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The Library of Roger Wagner - PBA Galleries

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MILLER RECALLS THEATRE OF CHILDHOOD & YOUTH<br />

143. miller, henry. <strong>The</strong> <strong>The</strong>atre - 15 page holograph manuscript, signed. 15 page holograph manuscript,<br />

signed. Accompanied by a 10 page original typescript with holograph corrections by Miller, and a 2<br />

photocopies <strong>of</strong> the same.<br />

No place: [c.1978]<br />

Miller recalls the theatre <strong>of</strong> his childhood and youth, with vivid details <strong>of</strong> his colorful memories:<br />

“My earliest remembrance <strong>of</strong> any theatre is that <strong>of</strong> the vaudeville house called `<strong>The</strong> Novelty’<br />

not far from out home on Driggs Avenue, Williamsburg. Every Saturday my mother would<br />

give me a dime to buy a seat in `Nigger Heaven’, as the gallery was called. I was then seven<br />

or eight years old. If there were any comedians in those days I don’t recall them, or else their<br />

jokes were over my head. Mainly there were acrobats, trick cyclists, magicians and such like...<br />

It’s during my adolescence (12-15 years <strong>of</strong> age) that I become aware <strong>of</strong> all the theatres there are<br />

or were in Brooklyn. By this time we are living in the Bushwick section, not so very far from<br />

Evergreen Cemetery, and Trommer’s Beer Garden...I discovered that in the East New York<br />

section there were several 10-20-30 theatres, featuring shows like `Bertha the Sewing Machine<br />

Girl’ or `<strong>The</strong> Two Orphans.’...<strong>The</strong> Neighborhood Playhouse had the same authenticity but was<br />

more sophisticated and could afford well-trained actors. I recall vividly my first visit - they were<br />

giving a play by a well-known British author who had encouraged Joseph Conrad to be a writer<br />

and to write in English rather than<br />

Polish or French. It happened<br />

that night that the leading actress<br />

was the beautiful, mature wife <strong>of</strong><br />

the well- known Richard Bennett.<br />

<strong>The</strong> scene which electrified me<br />

was <strong>of</strong> her sitting in her boudoir<br />

before her make-up table, dressed<br />

rather scantily and glorious to<br />

behold. What got me was that she<br />

sat there, looking at herself in the<br />

mirror and never uttering a word.<br />

Everything that passed through her<br />

mind was registered in her facial<br />

expressions. Shadows flitted across<br />

her face, her eyes flashed, her teeth<br />

shone white and bright, her hands<br />

made gesticulating movements. It<br />

was hallucinating. I had never seen<br />

such acting before. And so, when<br />

I arrived home, I sat down and<br />

wrote her a eulogistic letter. I must<br />

have put a return address on the<br />

envelope because in short order I<br />

received a most gracious invitation<br />

from her to come visit her in her<br />

dressing room....” Fine - a great,<br />

lengthy piece containing some<br />

<strong>of</strong> Miller’s sweetest childhood<br />

Lot 143<br />

memories. Near fine.<br />

(2000/3000)<br />

144. miller, henry. Miriam Painter - holograph manuscript and related materials. Includes: 4 page holograph<br />

manuscript <strong>of</strong> the work. * 3 page typescript with holograph corrections. * 1 page <strong>of</strong> holograph notes<br />

by Miller to his secretary and son.<br />

[Pacific Palisades]: [1979]<br />

Fine.<br />

Page 72<br />

(200/300)

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