Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
Concise.pdf - Brugge Plus
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Music<br />
The Concertgebouw is indisputably the most important asset built in Bruges on the occasion<br />
of 2002. The <strong>Brugge</strong> 2002 organisers were the first to be able to present programmes there.<br />
We opted for a very wide-ranging programme. It was characterised by some experimentation<br />
and the discovery of frontiers, but we also chose programmes that would play on this<br />
beautiful infrastructure to the full.<br />
In addition we also scheduled events at a whole host of sites all over the city. This<br />
involved 39 projects in all, involving some three hundred orchestras or music groups.<br />
More than 55,000 tickets were sold. Counting the free music events as well, we come<br />
to a total estimate of almost 90,000 listeners - a broad public for a wide-ranging programme.<br />
Series<br />
We programmed a large number of series, from symphonic to vocal, from classical to<br />
contemporary and experimental. Folk, world music and jazz were also on offer.<br />
Homage – Creation was a series of five concerts for orchestra, with a strong classical<br />
work on the one hand and a seldom-played Flemish creation on the other. The<br />
Belgian National Orchestra, deFilharmonie, the Flemish Radio Orchestra, the<br />
Flanders Symphony Orchestra and the Beethoven Academy provided for this series<br />
and enjoyed their first acoustic experience in the Concert Hall.<br />
These outstanding acoustics were also immediately audible during the inaugural concert<br />
on 20.02.2002, in which Anima Eterna played the Concertgebouw in with<br />
Haydn’s “Die Schöpfung”.<br />
Most of these orchestras made more than one appearance, playing in other programmes<br />
spread across the year. For example, the Flemish Radio Orchestra gave a<br />
notable concert with Raymond van het Groenewoud and with Will Tura.<br />
DeFilharmonie gave of its all on the KBC Acquarius Day with creations by composition<br />
students and a closing concert with Tom Barman (dEUS). There was also a good<br />
offering in the way of foreign orchestras:<br />
the Wiener Symphoniker, the Orchestre<br />
National de Lille and the Orchestra of the<br />
Renaissance.<br />
25<br />
CONCISE<br />
© JAN VERNIEUWE<br />
The Chamber Music Hall was also immediately<br />
beguiling, not in the least because of<br />
the exceptional atmosphere in this “cortile”.<br />
The Chamber Music Hall was played in by<br />
the Spiegel String Quartet, the first in a<br />
series of five prestigious String Quartets, the<br />
others being the Keller, Danel, Schönberg<br />
and Minguet quartets.<br />
Festivals<br />
Various festivals were organised in a specific<br />
line or around a particular theme.<br />
BRUGGE 2002 supplemented the<br />
renowned festival of old music Musica<br />
Antiqua with a couple of concerts.<br />
Almost 14,000 tickets were sold for this<br />
two-week festival, which comprised 27<br />
concerts.<br />
Jazz <strong>Brugge</strong> 2002<br />
Sponsor visibility at the Concertgebouw<br />
© STEFAAN YSENBRANDT