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Concise.pdf - Brugge Plus

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Music<br />

The Concertgebouw is indisputably the most important asset built in Bruges on the occasion<br />

of 2002. The <strong>Brugge</strong> 2002 organisers were the first to be able to present programmes there.<br />

We opted for a very wide-ranging programme. It was characterised by some experimentation<br />

and the discovery of frontiers, but we also chose programmes that would play on this<br />

beautiful infrastructure to the full.<br />

In addition we also scheduled events at a whole host of sites all over the city. This<br />

involved 39 projects in all, involving some three hundred orchestras or music groups.<br />

More than 55,000 tickets were sold. Counting the free music events as well, we come<br />

to a total estimate of almost 90,000 listeners - a broad public for a wide-ranging programme.<br />

Series<br />

We programmed a large number of series, from symphonic to vocal, from classical to<br />

contemporary and experimental. Folk, world music and jazz were also on offer.<br />

Homage – Creation was a series of five concerts for orchestra, with a strong classical<br />

work on the one hand and a seldom-played Flemish creation on the other. The<br />

Belgian National Orchestra, deFilharmonie, the Flemish Radio Orchestra, the<br />

Flanders Symphony Orchestra and the Beethoven Academy provided for this series<br />

and enjoyed their first acoustic experience in the Concert Hall.<br />

These outstanding acoustics were also immediately audible during the inaugural concert<br />

on 20.02.2002, in which Anima Eterna played the Concertgebouw in with<br />

Haydn’s “Die Schöpfung”.<br />

Most of these orchestras made more than one appearance, playing in other programmes<br />

spread across the year. For example, the Flemish Radio Orchestra gave a<br />

notable concert with Raymond van het Groenewoud and with Will Tura.<br />

DeFilharmonie gave of its all on the KBC Acquarius Day with creations by composition<br />

students and a closing concert with Tom Barman (dEUS). There was also a good<br />

offering in the way of foreign orchestras:<br />

the Wiener Symphoniker, the Orchestre<br />

National de Lille and the Orchestra of the<br />

Renaissance.<br />

25<br />

CONCISE<br />

© JAN VERNIEUWE<br />

The Chamber Music Hall was also immediately<br />

beguiling, not in the least because of<br />

the exceptional atmosphere in this “cortile”.<br />

The Chamber Music Hall was played in by<br />

the Spiegel String Quartet, the first in a<br />

series of five prestigious String Quartets, the<br />

others being the Keller, Danel, Schönberg<br />

and Minguet quartets.<br />

Festivals<br />

Various festivals were organised in a specific<br />

line or around a particular theme.<br />

BRUGGE 2002 supplemented the<br />

renowned festival of old music Musica<br />

Antiqua with a couple of concerts.<br />

Almost 14,000 tickets were sold for this<br />

two-week festival, which comprised 27<br />

concerts.<br />

Jazz <strong>Brugge</strong> 2002<br />

Sponsor visibility at the Concertgebouw<br />

© STEFAAN YSENBRANDT

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