />
no), meeting and shacking up with June, June and Jean Kronski’s lesbian affair, their collective<br />
pennilessness (“It was a cold winter and I had chopped all the furniture to pieces to make<br />
firewood...”), meeting Pasta on the street and getting a job with the Parks Commissioner, June<br />
and Jean leaving him for Paris, and the following years in brief. Rusty paperclip marks, else near<br />
fine - a well-written memoir.<br />
(400/600)<br />
MEMOIR OF LONGTIME FRIEND JOE GRAY<br />
129. miller, henry. Joe Gray - 44 page holograph manuscript for a chapter in Miller’s Book <strong>of</strong> Friends. 44 page<br />
holograph manuscript for a chapter in Miller’s Book <strong>of</strong> Friends. Accompanied by two 33-page typed<br />
photocopies.<br />
No place: c.1976<br />
Lengthy memoir <strong>of</strong> Miller’s longtime friend, Joe Gray, whom Miller met in Los Angeles after he<br />
had returned from Europe. Full <strong>of</strong> sex, mischief, boxing, and adventures, Miller describes with<br />
zeal his friend’s life, and <strong>of</strong> course his own in the process: “...For a man who had had no great<br />
eduation it was amazing how keen his judgement <strong>of</strong> authors was. His great favorite was Byron,<br />
followed closely by Keats and Shelley. He even named his dog Byron. For a man who could<br />
so easily ingratiate himself with women, it was amazing to observe the affection he bestowed<br />
on Byron. Byron came first in everything. Of course this lavish affection for a dog came about<br />
through some heart- breaking setbacks with women. He had been betrayed three or four times,<br />
with the result that he was absolutely adamant as regards showing any further affection toward<br />
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