The Library of Roger Wagner - PBA Galleries
The Library of Roger Wagner - PBA Galleries
The Library of Roger Wagner - PBA Galleries
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LETTERS FROM ANAIS NIN DISCUSSING HER DIARIES<br />
200. nin, AnAïs. Group <strong>of</strong> 12, one to two-page typed and holograph letters, almost all signed, and 6 holograph<br />
postcards signed, to Henry Miller. 12 one to two-page typed and holograph letters, most signed by Anaïs<br />
Nin. One in original envelope. Post cards with Nin’s return address printed on rectos.<br />
Various places: 1966-1976<br />
<strong>The</strong> letters and postcards from Nin to Miller discuss much about her diaries, and what<br />
could and could not be published <strong>of</strong> the correspondence in her Diaries, as well as mutual<br />
acquaintances, surgeries, current activities, and memories. From one letter, Nin writes, “I am<br />
winning my battle with man hating feminists. Kate Millet who wrote such a hate filled book<br />
against men, has paid me a tribute and changed considerably. I suppose you have heard that<br />
my papers will be with yours at UCLA but most <strong>of</strong> it goes to taxes. Unbelievable. I have<br />
been venturing out in spite <strong>of</strong> the hole in my stomach caused by radiation and which erupts<br />
at unexpected moments which kept me in the house for a year and a half...” From another,<br />
dated 1973, “Have been reliving the past so unfortunately left out <strong>of</strong> the Diary (compassion!)<br />
Xeroxing your personal letters for the day they can be published. I will <strong>of</strong> couse show you a<br />
copy. I did the job myself for privacy at a College xerox machine! An hour a day is all I could<br />
do. I hope this year there won’t be so many lectures. Deep down I don;t like the public life -<br />
prefer just to write and stay home but my horoscope gives me dependants....” <strong>The</strong>re are also a<br />
couple <strong>of</strong> letters from a trip to Asia that Nin took in 1966, describing her travels, particularly in<br />
Japan: “My publisher entertained me royally, with Geisha dinner - and they are eager to do the<br />
same when you come. I feel at home with that mixture <strong>of</strong> deep meaning expressed in outward<br />
beauty - the immaculateness, the caring, the tranquility, the poetry - Nothing is literal. A garden<br />
is a representation <strong>of</strong> the eternal, it must always be green, no flowers, flowers die and disturb<br />
contemplation <strong>of</strong> eternity!....” A number <strong>of</strong> the letters have Anais’ last name holographed in<br />
Miller’s hand next to her signature. About fine.<br />
(3000/5000)<br />
201. nin, AnAïs. One-page autograph letter signed from Anaïs Nin to Henry Miller. 1 page ALs on International<br />
Hotel Okazaki (<strong>of</strong> Japan) stationery. 10x8.<br />
No place: April 13, 1969<br />
Nin loved to gather stationary from worldly hotels to write letters on. <strong>The</strong> letter begins: “Dear<br />
Henry: Your film is wonderful and truly captured your personalities - all <strong>of</strong> them. It is moving<br />
and beautiful and natural. You are a natural actor - and what came through was the blending <strong>of</strong><br />
humor and sorrow, <strong>of</strong> playfulness and gravity both. It is you....” Miller’s holograph note, “Nin”<br />
next to Anaïs’ signature. Fine.<br />
(1000/1500)<br />
Lot 200 Lot 201<br />
Page 92