14.11.2012 Views

Cover Road:Cover - Teen Ink

Cover Road:Cover - Teen Ink

Cover Road:Cover - Teen Ink

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Movie &TV reviews<br />

42<br />

DRAMA<br />

Revolutionary<br />

<strong>Road</strong><br />

Leonardo DiCaprio and<br />

Kate Winslet star as Frank<br />

and April Wheeler, a young<br />

couple unfulfilled by their<br />

mundane life in the suburbs.<br />

When they settle down on<br />

Revolutionary <strong>Road</strong>, they<br />

realize that their dream of<br />

marital bliss is quickly fading.<br />

April wants to move the family<br />

to Paris, a city Frank always<br />

felt was “alive.” Despite their<br />

neighbors’ disapproval, April<br />

and Frank pursue their goal to<br />

lead interesting<br />

lives.<br />

Grim realism<br />

The physi-<br />

wrapped in a<br />

cal and<br />

1950s sheen emotional<br />

challenges<br />

that follow hinder the couple’s<br />

happiness as they struggle to<br />

keep their dreams alive.<br />

Based on the novel by<br />

Richard Yates, “Revolutionary<br />

<strong>Road</strong>” explores the realities of<br />

a crumbling marriage and apathy.<br />

Set in the 1950s, the glamorous,<br />

wholesome setting juxtaposes<br />

with the couple’s bleak<br />

prospects. The impeccable set<br />

and costume design help suspend<br />

a modern-day audience’s<br />

disbelief and bring us into a<br />

new world. Grim realism<br />

wrapped in a 1950s sheen is<br />

what gives this film its impact.<br />

Background music appears<br />

and disappears at the perfect<br />

moments. Silence adds to the<br />

tension during arguments, and<br />

music brings an unreal aura to<br />

other scenes. In the club, when<br />

April dances with her neighbor,<br />

the music creates an emotion -<br />

ally numb atmosphere. Music<br />

only appears where it would in<br />

real life – another element that<br />

many movies lack.<br />

Winslet, DiCaprio, Michael<br />

Shannon, and Kathy Bates<br />

all give extraordinary performances<br />

that bring the story alive.<br />

The leads’ previous work on<br />

“Titanic” produce a high level<br />

of comfort, allowing them to<br />

push even further. The emotional<br />

intensity is believable<br />

and entertaining, as is the<br />

fuming banter between the<br />

characters.<br />

Two complaints: Winslet’s<br />

American accent sounds unnatural,<br />

and DiCaprio’s violent<br />

scenes often feel melodramatic.<br />

Despite this, the film definitely<br />

deserved more Oscar nominations<br />

than it received. Shannon’s<br />

portrayal of the Wheelers’ mentally<br />

ill neighbor garnered him<br />

a well-deserved supportingactor<br />

nomination.<br />

Although the depressing<br />

<strong>Teen</strong> <strong>Ink</strong> • APRIL ’09<br />

subject matter couldn’t have<br />

come at a worse time – with our<br />

economic crisis, food shortages,<br />

environmental issues, and so on<br />

– it’s still a must-see. Even<br />

though the main characters both<br />

“play the victim,” “Revolutionary<br />

<strong>Road</strong>” brings insight into<br />

the human experience. Unlike<br />

other films with similar story<br />

lines, the Wheelers’ arguments<br />

are free of unrealistic wit, and<br />

the ending is grim (but not<br />

without a surprise).<br />

Overall, this movie’s stellar<br />

writing, gut-wrenching acting,<br />

and remarkable directing make<br />

it an invigorating film. Although<br />

weak in spots, the gripping<br />

story line and talented cast<br />

carry it through. ✎<br />

by Naomi Desai,<br />

Richmond Hill, ON, Canada<br />

This movie is rated R.<br />

COMEDY<br />

Confessions of<br />

a Shopaholic<br />

“C<br />

onfessions of a Shopaholic,”<br />

a romantic<br />

comedy based on the novel by<br />

Sophie Kinsella, will touch<br />

your heart and tickle your<br />

funny bone. Don’t let the title<br />

fool you – this is more than<br />

your average chick flick. The<br />

unique characters and witty<br />

dialogue make it entertaining<br />

for both genders.<br />

“Shopaholic” follows the<br />

story of Rebecca (Isla Fisher),<br />

a shopaholic who lives for<br />

Gucci, Prada, and Chanel. Life<br />

is good until Rebecca finds<br />

herself under a mountain of<br />

debt without<br />

a job. Be-<br />

Quirky and lieving she is<br />

charming applying for<br />

chemistry her dream<br />

job at a fashion<br />

magazine, Rebecca somehow<br />

lands a gig at a finance<br />

publication instead. Nevertheless,<br />

her column is instantly<br />

popular, catapulting her to<br />

fame and gaining the attention<br />

of her boss, Luke (Hugh<br />

Dancy). Luke and Rebecca<br />

share a quirky and charming<br />

chemistry, adding to the film’s<br />

humor. The actors play off<br />

one each other’s personalities,<br />

creating an adorable romance<br />

that audiences will invest in<br />

and root for as it grows<br />

throughout the film.<br />

Although the movie has<br />

over-the-top fashion, it isn’t<br />

overdone or too far-fetched.<br />

Audiences can relate to Re -<br />

becca’s vivacious and energetic<br />

personality, which Fisher<br />

portrays with charisma, but<br />

they can also understand her<br />

struggle to turn her life around.<br />

The movie’s balance of humor<br />

and heartwarming moments<br />

will leave viewers with a message<br />

about friendship, family,<br />

and living life to the fullest.<br />

With well-chosen music, fantastic<br />

fashion, and hysterical moments,<br />

this movie will entertain<br />

and leave you ready to shop! ✎<br />

by Vicky Atzl, New City, NY<br />

DRAMA<br />

Nights in<br />

Rodanthe<br />

Based on the best-selling<br />

novel by Nicholas Sparks,<br />

“Nights in Rodanthe” manages<br />

a few tear-jerking moments,<br />

while squandering in unrealistic<br />

events and flat suspense.<br />

Diane Lane plays Adrienne,<br />

who is soon to be divorced<br />

from her clingy husband, Jack<br />

(Christopher Meloni). Adrienne<br />

has just about had it with life;<br />

she’s over-stressed, overworked,<br />

and exhausted from<br />

raising two kids. A weekend<br />

away at her friend’s beachside<br />

inn in Rodanthe seems the perfect<br />

getaway. At the same time,<br />

Paul (Richard Gere), a onceprominent<br />

surgeon in Raleigh,<br />

is still tormenting himself for a<br />

mistake he made during a surgery<br />

a year<br />

before. He<br />

Unrealistic<br />

uses Rodan-<br />

events and the as a time<br />

flat suspense to reconcile<br />

with the<br />

ghosts of his past. Adrienne<br />

and Paul spend a turbulent<br />

weekend together that ends<br />

with passion and sparks of<br />

hope for both.<br />

In the beginning, Lane and<br />

Gere’s chemistry seems awkward<br />

and forced, resulting in<br />

their characters seeming as<br />

fictitious as fairy tales. Yet as<br />

the weekend progresses, they<br />

come alive as though awakened<br />

from the dead. They truly<br />

begin to interact and portray<br />

their characters’ romance in a<br />

believable way.<br />

However, no dose of reality<br />

can save viewers from the<br />

over-stretched emotions that<br />

sap most of the movie. Lane<br />

clearly wants to make her<br />

presence felt, and thus, she<br />

overplays many of Adrienne’s<br />

emotions – laughing too hard<br />

at her friend’s jokes and reveling<br />

in passion when she reads<br />

Paul’s letters.<br />

Along with the unrealistic<br />

acting, “Nights in Rodanthe”<br />

has several technical errors. For<br />

one, the beachside inn’s location<br />

on the waterfront is obviously<br />

too close to the water. If<br />

the tide was lapping at its steps<br />

normally, it would have sustained<br />

major damage from the<br />

hurricane that blows in. In the<br />

same scene, Paul’s car is shown<br />

parked outside, completely unharmed,<br />

which is very unlikely<br />

considering the storm.<br />

The screenwriters have also<br />

altered several details from the<br />

book. In the novel, Adrienne<br />

recounts her weekend with Paul<br />

to her 30-year-old daughter,<br />

who recently lost her husband.<br />

The movie shows the scene<br />

with Adrienne and her daughter,<br />

but the daughter is a teen -<br />

ager upset over her parents’<br />

pending divorce. However, only<br />

those who have read the novel<br />

will notice the change.<br />

Aside from its clear technical<br />

and acting flaws, “Nights in<br />

Rodanthe” is a beautiful example<br />

of Southern culture and<br />

scenery, from the sandy beaches<br />

and multicolored houses to the<br />

crab festival and classic Dixie<br />

music. If you love Diane Lane<br />

or Richard Gere or insanely<br />

romantic, cliché plots with a<br />

traditional Southern backdrop,<br />

“Nights in Rodanthe” should<br />

be worth renting. ✎<br />

by Emma Rainear,<br />

Charlotte, NC<br />

COMEDY<br />

The House<br />

Bunny<br />

My limited experience with<br />

Happy Madison, Adam<br />

Sandler’s production company,<br />

has not been pleasant. For<br />

example, “Click,” with its<br />

juvenile humor and manipulative<br />

plot, tops my list of worst<br />

films of all time. So when my<br />

friends dragged me to Happy<br />

Madison’s latest feature, “The<br />

House Bunny,” my instincts<br />

told me to bail.<br />

I should have listened to my<br />

instincts.<br />

“The House Bunny” follows<br />

Shelley (Anna Faris), a Playboy<br />

Bunny who has just been<br />

kicked out of the mansion. In<br />

search of a new home, she finds<br />

a pair of college sororities:<br />

Zeta, a small group of unattractive<br />

misfits looking for enough<br />

pledges to keep their house;<br />

and Phi Iota Mu, a large, pop -<br />

ular sorority whose house<br />

mother and leader seek to destroy<br />

Zeta because its members<br />

are … unattractive misfits.<br />

After she is rejected by Phi<br />

Iota Mu, Shelley agrees to help<br />

the Zeta girls become more<br />

attractive and popular so they<br />

can gain pledges. By the end of<br />

the movie, Shelley and the girls<br />

learn that appearances aren’t<br />

everything and you should be<br />

who you are.<br />

Where do I begin?<br />

First, let’s examine the main<br />

problem with the plot: the antagonists.<br />

In order for a story to<br />

be plausible or intriguing, both<br />

the protagonist and antagonist<br />

must have a reasonable motivation.<br />

Here the protagonists’<br />

motivation makes sense, but it’s<br />

not clear why the members of<br />

Phi Iota Mu want to demolish<br />

Zeta. Sure, they might not look<br />

like … well, like Playboy Bunnies,<br />

but<br />

Clichéd,<br />

hypocritical,<br />

chauvinistic<br />

that makes<br />

them less<br />

threatening.<br />

Phi Iota Mu<br />

has nothing<br />

to gain from Zeta’s downfall<br />

and nothing to lose from its uprising,<br />

so how are we supposed<br />

to believe these characters?<br />

The most insulting aspect of<br />

the film is its message. Besides<br />

being cliched, it’s hypocritical;<br />

the film exploits the heck out of<br />

the same chauvinist views it<br />

condemns. By the time Shelley<br />

proclaims that appearances<br />

don’t matter, dozens of impossibly<br />

“attractive” characters and<br />

walk-ons have already pranced<br />

around in skimpy outfits onscreen<br />

for 90 minutes. In addition,<br />

the only characters who<br />

don’t look like Playboy Bunnies<br />

are automatically typecast<br />

as hideous wildebeest until<br />

Shelley makes them over to<br />

look like every other plastic<br />

runway model in the movie.<br />

I kept asking myself, “Is<br />

there anyone in this movie who<br />

looks normal?” The attempt at<br />

a message almost seemed more<br />

like an excuse for the filmmakers<br />

to say, “We didn’t just make<br />

a piece of superficial garbage<br />

filled with unrealistic swimsuit<br />

models! We think brains and<br />

personality are important too!”<br />

Don’t believe it for a second.<br />

Now, you may be thinking,<br />

This is a comedy. It’s just supposed<br />

to be funny! And you’re<br />

right – but this movie isn’t funny.<br />

All the jokes were written<br />

only to confirm either that Shelley<br />

is as vain and stupid as Paris<br />

Hilton and Jessica Simpson<br />

combined (imagine an entire<br />

movie of “I don’t eat buffalo”<br />

jokes), or that the girls of Zeta<br />

are hideous and unpopular. Believe<br />

me when I say that these<br />

jokes are not funny. Clichéd?<br />

Sure. Superficial? Definitely.<br />

Stereotypical? You bet. But not<br />

funny.<br />

Happy Madison pictures just<br />

keep getting worse and worse.<br />

You definitely won’t see me at<br />

the next one. ✎<br />

by Jake Oakley,<br />

Bloomington, IL<br />

COMMENT ON ANY ARTICLE AT TEENINK.COM USING THE ADVANCED SEARCH

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!