The Library of Roger Wagner - PBA Galleries
The Library of Roger Wagner - PBA Galleries
The Library of Roger Wagner - PBA Galleries
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MILLER RECALLS THEATRE OF CHILDHOOD & YOUTH<br />
143. miller, henry. <strong>The</strong> <strong>The</strong>atre - 15 page holograph manuscript, signed. 15 page holograph manuscript,<br />
signed. Accompanied by a 10 page original typescript with holograph corrections by Miller, and a 2<br />
photocopies <strong>of</strong> the same.<br />
No place: [c.1978]<br />
Miller recalls the theatre <strong>of</strong> his childhood and youth, with vivid details <strong>of</strong> his colorful memories:<br />
“My earliest remembrance <strong>of</strong> any theatre is that <strong>of</strong> the vaudeville house called `<strong>The</strong> Novelty’<br />
not far from out home on Driggs Avenue, Williamsburg. Every Saturday my mother would<br />
give me a dime to buy a seat in `Nigger Heaven’, as the gallery was called. I was then seven<br />
or eight years old. If there were any comedians in those days I don’t recall them, or else their<br />
jokes were over my head. Mainly there were acrobats, trick cyclists, magicians and such like...<br />
It’s during my adolescence (12-15 years <strong>of</strong> age) that I become aware <strong>of</strong> all the theatres there are<br />
or were in Brooklyn. By this time we are living in the Bushwick section, not so very far from<br />
Evergreen Cemetery, and Trommer’s Beer Garden...I discovered that in the East New York<br />
section there were several 10-20-30 theatres, featuring shows like `Bertha the Sewing Machine<br />
Girl’ or `<strong>The</strong> Two Orphans.’...<strong>The</strong> Neighborhood Playhouse had the same authenticity but was<br />
more sophisticated and could afford well-trained actors. I recall vividly my first visit - they were<br />
giving a play by a well-known British author who had encouraged Joseph Conrad to be a writer<br />
and to write in English rather than<br />
Polish or French. It happened<br />
that night that the leading actress<br />
was the beautiful, mature wife <strong>of</strong><br />
the well- known Richard Bennett.<br />
<strong>The</strong> scene which electrified me<br />
was <strong>of</strong> her sitting in her boudoir<br />
before her make-up table, dressed<br />
rather scantily and glorious to<br />
behold. What got me was that she<br />
sat there, looking at herself in the<br />
mirror and never uttering a word.<br />
Everything that passed through her<br />
mind was registered in her facial<br />
expressions. Shadows flitted across<br />
her face, her eyes flashed, her teeth<br />
shone white and bright, her hands<br />
made gesticulating movements. It<br />
was hallucinating. I had never seen<br />
such acting before. And so, when<br />
I arrived home, I sat down and<br />
wrote her a eulogistic letter. I must<br />
have put a return address on the<br />
envelope because in short order I<br />
received a most gracious invitation<br />
from her to come visit her in her<br />
dressing room....” Fine - a great,<br />
lengthy piece containing some<br />
<strong>of</strong> Miller’s sweetest childhood<br />
Lot 143<br />
memories. Near fine.<br />
(2000/3000)<br />
144. miller, henry. Miriam Painter - holograph manuscript and related materials. Includes: 4 page holograph<br />
manuscript <strong>of</strong> the work. * 3 page typescript with holograph corrections. * 1 page <strong>of</strong> holograph notes<br />
by Miller to his secretary and son.<br />
[Pacific Palisades]: [1979]<br />
Fine.<br />
Page 72<br />
(200/300)