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Movie &TV reviews<br />
42<br />
DRAMA<br />
Revolutionary<br />
<strong>Road</strong><br />
Leonardo DiCaprio and<br />
Kate Winslet star as Frank<br />
and April Wheeler, a young<br />
couple unfulfilled by their<br />
mundane life in the suburbs.<br />
When they settle down on<br />
Revolutionary <strong>Road</strong>, they<br />
realize that their dream of<br />
marital bliss is quickly fading.<br />
April wants to move the family<br />
to Paris, a city Frank always<br />
felt was “alive.” Despite their<br />
neighbors’ disapproval, April<br />
and Frank pursue their goal to<br />
lead interesting<br />
lives.<br />
Grim realism<br />
The physi-<br />
wrapped in a<br />
cal and<br />
1950s sheen emotional<br />
challenges<br />
that follow hinder the couple’s<br />
happiness as they struggle to<br />
keep their dreams alive.<br />
Based on the novel by<br />
Richard Yates, “Revolutionary<br />
<strong>Road</strong>” explores the realities of<br />
a crumbling marriage and apathy.<br />
Set in the 1950s, the glamorous,<br />
wholesome setting juxtaposes<br />
with the couple’s bleak<br />
prospects. The impeccable set<br />
and costume design help suspend<br />
a modern-day audience’s<br />
disbelief and bring us into a<br />
new world. Grim realism<br />
wrapped in a 1950s sheen is<br />
what gives this film its impact.<br />
Background music appears<br />
and disappears at the perfect<br />
moments. Silence adds to the<br />
tension during arguments, and<br />
music brings an unreal aura to<br />
other scenes. In the club, when<br />
April dances with her neighbor,<br />
the music creates an emotion -<br />
ally numb atmosphere. Music<br />
only appears where it would in<br />
real life – another element that<br />
many movies lack.<br />
Winslet, DiCaprio, Michael<br />
Shannon, and Kathy Bates<br />
all give extraordinary performances<br />
that bring the story alive.<br />
The leads’ previous work on<br />
“Titanic” produce a high level<br />
of comfort, allowing them to<br />
push even further. The emotional<br />
intensity is believable<br />
and entertaining, as is the<br />
fuming banter between the<br />
characters.<br />
Two complaints: Winslet’s<br />
American accent sounds unnatural,<br />
and DiCaprio’s violent<br />
scenes often feel melodramatic.<br />
Despite this, the film definitely<br />
deserved more Oscar nominations<br />
than it received. Shannon’s<br />
portrayal of the Wheelers’ mentally<br />
ill neighbor garnered him<br />
a well-deserved supportingactor<br />
nomination.<br />
Although the depressing<br />
<strong>Teen</strong> <strong>Ink</strong> • APRIL ’09<br />
subject matter couldn’t have<br />
come at a worse time – with our<br />
economic crisis, food shortages,<br />
environmental issues, and so on<br />
– it’s still a must-see. Even<br />
though the main characters both<br />
“play the victim,” “Revolutionary<br />
<strong>Road</strong>” brings insight into<br />
the human experience. Unlike<br />
other films with similar story<br />
lines, the Wheelers’ arguments<br />
are free of unrealistic wit, and<br />
the ending is grim (but not<br />
without a surprise).<br />
Overall, this movie’s stellar<br />
writing, gut-wrenching acting,<br />
and remarkable directing make<br />
it an invigorating film. Although<br />
weak in spots, the gripping<br />
story line and talented cast<br />
carry it through. ✎<br />
by Naomi Desai,<br />
Richmond Hill, ON, Canada<br />
This movie is rated R.<br />
COMEDY<br />
Confessions of<br />
a Shopaholic<br />
“C<br />
onfessions of a Shopaholic,”<br />
a romantic<br />
comedy based on the novel by<br />
Sophie Kinsella, will touch<br />
your heart and tickle your<br />
funny bone. Don’t let the title<br />
fool you – this is more than<br />
your average chick flick. The<br />
unique characters and witty<br />
dialogue make it entertaining<br />
for both genders.<br />
“Shopaholic” follows the<br />
story of Rebecca (Isla Fisher),<br />
a shopaholic who lives for<br />
Gucci, Prada, and Chanel. Life<br />
is good until Rebecca finds<br />
herself under a mountain of<br />
debt without<br />
a job. Be-<br />
Quirky and lieving she is<br />
charming applying for<br />
chemistry her dream<br />
job at a fashion<br />
magazine, Rebecca somehow<br />
lands a gig at a finance<br />
publication instead. Nevertheless,<br />
her column is instantly<br />
popular, catapulting her to<br />
fame and gaining the attention<br />
of her boss, Luke (Hugh<br />
Dancy). Luke and Rebecca<br />
share a quirky and charming<br />
chemistry, adding to the film’s<br />
humor. The actors play off<br />
one each other’s personalities,<br />
creating an adorable romance<br />
that audiences will invest in<br />
and root for as it grows<br />
throughout the film.<br />
Although the movie has<br />
over-the-top fashion, it isn’t<br />
overdone or too far-fetched.<br />
Audiences can relate to Re -<br />
becca’s vivacious and energetic<br />
personality, which Fisher<br />
portrays with charisma, but<br />
they can also understand her<br />
struggle to turn her life around.<br />
The movie’s balance of humor<br />
and heartwarming moments<br />
will leave viewers with a message<br />
about friendship, family,<br />
and living life to the fullest.<br />
With well-chosen music, fantastic<br />
fashion, and hysterical moments,<br />
this movie will entertain<br />
and leave you ready to shop! ✎<br />
by Vicky Atzl, New City, NY<br />
DRAMA<br />
Nights in<br />
Rodanthe<br />
Based on the best-selling<br />
novel by Nicholas Sparks,<br />
“Nights in Rodanthe” manages<br />
a few tear-jerking moments,<br />
while squandering in unrealistic<br />
events and flat suspense.<br />
Diane Lane plays Adrienne,<br />
who is soon to be divorced<br />
from her clingy husband, Jack<br />
(Christopher Meloni). Adrienne<br />
has just about had it with life;<br />
she’s over-stressed, overworked,<br />
and exhausted from<br />
raising two kids. A weekend<br />
away at her friend’s beachside<br />
inn in Rodanthe seems the perfect<br />
getaway. At the same time,<br />
Paul (Richard Gere), a onceprominent<br />
surgeon in Raleigh,<br />
is still tormenting himself for a<br />
mistake he made during a surgery<br />
a year<br />
before. He<br />
Unrealistic<br />
uses Rodan-<br />
events and the as a time<br />
flat suspense to reconcile<br />
with the<br />
ghosts of his past. Adrienne<br />
and Paul spend a turbulent<br />
weekend together that ends<br />
with passion and sparks of<br />
hope for both.<br />
In the beginning, Lane and<br />
Gere’s chemistry seems awkward<br />
and forced, resulting in<br />
their characters seeming as<br />
fictitious as fairy tales. Yet as<br />
the weekend progresses, they<br />
come alive as though awakened<br />
from the dead. They truly<br />
begin to interact and portray<br />
their characters’ romance in a<br />
believable way.<br />
However, no dose of reality<br />
can save viewers from the<br />
over-stretched emotions that<br />
sap most of the movie. Lane<br />
clearly wants to make her<br />
presence felt, and thus, she<br />
overplays many of Adrienne’s<br />
emotions – laughing too hard<br />
at her friend’s jokes and reveling<br />
in passion when she reads<br />
Paul’s letters.<br />
Along with the unrealistic<br />
acting, “Nights in Rodanthe”<br />
has several technical errors. For<br />
one, the beachside inn’s location<br />
on the waterfront is obviously<br />
too close to the water. If<br />
the tide was lapping at its steps<br />
normally, it would have sustained<br />
major damage from the<br />
hurricane that blows in. In the<br />
same scene, Paul’s car is shown<br />
parked outside, completely unharmed,<br />
which is very unlikely<br />
considering the storm.<br />
The screenwriters have also<br />
altered several details from the<br />
book. In the novel, Adrienne<br />
recounts her weekend with Paul<br />
to her 30-year-old daughter,<br />
who recently lost her husband.<br />
The movie shows the scene<br />
with Adrienne and her daughter,<br />
but the daughter is a teen -<br />
ager upset over her parents’<br />
pending divorce. However, only<br />
those who have read the novel<br />
will notice the change.<br />
Aside from its clear technical<br />
and acting flaws, “Nights in<br />
Rodanthe” is a beautiful example<br />
of Southern culture and<br />
scenery, from the sandy beaches<br />
and multicolored houses to the<br />
crab festival and classic Dixie<br />
music. If you love Diane Lane<br />
or Richard Gere or insanely<br />
romantic, cliché plots with a<br />
traditional Southern backdrop,<br />
“Nights in Rodanthe” should<br />
be worth renting. ✎<br />
by Emma Rainear,<br />
Charlotte, NC<br />
COMEDY<br />
The House<br />
Bunny<br />
My limited experience with<br />
Happy Madison, Adam<br />
Sandler’s production company,<br />
has not been pleasant. For<br />
example, “Click,” with its<br />
juvenile humor and manipulative<br />
plot, tops my list of worst<br />
films of all time. So when my<br />
friends dragged me to Happy<br />
Madison’s latest feature, “The<br />
House Bunny,” my instincts<br />
told me to bail.<br />
I should have listened to my<br />
instincts.<br />
“The House Bunny” follows<br />
Shelley (Anna Faris), a Playboy<br />
Bunny who has just been<br />
kicked out of the mansion. In<br />
search of a new home, she finds<br />
a pair of college sororities:<br />
Zeta, a small group of unattractive<br />
misfits looking for enough<br />
pledges to keep their house;<br />
and Phi Iota Mu, a large, pop -<br />
ular sorority whose house<br />
mother and leader seek to destroy<br />
Zeta because its members<br />
are … unattractive misfits.<br />
After she is rejected by Phi<br />
Iota Mu, Shelley agrees to help<br />
the Zeta girls become more<br />
attractive and popular so they<br />
can gain pledges. By the end of<br />
the movie, Shelley and the girls<br />
learn that appearances aren’t<br />
everything and you should be<br />
who you are.<br />
Where do I begin?<br />
First, let’s examine the main<br />
problem with the plot: the antagonists.<br />
In order for a story to<br />
be plausible or intriguing, both<br />
the protagonist and antagonist<br />
must have a reasonable motivation.<br />
Here the protagonists’<br />
motivation makes sense, but it’s<br />
not clear why the members of<br />
Phi Iota Mu want to demolish<br />
Zeta. Sure, they might not look<br />
like … well, like Playboy Bunnies,<br />
but<br />
Clichéd,<br />
hypocritical,<br />
chauvinistic<br />
that makes<br />
them less<br />
threatening.<br />
Phi Iota Mu<br />
has nothing<br />
to gain from Zeta’s downfall<br />
and nothing to lose from its uprising,<br />
so how are we supposed<br />
to believe these characters?<br />
The most insulting aspect of<br />
the film is its message. Besides<br />
being cliched, it’s hypocritical;<br />
the film exploits the heck out of<br />
the same chauvinist views it<br />
condemns. By the time Shelley<br />
proclaims that appearances<br />
don’t matter, dozens of impossibly<br />
“attractive” characters and<br />
walk-ons have already pranced<br />
around in skimpy outfits onscreen<br />
for 90 minutes. In addition,<br />
the only characters who<br />
don’t look like Playboy Bunnies<br />
are automatically typecast<br />
as hideous wildebeest until<br />
Shelley makes them over to<br />
look like every other plastic<br />
runway model in the movie.<br />
I kept asking myself, “Is<br />
there anyone in this movie who<br />
looks normal?” The attempt at<br />
a message almost seemed more<br />
like an excuse for the filmmakers<br />
to say, “We didn’t just make<br />
a piece of superficial garbage<br />
filled with unrealistic swimsuit<br />
models! We think brains and<br />
personality are important too!”<br />
Don’t believe it for a second.<br />
Now, you may be thinking,<br />
This is a comedy. It’s just supposed<br />
to be funny! And you’re<br />
right – but this movie isn’t funny.<br />
All the jokes were written<br />
only to confirm either that Shelley<br />
is as vain and stupid as Paris<br />
Hilton and Jessica Simpson<br />
combined (imagine an entire<br />
movie of “I don’t eat buffalo”<br />
jokes), or that the girls of Zeta<br />
are hideous and unpopular. Believe<br />
me when I say that these<br />
jokes are not funny. Clichéd?<br />
Sure. Superficial? Definitely.<br />
Stereotypical? You bet. But not<br />
funny.<br />
Happy Madison pictures just<br />
keep getting worse and worse.<br />
You definitely won’t see me at<br />
the next one. ✎<br />
by Jake Oakley,<br />
Bloomington, IL<br />
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