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The Library of Roger Wagner - PBA Galleries

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195. miller, lepskA. Three brief autograph letters signed to Henry Miller. 3 short ALs from Henry’s third<br />

wife, Lespka. Each regarding a loan.<br />

Altadena: 1972<br />

Very good.<br />

Page 91<br />

(200/300)<br />

196. moore, ThomAs h., eDiTor. Bibliography: Henry Miller - with additions laid in. 32 pp. Pink wrappers.<br />

No. 854 out <strong>of</strong> 100 copies printed by Ad Art Advertising. First Edition.<br />

Minneapolis: Henry Miller Literary Society, 1961<br />

Heavily annotated by Henry Miller in margins and around entries. “Do not lose this - very<br />

precious!” written in another hand on front cover. An important copy with Miller’s corrections.<br />

With laid in addendum sheet, additions sheet, and short note written in another hand. Near fine.<br />

(500/800)<br />

197. moore, Tom. Henry Miller Chronology (from April 1959 to Aug. 1, 1963) - typescript with holograph<br />

corrections, plus photocopy, plus autograph letter signed from Tom Moore. Lot includes: 3 page typescript with<br />

holograph corrections. * 4 page photocopy <strong>of</strong> a variant (apparently earlier) draft <strong>of</strong> the typescript. *<br />

2 page ALs from Tom Moore, an early Miller bibliographer, written to Henry Miller on <strong>The</strong> Henry<br />

Miller Literary Society letterhead, and dated 8/9/63.<br />

1963<br />

<strong>The</strong> letter from Tom Moore touches on a few subjects. He points out an error in Miller’s dates<br />

(“One mistake, 1961, at end <strong>of</strong> that year, where you say Emil Schnellock & Joseph O’Regan<br />

died. Schnellock died in 1958.” He mentions that “Capricorn is selling well here in paper. I hear<br />

Grove will publish all 3 in one soon.” Near fine.<br />

(500/800)<br />

PHOTOGRAPHS OF ANAIS NIN<br />

198. nin, AnAïs. Eleven original photographs <strong>of</strong> Anaïs Nin and 1 photograph <strong>of</strong> a drawing <strong>of</strong> her. Each 8x10<br />

or smaller.<br />

Various places: 1935-1971<br />

<strong>The</strong> photographs cover a long stretch <strong>of</strong> time, from a copy-photograph <strong>of</strong> Nin in the 1930’s,<br />

to 1940’s-era snapshots <strong>of</strong> her in a bathing suit, a picture <strong>of</strong> Nin seated in Henry Miller’s living<br />

room (with his paintings behind her), a large photograph <strong>of</strong> her in a vault with her diaries, and<br />

several <strong>of</strong> Nin in Los Angeles, 1971. One signed & labeled by Nin on verso, most others with<br />

verso notations in Miller’s hand. Fine.<br />

(600/900)<br />

199. nin, AnAïs. Two-page carbon typed letter to Henry Miller, unsigned but with note in Miller’s hand “From<br />

Anaïs Nin” at end. 2 page TL. Unsigned by with holograph note at bottom that reads “(From Anaïs<br />

Nin).”<br />

No place: 1933<br />

Nin writes to Miller (though not actually addressing him) about a visit she had with Dr. Otto<br />

Rank, with whom she studied psychoanalytic techniques: “...What I needed was the high<br />

challenge, the acid test, and I got it. And where Rank stands after thirty years <strong>of</strong> struggle,<br />

research, etc., there I stood equally firm, firmer I’m telling you, despite all contradictions in<br />

my soul. It remains a fact that I conquered, and not the least important fact that I consider the<br />

conquest a victory over myself. And if this contains anything <strong>of</strong> revelation, <strong>of</strong> wisdom, <strong>of</strong> real<br />

vision, take it as a gift which only you have made it possible for me to <strong>of</strong>fer. You have been the<br />

teacher, not Rank. Not even Nietzsche, nor Spengler. All <strong>of</strong> these, unfortunately, receive the<br />

acknowledgement, but in them lies the dead skeleton <strong>of</strong> the idea. In you was the vivification, the<br />

living example, the guide who conducted me through the labyrinth <strong>of</strong> self to unravel the riddle<br />

myself, to come to the mysteries....” A wonderful, important letter with early insights into Nin’s<br />

relationship with herself and with Henry Miller. Touch <strong>of</strong> rubbing from paper clip; very good.<br />

(600/900)

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