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4 dec 2011<br />
MAIN ISSUE 76 PAGES INCLUDING COVERS | VOLUME 2 | ISSUE 8 ` 100/-<br />
<strong>Events</strong> | <strong>Entertainment</strong> | <strong>Promotions</strong> | <strong>MICE</strong> | <strong>BTL</strong> | Sponsorship | Sports
MARKET PULSE
4 December 2011, EXPERIENTIAL MARKETING 03<br />
EDITORIAL TEAM:<br />
KARISHMA HUNDALANI<br />
karishma@eventfaqs.com +91 98212 80003<br />
KARAN IYER<br />
karan@eventfaqs.com +91 80977 68788<br />
RACHEL GEORGE<br />
rachel@eventfaqs.com +91 98197 77983<br />
SHACHI TAPIAWALA<br />
shachi@eventfaqs.com +91 98336 21173<br />
CONTRIBUTORS<br />
Roshan Abbas, MD, Encompass<br />
Ashish Sinharoy, Communication Consultant<br />
Rachael Rajan, Freelance Writer<br />
DESIGN TEAM:<br />
VINAYAK ALLE<br />
PRASAD KARAMBAT<br />
MARKETING SERVICES:<br />
VISHAL NAGDEV<br />
vishal@eventfaqs.com +91 98212 24987<br />
ARNOB BANERJEE<br />
arnob@eventfaqs.com +91 98195 40004<br />
TANVI ASHER<br />
tanvi@eventfaqs.com +91 92245 72293<br />
SHABNAM CHARANIYA<br />
shabnam@eventfaqs.com +91 80077 96990<br />
CAROL SANIL<br />
carol@eventfaqs.com +91 98203 63042<br />
CIRCULATION:<br />
RAMESH PATIL<br />
ramesh@eventfaqs.com<br />
ACCOUNTS & ADMIN:<br />
PURVESH BHATT<br />
accounts@eventfaqs.com<br />
ExM is a monthly magazine by EVENTFAQS,<br />
publishers of India’s only platform for events<br />
and experiential marketing -<br />
www.eventfaqs.com.<br />
It’s all happening here<br />
As the year draws to an end, we’re glad we can seal in the<br />
festivities with our own exhilaration of yet another year of<br />
WOW! With every passing year, experiential marketing<br />
becomes better grounded in the strategies of brands, and<br />
there’s a distinct reflection of this in the WOW Awards as<br />
well.<br />
The WOW Awards acknowledges the effectiveness of<br />
engagement platforms for both customers and other<br />
stakeholders as well. While the end objective and greatest<br />
parameter is brand success, marketers are looking out for<br />
more innovative ways to achieve this. If the recent visit<br />
of former US President to engage key stakeholders of a<br />
prominent insurance company in India is any benchmark,<br />
you can safely say, brands are taking things very seriously.<br />
Intrigue into new phenomena like these inspires our own<br />
initiatives too. Maxi<strong>MICE</strong> in its fourth edition will delve into<br />
the mindset of the corporation to understand the value of<br />
engagement programs in nurturing stakeholder relationships.<br />
This annual knowledge platform will unravel better and more<br />
effective ways of creating engagement.<br />
It’s been a busy close of year for the industry and us alike.<br />
We do hope that makes for more reason to consciously set<br />
aside time and indulge in some festivities as well. Happy<br />
Holidays to all!<br />
karishma@eventfaqs.com<br />
Subscriptions are ` 1,000/- (India) and US$<br />
120/- (ROW) per year (12 issues), including<br />
postage. Mail at exm@eventfaqs.com for<br />
more details.<br />
Printed by: Vishal Vashulal Nagdev 202, Brooke<br />
Ville, Near Magnet Super Market, Mogul Lane,<br />
Matunga (West), Mumbai – 400 016, Maharashtra,<br />
India. Published by: Vishal Vashulal Nagdev on<br />
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Ltd. And printed at VSSU Graphics, Unit # 36, Ideal<br />
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India and published at EMDI Web Solutions Pvt.<br />
Ltd. 4th Floor, IES College Campus, Opp. Lilavati<br />
Hospital, Bandra Reclamation., Bandra – West<br />
Mumbai – 400 050, Maharashtra, India. Editor:<br />
Karishma Jamnu Hundalani.<br />
This issue contains 76 pages including covers
CONTENTS<br />
4 December 2011, EXPERIENTIAL MARKETING 04<br />
Event Briefs<br />
Promo Power | <strong>MICE</strong> | Live<br />
Sports Rush | Media Active 08-15<br />
Industry Watch<br />
Developments | Destination<br />
Venues | <strong>Events</strong> 16-19<br />
Cover Story<br />
All WOWs for<br />
‘Effective Innovation’<br />
21<br />
Also Featured<br />
In Focus<br />
Afterthoughts on the Tehelka<br />
Newsweek Think Festival<br />
- Roshan Abbas<br />
28<br />
Pushkar Balloon Festival:<br />
Scaling new heights<br />
36<br />
A Musical Mingling 31<br />
The Economic Times<br />
ACETECH 2011 builds<br />
blocks in five cities<br />
40<br />
Auto expos keep the auto<br />
adrenaline going<br />
48<br />
The Great Indian October-<br />
Fest: Beers, Brands and<br />
Bands<br />
44<br />
Opinion: How crucial are expos to your brand and industry 26<br />
Market Pulse<br />
Puma: Sporting the future<br />
Rajiv Mehta, MD, PUMA India<br />
54<br />
Sunburn: Beach Party | Brand Promise<br />
Harindra Singh, Vice Chairman & MD,<br />
56<br />
Percept Ltd.<br />
GLIMPSES<br />
70<br />
68 69 71 72 69 73
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Promo Power<br />
4 December 2011, EXPERIENTIAL MARKETING 08<br />
Road Safe India’s memorial wall pays<br />
tribute to vehicular casualties<br />
Road Safe India, a<br />
public service initiative<br />
by Ice Global, is<br />
a call to increase<br />
public awareness and<br />
participation in the need<br />
for road safety. In connection with this objective, an online<br />
memorial wall was launched to mark the occasion of ‘World<br />
Day of Remembrance for Traffic Victims’ on Nov. 20. On<br />
this wall, Road Safe India paid homage to the memory of<br />
those who lost their lives on the roads.<br />
Pramod Gaikwad, Director, Ice Global said: “Born of a<br />
desire to give back to society, Road Safe India aims to be<br />
an on-going, multi-media, multi-language campaign that<br />
will impact people of all walks of life, across India.”<br />
UEI Global encourages the Indian<br />
youth to ‘Learn to Lead’<br />
UEI Global has announced an initiative<br />
called ‘Learn to Lead’, which aims to<br />
give class 12 students the chance<br />
to proactively seek information on<br />
experiential learning and vocation<br />
opportunities. This pan-India initiative<br />
will reach out to 25,000 schools and<br />
engage 50 lakh students by having<br />
them write out a note on their understanding on why learning<br />
is an important element of being an effective leader.<br />
Manish Khanna, CEO, UEI Global said: “‘Learn to Lead’ is<br />
an attempt to create interest in the 21st century student to<br />
proactively seek information on experiential learning and<br />
how to apply the same to be an effective leader.”<br />
Sunidhi Chauhan partners Western<br />
Union for global campaign<br />
Bollywood singer<br />
Sunidhi Chauhan<br />
partnered with the<br />
Western Union<br />
Company to give 25 disadvantaged teenage girls in Mumbai<br />
an opportunity to sing and dance with India’s finest. This<br />
activity was carried out under the Western Union World Of<br />
Betters initiative, which aligns under the company’s new<br />
worldwide brand platform, ‘Moving Money for Better’. The<br />
event is a series of five celebrity World Of Better acts, being<br />
held across five continents.<br />
Anil Kapur, MD and SVP, Western Union South and South<br />
East Asia said: “Western Union World of Betters focuses on<br />
giving back to the global community to help others have a<br />
better day and a better life.”<br />
Dr. Batra’s commends those who fight<br />
against disease and disability<br />
The sixth edition of Dr. Batra’s<br />
Positive Health Awards was held<br />
at NCPA, Mumbai on Nov. 16.<br />
This initiative recognizes and<br />
awards the heroism of those<br />
who have displayed courage<br />
in the fight against disease<br />
and disability, along with the<br />
doctors who also spend a lifetime serving society.<br />
Dr. Mukesh Batra, Founder and CMD, Dr. Batra’s Positive<br />
Health Clinic said: “Dr. Batra’s Positive Health Awards<br />
salutes people with unyielding grit and unflinching<br />
determination, who have beaten the odds to overcome<br />
seemingly hopeless conditions and given something<br />
commendable back to society in their own way.”<br />
National Geographic and Mexus<br />
Education announces Iken Scientifica<br />
With a commitment to<br />
encourage viewers to<br />
explore the boundaries of<br />
their mind and imagination,<br />
National Geographic Channel has partnered with Mexus<br />
Education to launch Iken Scientifica 2011, India’s largest<br />
science and technology competition for school students.<br />
The competition will seek participation from over 6 lakh<br />
students from class 4 to 9 across 125 schools in the country.<br />
Debarpita Banerjee, VP - Marketing and Communication,<br />
National Geographic Network and Fox International<br />
Channels India said: “Children are the future of any nation<br />
and our new initiative, Iken Scientifica, will encourage them<br />
to leverage their theoretical knowledge and creativity to<br />
break unconventional barriers of innovation.”<br />
Godrej takes hair-care to Delhi’s mallgoers<br />
Godrej Nupur Mehendi<br />
initiated a three-weekend<br />
product promotion activity<br />
which took place across<br />
six malls in Delhi. This<br />
on-ground campaign was implemented by Integrated<br />
Experiential Services (IES). The activity aimed to enhance<br />
women’s knowledge of various herbs in the product and<br />
enable to them to choose options that best suit their needs.<br />
Saumen Roy, Business Head, Madison IES said:<br />
“Currently, the brand competes with both the organized and<br />
unorganized players, which is a big challenge. Something<br />
innovative was required that would catch the consumer’s<br />
attention. 13,000 people were reached through the activity.”<br />
For latest updates on events and on-ground promotions from across India, log on to www.eventfaqs.com
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<strong>MICE</strong><br />
4 December 2011, EXPERIENTIAL MARKETING 10<br />
Morningstar Investment Conference<br />
comes to Mumbai<br />
Morningstar Inc. held the<br />
Morningstar Investment<br />
Conference at The Lalit<br />
Intercontinental Hotel in<br />
Mumbai on Nov. 2. Managed on-ground by Percept ICE,<br />
the event brought together respected industry leaders to<br />
tackle key issues affecting financial advisers in 2011 and<br />
beyond. The conference was attended by 450 guests.<br />
Tamanna Gupta, Project Head, Percept ICE said: “This<br />
conference is the most sought after event globally by<br />
financial industry professionals. The challenge was to<br />
keep in mind the international guidelines and mandate and<br />
execute the event without diluting the international status<br />
of the property.”<br />
WikiConference India 2011 to be held<br />
in Mumbai<br />
Wikipedia held the<br />
WikiConference India 2011 from<br />
Nov. 18 to 20 at the University<br />
of Mumbai (Fort Campus). The<br />
conference was the first of its<br />
kind to be held in India, and is<br />
intended to become an annual<br />
national flagship event for Wikipedia/Wikimedia in India.<br />
The Mumbai Wikipedia community and the Wikimedia<br />
India Chapter hosted the conference, which provided a<br />
platform for Indian Wikimedians to discuss challenges<br />
and exchange best practices and other information. The<br />
conference was open to participation from all nations, but<br />
had an Indian focus.<br />
Tantraa Brand manages NASSCOM<br />
Game Developers Conference<br />
Tantraa Brand<br />
Solutions managed<br />
the NASSCOM<br />
Game Developer<br />
Conference 2011<br />
at Hyatt Regency<br />
Pune on Nov. 11 and 12. This event aimed to showcase<br />
the latest gaming technologies and trends in the gaming<br />
industry. There were a total of approximately 25 sessions<br />
covering every aspect of the gaming industry.<br />
The venue was divided into four different zones, one each<br />
for conferences, exhibitors, speakers and ‘Create your own<br />
game’. ‘Create your own game’ was a concept wherein<br />
the people from the industry could get their equipment and<br />
create a game which they could showcase at the event. The<br />
event was attended by approximately 600 people.<br />
The Consumer 360 Conference 2011<br />
aims at ‘Winning in India’<br />
The Nielsen Consumer 360<br />
Conference is an annual<br />
marketers’ conference organized<br />
by Nielsen. This conference<br />
announced its arrival in India with<br />
the theme, ‘Winning in India’.<br />
Encompass was commissioned<br />
to execute the conference, which<br />
took place on Nov. 15 at The Grand in New Delhi.<br />
Zonovia Masood, Manager, Client Servicing, Encompass<br />
said: “This property saw a distinguished panel who shared<br />
their thoughts on consumer behaviour, the market economy<br />
and the future of marketing. The conference was attended<br />
by 450 top marketing wizards across various sectors.”<br />
Vodafone Rajasthan celebrates its<br />
Annual Day<br />
Vodafone Rajasthan celebrated<br />
their Annual Day with their<br />
employees and their families on<br />
Nov. 19 with vibrant functions<br />
executed by Event Crafter.<br />
The event theme followed<br />
Vodafone’s internal communication campaign, ‘Rang De<br />
Rajasthan’, created to inspire the team to create record<br />
growth in Vodafone’s market share in the six zones of<br />
Rajasthan. The celebration, held at Hotel Gold Palace &<br />
resorts, Jaipur, was attended by over 1,200 people.<br />
Siddhartha Chaturvedi, CEO, Event Crafter said: “We<br />
had a mix of children, ladies and gentlemen and hence, it<br />
was mandatory that we took cognizance of their particular<br />
needs right from the onset and gave them an experience<br />
which left them rejuvenated and excited.”<br />
World Brand Congress 2011<br />
concludes in Mumbai<br />
The World Brand<br />
Congress 2011,<br />
which took place<br />
from Nov. 24 to 26<br />
at Taj Lands End,<br />
Mumbai, is the<br />
largest rendezvous of the brains behind some of the world’s<br />
most successful brands. The congress brings over 500 of<br />
the world’s branding and marketing elite under one roof.<br />
The summit saw executives from global brands examining<br />
today’s critical business challenges.<br />
Conducted alongside the Congress was the Global Award<br />
for Brand Excellence, which is presented to organisations<br />
that have played a significant role in building their company<br />
For latest updates on events and on-ground promotions from across India, log on to www.eventfaqs.com
LIVE<br />
4 December 2011, EXPERIENTIAL MARKETING 11<br />
Tata Photon presents WORME Fest<br />
2011 in association with Vladivar<br />
Conceptualised by<br />
WonderMind, WORME<br />
Fest 2011 is a platform for<br />
independent musicians<br />
across India. The WORME<br />
Festival is being organised at a national level in association<br />
with VH1 and Vladivar. The fest has been initiated to provide<br />
upcoming artists with national exposure and opportunities.<br />
Michael Khanna, Founder and CEO, WonderMind said:<br />
“We endeavour to ensure that WORME Fest 2011 is<br />
planned and executed on the lines of international music<br />
fests. The grand finale will be held in Delhi around the third<br />
week of December. Next year, we plan to invite artists from<br />
other countries of the Indian subcontinent to participate.”<br />
Storm set to break in Coorg in January<br />
2012<br />
Storm, a campout<br />
music festival organised<br />
by LiquidSpace<br />
<strong>Entertainment</strong>, is<br />
scheduled to be held on<br />
Jan. 20 and 21, 2012 in Coorg. Storm is being organised in<br />
association with Karnataka Tourism, MTV Roots, Timescity.<br />
com and Radio One, and will have over 37 artists from<br />
across the globe performing on two different stages.<br />
Lavin Uthappa, MD, LiquidSpace <strong>Entertainment</strong> said: “We<br />
wanted to launch a property that was different and in a<br />
venue that is not the conventional festival/concert venue.<br />
Storm aspires to showcase the natural beauty of Coorg,<br />
the Scotland of India, and encourage responsible tourism<br />
through its initiative against the usage of plastic and drugs.”<br />
Star Movies organises over 200 house<br />
parties<br />
To take star Movies beyond<br />
television, a property titled<br />
‘Star Movies Chillout Nites’<br />
has been initiated. Under<br />
this initiative, Star Movies<br />
organises parties at over<br />
200 homes while a movie premieres on the channel. These<br />
parties are being executed by Fountainhead <strong>Events</strong>.<br />
The first set of parties were held during the screening of<br />
‘A-Team’ in November.<br />
Saurabh Yagnik, GM and Sr. VP- English Channels, Star<br />
India said: “Through contests, we choose over 200 winners<br />
and we will concurrently organise fully loaded house parties<br />
during the movie premier nights at the winners’ homes<br />
while they play host and invite several guests.”<br />
Channel [V] Nokia India Fest 2012 to<br />
be bigger and better in 2012<br />
The youth cultural festival,<br />
Channel [V] Nokia India Fest<br />
2012 - ‘Where heroes are born’, is<br />
conceptualised by Channel [V] and<br />
the entire on-ground activation is<br />
being managed by Seventy EMG.<br />
Post all the rounds of mini fests<br />
and zonals, the finalists will get an opportunity to win a<br />
ticket to the finale show and participate in the competition<br />
taking place in Goa on Feb. 27 and Feb. 28, 2012.<br />
Snehal Shetty, Manager-Project, 70 EMG said: “This year,<br />
students will experience a host of new and bloody cool<br />
events to participate in. We had registered 1,032 colleges<br />
and engaged over 50,000 students last year. This year, we<br />
aim to engage twice the amount of people.”<br />
Pitbull performs live in India<br />
Rapper and singer-songwriter,<br />
Armando Christian Pérez, better<br />
known as Pitbull, performed in<br />
Noida on Dec. 2, Mumbai on<br />
Dec. 3 and Pune on Dec. 4. The<br />
Indian edition of ‘Pitbull Live<br />
In Concert’ was brought to the<br />
country by P3P E Ventures Pvt.<br />
Ltd. and was supported by 3rd Rock <strong>Entertainment</strong>.<br />
Utkarsh Bansal, Director, P3P E Ventures said: “India<br />
is a huge market for international artists and we aim to<br />
capitalize on this by identifying a confluence of musical<br />
styles and bringing world class performers across genres.<br />
An artist like Pitbull puts together elements from all over the<br />
world so it sounds like nothing you’ve ever heard before.”<br />
India’s first ever fashion week for<br />
resort wear debuts in Goa<br />
Showcasing the finest works<br />
of the country’s resort wear<br />
designers, the India Resort<br />
Fashion Week (IRFW) 2011,<br />
India’s first ever fashion week<br />
dedicated to resort wear, is<br />
making its debut at the Grand<br />
Hyatt, Goa from Dec. 7 to 10.<br />
This property is sponsored by<br />
INK Infrastructure in association with YUVA.<br />
Shalini Chuganee, COO, IRFW said: “Associating<br />
with IRFW is a co-beneficial alliance with a brand<br />
building exercise at its optimum. The platform provides<br />
opportunities on a B2B and B2C level, resulting in a brand<br />
equity increase through strategic luxury market alliances.<br />
IRFW is the official platform which will bring Indian resort<br />
wear onto the global fashion map.”<br />
For latest updates on events and on-ground promotions from across India, log on to www.eventfaqs.com
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Sports Rush<br />
4 December 2011, EXPERIENTIAL MARKETING 13<br />
ShowWorks Sporting to manage<br />
Mumbai Fighter’s home matches<br />
ShowWorks Sporting bagged<br />
the mandate to manage the<br />
Mumbai Fighter’s home<br />
matches for The World Series<br />
of Boxing Championship<br />
(WSB). The second season of WSB, which began on Nov.<br />
11, has introduced a new format with two groups of six<br />
teams battling for the WSB Team Championship Trophy.<br />
Harjinder Singh, Director, ShowWorks said: “What won us<br />
the pitch was a combination of creative thought, logistic<br />
management skill, and our experience in executing such<br />
events. India so far, has been considered a one sport<br />
nation. However, I have always strongly felt that WSB has<br />
the potential to make Boxing a leading sport in India.”<br />
South Asian Football Federation and<br />
World Sport Group renew ties<br />
On Nov. 2, Delhi was witness to the<br />
signing ceremony that renewed the<br />
agreement between the South Asian<br />
Football Federation (SAFF) and World<br />
Sport Group (WSG), in a deal to run<br />
through 2017. Commencing this year,<br />
the new agreement covers four SAFF<br />
Championships and the regional<br />
governing body’s flagship competition, held biennially.<br />
Kazi Salahuddin, President, SAFF said: “Our partnership<br />
with WSG has been instrumental in securing the financial<br />
stability that ensures our sport’s sustainable growth in the<br />
region over the long-term. Their commitment has helped us<br />
to establish the administrative foundation and infrastructure<br />
for us to govern and develop the sport effectively.”<br />
Punj Lloyd to organise PSA Masters<br />
Tournament 2011<br />
K W A N<br />
<strong>Entertainment</strong> &<br />
Marketing Solutions<br />
has been appointed<br />
as the sports and event management agency for Punj Lloyd<br />
PSA Masters Tournament 2011, a squash tournament. In<br />
its third edition, this tournament will feature 32 players and<br />
will be held from Dec. 12 to Dec. 18 at the Siri Fort Sports<br />
Complex, New Delhi.<br />
Louise Sharma, Group Head-Corp Com and CSR, Punj<br />
Lloyd said: “Unlike games like golf, which are perceived<br />
to indulge the ultra rich, squash requires little investment<br />
and can be taken up by anyone. The prime objective of<br />
investing in the game is to bring international squash to<br />
India and get the youth of today hooked onto the game.”<br />
Delhi Corporate Games 2012 debut as<br />
a multi-sport event<br />
Thyme Advertising has been roped<br />
in to manage the marketing and the<br />
main event for the first edition of the<br />
Delhi Corporate Games 2012. This is<br />
a multi-sport festival which is being<br />
conducted in 25 countries and 53<br />
cities since its inception in 1985. This event is scheduled<br />
to be held from Feb. 9 to Feb. 12, 2012 at Siri Fort Sports<br />
Complex, Delhi. The essence of organising the game is to<br />
allow companies to support their employees in the pursuit<br />
of a healthier and more active lifestyle.<br />
Gopi Bhatia, CEO and Director, Corporate Games Pvt. Ltd.<br />
said: “We had approached Thyme Advertising and they<br />
have been roped in to manage the marketing of the event.<br />
We are mailing a lot of companies to participate. We plan to<br />
engage at least around 2,000 corporate people.“<br />
Pune to host first Hockey India Junior<br />
National Championship<br />
The first Hockey India Junior National<br />
championship will be held in Pune<br />
from Dec. 10 to 21 at the Shiv<br />
Chattrapati Shivaji Sports Complex,<br />
Balewadi. This championship is being<br />
organised by Maharashtra Hockey,<br />
under the aegis of Hockey India. The<br />
championship will witness teams from 26 states wherein<br />
520 players will compete with each other. White Copper<br />
<strong>Entertainment</strong> will be taking care of all out-of-field activity.<br />
Nachiket Chidgopkar, MD, White Copper <strong>Entertainment</strong><br />
said: “We were selected on the basis of recommendation and<br />
expertise. We will be responsible for the conceptualization<br />
and execution of the event along with the PR.”<br />
The third Thomas Cook Indian Golf<br />
League announced<br />
Thomas Cook has<br />
announced the launch<br />
of the third edition of the<br />
Thomas Cook Indian<br />
Golf League, which is<br />
scheduled to take place<br />
across 16 weeks, from end<br />
of November 2011 to March 2012, with 20 tournaments<br />
across five cities.<br />
Madhavan Menon, MD, Thomas Cook (India) Ltd. said:<br />
“Golf, and this event in particular, offers us a unique<br />
opportunity to engage with a diverse range of our customer<br />
groups. Sports tourism is a key opportunity for us at Thomas<br />
Cook, one that we will continue to leverage.”<br />
For latest updates on events and on-ground promotions from across India, log on to www.eventfaqs.com
RNI registration 108290/2010 Postal registration no MH/MR/N/150/MBI/11-13<br />
RNI registration 108290/2010 Postal registration no MH/MR/N/150/MBI/11-13<br />
posted at Mumbai Patrika Channel Sorting Office on every 7th or 8th of the month<br />
posted at Mumbai Patrika Channel Sorting Office on every 7th or 8th of the month
Media Active<br />
4 December 2011, EXPERIENTIAL MARKETING 15<br />
RED FM calls for Gujarat to find its<br />
heritage<br />
In response to participation from<br />
Ahmedabad last year, RED FM<br />
Gujarat has returned with the next<br />
edition of the RED Heritage Hunt.<br />
This year, the initiative has been<br />
extended to the entire state. Vying<br />
for a position in UNESCO’s World<br />
Heritage sites, the RED Heritage<br />
Hunt gives the people of Gujarat a<br />
chance to see their state in a new light.<br />
Nisha Narayanan, Sr. VP Projects & Programming, RED<br />
FM 93.5 Network said: “After the success of last year, we<br />
were delighted to engage the entire state this year. We<br />
hope to instil a sense of pride within the people of Gujarat.”<br />
Zee TV promotes Star Ya Rockstar in<br />
Delhi<br />
Swastika <strong>Entertainment</strong> managed a<br />
promotional event for Zee TV celebrity<br />
based singing reality show, ‘Star Ya<br />
Rockstar’, at Pacific Mall, Tagore<br />
Garden, Delhi, on Nov. 4. This activity<br />
aimed to expose the contestants to the<br />
public and make them aware of the<br />
show and its talent. The show was a mix of song and dance<br />
performances and witnessed performances by participants<br />
of the show.<br />
Amit Verma, Director, Swastika <strong>Entertainment</strong> said: “We<br />
have been associated with Zee TV for a long time. We<br />
targeted people from all walks of life and engaged around<br />
2,500 people. Along with the normal crowd, the event<br />
witnessed the presence of the media and PR agencies.”<br />
9X Media Group launches 9X Jhakaas<br />
in Pune<br />
Niche <strong>Events</strong> and <strong>Promotions</strong><br />
executed 9X Media Group’s<br />
press launch for 9X Jhakaas,<br />
Maharashtra’s first Marathi<br />
music channel, at Le Meridian,<br />
Pune. The launch commenced<br />
with the unveiling of the channel’s logo by Punit Pandey,<br />
Senior VP and Business Head, 9X Media Group, and Amar<br />
Tidke, Head of Programming and Senior VP, 9X Media<br />
Group.<br />
Dhruv Arora, Manager-Client Relations, Niche <strong>Events</strong> and<br />
<strong>Promotions</strong> said: “This was our first event with 9X Media.<br />
We won the mandate for this event through a pitch process.<br />
This event was targeted towards the media and managed<br />
to engage around 150 people.”<br />
BIG FM Hyderabad celebrates<br />
Children’s Day with little RJs<br />
Continuing with its<br />
tradition of celebrating<br />
Children’s Day with a<br />
hunt for a little RJ, 92.7<br />
BIG FM Hyderabad on<br />
Nov. 7 launched the third edition of the radio reality show<br />
that gives a bigger platform to aspiring kids. The final round<br />
was screened at the BIG FM studios and judged by actor<br />
Nara Rohit, who quizzed the final contestants and selected<br />
the ‘Little RJs of Hyderabad’. The five selected winners<br />
hosted all the shows on BIG FM on Children’s Day, Nov. 14.<br />
IRF award winner RJ Shekar, 92.7 BIG FM said: “Every<br />
parent wants their kid to be smart and witty. The Little RJ<br />
Hunt is a great platform for kids to showcase their talent.”<br />
BIG MAGIC to premier first edition of<br />
‘BIG Bal Kalakaar’<br />
BIG MAGIC and 92.7<br />
BIG FM initiated BIG<br />
Bal Kalakaar, a platform<br />
to acknowledge the<br />
singing prowess of<br />
young children. Auditions took place in 14 cities in MP, UP,<br />
Bihar and Jharkhand from Nov. 20 till the end of the month,<br />
and culminated with four cluster auditions from which 10<br />
children have been chosen to compete on the BIG MAGIC<br />
channel, beginning mid-December.<br />
A company spokesperson said: “BIG Bal Kalakaar is a<br />
talent hunt which recognizes the purity of young child<br />
singers. It propogates positive values to all children in the<br />
region through the medium of devotional singing.”<br />
94.3 MY FM’s Chingum Boy celebrates<br />
his birthday on Children’s Day<br />
94.3 MY FM celebrated the<br />
birthday of its character ‘MY<br />
Chingum Boy’ on Children’s Day.<br />
The objective was to enhance the<br />
character’s connect with listeners.<br />
Kids were selected from various<br />
schools through a Chingum Boy<br />
talent hunt contest and on air<br />
SMS based contest. Chingum<br />
Boy celebrated his special day with an amalgamation of<br />
on-ground and on air activities.<br />
Harrish M. Bhatia, CEO, 94.3 MY FM said, “MY Chingum<br />
Boy has enhanced MY FM’s motto of spreading love, joy<br />
and happiness in a true jiyo dil se style. Celebrating his<br />
birthday is one way of honouring him for making a close<br />
connect with our listeners in such a short span of time.”<br />
For latest updates on events and on-ground promotions from across India, log on to www.eventfaqs.com
Industry Watch Developments 4 December 2011, EXPERIENTIAL MARKETING 16<br />
Impresario launches wedding<br />
management division in Mumbai<br />
Parinaya - Wedding<br />
Management Solutions,<br />
a division of Impresario<br />
functioning from Kochi<br />
for the past three years,<br />
has launched an office<br />
in Mumbai. Parinaya<br />
aims to tap the high<br />
end wedding segment,<br />
and grow nationally and<br />
internationally, managing<br />
destination and theme<br />
events. Other companies,<br />
such as GS Worldwide<br />
<strong>Entertainment</strong>, have also<br />
BrandSpeak<br />
enters the retail<br />
events and<br />
activations space<br />
BrandSpeak is a new agency<br />
in the <strong>BTL</strong> space, with a<br />
vision to be a cornerstone<br />
in an organisation’s<br />
brand building process.<br />
BrandSpeak commenced<br />
its operations with a soft<br />
launch. Based out of<br />
Mumbai, the company<br />
plans to operate all over<br />
India. With a focus on the<br />
retail events and activations<br />
space, BrandSpeak will<br />
provide its clients with end<br />
to end solutions and will<br />
manage and execute their<br />
ideation and communication<br />
strategy.<br />
Bharat Vermani, Director,<br />
BrandSpeak said: “I have<br />
been working in this industry<br />
for the past 12 years. I have<br />
worked with 360 Degrees,<br />
Lintas, and Percept<br />
amongst other agencies,<br />
where I handled the retail<br />
activations. Through this<br />
venture, we will help brands<br />
connect and communicate<br />
effectively with the target<br />
group, as we bring down<br />
the cost of operation.”<br />
entered this field and are<br />
expecting good growth in<br />
the future.<br />
Neha Jeswani, Branch<br />
Manager, Impresario Event<br />
Management said: “We<br />
know E-Factor rules this<br />
segment, but we aim to<br />
become big in the industry<br />
in Mumbai, as we are in the<br />
south. We are looking to tie<br />
up with vendors and hotels.<br />
We have already managed<br />
one wedding in Dubai.”<br />
3rd Rock<br />
<strong>Entertainment</strong><br />
joins hands<br />
with ROYMEDIA<br />
Prashant Shirsat, MD of<br />
3rd Rock <strong>Entertainment</strong>,<br />
has entered into a tieup<br />
with Sudip Roy,<br />
Director of ROYMEDIA,<br />
an international company<br />
that plans and manages<br />
bespoke events in the<br />
UK, to form R3 Worldwide<br />
<strong>Entertainment</strong>. Through<br />
this association, 3rd Rock<br />
<strong>Entertainment</strong> aims to<br />
enter the global market<br />
and play a key role in<br />
the marketing and launch<br />
activities for recent<br />
Bollywood movies.<br />
Prashant Shirsat and<br />
Sudip Roy, Directors, R3<br />
Worldwide <strong>Entertainment</strong><br />
said: “We will promote R3<br />
Worldwide <strong>Entertainment</strong><br />
in India and UK through<br />
print, television and other<br />
radio channels, and through<br />
3rd Rock’s branding and<br />
marketing network. We<br />
are also in talks with Eros<br />
International and other<br />
companies.”<br />
ShowWorks launches<br />
ShowWorks Sporting<br />
It has been observed that<br />
there is a huge potential<br />
market for sports marketing<br />
and sports related events<br />
in India. After the success<br />
of the F1 Championsip<br />
in India, India is slowly<br />
breaking away from the jinx<br />
of being tagged as a cricket<br />
centric nation only. Thus, in<br />
order to cater exclusively to<br />
this new emerging market,<br />
ShowWorks has launched a<br />
new division within its Delhi<br />
office titled ShowWorks<br />
Sporting.<br />
Real estate developer Ackruti City rebrands itself<br />
as Hubtown<br />
Real estate developer Hemant Shah, Chairman,<br />
Ackruti City Ltd. changed Hubtown Ltd. said: “The<br />
its name to Hubtown Ltd., change in our identity<br />
effective Oct. 31, as part<br />
of a rebranding exercise<br />
reflects our future direction<br />
of growth and continued<br />
undertaken to better reflect zeal for excellence in<br />
its growing capabilities and developing projects,<br />
delivery standards. The<br />
company has received all<br />
the necessary regulatory<br />
approvals while opting for a<br />
name change. The company<br />
is listed on the BSE and NSE<br />
and both the exchanges will<br />
display the new name. As<br />
part of the name change,<br />
the company’s website and<br />
logo were also changed to<br />
reflect the rebranding.<br />
CS Direkt exec moves to G2Rams<br />
as National Creative Head<br />
CS Direkt has appointed<br />
Nitesh Sharma as Group<br />
Creative Head, replacing<br />
Angshuman Chatterjee,<br />
who has joined G2Rams<br />
as the National Creative<br />
Head, effective Nov. 7. At<br />
CS Direkt, Chatterjee was<br />
responsible for the events,<br />
exhibitions, films and retail<br />
verticals. Sharma, who<br />
has worked with CS Direkt<br />
Harjinder Singh, Director,<br />
ShowWorks said: “We have<br />
been noticing the steady<br />
growth in sports events in<br />
India. After the success of<br />
the F1 Championship, we<br />
thought this was the ideal<br />
time for us to launch this<br />
new division. Currently, the<br />
new division is being headed<br />
by existing employees of<br />
the company. We will soon<br />
be recruiting a dedicated<br />
team of employees to work<br />
for this division.”<br />
catering to emerging trends,<br />
improving lifestyles and<br />
matching the aspirations of<br />
our current and prospective<br />
customers. The change<br />
in the name marks the<br />
beginning of a new chapter<br />
in our illustrious journey<br />
and we will take all steps<br />
that will make Hubtown the<br />
most preferred real estate<br />
company in India.”<br />
earlier, will now look after<br />
the same.<br />
According to Chatterjee, his<br />
major agenda at G2Rams<br />
is to take creative thinking<br />
to the next level and create<br />
distinct differentiators in<br />
experiential marketing.<br />
At G2Rams, he will be<br />
responsible for looking after<br />
creative deliverables.
Industry Watch Destination<br />
4 December 2011, EXPERIENTIAL MARKETING 17<br />
Kerala Tourism aims for<br />
emerging global markets<br />
According to a spokesperson,<br />
the Department of Tourism,<br />
Government of Kerala has<br />
embarked on an aggressive<br />
marketing drive targeting<br />
the emerging global<br />
markets. The campaign,<br />
which falls under the<br />
proposed tourism policy<br />
and is supported by the<br />
travel and trade industry,<br />
began with roadshows in<br />
Sydney and Melbourne.<br />
As per the schedule, the<br />
workshop was held in Oslo<br />
on Nov. 14, followed by<br />
Copenhagen, Helsinki, and<br />
Stockholm over the next<br />
three days. Department<br />
officials made presentations<br />
Sydney dazzles<br />
Dreamtime buyers<br />
On Nov. 16, Sydney<br />
geared itself up to host 72<br />
business events buyers,<br />
as the combined program<br />
of Tourism Australia’s<br />
Dreamtime 2011 event<br />
kicked off in the harbour<br />
city. This year, the event<br />
took place in partnership<br />
with Qantas and Business<br />
<strong>Events</strong> Sydney. The twoday<br />
program was the first<br />
time that all 72 buyers were<br />
in the same location.<br />
Lyn Lewis-Smith, Acting<br />
CEO, BESydney said:<br />
“We pulled out all the<br />
stops to showcase why<br />
our city hosted incentive<br />
programs that brought over<br />
25,000 delegates to our<br />
shores last financial year.<br />
Companies are attracted<br />
to our city’s ability to make<br />
the impossible possible;<br />
our dynamic business<br />
environment, and Sydney’s<br />
innovative teambuilding<br />
activities. This is exactly<br />
what we showcased to the<br />
Dreamtime group.”<br />
on what made Kerala a<br />
tourism ‘Superbrand’.<br />
In the face of economic<br />
crises in Europe and the<br />
US, Kerala Tourism has<br />
brought about a shift in its<br />
marketing strategy to lend<br />
better focus on emerging<br />
markets such as Australia<br />
and Scandinavian countries.<br />
Rani George, Director<br />
Tourism, Government of<br />
Kerala said: “This is part<br />
of a new drive by the state<br />
government to approach<br />
emerging markets with<br />
concrete short-term and<br />
long-term strategies and<br />
tap their potential.”<br />
India wins two global awards<br />
at WTM 2011 and aims higher<br />
India took centre-stage<br />
at the World Tourism Mart<br />
2011, which took place<br />
in London from Nov. 7 to<br />
Nov. 10, when it won two<br />
global awards for World’s<br />
Leading Destination and<br />
World’s Leading Tourist<br />
Board. While receiving<br />
the awards, Subodh Kant<br />
Sahai, Minister of Tourism,<br />
Government of India said<br />
that India planned to have<br />
another five million tourists<br />
in the next two to three<br />
years, in addition to five<br />
million recorded this year.<br />
He said: “Our aim is to<br />
increase India’s share in<br />
the international tourist<br />
arrivals from the present<br />
0.6 per cent of one billion<br />
travellers to one per cent<br />
by the end of 2016. In<br />
India, the tourism sector<br />
is going to be recognised<br />
as an infrastructure sector.<br />
We need two million hotel<br />
rooms if we are going to<br />
add five million tourists.<br />
The infrastructure will be<br />
developed by the Central<br />
and State governments<br />
on the Private-Public<br />
Partnership model. We have<br />
started late in developing<br />
the tourism industry, but<br />
we are on the job to make<br />
it a success.”<br />
Reports indicate Hong Kong’s exhibition<br />
industry boosts the economy<br />
The latest in a series of<br />
biennial Economic Impact<br />
Study reports on Hong<br />
Kong’s exhibition industry<br />
shows that activities<br />
associated with Hong<br />
Kong’s exhibition industry<br />
contributed HK$35.8 billion<br />
(US$4.6 billion) to the local<br />
economy in 2010 while<br />
generating the equivalent<br />
of 69,150 full-time jobs.<br />
The report, commissioned<br />
by the Hong Kong Exhibition<br />
and Convention Industry<br />
Association (HKECIA),<br />
revealed that the exhibition<br />
industry continues to bring<br />
significant benefits to Hong<br />
Kong’s economy, not only<br />
by contributing substantial<br />
expenditure effects, but<br />
also by providing thousands<br />
of jobs for the exhibition<br />
industry and other service<br />
industries and supporting<br />
sectors.<br />
Daniel Cheung, Chairman,<br />
HKECIA said: “Exhibitions<br />
are important factors<br />
in raising Hong Kong’s<br />
international status. Hong<br />
Kong hosts five of the world’s<br />
largest trade exhibitions<br />
and seven of Asia’s largest<br />
trade exhibitions. Recordbreaking<br />
events like this<br />
reinforce Hong Kong’s<br />
profile as a dynamic place<br />
to do business, creating a<br />
momentum which keeps<br />
Hong Kong high in global<br />
awareness as an ideal<br />
business location.”<br />
West Bengal to launch new projects to woo tourists<br />
West Bengal’s Department<br />
of Tourism is set to launch<br />
a host of projects to woo<br />
tourists to the state and<br />
boost the tourism sector.<br />
As stated in a report in<br />
Business Standard, under<br />
the redevelopment plan,<br />
the West Bengal Tourism<br />
Development Corporation<br />
has already re-launched its<br />
website with a new colour<br />
scheme and a new tagline,<br />
‘Experience the colours of<br />
Bengal’.<br />
The tourism department is<br />
also organising the ‘Digha<br />
Beach Festival’ from Jan.<br />
13 to 16, 2012 that would<br />
facilitate beach sports,<br />
water sports, a sea food<br />
festival, local flea market<br />
on the lines of Goa and<br />
other beach cities. Rajpal<br />
Singh, Minister for Tourism,<br />
Government of West Bengal<br />
said, “Such festivals would<br />
surely boost the tourism<br />
opportunity at Digha and we<br />
are soon to start helicopter<br />
services from Kolkata to<br />
Digha for tourists.” As for<br />
Kolkata, the department<br />
has already floated an<br />
Expression of Interest for<br />
the Kolkata Eye, a proposed<br />
spectacle along the lines of<br />
the London Eye in UK.
Industry Watch <strong>Events</strong><br />
The Middle East EVENT Show<br />
and EVENT Awards 2012<br />
gear up for return<br />
In the wake of the success<br />
of its last edition, the Middle<br />
East EVENT Show will<br />
return to Dubai from May<br />
1 to 3, 2012 at the Dubai<br />
International Convention<br />
and Exhibition Centre.<br />
Organised by informa<br />
exhibitions and co-located<br />
with PALME Middle East, the<br />
Middle East EVENT Show is<br />
an opportunity for those<br />
involved in the <strong>MICE</strong>, events<br />
or entertainment industries<br />
to showcase their products<br />
and services, and network<br />
with a dedicated audience<br />
of event management and<br />
procurement professionals<br />
in the Middle East.<br />
This edition promises an<br />
even greater reach to a<br />
highly targeted audience<br />
comprising of top ranking<br />
government officials and<br />
private sector organisations<br />
as well as key personnel who<br />
influence their procurement<br />
decisions. In association<br />
with the EVENT Show, the<br />
Middle East EVENT Awards<br />
2012 will take place on May<br />
2, 2012. These awards, in<br />
its fifth edition, rewards<br />
outstanding achievements<br />
within the Middle East<br />
events industry. The<br />
awards will be handed out<br />
across 21 categories, out of<br />
which five have been newly<br />
introduced.<br />
EFFIE 2011 Awards celebrates<br />
creative and marketing excellence<br />
The EFFIE Awards,<br />
scheduled for Dec. 14 at<br />
the Royal Western India<br />
Turf Club in Mahalakshmi,<br />
Mumbai, is an initiative<br />
of the Advertising Club<br />
Bombay that is considered<br />
the premiere and most<br />
coveted showcase for<br />
marketing and creative<br />
strategies that work.<br />
These awards play the<br />
role of giving an agency<br />
acknowledgement for<br />
showcasing its power to<br />
build brands that lead to<br />
business, demonstrating<br />
the highest level of<br />
leadership in brand<br />
communication for the<br />
clients, and celebrating<br />
effective advertising and<br />
marketing in India. The<br />
EFFIE is the only award that<br />
is bestowed on both the<br />
client and agency, to share<br />
the celebration of their<br />
effective communication<br />
and perseverance.<br />
Ajay Kakar, Chairperson,<br />
EFFIE 2011 Committee<br />
said: “For over a decade,<br />
EFFIE India has become<br />
the gold standard in<br />
measuring communication<br />
effectiveness for marketing<br />
excellence. This is reflected<br />
in the quality and the<br />
number of entries which the<br />
awards have been attracting<br />
every year, with a startling<br />
increase from 53 in 2001 to<br />
276 in 2010. As integrated<br />
advertising and alternative<br />
media have become<br />
important influences for<br />
most business categories,<br />
this year, in addition to the<br />
existing categories, some<br />
new ones have also been<br />
included to give recognition<br />
to their importance and<br />
potential.”<br />
4 November 2011, EXPERIENTIAL MARKETING 18<br />
TFM&A India debuts in Mumbai<br />
TFM&A (Technology For<br />
Marketing and Advertising)<br />
India made its debut<br />
in India in 2011, in a<br />
replication of the highly<br />
successful exhibition model<br />
of TFM&A UK. This multiple<br />
award winning marketing<br />
event took place on Nov.<br />
4 and Nov. 5 at Nehru<br />
Centre in Mumbai, and<br />
saw around 4,000 visitors<br />
from the marketing, sales,<br />
eCommerce and IT sectors.<br />
In its first year, TFM&A India<br />
SportzPower and<br />
FMSCI introduce<br />
the first Indian<br />
Motorsports Forum<br />
India premiered the<br />
Indian Motorsports Forum<br />
(IMF) on Nov. 24 in New<br />
Delhi. The conference was<br />
organized by SportzPower,<br />
the media brand from<br />
Sportz Network Pvt. Ltd.<br />
(SNPL), in association<br />
with the Federation of<br />
Motorsports Clubs of<br />
India (FMSCI). IMF 2011<br />
was a platform for all<br />
stakeholders of the Indian<br />
Motorsport community as<br />
well as international players<br />
with an eye on Indian<br />
opportunity to exchange<br />
ideas, communicate, learn<br />
and develop new business<br />
concepts.<br />
Thomas Abraham,<br />
Executive Director, SNPL<br />
said: “IMF 2011 marked<br />
the first-ever motorsportfocused<br />
conference in India<br />
that looks to involve highprofile<br />
experts, specifically<br />
from the motorsport<br />
industry, as well as key<br />
corporate leaders in whose<br />
hands lay the remote that<br />
determines with which<br />
vehicle their marketing<br />
buck will ride.”<br />
received an overwhelming<br />
response from the suppliers<br />
of data, CRM, direct and<br />
digital marketing solutions.<br />
The growth of India’s<br />
marketing and advertising<br />
industry, and the increasing<br />
sophistication of the<br />
marketing techniques made<br />
the launch of this property<br />
in India a certainty. The<br />
exclusive event featured<br />
discussions with leading<br />
subject matter experts and<br />
a panel discussion cum<br />
debate on various topics.<br />
Site EMEA Forum<br />
2012 to take place<br />
alongside Capital<br />
City Congress<br />
The Site EMEA Forum<br />
2012 is scheduled to<br />
take place from June 18<br />
to 20, 2012 in Berlin,<br />
Germany. Demonstrating<br />
a commitment to industry<br />
collaboration, the Site<br />
EMEA Forum committee<br />
leaders have endorsed a colocation<br />
with the first ever<br />
Capital City Congress. The<br />
Capital City Congress is the<br />
first time that all German<br />
<strong>MICE</strong> industry associations<br />
will meet under one roof<br />
at ICC Berlin to discuss<br />
the future direction of the<br />
events industry.<br />
Alejandro Verzoub,<br />
President, Site 2012<br />
stated: “<strong>Events</strong> like the Site<br />
EMEA Forum are important<br />
to the Site community<br />
because they are driven<br />
by a committee focused on<br />
the needs and perspectives<br />
of business professionals<br />
based in the region. We<br />
are fortunate that the 2012<br />
event will deliver even<br />
greater value for delegates<br />
through co-location with<br />
the Capital City Congress.”
Industry Watch Venues<br />
Royal Guest Palace heralds first<br />
foray into Kingdom of Saudi Arabia<br />
The Ritz-Carlton Hotel<br />
Company, L.L.C. has<br />
opened The Ritz-Carlton,<br />
Riyadh, situated next to<br />
the Diplomatic Quarter and<br />
adjacent to the King Abdul<br />
Aziz Convention Centre, one<br />
of the largest in the region<br />
and host to international<br />
summits and conferences.<br />
The hotel offers more than<br />
62,000 sq. ft. of conference<br />
space combined, including<br />
two identical ballrooms,<br />
in a separate wing, of<br />
21,000 sq. ft. each. They<br />
are complemented by two<br />
Karnataka<br />
Govt. approves<br />
convention centre<br />
near Bengaluru<br />
International<br />
Airport<br />
The Karnataka Government<br />
has approved developing<br />
the core components of an<br />
international convention<br />
centre near the Bengaluru<br />
International Airport. The<br />
project is expected to<br />
cost Rs. 250 crore, which<br />
will be shared equally by<br />
the state government and<br />
the Karnataka Industrial<br />
Areas Development Board.<br />
According to the proposal<br />
made in 2007, the centre<br />
is to come up on 35 acres<br />
of land. It will have an<br />
auditorium with minimum<br />
seating of 6,000, 20 halls<br />
where 50-250 people can<br />
hold meetings or seminars,<br />
a 20,000 sqm. exhibition<br />
hall, and a five star hotel.<br />
According to sources, the<br />
state government plans<br />
to hold a global investors’<br />
meet in June 2012 at<br />
the proposed centre; the<br />
reason for developing the<br />
core components.<br />
auditorium-styled theatres<br />
with stepped floors and<br />
built-in stages, ideal for<br />
press conferences and<br />
symposium lectures, and a<br />
variety of smaller meeting<br />
rooms.<br />
Herve Humler, President<br />
and COO, The Ritz-Carlton<br />
Hotel Company, L.L.C said:<br />
“Having such an impressive<br />
presence in Riyadh is part<br />
of our ongoing strategy to<br />
develop world class hotels<br />
in cities where the demand<br />
for luxury lodging is high.”<br />
Pune houses<br />
largest built pillarless<br />
convention<br />
centre in<br />
Maharashtra<br />
Kamat Hotels (India) Ltd.<br />
(KHIL) has opened in Pune<br />
what is said to be the<br />
largest purpose built pillarless<br />
convention centre<br />
in Maharashtra. Spread<br />
across 56,000 sq. ft., the<br />
Orchid Convention Centre<br />
is situated in the premises<br />
of VITS Pune. The fully<br />
air-conditioned centre can<br />
accommodate 5,000 guests<br />
and has modern facilities<br />
which enable it to host<br />
two conferences and one<br />
exhibition simultaneously.<br />
This centre has been<br />
designed and constructed<br />
by the EXHICON Group for<br />
multi-purpose events.<br />
Vikram Kamat, Executive<br />
Director, KHIL said: “The<br />
idea behind a convention<br />
centre of this strata<br />
is to provide tradefair<br />
organisers, PCOs, event<br />
management companies<br />
and individuals with a<br />
great experience for small<br />
to large graph events.”<br />
4 December 2011, EXPERIENTIAL MARKETING 19<br />
The World Expo Park to<br />
have four new venues<br />
According to recent<br />
information on the<br />
construction of Shanghai’s<br />
key cultural facilities for the<br />
12th Five-Year Plan period,<br />
the World Expo Park will<br />
welcome four new venuesthe<br />
China Art Palace,<br />
the Shanghai Museum of<br />
Contemporary Art, the<br />
Shanghai World Expo<br />
Museum and Shanghai<br />
Children’s Art Theater.<br />
The World Expo China<br />
Pavilion will be converted<br />
into China Art Palace. An<br />
extension will be built to the<br />
World Expo China Pavilion,<br />
so the resultant facility<br />
will offer 70,000 sqm. of<br />
exhibition space.<br />
The World Expo Museum,<br />
which sits on the Puxi site<br />
of the World Expo Park, will<br />
be a venue for the collection<br />
of, research in and display<br />
of the items, literature and<br />
accomplishments of Expo<br />
events in history.<br />
The Shanghai Museum<br />
of Contemporary Art will<br />
sit on the site of the Expo<br />
Urban Future Pavilion, and<br />
is expected to open on Oct.<br />
1, 2012. It is anticipated<br />
that it will be the venue for<br />
the Shanghai Biennial.<br />
The Shanghai Children’s<br />
Art Theater will sit on the<br />
site of the futuristic Expo<br />
SAIC-GM Pavilion, and will<br />
feature the IMAX theater<br />
projection system and four<br />
audience zones.<br />
Marriott International announces new<br />
luxury JW Marriott Hotel in Bahrain<br />
Marriott International’s JW<br />
Marriott has announced<br />
the JW Marriott Manama,<br />
Bahrain Hotel, in the<br />
Kingdom of Bahrain, under<br />
management agreement<br />
with owner Khaleejcapita<br />
B.S.C., which will open in<br />
2016. The hotel will have<br />
17,119 sq. ft. of meeting<br />
space, 274 rooms and<br />
suites and 102 residences<br />
in Bahrain Bay, adjacent to<br />
Bahrain Financial Harbour<br />
and opposite the diplomatic<br />
quarter. The JW Marriott<br />
Manama Bahrain Hotel will<br />
be the first JW Marriott<br />
property in Bahrain and the<br />
fifth JW Marriott hotel in the<br />
Middle East/Africa region.<br />
Ed Fuller, President and<br />
MD, International Lodging,<br />
Marriott International said:<br />
“Our currently open hotels<br />
in Bahrain, the Marriott<br />
Executive Apartments and<br />
The Ritz-Carlton, have been<br />
tremendously successful,<br />
and we believe that this JW<br />
Marriott Manama is ideally<br />
located for a luxury hotel in<br />
Bahrain’s commercial and<br />
financial center. Our JW<br />
Marriott brand is reserved<br />
for select luxury hotels in<br />
key gateway cities around<br />
the world, and Bahrain is<br />
certainly one of these.”<br />
The 50-story hotel tower is<br />
part of Bahrain Bay, a $2.5<br />
billion development master<br />
planned by Skidmore,<br />
Owings and Merrill. Abdul-<br />
Aziz Al-Rabban, Chairman,<br />
Khaleejcapital B.S.C said:<br />
“Bahrain has an undersupply<br />
of luxury 5-star<br />
hotels. The JW Marriott<br />
Bahrain will be a spectacular<br />
addition to the Bahrain Bay<br />
development.”
RNI registration 108290/2010 Postal registration no MH/MR/N/150/MBI/11-13<br />
posted at Mumbai Patrika Channel Sorting Office on every 7th or 8th of the month
COVER STORY<br />
4 December 2011, EXPERIENTIAL MARKETING 21<br />
The WOW Awards saw many firsts in its last edition. With<br />
change and growth came much learning. That’s the greatest<br />
characteristic of an experiential property, its potential to<br />
grow, evolve and enhance relevance.<br />
Our inspiration to innovate will never saturate, for we feed<br />
on the innovation that the industry displays to us through<br />
the year, with many path-breaking campaigns. It’s our<br />
good fortune to have an opportunity beyond our yearlong<br />
endevour, to celebrate the most innovative campaigns. The<br />
WOW Awards 2012 calls for entries starting December 15,<br />
2011.<br />
The WOW Awards, in its fourth edition now, has seen<br />
tremendous support from the experiential marketing<br />
industry. Corporations and brands have integrated<br />
themselves with the awards through jury participation<br />
and entry endorsements while agencies continue to be<br />
the reason for our existence with a constant scaling up of<br />
entries each year.<br />
We’re proud to announce prominent confirmations for<br />
the WOW Awards 2012 jury. Hemant Malik, COO, Trade<br />
Marketing and Distribution, ITC Ltd. has graciously<br />
accepted to chair the jury for the WOW Awards this year.<br />
Joining Malik on the jury will be, Manish Sharma, Director<br />
- Marketing & Sales, Panasonic India; Viral Oza, Marketing<br />
Director, Nokia India; Anuj Saxena, MD, Elder Healthcare;<br />
Harish Moolchandani, MD, Beam Global India; Vikrant<br />
Ramachandra, VP and Head - Brand Marketing, TATA AIG<br />
Life and Maneet Jolly, GM - Brand Marketing, Idea Cellular.<br />
Further confirmations for jury members will continue to be<br />
updated on the WOW Awards 2012 website.<br />
We’ve worked closely with this year’s jury members on the<br />
process and categories for the WOW Awards 2012. While<br />
we saw much success from the online application process<br />
that was introduced last year, we look forward to presenting<br />
to applicants an enhanced experience and interface of<br />
creating these entries online.<br />
Jury participation in revising the award categories has been<br />
an encouraging parameter to gauge the increased interest<br />
of marketers in the experiential space. Based on valued<br />
suggestions and great insight, the categories this year have<br />
been enhanced to include 27 categories in total. While<br />
some categories have been excluded, others have been<br />
included or improvised to stay relevant to evolving trends<br />
within the industry.<br />
While we’re taking every effort to ensure the best experiential<br />
marketing campaigns get celebrated in a manner that they<br />
well deserve, jury members too clarify important aspects<br />
and expectations from the industry and the work entered.<br />
Carrying forward the singular underlying thought from the<br />
judging process over the years of the awards, effective<br />
innovation seems to be top priority of jury members this<br />
year as well.<br />
ExM speaks to a few jury members for an insight into what<br />
experiential marketing means to them and the expectations<br />
they have from this industry and from potential applicants.
COVER STORY 4 December 2011, EXPERIENTIAL MARKETING 22<br />
Jury Chair<br />
“The challenge for the marketing team is to put in the effort<br />
and have confidence in building experiential marketing visà-vis<br />
spending on lazy media choices.”<br />
consumers multiply, the ability of a brand product/service to<br />
create an impact or an impression on the consumer minds<br />
becomes tougher. The traditional medium with its clutter<br />
makes it difficult to get cut through. Experiential marketing,<br />
given the extent of its potential impact, has formed a<br />
significant part of brand strategies over the last few years.<br />
The expansion of malls, multiplexes and other such<br />
avenues has led to a spike in the usage of promotional tools<br />
like kiosks, stalls, free sampling etc. With the organized<br />
retail sector also having picked up, experiential marketing<br />
has become a great platform for retail giants since their<br />
retail outlets themselves are an experience in itself for the<br />
consumer.<br />
Hemant Malik is the COO of Trade Marketing and<br />
Distribution for ITC Ltd. Since joining ITC in 1989, he has<br />
worked in the tobacco, lifestyle retailing and foods divisions<br />
of the company.<br />
What is the importance of experiential marketing as a<br />
medium of communication for a brand<br />
Experiential marketing allows customers to engage and<br />
interact with brands, products and services in sensory<br />
ways. Personal experiences help people connect to a<br />
brand and make intelligent and informed purchasing<br />
decisions. It involves actual customer experiences with the<br />
brand/product/service that drive sales and increase brand<br />
image and awareness. It’s the difference between telling<br />
people about features of a product or service and letting<br />
them experience the benefits for themselves. When done<br />
right, it becomes a powerful tool to win brand loyalty.<br />
However, the challenge for the marketing team is to put<br />
in the effort and have confidence in building experiential<br />
marketing vis-à-vis spending all money on lazy media<br />
choices like TV or print, since these are relatively easy to<br />
spend your money on.<br />
How has the role of experiential marketing as part of<br />
brand strategies increased over the last five years<br />
What can this increase be attributed to<br />
The role of experiential marketing has increased significantly<br />
over the last five years as mass media has been found<br />
out to work less and less. As the choices available to the<br />
What are your thoughts about the new experiential<br />
marketing organizations<br />
I find that these new organisations have come with a<br />
huge amount of creativity and have actually pushed the<br />
marketing teams to wake up to the reality. It has also been<br />
supported with the evolution of technology in the digital<br />
media (interactive websites & augmented reality) and<br />
the evolution of social media, increasing the reach and<br />
affordability of experiential marketing for brands.<br />
How have agencies/service providers in the experiential<br />
marketing space evolved What more can they do to<br />
partner brands more effectively<br />
The typical advertising agencies of yore are now no longer<br />
able to sustain a uni-dimensional model of churning<br />
out creatives for mass media. This has happened since<br />
the brand’s priorities have changed and the marketers<br />
have become increasingly cost conscious and aware<br />
of opportunities of direct consumer interactions through<br />
experiential marketing. So an O&M has extended into an<br />
OgilvyOne, and Lintas & Lowe branched into Linteractive<br />
and LoweLintas Direct to tap into the experiential marketing<br />
space.<br />
The typical <strong>BTL</strong> agencies too have been pushed to widen<br />
the base of services they provide to the brands. Apart from<br />
the typical events and road shows, their services now<br />
include customized brand activation programs, response<br />
management and CRM solutions for their clients. The<br />
agencies are also becoming more tech-savvy to tap into<br />
social media and digital opportunities available.<br />
As the experiential marketing space gained significance<br />
over the last decade, the agencies have evolved to find<br />
sustainable businesses models even within the niches<br />
of experiential marketing. There are now agencies which<br />
specialize in experiential marketing and then there are<br />
agencies which specialize in digital experiential marketing.
COVER STORY 4 December 2011, EXPERIENTIAL MARKETING 23<br />
Jury Speaks<br />
“Experiential marketing is the<br />
difference between telling<br />
people about features of a<br />
product or service and letting<br />
them experience it.”<br />
Anuj Saxena is the Managing Director of Elder Healthcare and the Founder<br />
of Maverick Productions, besides being a prolific actor in the Indian television<br />
and Film industry.<br />
Dr. Anuj Saxena<br />
Managing Director<br />
Elder Healthcare<br />
Experiential marketing adopts a unique approach that integrates emotions,<br />
logic and general perception to connect to the buyer. It’s the difference<br />
between telling people about features of a product or service and letting<br />
them experience the benefits for themselves. When done right, it’s the most<br />
powerful tool out there to win brand loyalty.<br />
Experiential marketing seeks to tap into that special place within consumers<br />
that has to do with inspiring thoughts about comfort and pleasure, as well as<br />
inspiring a sense of practicality. This means that the marketer needs to have<br />
a firm grasp on the mindset of the target audience he or she wishes to attract.<br />
By understanding what the consumer is likely to think and feel, it is possible<br />
to get an idea of how to steer the customer in a direction that will relate with<br />
the product, and entice individuals to act on that impulse to purchase. So<br />
through this type of marketing a customer engages with key messages and<br />
walks away with a positive image of the brand and a desire to purchase from<br />
the company.<br />
“Agencies have metamorphosed<br />
from communication partners<br />
to partners in development of<br />
marketing solutions.”<br />
Vikrant Ramchandra has spent most of his 30 working years understanding<br />
and creating brands in over 30 categories. He is currently Vice President<br />
and Head of the Brand Marketing function of Tata AIG Life<br />
Agencies have woken to the new reality that brand behaviour is equally if not<br />
more important than brand communication. With this new reality, agencies<br />
have metamorphosed from mere communication partners to partners in<br />
development of marketing solutions. This is the new reality and agencies<br />
are transiting. The finest encapsulation has been from BBDO, that said,<br />
“Acts. Not Ads”. This has reflected in the kind of recommendations and the<br />
quality of recommendations that agencies make to enhance experiential<br />
marketing.<br />
Vikrant Ramachandra<br />
Vice President and Head of<br />
Brand Marketing<br />
Tata AIG Life
COVER STORY 4 November 2011, EXPERIENTIAL MARKETING 24<br />
Jury Speaks<br />
“The best marketers have a<br />
skew, that is, 55:45 mass media<br />
to experiential marketing.”<br />
Working with Panasonic since August 2008, Manish Sharma is currently<br />
Director for Sales and Marketing and is responsible for developing<br />
marketing strategies and driving sales for all segments of consumer<br />
durables.<br />
Today, experiential marketing is an estimated Rs. 1,000 crore industry<br />
in India and is growing phenomenally as an essential marketing activity.<br />
The growing importance of this form of marketing is evident from the<br />
fact that the best marketers have a skew, that is, 55:45 mass media to<br />
experiential marketing. Companies today are spending huge sum on<br />
marketing initiatives out of which about 30 per cent usually is for <strong>BTL</strong><br />
activities which includes experiential marketing. Currently, experiential<br />
marketing holds 15% of the total advertising expenditure, and we will<br />
see this grow by another 10% in the coming years.<br />
Manish Sharma<br />
Director for Sales and Marketing<br />
Panasonic India<br />
When it comes to successful experiential marketing, smaller events in<br />
intimate settings are generally preferred over large events with too many<br />
people. Not only do smaller events allow a brand to get close to its<br />
customers and maximize one-on-one interaction, it also gives everyone<br />
a chance to try out the product. Face-to-face dialogue and the ability to<br />
share the experience with others are among the top factors consumers<br />
say make an event most interesting to them. We are seeing a lot of fresh<br />
ideas and out-of-box thinking coming from agencies in this respect.<br />
Maneet Jolly<br />
General Manager - Brand Marketing<br />
Idea Cellular<br />
“Get the central<br />
thought right and it<br />
will resonate at every<br />
consumer interaction”<br />
Starting his career with Magnasound and later moving to work with UTR<br />
Business, Maneet Jolly is currently General Manager Brand Marketing<br />
at Idea Cellular. He has been with Idea for the past eight years.<br />
Best said by Steve Jobs and I quote “Design is the fundamental soul of<br />
any creation and it ends up expressing itself in successive outer layers<br />
of the product or service.” The same works for any campaign. Get the<br />
central thought right and it will resonate at every consumer interaction.<br />
My message to WOW Awards applicants is that the experiences you<br />
create have the power to form and even change consumer preferences.<br />
So take pride in your work.<br />
Further updates on Jury confirmations and entry process can be seen on: www.eventfaqs.com/wowawards
COVER STORY 4 November 2011, EXPERIENTIAL MARKETING 25<br />
Categories and Entry Criteria:<br />
WOW <strong>Promotions</strong><br />
1. On-ground promotion of the year for Brand<br />
Awareness<br />
A brand promotion involving engagement with an audience,<br />
allowing an opportunity to know more about the brand or sample<br />
the brand’s product/service.<br />
2. On-ground promotion of the year for Sales Volume<br />
A brand promotion involving engagement with an audience,<br />
allowing an opportunity to purchase/place an order for the brand’s<br />
product/service.<br />
3. Small Budget on-ground promotion of the year<br />
An on-ground brand promotion with the total promotion budget of<br />
Rs. 50,000/- or less in each city/town.<br />
4. Contact Program of the Year<br />
A brand promotion that involves identifying a group of individuals<br />
and creating a promotion / activation within the community of the<br />
target group. E.g. schools, colleges (other institutions), residential<br />
societies, cultural communities or other similar communities.<br />
WOW LIVE<br />
5. <strong>Entertainment</strong> Event of the year<br />
A live event, with the main aspect of engagement being<br />
entertainment for the audience present at the event.<br />
6. Festival of the Year<br />
A celebration involving activities / events around a central subject<br />
(arts, places, occassions)<br />
7. Lifestyle Property of the year<br />
A live event, with the main aspect of engagement being to<br />
showcase art / creativity.<br />
8. Sports Property of the year<br />
A live event, with the main aspect of engagement being a sport /<br />
sports.<br />
9. Launch Event of the Year<br />
A live event involving the announcement / inauguration /<br />
introduction of a new product / service to a relevant TG.<br />
10. Brand Association with a LIVE Platform<br />
A brand association with a live event property – entertainment<br />
/ lifestyle / sports. This association could be either through<br />
sponsorship, partnership or when a brand uses the event platform<br />
for activations.<br />
WOW <strong>MICE</strong><br />
11. Incentive Tour of the year<br />
A program designed for any stakeholder (employee, dealer, trade)<br />
of a company with the objective to incentivise/motivate/recognize.<br />
12. Education Program/tour of the year<br />
A program designed for any stakeholder (employee, dealer, trade)<br />
of a company with the objective to educate/impart knowledge/train.<br />
13. LIVE event of the year<br />
An experience designed for any stakeholder (employee, dealer,<br />
trade) of a company with the objective to celebrate an achievement/<br />
milestone/other momentous occasions.<br />
14. Exhibition Property of the Year<br />
A business-to-business platform that involves the showcase of<br />
various stakeholders (dealers/trade/channel partners) relevant to<br />
a certain organisation/association/industry. The objective of the<br />
event is to showcase as many participants of a certain industry/<br />
association/organization under one platform.<br />
15. Conference / Convention of the year<br />
A business-to-business / knowledge platform that involves<br />
the engagement of various stakeholders relevant to a certain<br />
organization / association / industry.. The objective of the event<br />
is knowledge exchange amongst experts from a select industry /<br />
association / organization under one platform.<br />
WOW Media<br />
16. Televised Property of the Year - <strong>Entertainment</strong> &<br />
Lifestyle<br />
An event with the central engagement being entertainment or<br />
lifestyle showcase that is then packaged into television content.<br />
17. Televised Property of the Year - Business/<br />
Knowledge<br />
An event with the central engagement being knowledge exchange/<br />
discussion that is then packaged into television content.<br />
18. Advertiser-funded Program of the Year with onground<br />
connect<br />
An advertiser-funded program that amplifies a brand experience.<br />
19. Activation Program of the Year by a Media Brand<br />
with on-ground connect<br />
An activity by a media brand, which involves on-ground<br />
engagement with customers, in an effort to promote the brand or<br />
one of its initiatives.<br />
20. On-ground brand association with a Media Brand<br />
A media activation done in association with a brand, where the<br />
objective is to target the consumer to promote both the associating<br />
brand as well as the media brand. A film may also be treated as a<br />
media brand for this category.<br />
21. Event Property of the year by a Media Brand<br />
An on-ground event by a Media brand, in which the intellectual<br />
property rights for the property is owned by the Media brand.<br />
WOW Others<br />
22. Exhibition Presence of the year<br />
Promotion of a brand through an exhibition platform with multipleparticipants.<br />
Exhibition presence would be needed to be highlighted<br />
where other, competing brands / services are also showcasing<br />
within the same platform.<br />
23. Rural Engagement program of the year<br />
A brand engagement campaign specifically targeted to audiences<br />
in small towns and villages.<br />
24. New Property of the year<br />
An on-ground event / activation that has been created within the<br />
year and is recurring in nature. The event / activation must be an<br />
intellectual property of the creator / conceptualiser.<br />
25. CSR Event/Property of the Year<br />
An event / activation platform created with the objective to promote<br />
/ support or create awareness about a social cause.<br />
26. Integrated Media Campaign of the Year by a Brand<br />
A brand promotion campaign that involves the use of at least two<br />
other mediums along with the on-ground activation/promotion/<br />
event.<br />
27. Brand Experience of the Year (best use of<br />
experiential marketing)<br />
A campaign that exemplifies the use of the experiential marketing<br />
medium in the best manner with the objective of promoting a brand.
OPINION<br />
4 December 2011, EXPERIENTIAL MARKETING 26<br />
How crucial are expos to<br />
ExM spoke with four brands to find out how having an industry -<br />
Arif Ali<br />
Vice President and Head of<br />
Brand and Communication<br />
Koshy Cherian<br />
Manager – Retail Operations<br />
As a telecom company, we don’t really<br />
participate in too many expos. However,<br />
expos are a strategic tool to reach<br />
both consumers as well as prospective<br />
business partners/vendors. It’s true<br />
value and utility is a function of the<br />
industry/product category/service that is<br />
marketed. So the company’s B2B and<br />
B2C objectives can be served to an<br />
extent. The Auto Expo held every year<br />
comes to mind as a successful expo<br />
serving the needs of the automobile<br />
industry. One can learn and get updated<br />
on competitive activity too. Overall, expos<br />
provide good ROI to a growth oriented<br />
and aggressive company.<br />
It is extremely important for the jewellery<br />
industry to have an expo because the<br />
industry would not know the new changes<br />
in the trends and designs. I don’t not think<br />
<strong>BTL</strong> marketing activities are important as<br />
majority of the activities are within the<br />
industry itself and the possibility of us<br />
doing an on-ground activation is close to<br />
zilch as the turnout would be much lesser<br />
considering <strong>BTL</strong>. However we involve in<br />
a lot of research about emerging trends.<br />
Through an expo or an exhibition we get<br />
to know about the fad, fashion and the<br />
emerging trends and revivals. There is a<br />
forte of companies coming at an expo and<br />
you get to know what are other the other<br />
unique things happening in the market.<br />
An expo or an exhibition is a benchmark<br />
wherein you can understand the style of<br />
various other markets.
OPINION<br />
4 December 2011, EXPERIENTIAL MARKETING 27<br />
your brand and industry<br />
wide expo helps them and benefits their respective industries.<br />
Royston Fernandes<br />
General Manager – <strong>Events</strong><br />
Mukul Kashyap<br />
Marketing Manager – India Sales<br />
Industry expos in the B2B space are<br />
important and useful platforms for trade<br />
interactions. They give trade buyers<br />
an opportunity to interact with multiple<br />
suppliers at a single venue, even as<br />
they provide suppliers with an excellent<br />
opportunity to showcase their products to<br />
a wide cross section of clients at a single<br />
place. For manufacturers, they are also<br />
a platform at which new products can<br />
be introduced and presented. Industry<br />
expos in the B2C space have also been<br />
useful in reaching out to target audiences,<br />
more so in the upper end range. Here the<br />
expos need to have an integrated identity<br />
like a wedding show, and also be well<br />
timed before critical buying seasons, plus<br />
must be organised at venues that attract<br />
the targeted customers.<br />
It is very crucial for us to have an expo<br />
as we get to showcase our brand and<br />
eventually helps us reach our end<br />
customer. <strong>BTL</strong> activities are important<br />
because it helps us get in touch directly<br />
with the end consumer as it is not the<br />
retailers, dealers or distributors. It is<br />
primarily the end consumer who is<br />
our target audience. The brand would<br />
definitely benefit from an industry expo<br />
as it is there that we connect directly with<br />
our end users and not through any dealer<br />
or retailer. Apart from showcasing our<br />
products at an expo, it helps us take the<br />
voice of our consumers and receive get a<br />
good feedback.
ALSO FEATURED 4 December 2011, EXPERIENTIAL MARKETING 28<br />
Afterthoughts on the Tehelka<br />
Newsweek Think Festival<br />
By Roshan Abbas<br />
While the line-up of speakers, content design and conversations at the Think<br />
Festival spoke for itself, there seemed to be a seeping through of excellence in<br />
the organization of the festival too. Roshan Abbas, a well-impressed recipient<br />
to all that was exchanged at the first ever Think Festival in Goa, which took<br />
place from Nov. 4 to 6, couldn’t help letting the competitive event manager<br />
in him get to the bottom of how the fest came together so seamlessly. Abbas<br />
narrates his finding:<br />
Aamir Khan with Tarun Tejpal<br />
Karan, Tiya Tejpal, Kartikay and Atishay are on the right<br />
side of 30, the side most of us would love to be on, but<br />
they are perhaps the future of events in India. They<br />
recently pulled off one of the best events I have seen<br />
in a long time, the Tehelka Newsweek Think Festival.<br />
Surprisingly though, they do not have an event company<br />
or anything more than a passing interest in events. They<br />
run a film production company called Iron Hands and are<br />
in between of making viral ads for Nike and day jobs on<br />
film sets.<br />
Iron Hands was started by Kartikay, along with his school<br />
time friends Karan and Atishay. Tiya Tejpal, daughter<br />
of Tehelka founder Tarun Tejpal, became a part of Iron<br />
Hands recently and took the task of putting the event<br />
together along with her partners. She candidly confesses,<br />
the organizers were too scared to outsource it.<br />
It began with a series of recce in April, followed by a few<br />
more in July. By the end of October, five days before the<br />
event, her motley crew of 15 had arrived in Goa. The team
ALSO FEATURED 4 December 2011, EXPERIENTIAL MARKETING 29<br />
Behind the scenes at the Think Festival<br />
running the event was cobbled together from friends and<br />
family members with a single point agenda of achieving<br />
the impossible. This is a unique example of crowd sourcing<br />
talent to create an event team. Most of everyone knew<br />
of someone who had a unique skill they could use. What<br />
worked in their favour was the learning from film sets. Films<br />
in Mumbai often have a 12 hour turnaround and that had<br />
prepped the team for all kinds of emergencies and needs.<br />
The team was handling 60 plus speakers that ranged<br />
from political heavyweights to reigning superstars, artists<br />
to authors, moreover the sessions were time bound and<br />
all this in a setup with Watchout screens, AV content, live<br />
performances, a Twitter feed on screen and much more.<br />
Somehow the event was touched by magic.<br />
Query them on the challenges at the event and they all<br />
say, there were one too many to discuss. However, Tiya<br />
shared one. Amidst the entire hurry flurry backstage, a girl<br />
tripped and held onto the scaffolding to get a grip. The left<br />
wing of the stage began to collapse inwards on to actors<br />
Imran Khan and Abhay Deol, and film directors Dibakar<br />
Banerjee and Kiran Rao. Karan and Tiya literally pulled<br />
the stage up and hung from it for dear life in order to save<br />
it from falling. The Iron Hands crew came running in and in<br />
no time they had seven people holding onto the side wing,<br />
three bossing the carpenters and praying for the lunch<br />
break to rectify the issue.<br />
All this was done for the sheer love of executing what<br />
seemed a challenge. Tiya’s only frustration was that<br />
unlike a film, at an event everything is in full view, while<br />
on camera you can move things out of the frame. But then<br />
again the expertise they brought to the event was with the<br />
Tarun Tejpal and Tiya Tejpal<br />
understanding that the Tehelka team were the directors<br />
and Iron Hands were the building blocks of the production.<br />
The result was a blockbuster. Do event companies need<br />
to feel threatened No, this was just done for the love of it.<br />
But what I found incredible, was the crowd sourced model<br />
and the learning of film that the team brought to the event.<br />
<strong>Events</strong> are a multi disciplinary medium and the more we<br />
cross-pollinate with other disciplines, the more we learn.<br />
Photo Courtesy: Shailendra Pandey/Tehelka
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ALSO FEATURED<br />
4 December 2011, EXPERIENTIAL MARKETING 31<br />
A Musical Mingling<br />
By Rachael Rajan<br />
Founder, DNA Networks; Joji<br />
George, CEO, Percept Sports &<br />
<strong>Entertainment</strong>; Sabbas Joseph,<br />
Founder Director, Wizcraft;<br />
Devraj Sanyal, Managing<br />
Director, Universal Music Group;<br />
and Jayesh Veralkar, Label<br />
Head – Day 1, Sony Music<br />
<strong>Entertainment</strong>.<br />
The third edition of Nokia Music Connects – The Indian<br />
Music Forum 2011 took place on Nov. 16 and 17 at the ITC<br />
Grand Central in Parel, Mumbai. A joint venture between<br />
the Hong Kong-based Branded, and Indiantelevision.<br />
com’s Radioandmusic.com, this year’s event witnessed<br />
panel discussions, interactive sessions, and other<br />
informative sessions on important developments in<br />
different spheres of the music industry, both, globally<br />
and in India, changing dynamics, the Indian live music<br />
scene, and the overall future of the industry.<br />
Performances<br />
Each of the two days saw a short performance. Shibani<br />
Kashyap performed her song, “Don’t Drink and Drive”,<br />
on the first day. The second day featured a performance<br />
by and an interview with Grammy award winner Imogen<br />
Heap, who demonstrated how she uses technology<br />
innovatively with her ‘Magic Gloves’, which allows her to<br />
record, loop, and control sounds while performing. This<br />
segment of the conference received much applause from<br />
the attending delegates, owing to its creative coupling of<br />
technology and music. A recent collaborative effort by<br />
Heap and Vishal Dadlani saw the recording of a song in<br />
Rajasthan in just four days, along with the shooting of a<br />
music video, which was screened at the event.<br />
Sketching the Live <strong>Events</strong> Scene<br />
An engaging panel discussion on the emergence of<br />
festivals and music events and competitions across<br />
India, and several issues relating to the facilitation of live<br />
events were discussed by key leaders of the event and<br />
music industry. Moderated by Brian Tellis, Chairman,<br />
Fountainhead <strong>Promotions</strong> & <strong>Events</strong> Pvt. Ltd., the panel<br />
comprised of Farhad Wadia, CEO, E18; Venkat Vardhan,<br />
Sketching out changes in the<br />
live music scene in India, Wadia<br />
said: “In the beginning, there was<br />
no VH1, no Channel V, no MTV.<br />
Few bands from abroad were<br />
brought down, they’d always<br />
perform at Rangbhavan, and<br />
advertising was cheap. As time<br />
went on, a healthy local band<br />
scene developed. You had your<br />
Independent Rock, your Great Indian Rock. But with the<br />
advent of clubs, the scene got fragmented. Also, it began<br />
getting expensive to get international acts.”<br />
The biggest problem for most of the agency’s handling<br />
live events is the limited number of venues, especially for<br />
Sabbas Joseph,<br />
Director<br />
Wizcraft<br />
“The issue with live acts<br />
is not only about getting<br />
those 23 permissions<br />
and licenses, but about<br />
the hold these officials<br />
have on you, so that you<br />
have to give freebies and<br />
tickets, and so depend<br />
heavily on sponsorships<br />
rather than ticket sales.”
ALSO FEATURED<br />
4 December 2011, EXPERIENTIAL MARKETING 32<br />
medium-size acts, that can accommodate an audience of<br />
1,000 people or so. This drastically reduces the scope for<br />
emergence of smaller festivals and gigs. While Wizcraft<br />
may have established its ‘Kingdom of Dreams’, this is<br />
seen by the industry at large as an exception, rather than<br />
the rule. Although Wadia and others like him feel that<br />
from a band perspective this is the best it’s ever been,<br />
pulling an act together and seeing it through logistically<br />
and otherwise is challenging and expensive.<br />
For outdoor events and really big acts, there are around<br />
23 permissions to procure, and even after having to<br />
bribe their way to do so, it doesn’t end there. Sabbas<br />
Joseph added: “The issue with live acts is not only about<br />
getting those 23 permissions and licenses, but about<br />
the hold these officials have on you, so that you have<br />
to give freebies and tickets, and so depend heavily on<br />
sponsorships rather than ticket sales.”<br />
So, while the music and event industry would like to<br />
move to a model that isn’t sponsorship driven and is more<br />
dependent on ticketing revenues, the regulations make<br />
this impossible. While there is a general feeling that the<br />
entire ecosystem for live events needs to be revised<br />
and thought through, there are other stakeholders who<br />
prevent such a move forward, including the brands.<br />
Joji George commented: “It is important for the public<br />
and private sector to come together. There have not<br />
been many changes in the last decade. There are new<br />
avenues, but where’s the working capital”<br />
Another important question raised in this regard was<br />
why are sponsors changing year on year The need<br />
for strategic investments rather than tactical ones is<br />
felt strongly. Sponsorships are sanctioned by marketing<br />
managers, and as marketing managers for brands<br />
change, the tendency is that budget allocation undergoes<br />
a simultaneous change, whereby funds earlier allocated<br />
to a certain festival, are now diverted to other avenues.<br />
The panel was unanimous about this being something<br />
that needs to change and that brands need to take<br />
on properties for durations of at least 10 to 15 years.<br />
When this happens, both the live music industry as<br />
well as brands will benefit the way they have through<br />
international festivals. Brands often tend to back out<br />
“It is important<br />
for the public and<br />
private sector to<br />
come together.<br />
There have not<br />
been many<br />
changes in the<br />
last decade. There<br />
are new avenues,<br />
but where’s the<br />
working capital”<br />
Joji George,<br />
CEO, Percept Sports &<br />
<strong>Entertainment</strong>
ALSO FEATURED 4 December 2011, EXPERIENTIAL MARKETING 33<br />
from ventures like live events because it feels the event<br />
is the intellectual property of the agency. The solution to<br />
this is to create and facilitate joint ownerships. Again, the<br />
problem agencies face is that while they are not unwilling<br />
to share intellectual property rights of these properties<br />
with brands, they have no assurance that brands will<br />
sustain these properties long-term.<br />
Another topic touched on was the need to develop live<br />
music events in the regions. Tellis remarked that the<br />
industry needs to focus on issues that help cultivate a<br />
culture of live music at a local and even a regional level.<br />
Developing local talent must also involve creating live<br />
platforms for regional folk music, and other music that<br />
isn’t mainstream.<br />
The panellists also strongly urged agencies to have<br />
dialogue with policy makers, and not restricting<br />
discussions of this nature to just the music fraternity.<br />
Music Beyond Films<br />
Despite the predominant Bollywood music culture,<br />
there are a growing number of listeners of Indian pop,<br />
religious, regional pop, and classical music. In this<br />
panel discussion, the roles played by artists, concert<br />
promoters, and labels were discussed, and the scope for<br />
further growth of this segment of the music industry. The<br />
panellists including, Owen Roncon, Partner, Oranjuice<br />
<strong>Entertainment</strong>; Soumini Sridhara Paul, Associate VP,<br />
ArtistAloud; Ben Thomas, MD, Kurian n Co.; Farhad<br />
Wadia, CEO, E18; Neelesh Misra, Writer and Lyricist;<br />
and Sita Raina, CEO, The Peninsula Studios; shared<br />
their own efforts towards developing non-film music and<br />
their own learning.<br />
“The audience’s taste has<br />
been wrongly judged<br />
and that the industry<br />
has dumbed down its<br />
audience too much, and<br />
that the focus needs<br />
to be redirected to the<br />
content itself.”<br />
Neelesh Misra,<br />
Writer and Lyricist<br />
The Peninsula Studios<br />
The digital media as a platform for talent is the basis for<br />
present and future growth. One of the panellists, Raina<br />
said, “Because of social media, consumers make the<br />
artists big, not the labels.” Raina has seen a tremendous<br />
amount of success in her efforts to make the industry<br />
more inclusive by actually going on ground in villages<br />
and smaller towns, and giving people an opportunity to<br />
record themselves singing, and later developing some of<br />
the talent discovered.<br />
Misra, who has been successful in delivering performances<br />
that integrate music and story-telling, remarked that the<br />
audience’s taste has been wrongly judged and that the<br />
industry has dumbed down its audience too much, and<br />
that the focus needs to be redirected to the content itself.
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ALSO FEATURED 4 December 2011, EXPERIENTIAL MARKETING 35<br />
Music in Television & Reality Shows<br />
The music reality show model has seen much success<br />
among India’s TV watching audiences, and has been<br />
endlessly replicated. The need to measure success<br />
beyond TRPs was one of the key issues discussed<br />
by panellists including Neeraj Vyas, Executive Vice<br />
President & Business Head, SONY MAX and SONY<br />
MIX; Aditya Swamy, Senior Vice-President, MTV; Arvind<br />
Krishnan, Director – Marketing, Bacardi; Gitanjali Sriran,<br />
Founding Partner, Naked Communications; singer<br />
Anushka Manchanda, Sigerm and Meiyang Chang,<br />
former Indian Idol finalist.<br />
Meiyang remarked: “A lot of people want only music and<br />
some reality. You have to make sure the quality doesn’t<br />
suffer, otherwise you’re just going to have mindless<br />
clones.” While Meiyang feels that once the show is<br />
over, the onus of moving on and making a career in the<br />
industry lies on the participant, others differ.<br />
Manchanda remarked: “Reality TV is made for TRPs.<br />
What happens after is very different. There needs to<br />
be a plan for the talent after the show is over.” Sriram<br />
added that neither the music manager nor the TV<br />
channel is responsible for talent, but that there needs to<br />
be a separate service altogether that will take on talent<br />
(musical or otherwise) once they are out of the show.<br />
The industry partner was Saavn, while session partners<br />
were Sony Mix and British Council. The Lanyard partner<br />
was BMI; the official partner was Only Much Louder;<br />
and the opening party partner was Shiro. Other partners<br />
included Simca, Indiantelevision.com, Canadian Music<br />
Week (CMW), Music2Deal, ArtistAloud.com MediaNama,<br />
and Casbaa. Media partners were Afaqs, Indian Music<br />
Talks (IMT), and the International Herald Tribune; the PR<br />
partner was CMCG India.<br />
Conference growth<br />
Since its birth in 2009, the property has grown considerably<br />
in terms of the number of partners on board, and in terms<br />
of participation.<br />
On the property’s development over the last three years,<br />
Viral Oza, Director - Marketing, Nokia India said: “After<br />
the success of Nokia Music Connects two years in a row<br />
since we started in 2009, we have taken Nokia Music<br />
Connects 2011 to newer heights.”<br />
“A forum such as this one offers an ideal platform where<br />
diverse industry voices coalesce to build and strengthen<br />
the music and entertainment ecosystem; all the more so,<br />
since the Indian music industry and the entertainment<br />
industry at large is poised for momentous change now,”<br />
added Oza.<br />
Meiyang Chang,<br />
Former Indian Idol Finalist.<br />
“A lot of people want only<br />
music and some reality.<br />
You have to make sure<br />
the quality doesn’t suffer,<br />
otherwise you’re just<br />
going to have mindless<br />
clones.”<br />
Partners<br />
The title partner for the event was Nokia, and it was<br />
endorsed and supported by the Indian Music Industry<br />
(IMI), in partnership with Mobile Music Xchange (MMX),<br />
The Phonographic Performance Ltd. (PPL), and<br />
hungama.com.<br />
Viral Oza,<br />
Director Marketing<br />
Nokia India<br />
“A forum such as this one<br />
offers an ideal platform<br />
where diverse industry<br />
voices coalesce to build<br />
and strengthen the<br />
music and entertainment<br />
ecosystem; all the more<br />
so, since the Indian<br />
music industry and the<br />
entertainment industry<br />
at large is poised for<br />
momentous change now”
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 36<br />
Pushkar Balloon Festival:<br />
Scaling new heights<br />
By Rachael Rajan<br />
For two years now, there has been a different kind of<br />
‘hot air’ making its presence felt at the age old Pushkar<br />
Camel Fair in the state of Rajasthan. A hot air balloon<br />
festival is not something that you are likely to see at a fair<br />
featuring over 20,000 camel, cattle and horses, but given<br />
the spectacle of colour, festivities and people this annual<br />
event held each year in November attracts, the Pushkar<br />
Balloon Festival has gained the desired traction it set out<br />
to.<br />
SkyWaltz, a hot air balloon company, organized the<br />
second edition of the Pushkar Balloon Festival within the<br />
vibrant Pushkar Camel Fair from Nov. 7 to Nov. 9. The<br />
event has been commissioned by the Department of<br />
Tourism - Government of Rajasthan. Over 20 international<br />
balloon pilots got together to celebrate this festival and, in<br />
total, about 60 foreign delegates travelled as crew from<br />
the world over.<br />
Commenting on the association with the Pushkar Camel<br />
Fair, Samit Garg, CEO, SkyWaltz said: “We approached<br />
the Rajasthan Tourism Board with the unique concept of<br />
holding a balloon festival within the Pushkar fair to add a<br />
new dimension to the event. Thus, post a tender process,<br />
we were awarded the mandate to manage the balloon<br />
festival. The balloon flight takes place twice on each day.<br />
Since we organise a series of balloon safaris, we have<br />
been able to generate a lot of enthusiasm among balloon<br />
pilots across the world. Out of the 40 entries we received,<br />
we managed to shortlist 20 pilots to be part of the Pushkar<br />
Balloon Festival 2011.”<br />
Special packages are being made available to the public<br />
for this visual extravaganza, which included luxury tented<br />
accommodation in the middle of the desert, sumptuous<br />
Rajasthani cuisine, and a balloon flight over the Pushkar<br />
Fair. The festival received much acclaim from participants,<br />
the Government of Rajasthan, and the media.<br />
Commenting on the concept of the festival, Garg said:<br />
“Pushkar is a 100-year old festival. The concept of<br />
holding the hot air balloon festival at Pushkar was to give<br />
Rajasthan Tourism an opportunity to provide international<br />
tourists and domestic tourists with a spectacular visual<br />
display, while flying over temples, a lake, the desert, other<br />
landscapes, and over the cattle fair. Balloon pilots from<br />
abroad got to witness a visual extravaganza of the rich<br />
culture and festivity of Rajasthan. At this fair, which is also<br />
the world’s largest cattle fair, villagers come from various<br />
states to sell or buy cattle, horses, and camels.”
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 37<br />
next three years. The festival brought additional room<br />
nights to the hospitality industry, while a large number of<br />
international and domestic airline tickets were sold. Local<br />
travel operators had most of their cars and buses booked<br />
and the state received additional income through taxes and<br />
foreign exchange.<br />
This year’s statistics reveal that over 167 tourists, who flew<br />
to Pushkar from other countries, came just for the balloon<br />
festival. Garg added, “The FICCI 2009 report indicates that<br />
adventure tourism will become popular among the youth<br />
and among corporations in the next few years.”<br />
The festival also presents opportunities to brands. Speaking<br />
about the associations with brands at this year’s festival,<br />
Garg said: “This year, we had Blazer, a Swiss lubricant<br />
brand, Royal Challengers Bangalore, and a French wine<br />
company, participate. Blazer had also booked additional<br />
tents where they invited their Indian dealers to witness the<br />
festival. We did not sell corporate sponsorships this year,<br />
but will start doing so next year. This will allow brands to<br />
get a 360 degree mileage through balloon branding, onground<br />
branding at the take-off site and from advertising<br />
across various mediums, including integrated (radio and<br />
TV) advertising. This year’s festival was also covered by<br />
the international and Indian media.”<br />
The events included a ‘Hare & Hound’ race held on the<br />
last day of the festival. Blazer won first place at the race,<br />
while Royal Challengers Bangalore came in second, flown<br />
by a pilot from the Czech Republic. Garg elaborates,<br />
“Every night at the stadium grounds, a ‘night glow’ event<br />
was held, in which balloons were inflated to the beat of the<br />
music played, which looked magnificent, while 500 Chinese<br />
lanterns were let off into the sky by kids and the general<br />
public.”<br />
The festival received much acclaim. Says an overjoyed<br />
Garg, “We got a fabulous response from the international<br />
pilots who participated who claimed the event was well<br />
organised and matched world standards. The passengers<br />
enjoyed the balloon rides, as did the onlookers.”<br />
The Rajasthan Tourism spokesperson agreed that the<br />
festival received the anticipated mileage and response<br />
from tourists through the festival.<br />
India’s hosting of the Pushkar International Balloon Festival<br />
brought the country on the global map of hot air ballooning.<br />
The state of Rajasthan has also benefited in a massive<br />
way. Ten countries and 16 balloons participated this year,<br />
and this figure is anticipated to grow to 50 balloons in the
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IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 40<br />
The Economic Times ACETECH<br />
2011 builds blocks in five cities<br />
By Shachi Tapiawala<br />
Shri. Prithviraj Chavan and Shri. Chhagan Bhujbal inaugurate the event<br />
The infrastructure and construction industry is one of the<br />
most crucial drivers for any country’s economy, including<br />
the Indian economy. So having one of India’s leading<br />
economic newspapers, The Economic Times, presenting<br />
an exhibition for this industry appears highly appropriate.<br />
The Economic Times ACETECH 2011 is being held from<br />
Nov. 3, 2011, to Feb. 12, 2012, spread across five cities –<br />
Mumbai, Chennai, Delhi, Bengaluru and Hyderabad. The<br />
Mumbai leg of the exhibition was held from Nov. 3 to Nov.<br />
6 at the Bombay Exhibition Centre in Goregaon, while the<br />
Chennai leg of the exhibition was held from Nov. 25 to Nov.<br />
27 at Chennai Trade Centre.<br />
The exhibition is being organized by Asian Business<br />
Exhibition and Conferences Ltd. and has 22 segments that<br />
showcase a vast array of equipments, products, services<br />
and technologies that are used across the architecture,<br />
construction, engineering and design industry. The next in<br />
line of exhibitions in the ACETECH 2011 series will be held<br />
in Delhi from Dec. 16 to 18, Bengaluru from Jan. 27 to Jan.<br />
29, 2012 and Hyderabad from Feb. 10 to Feb. 12, 2012.<br />
Laying the Foundation<br />
This year, the exhibition transcends the boundaries of<br />
traditional exhibitions and trade shows by conducting<br />
knowledge forums and international summits featuring<br />
eminent personalities across the globe. With regards to<br />
branding given to sponsors, ACETECH is offering 360<br />
degree media coverage through ET Now which was aired<br />
during the prime time, print ads and feature pages write ups<br />
coverage in the Times of India and Bombay Times, press<br />
releases in magazines, hoardings and billboards, online<br />
and social media marketing, radio campaign presence and<br />
through other forms of digital media.<br />
Commenting on the idea behind initiating the property, Sumit<br />
Gandhi, Project Director, ACETECH said: “ACETECH was<br />
started in 2006 in Mumbai and was bigger than the largest<br />
exhibition of that time. The idea behind launching the show<br />
was to give a complete building material, architecture<br />
and construction engineering exhibition to the end users<br />
like builders, architects and project managers, and give<br />
the exhibitors the right audience along with unmatched<br />
publicity.”<br />
Talking about the exhibition and what it offers to the<br />
construction industry, Gandhi said: “ACETECH has<br />
become the largest networking ground for players in the<br />
infrastructure and construction industry and has become
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 41<br />
architecture, interior design<br />
and real estate fraternity.<br />
Also, the 2011 Design<br />
Wall was presented at the<br />
event. The Design Wall is<br />
a concept of a video design<br />
wall used to introduce the<br />
most innovative and highend<br />
products. Architect<br />
Zarir Mullan; Jimmy Mistry,<br />
founder of Della Tecnica;<br />
and Mahesh Mudda, CEO<br />
of New Consolidated<br />
Construction Co. Ltd.;<br />
among others, were<br />
present for the Design<br />
Wall. The sponsors for The<br />
Design Wall 2011 were<br />
Simpolo Ceramics, Dorset,<br />
Sophus, Elevators Villeroy<br />
and Boch.<br />
a marquee event. It is the only event where all relevant<br />
players participate in some way or other. The exhibitors<br />
get unmatched return on investment by combining an onground<br />
activity with print media and outdoor exposure. The<br />
visitors get to choose from the latest products, technology,<br />
designs and ideas. ACETECH has been conducting the<br />
show from 2006 in Mumbai, from 2008 in Delhi, and from<br />
2009 in Bangalore. We have started this show in Chennai<br />
from this year.”<br />
Breaking Ground<br />
The inauguration ceremony witnessed the presence of<br />
prominent guests like Prithviraj Chavan, Honourable Chief<br />
Minister, Government of Maharashtra; Chhagan Bhujbal,<br />
Honourable Minister of State for PWD Architecture; Hafeez<br />
Contractor, Architect; Ashish Raheja, Managing Director,<br />
Raheja Universal; Vikas Oberoi, Managing Director, Oberoi<br />
Realty; Ali Lokhandwala, Managing Director, Lokhandwala<br />
Infra; Sunil Mantri, Managing Director, Sunil Mantri Realty;<br />
Dharmesh Jain, Managing Director, Nirmal Lifestyle; Anuj<br />
Puri, Country Head and Chairman, Jones Lang LaSalle<br />
India; Kathy Abernathy, President, IALD; Nancy Clanton,<br />
Clanton and Associates, UK; Peter Veale, Firefly Lighting<br />
Design, UK; among others.<br />
The inaugural lamp of the exhibition was lit by the Prithviraj<br />
Chavan, Chhagan Bhujbal, Hafeez Contractor and S.M<br />
Gandhi, CMD, Asian Business Exhibition and Conferences<br />
Ltd. In his keynote, Prithviraj Chavan stressed on the need<br />
for infrastructural development and investment in the state<br />
of Maharashtra, hailing ACETECH as a platform that serves<br />
as a great meeting place for investment and subsequent<br />
returns.<br />
Wall and Lighting<br />
Following the inauguration, a felicitation and a gala<br />
networking night was held at Taj Lands End, which hosted the<br />
As part of the Mumbai leg<br />
of ACETECH, The International Lighting Summit 2011<br />
was held on Nov. 4. The summit was a knowledge forum<br />
dedicated to the lighting design and technology industry<br />
based on the theme of “Transformation of Spaces Through<br />
Light”. Various topics related to modern and traditional<br />
lighting technologies were covered in this session.<br />
A galaxy of international lighting experts enlightened the<br />
600 plus audience that comprised of lighting designers,<br />
architects, interior designers, developers, and integrators.<br />
The speakers at the event consisted of people from the<br />
lighting industry such as Charles Israel, Martin Klassen,<br />
Praveen Thampi, Babushankar, Lawrie Nisbet, Peter<br />
Veale, Neil Skinner, Bo Steiber and others. Also, technical<br />
panel sessions and case studies were discussed to<br />
have the architect’s and interior designer’s views on the<br />
lighting industry. The day concluded with a felicitation and<br />
cocktail dinner with the lighting experts who had achieved<br />
milestones in their career working on some of the biggest<br />
projects across the world.<br />
The sponsors for The International Lighting Summit 2011<br />
were Philips Electronics India Pvt. Ltd, Osram India Pvt.<br />
Ltd, Crompton Greaves Ltd., Zumtobel Group, Thorn India<br />
Pvt. Ltd., Vis a Vis India Pvt. Ltd., ERCO Lighting Ltd.,<br />
Louis Poulsen Lighting, ALDABRA, iGuzzini, XAL India<br />
Pvt. Ltd., Legrand India Pvt. Ltd., Delta Light, and Debbas<br />
Prime Solutions (P) Ltd.<br />
Shedding some light on the idea behind taking the property<br />
to new cities, Gandhi said: “The idea of taking up new cities<br />
is to give the exhibitors an exposure to a new market by<br />
using a consistent promotion strategy. The exhibitor gets<br />
maximum value by combining on-ground activity with print<br />
and outdoor media to create the right buzz and attract the<br />
right kind of audience. ACETECH is the only event which<br />
uses print and outdoor media to the fullest extent.”
RNI registration 108290/2010 Postal registration no MH/MR/N/150/MBI/11-13<br />
posted at Mumbai Patrika Channel Sorting Office on every 7th or 8th of the month
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 43<br />
Architects and Developers inaugurating the Design Wall<br />
Sumit Gandhi,<br />
Project Director<br />
ACETECH<br />
“ACETECH has grown not<br />
just in terms of size but also<br />
in terms of quality of brands<br />
participating and the quality<br />
of people visiting the show.<br />
We have been successful<br />
in giving good return on<br />
investment to participating<br />
brands year-over-year and<br />
it can only grow bigger and<br />
better.”<br />
Going Green<br />
The ACETECH exhibition in Mumbai also witnessed The<br />
Global Green Summit 2011 being held on Nov. 5 which was<br />
a one day knowledge forum on green building technologies<br />
and sustainability in infrastructure. The theme for this forum<br />
was “Sustainable Urbanization Planning and Execution”.<br />
Green building, as the need for the hour, was addressed<br />
by Valsa R. Nair Singh, Secretary, Ministry of Environment,<br />
followed by J.R. Tanti, Managing Director, Synefra<br />
Engineering and Construction Ltd., stressing on the<br />
importance of these sustainable concepts in infrastructure<br />
development in the urban concrete jungles of India. In<br />
addition, crucial aspects such as public-private partnership,<br />
roadmap for energy efficiency and sustainable building<br />
materials were discussed by speakers such as J.R Tanti,<br />
Pradeep Nair, Mili Majumdar, Phil Brown, Pranay Vakil, Anil<br />
Kumar Pandial, Akashdeep Jyoti and others. Case studies<br />
were also presented that witnessed participation from<br />
leaders and visionaries of the green building movement.<br />
Dr. P.C Jain, Chairman, Indian Green Building Council,<br />
highlighted IGBC’s initiatives towards providing a green<br />
India and the green practices movement.<br />
The sponsors for The Global Green Summit 2011 were<br />
Panasonic India Pvt. Ltd., Daikin Air Conditioning India Pvt.<br />
Ltd., HNG Glass Float Ltd., K Raheja Corp., Llumar, Enviro<br />
Solutions Pvt. Ltd., Armstrong World Industries India Pvt.<br />
Ltd. and Hyderabad Industries Ltd.<br />
The Final Brick<br />
The exhibition in Mumbai witnessed a participation of over<br />
400 brands and saw a footfall of more than 1.5 lakh visitors<br />
including all top architects, builders and project managers.<br />
Speaking about the growth of the property, Gandhi said:<br />
“ACETECH has grown not just in terms of size but also<br />
in terms of quality of brands participating and the quality<br />
of people visiting the show. We have been successful in<br />
giving good return on investment to participating brands<br />
year-over-year and it can only grow bigger and better.<br />
We realized that the local demand for these construction<br />
and infrastructure products is great and we came up with<br />
ACETECH. We have further nurtured and developed this<br />
exhibition in terms of knowledge forums for the industry<br />
such as the International Lighting Summit and the Global<br />
Green Summit.”
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 44<br />
The Great Indian OctoberFest:<br />
Beers, Brands and Bands<br />
By Rachael Rajan<br />
Poets of The Fall<br />
DJ Suketu<br />
The three-day Great Indian OctoberFest 2011 took place<br />
on Nov. 11, 12 and 13 at the Karnataka Trade Promotion<br />
Organisation (KTPO), Bangalore. This year, the organiser,<br />
Common Colors, opened the festival to beer brands other<br />
than Kingfisher and also to wine brands. The organisers<br />
estimated an audience of 65,000 to 70,000 people in<br />
attendance over the three days, with 8,000 to 9,000 on<br />
the first day itself, and 22,000 to 25,000 on each of the<br />
following days.<br />
While Kingfisher has been associated with the property<br />
since its inception, the other sponsors for the event this<br />
year were Fosters, Budweiser, Carlsberg and Bacardi,<br />
along with The Times of India as the media partner and<br />
Fortune Trinity as the hospitality partner.<br />
Known as a beer festival since 2005, this year, the<br />
property claims to make it different by adding wine to<br />
its banner. Last year, there were six to seven beer stalls<br />
in all, and all were sub-brands of Kingfisher. This year’s<br />
festival has been opened to other beer brands, and the<br />
participants include Fosters, Budweiser, a Bangalorebased<br />
beer company, and Sula Wine. The introduction of<br />
wine brand participants is another new development in<br />
this year’s festival. Commenting on this, Vilas Hiregoudar,<br />
Managing Director, Common Colors said: “The Great<br />
India Oktoberfest is still predominantly a beer festival, but<br />
to cater to another audience and another set of people<br />
who don’t consume beer, this year we’ve also got wine<br />
brands on board.”<br />
This event is targeted towards people from all walks of<br />
Live Banned<br />
life, particularly between the age group of 18 to 75 years.<br />
Talking about the property’s long standing relationship<br />
with Kingfisher, Hiregoudar remarked, “This year when<br />
we suggested getting other brands on board, Kingfisher<br />
was very accommodating and extremely open to this.” He<br />
believes that brands associating with the event stand to<br />
gain phenomenally and that the monetary value gained<br />
would be in the ratio of 1:4 at least.<br />
The concept adopted this year was ‘Music Street’, wherein<br />
30 of the participating bands motivated the audience with<br />
their performance to buy their music through their stalls.<br />
In addition, there were two international bands out of the<br />
45 bands participating, and the fest witnessed a mixed<br />
genre of music.
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 45<br />
DJ Super 8<br />
DJ Claudia<br />
Ram Sampath<br />
EKA<br />
“There were very few beer fests, and our vision was to<br />
bring the passion of music in India and combine it with<br />
beer. This year, there were three stages compared to all<br />
these years where we had one or two stages,” explained<br />
Hiregoudar.<br />
The three stages included the main stage and the ‘Music<br />
Street’ stage. 45 bands and ten DJ’s performed on these<br />
various stages. The ‘Music Street’ stage, itself, saw 30<br />
bands perform. Each of these bands had their own stall<br />
where they could showcase their merchandise like T-shirts<br />
and CDs.<br />
The fest also includes a prominent food festival in which<br />
29 stalls showcased a wide range of cuisines for the<br />
audiences at the fest.<br />
In its seventh edition, The Great Indian OctoberFest is<br />
still going strong. Over the years, many similar properties,<br />
some also titled Octoberfests have cropped up, but<br />
Common Colors is ensuring that they remain relevant.<br />
Hiregoudar said: “We established this property in 2005,<br />
and while there are many similar fests being introduced,<br />
we still are the first to have started the culture of beer<br />
and music in India. This is our seventh edition and we’re<br />
expecting 65,000 to 70,000 people to attend. We still<br />
tap into the largest audience and our festival is still the<br />
largest. We do not really consider similar properties as<br />
competition.”<br />
Common Colors has also enhanced the promotion and<br />
publicity for the event, with a 360 degree marketing<br />
approach wherein, apart from conventional media like<br />
television, online and social media, the property also<br />
organised gigs in clubs and pubs across cities as part of<br />
the lead up to the fest.<br />
The vendors for this edition of the festival included J Davis<br />
Pro Sound for light and sound, Udpa Enterprises and<br />
Orion Travels for travel and logistics, and Tops Security.
RNI registration 108290/2010 Postal registration no MH/MR/N/150/MBI/11-13<br />
posted<br />
RNI registration<br />
at Mumbai<br />
108290/2010<br />
Patrika Channel<br />
Postal<br />
Sorting<br />
registration<br />
Office on<br />
no<br />
every<br />
MH/MR/N/150/MBI/11-13<br />
7th or 8th of the month<br />
posted at Mumbai Patrika Channel Sorting Office on every 7th or 8th of the month
IN FOCUS 4 December 2011, EXPERIENTIAL MARKETING 47<br />
the brand promise is delivered to its consumers.<br />
Is the brand involved in other activations/promotions<br />
as part of the OctoberFest What are the activities/<br />
branding done as part of the festival<br />
As a part of the pre-promotional drive, Kingfisher premium<br />
extended its association to other well-known and related<br />
music-based events across various parts of the country.<br />
This was done in a bid to create awareness, raise the<br />
tempo, give people a glimpse of the Kingfisher experience<br />
and get them to be a part of one of India’s largest music<br />
and beer festival.<br />
In terms of branding, all Kingfisher events are adequately<br />
branded with conventional signages, not to mention that<br />
there is a branded bottle/can in every consumer’s hand.<br />
Taking a step further, we also have Kingfisher branded<br />
merchandise and engaging games that gets the crowd into<br />
the fest mood.<br />
How do such platforms enhance the brand<br />
communication to relevant consumers<br />
Samar Singh Sheikhawat,<br />
Senior Vice President, Marketing,<br />
United Breweries Ltd<br />
Kingfisher true to its intent of giving its consumer “The<br />
Good Times”, considers TGIOF as a perfect platform to<br />
connect and engage with its consumers. The participants<br />
of the OctoberFest consist of a large cross section of<br />
youth that perfectly blends with Kingfisher’s consumer<br />
profile. Consumers get a chance to sample and enjoy all<br />
major brands from the house of United Breweries in an<br />
appropriate and desirable environment.<br />
Kingfisher has been associated with the Great Indian<br />
OctoberFest since its inception as a principal partner, The<br />
brand continues its support towards the property this year<br />
as well. ExM speaks with Samar Singh Sheikhawat, Senior<br />
Vice President, Marketing, United Breweries Ltd. to get an<br />
understanding on the brand’s objectives in partnering such<br />
a platform and also the success seen from the association.<br />
Excerpts:<br />
How did United Breweries come about associating<br />
with The Great Indian OctoberFest And, how do<br />
such platforms enhance the brand communication to<br />
relevant consumers<br />
Slingshot<br />
Kingfisher is India’s No.1 beer brand and carries an image<br />
of being deeply rooted with fun, style and music. The<br />
German Octoberfest is the largest celebration of beer,<br />
so when it came to celebrating the spirit of OctoberFest<br />
in India, Kingfisher took the initiative of bringing it to the<br />
country.<br />
The Great Indian OctoberFest (TGIOF) as a property was<br />
conceptualized by the brand along with Common Colors<br />
way back in 2005 and over the years has become one of<br />
the most desirable and anticipated fests in the country.<br />
Kingfisher has always endeavoured to bring good times to<br />
its consumers and platforms such as TGIOF ensure that<br />
Rabbi Shergill
ALSO FEATURED 4 December 2011, EXPERIENTIAL MARKETING 48<br />
Auto expos keep the auto<br />
adrenaline going<br />
By Karan Iyer<br />
The Formula One may have come and gone, but has left<br />
behind auto fanatics with a wanting for more. But there is no<br />
need to fret too much about it since auto expos around the<br />
world are ensuring that the excitement does not die out too<br />
soon. The Los Angeles Auto Show was held in November in<br />
the US around the same time as the Autocar Performance<br />
Show 2011 was held in Mumbai. The North American<br />
International Auto Show or the Detroit Auto Show will be<br />
held in January 2012 more or less along the same time as<br />
the Delhi Auto Expo. Of course, there are many other auto<br />
expos around the world like the 42nd Tokyo Motor Show<br />
2011 to be held in December, the Manila International Auto<br />
Show to be held in March 2012, and the list goes on.<br />
Auto expos are a major one stop shop for the auto<br />
industry. They serve as a platform for brands to launch<br />
new automobiles, market existing line of products, interact<br />
with the end consumer and media, create brand exposure,<br />
understand the competition and trends in the market, and<br />
network with other businesses, among other things. On the<br />
sidelines of the Autocar Performance Show 2011 in Mumbai,<br />
Hormazd Sorabjee, Editor, Autocar India, spoke with ExM<br />
on auto expos and the Delhi Auto Expo. “Auto expos are a<br />
platform for everybody whether it be auto brands, auto part<br />
manufacturers or the end consumer. There is something<br />
for everybody. The Delhi Auto Expo is the biggest show for<br />
the automobile industry and the expectations are that it is<br />
going to be bigger and better this time. Some auto brands<br />
will be conducting global launches of their latest offerings.”<br />
The Autocar Performance Show 2011 wooed Mumbai from<br />
Nov. 17 to 20. The four-day auto show was held at the<br />
MMRDA grounds, Bandra Kurla Complex in Mumbai. The<br />
expo witnessed prominent auto brands showcasing a variety<br />
of models ranging from the mid- and luxury-segments to<br />
eye-catching sports convertibles. From automobile fanatics<br />
checking out the latest car models to potential buyers, the<br />
auto show witnessed visitors of all sorts and none were left<br />
disappointed.<br />
The 7th edition of the Autocar Performance Show<br />
showcased some of the most powerful and exclusive cars<br />
and bikes from around the world. Some of the brands<br />
showcasing their models at the show were Aston Rapide,<br />
WTCC Chevrolet and Rolls Royce, Ferrari, BMW, Audi,<br />
Jaguar, Volkswagen, Ford, Toyota and Nissan, among<br />
others. Kotak Mahindra Prime Ltd., a unit of the Kotak<br />
Mahindra Group, was the presenting partner for the event.
ALSO FEATURED 4 December 2011, EXPERIENTIAL MARKETING 49<br />
MapmyIndia and 93.5 Red FM were the navigation partner<br />
and radio partner for the event, respectively.<br />
The inauguration of the event on Nov. 17 witnessed the<br />
presence of F1 racer Narain Karthikeyan as well as top<br />
chiefs of various auto brands like Sudhir Rao, COO,<br />
Renault India; Thomas Kuehl, Member of the Board Sales<br />
& Marketing, Skoda Auto India Pvt. Ltd.; and Neeraj Garg,<br />
Board Director, Volkswagen; among many others.<br />
The Lotus Renault team’s Formula One car displayed<br />
at the entrance of the event managed to catch a lot of<br />
eyeballs, and the F1 driving simulator at the event engaged<br />
F1 fans at the show. The Maruti Suzuki Autocross and the<br />
M&M track experience added to the visitors’ excitement.<br />
Some of the auto brands conducted their own quizzes and<br />
competitions of sorts to attract and engage the audience.<br />
Besides auto brands, other auto industry related businesses<br />
like automobile designers and modifiers, sound system<br />
manufacturers, and many others displayed their products<br />
at the event.<br />
Speaking to ExM about the growth of the event and the<br />
response, Sorabjee said: “The event has reached a whole<br />
new standard. Overall, there was a higher quality, look and<br />
feel to the whole thing. The layout and stall design were<br />
of significantly better quality. The quality of the crowd was<br />
excellent. There were genuine enthusiasts and auto lovers<br />
coming in. The Mumbai audience is always very special<br />
and knowledgeable. There were a lot of things at this event<br />
for everybody and it served as a platform for auto brands to<br />
showcase their models in Mumbai.”<br />
The Autocar Performance Show was just the starter for the<br />
main course in Delhi. The mother of all Indian auto expos,<br />
the Auto Expo 2012, will be held from Jan. 7 to Jan. 11,<br />
2012, at Pragati Maidan, New Delhi. This is Asia’s largest<br />
automotive show and auto brands around the world are<br />
going to be expected to be present there. There’s going<br />
to be more cars, more bikes and more than enough<br />
automotive dope to give an auto lover a high of a lifetime,<br />
or at least until the next edition.<br />
The organisers of the Delhi Auto Expo 2011 are the<br />
Automotive Component Manufacturers Association of<br />
India, the Confederation of Indian Industry and the Society<br />
of India Automobile Manufacturers. The expo will showcase<br />
Hormazd Sorabjee,<br />
Editor<br />
Autocar India<br />
“Auto expos are a platform<br />
for everybody whether<br />
it be auto brands, auto<br />
part manufacturers or the<br />
end consumer. There is<br />
something for everybody.<br />
The Delhi Auto Expo is<br />
the biggest show for the<br />
automobile industry and<br />
the expectations are that it<br />
is going to be bigger and<br />
better this time.”
ALSO FEATURED<br />
4 December 2011, EXPERIENTIAL MARKETING 50<br />
said: “Auto expos are very crucial for various reasons. They<br />
enable auto brands to reach out to a massive audience. It<br />
serves as an opportunity to come in contact with the press<br />
and public, launch new models, garner media coverage<br />
and the attention of people. However, at an expo of the size<br />
of the Delhi auto expo, there are a lot of things happening<br />
at the same time. Other brands are also pushing hard<br />
for coverage and attention so a brand presenting at such<br />
an expo needs to be innovative in the way they present<br />
themselves in order to differentiate itself from the rest. Auto<br />
expos also serve as a platform to check out the competition<br />
and an opportunity to see the trends in the market, the new<br />
entrants, and the latest technologies and designs.”<br />
latest technological products, components, vehicles and act<br />
as a launch pad for new and future vehicles besides being<br />
the platform for generating leads, one to one interactions<br />
and business enquires. Auto Expo 2012 will also have a<br />
special focus and emphasis on technological innovations in<br />
the areas of safety, environment and fuel efficiency.<br />
According to a report by The Economic Times, more than<br />
60 vehicles will be launched at the Auto Expo 2012. One<br />
of the auto brands to be present at the expo will be Jaguar<br />
Land Rover, which was acquired by Tata Motors in 2008.<br />
The dates of the Auto Expo in Delhi will be overlapping<br />
with the Detroit Auto Show for three days and Jaguar Land<br />
Rover has decided to skip this year’s Detroit Auto Show<br />
to take part in the Delhi auto expo. Noting this move by<br />
Jaguar Land Rover, Sorabjee told ExM that “the Detroit<br />
Auto Show is more of a North American show and the fact<br />
that Jaguar Land Rover is skipping it for the Delhi auto expo<br />
is only proof that the prominence of this expo has increased<br />
significantly.”<br />
While most auto brands will be launching their new line<br />
of vehicles, French automaker Peugeot Citroen will be<br />
making its debut in India at the expo. Marc de Kergariou,<br />
Marketing Director, Peugeot India, spoke exclusively with<br />
ExM on the brand’s entry into India and expectations from<br />
the expo. Kergariou elaborated that this expo is going to<br />
be the first point of entry for the brand and it plans to use<br />
the platform to make people familiar with the brand and<br />
showcase some of its models. “The aim is to present to the<br />
people, the media and other visitors, Peugeot’s knowledge,<br />
designs, experience and build a brand rapport. We will be<br />
showcasing the brand’s different models and the variety of<br />
its offerings.”<br />
Talking about the importance of auto expos, Kergariou<br />
Commenting on Peugeot Citroen’s plans for its brand in<br />
India, Kergariou said: “The Delhi auto expo is an opportunity<br />
to also meet potential customers and build a database. At<br />
the expo, we will be representing our brand image through<br />
the presentation of our stalls, models and designs. As part<br />
of presenting our brand image, we hope to explain to the<br />
people about our brand and to show that we are here for<br />
the long term and establish a brand image. This will be our<br />
first event to debut Peugeot in the Indian market, but we do<br />
have plans for conduction of more events in the future to<br />
market the brand in India.”<br />
Other auto brands like German automaker Daimler will be<br />
launching its heavy vehicles under the Bharat Benz brand<br />
at the Auto Expo in Delhi, French carmaker Renault will<br />
be officially launching its compact car Pulse at the expo,<br />
BMW India will be showcasing its small luxury car Mini, and<br />
Maruti Suzuki is expected to launch its sports utility vehicle.<br />
Marc de Kergariou<br />
Marketing Director<br />
Peugeot India<br />
“Auto expos are very crucial<br />
for various reasons. They<br />
enable auto brands to reach<br />
out to a massive audience.<br />
It serves as an opportunity<br />
to come in contact with the<br />
press and public, launch<br />
new models, garner media<br />
coverage and the attention<br />
of people.”<br />
*Glimpses of the Autocar Performance Show
ALSO FEATURED<br />
4 December 2011, EXPERIENTIAL MARKETING 51<br />
EXPERIENCE IT!<br />
By Ashish Sinharoy<br />
can be about creating an experience around your product<br />
and business plans, so that it does not feel like work.<br />
Today’s dealer conventions are events where companies<br />
unveil their yet-to-be-launched products at the hands of<br />
international celebrities. A dealer or employee convention<br />
is no longer just another purposeless jamboree, but a<br />
company giving its dealers or star employees an experience<br />
to spread a partnership message and also to retain and<br />
spur employees and dealers to perform better.<br />
It would be the same with customers of high-end products<br />
also. The target customer is generally from the high net<br />
worth individual category. What do you offer such a person<br />
Ocean cruises and European holidays have been done to<br />
death. Look for an experiential option which they would find<br />
hard to resist.<br />
Circa 2000: The SELLER WAS KING!<br />
Circa 2010: The CUSTOMER WAS KING!<br />
How did this change happen The customer had changed<br />
and was demanding change. This was the new global<br />
Indian customer who demanded that they be offered the<br />
purchasing and owning experience that was available to<br />
customers in other countries.<br />
Companies have had to move from introducing dated<br />
products to simultaneous global launches. Similarly, the<br />
customer buying experience has progressed from selling to<br />
wooing and very hard in most cases.<br />
It is no longer only about purchasing a new TV or washing<br />
machine, lipstick or car. It is about experiencing, evaluating<br />
and then making a very informed purchase decision and<br />
the enablers of this experiential purchasing process are<br />
both marketers and their partners like showroom sales<br />
staff, advertising agencies, ATL/<strong>BTL</strong> agencies etc.<br />
About fifteen years ago, a typical automobile dealer<br />
convention would have meant a three-day jamboree to the<br />
Film City outside Hyderabad or at a resort in Agra, maybe<br />
with a Indie-pop singer thrown in. It then moved to Macau,<br />
Thailand, Singapore, Australia etc. The dealers had a gala<br />
time with the partying and night club hopping. The company<br />
spent a lot of money. Everyone went back to work happy.<br />
Times have changed. Targeted communication has<br />
changed. It is no longer only about having fun. A convention<br />
Companies that manufacture or sell luxury items like<br />
cars, watches, jewellery etc. are redefining for India the<br />
way they create different experiences for their present<br />
and prospective customers. In many cases, it is not about<br />
selling products any more, it’s about selling a lifestyle or an<br />
experience through the life cycle of their products.<br />
The Formula One and other exotic motorsports events<br />
are famous hospitality destinations for some of the world’s<br />
largest corporate entities, who spend large sums of money<br />
in inviting their elite customers for such experiences.<br />
Companies generally create such exclusive experiences<br />
for their target customers, so that they can convey a very<br />
specific message about their brand or product.<br />
Companies have hence taken to experiential marketing<br />
in a big way to attract and retain customers both external<br />
(buyers) and internal (employees).<br />
As we progress, an increasing number of automobile<br />
companies will be looking to create such special experiences<br />
for their customers. Every car segment can and should<br />
have its own experiential marketing options, whereby<br />
the company can narrow down the set of customers to<br />
whom they can hard sell their cars through such targeted<br />
experiential marketing tactics.<br />
A note on the writer: Joining Renault India in 2007,<br />
Ashish Sinharoy was until recently Vice President of<br />
Communications and Corporate Affairs at Renault and a<br />
member of the India management committee for all Renault<br />
entities in India. His passion for Formula One made him<br />
convince the then Renault F1 team to allow Renault India<br />
to use F1 as a marketing tool in the Indian market and help<br />
build the brand here in India. Sinharoy is currently on a short<br />
sabbatical from the corporate world, while consulting with<br />
companies in the field of communications and marketing.
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MARKET PULSE 4 December 2011, EXPERIENTIAL MARKETING 54<br />
Puma: Sporting the future<br />
As a brand, PUMA begins in sports and ends in fashion.<br />
Its Sport Performance and Lifestyle labels include<br />
categories such as football, running, motorsports, golf<br />
and sailing. Their sport fashion features collaborations<br />
with renowned designer labels such as Alexander<br />
McQueen, Mihara Yasuhiro and Sergio Rossi.<br />
In the last year, PUMA has taken strides to increase<br />
its visibility in the market, in the form of associations<br />
with various sports properties as well as by signing<br />
on a new brand ambassador. In a conversation<br />
with ExM Magazine, Rajiv Mehta, MD, PUMA India<br />
talks about what prompted these associations, what<br />
came of it, and where things are going in the future.<br />
Founded in 1948, PUMA is one of the world’s leading<br />
Sportlifestyle companies that designs and develops<br />
footwear, apparel and accessories. The brand is<br />
committed to working in ways that contribute to the world<br />
by supporting creativity, safe sustainability and peace,<br />
and by staying true to the principles of being fair, honest,<br />
positive and creative in the decisions made and actions<br />
taken. The PUMA Group owns the brands PUMA, Cobra<br />
Golf and Tretorn.<br />
In this year, you have associated with the IPL, the<br />
2011 ICC World Cup and the Buddh International<br />
Circuit (BIC) for Formula One. What were the<br />
benefits you derived from these associations<br />
Please elaborate on them.<br />
PUMA as a brand had its origins in sports and it is<br />
something that remains a core part of our product<br />
offering. 2011 was a great year in India for sports and it<br />
was only natural for us to associate with these events<br />
which offered a large canvas to play with. Specifically<br />
speaking, we were able to leverage our IPL association<br />
to create enough buzz around the catchment markets<br />
of Rajasthan, Gujarat, AP and Tamil Nadu through<br />
our Rajasthan Royals and Deccan Chargers focused<br />
campaigns.<br />
The World Cup, on the other hand, had enough<br />
excitement on its own, and India winning gave a boost<br />
to our cricketing gear and merchandise. The big one<br />
though, was the F1 association with the BIC, which really<br />
captured the imaginations<br />
of the masses and classes<br />
alike and had our Motorsport<br />
Ferrari range of products<br />
literally flying off the shelves.<br />
How do you see yourself<br />
placed in the market in<br />
comparison with your<br />
competitors<br />
We’re a very clear #3<br />
sportswear brand in the<br />
market today. And this has<br />
happened because of the<br />
sustained expansion of our<br />
retail footprint and our exciting<br />
range of products. In the sportslifestyle<br />
space that we occupy,<br />
I would even say that we are<br />
the #1 brand in India today.
MARKET PULSE 4 December 2011, EXPERIENTIAL MARKETING 55<br />
What steps are you planning to take to achieve the<br />
goal of becoming the most desirable and sustainable<br />
sport lifestyle company<br />
It all begins with the product. Over the next year, you will<br />
see a new range of footwear and apparel and accessories<br />
that will continue to entice our target consumer and attract<br />
new consumers.<br />
The second step is availability through expansion<br />
of distribution; we intend to double our current<br />
number of stores by the end of 2012. The third<br />
step is communicating the above two elements to<br />
our target audience through our marketing efforts.<br />
Will you be leveraging your association with Yuvraj<br />
Singh as brand ambassador for on-ground marketing<br />
as well If so, how<br />
Yes. Providing experiential on-ground brand touch points<br />
for the consumer has been at the core of our marketing,<br />
not just in India, but worldwide.<br />
So, whether it was the Pimp Your Sole activity or the<br />
Jamaican Carnival, we believe in interacting with the<br />
consumers on-ground and have seen a substantial<br />
consumer outreach through these exciting campaigns.<br />
We have interesting plans for leveraging on-ground<br />
activities in our campaigns in the future as well.<br />
What kind of a target audience are you looking at<br />
How do you plan to reach those who are not cricket<br />
driven<br />
Typically, our consumers are in the age group of 16 to<br />
24 years and are not necessarily cricket driven. In fact,<br />
our motorsport range is one of the most coveted products<br />
in the sportswear market. We will continue to reach out<br />
to our relevant target audience through the appropriate<br />
media mix.<br />
In the pics: Glimspses from some activations of Puma in India
MARKET PULSE 4 Decemmber 2011, EXPERIENTIAL MARKETING 56<br />
Sunburn:<br />
- Beach Party<br />
- Brand Promise<br />
Harindra Singh: Since I’m the one who should be doing all<br />
the talking... Firstly, Sunburn is not just a music festival,<br />
it’s a brand that has become larger than life and extends<br />
beyond just a three day fest in December in Goa. In 2009,<br />
Sunburn was ranked No. 1 in Asia and ranked as the ninth<br />
largest music festival in the world by CNN. Sunburn has<br />
put Goa on the world map today and people come from<br />
all over the world to visit Goa in December to experience<br />
Sunburn.<br />
And if those aren’t amazing enough facts,<br />
here’s something for everyone who thought<br />
Sunburn was just a big beach party..<br />
Harindra Singh: Beach Party You don’t go out very often,<br />
do you Sunburn is now valued at $100 million to $150<br />
million and is projected as a home grown brand that’s<br />
making waves the world over. Future plans for brand<br />
Sunburn include taking the festival across Asia, including<br />
Thailand, Malaysia, Vietnam, Singapore and Bali. We will<br />
definitely cover two international Asian markets in 2012.<br />
Going international surely means living up<br />
to world-class experience expectations…<br />
Delhi is the political capital of India and Mumbai is the<br />
financial capital of India, but the one thing that they won’t<br />
teach you in school (and for all the right reasons) is that<br />
Goa is the beach party capital of India. Beaches, parties,<br />
beers, Goa gives party-goers everything they need to<br />
have fun under the sun, including Sunburn.<br />
And now that we’ve<br />
gotten you warmed<br />
up with the most<br />
appropriate setting, lets get right into the Sunburn. I mean<br />
Sunburn, the electronic music dance festival. Harindra<br />
Singh, Vice Chairman & Managing Director of Percept<br />
Ltd. - the creators of Sunburn, has taken out time to speak<br />
with Karan Iyer of ExM about the property, and wastes no<br />
time in getting right to it… Excerpts:<br />
Harindra Singh: With brand Sunburn it’s vital that we<br />
organize the international music festivals in such a<br />
manner that the audience gets completely engrossed<br />
and slips into the trance of the music festival. Globally,<br />
music lovers expect to get engaged with the music that is<br />
completely out of the box and is extremely different from<br />
the one they have been listening to. Attendees will want to<br />
experience a lot more than just the music that they have<br />
come to attend. Therefore, we will also extend the brand<br />
from its musical roots into the burgeoning lifestyle space.<br />
The Sunburn brand experience will offer a merchandise<br />
arena for Sunburn fans, and encompass a whole host of<br />
lifestyle spaces with brand extensions and associations<br />
across apparel, accessories, F&B, online, gaming and<br />
many more across categories to enable attendees and<br />
fans to take back a piece of the music fest memory. This<br />
is what will make the International Sunburn Fest stand<br />
out from other music fests and take the brand to the next<br />
level.
MARKET PULSE 4 December 2011, EXPERIENTIAL MARKETING 57<br />
all year round online as well as at our mini-tours, events<br />
and festivals. The product range will encompass apparel,<br />
accessories, F&B, online, gaming and many more across<br />
categories. We’re also looking at expanding into preexisting<br />
retail distribution.<br />
Giving the audience more reason to feel<br />
connected<br />
Harindra Singh: Sunburn represents the voice of<br />
the youth and stands for strong causes and relevant<br />
messaging. The previous Sunburn editions had a strong<br />
message – ‘Say No to Drugs’. To inculcate environmental<br />
responsibility within youths, Sunburn 2011 has introduced<br />
an eco-friendly campaign entitled ‘Leave No Trace’ which<br />
will encourage Sunburn fans to celebrate the fest in an<br />
eco-friendly manner.<br />
Let’s talk business. How has the event<br />
grown over the years<br />
Harindra Singh: The list of sponsors, associates and<br />
partners have been growing phenomenally since<br />
Sunburn’s inception in 2007 and stands testimony<br />
to the growing popularity of this cult fest. With the<br />
ever increasing number of visitors year-over-year,<br />
and hundreds of thousands of display and sampling<br />
opportunities for brands, Sunburn offers the ideal avenue<br />
for brands to attain a higher brand visibility, increased<br />
brand trials, heightened levels of awareness and top-ofmind<br />
recall. Ranked among the top beach parties in the<br />
world, Sunburn is the perfect platform for brands looking<br />
to associate with the elements of fun, music, youth and<br />
excitement. Thomas Cook (India) Ltd. has been appointed<br />
as the exclusive official travel partner for Sunburn 2011.<br />
Creating a brand extends way beyond the<br />
events, into many other relevant aspects<br />
Harindra Singh: Over the past five years, Sunburn has<br />
become a statement of today’s youth and young adults.<br />
We realized that Sunburn was no longer just a music<br />
fest held on the beaches of Goa, it now had a global cult<br />
following and was becoming a larger than life experiential<br />
property. Visitors wanted a souvenir of this memory, this<br />
way of life and they want to wear their proverbial heart<br />
on their sleeve. The Sunburn brand experience therefore<br />
expanded into the merchandise arena for Sunburn fans.<br />
In 2010, our merchandise store had a steady stream of<br />
people throughout the festival. At the end of the festival we<br />
had to close down the store to prevent a security issue as<br />
swarms of people thronged the store on their way out. We<br />
were so encouraged by the success of our merchandise<br />
that we plan to expand the Sunburn franchise further<br />
and launch an entire range of Sunburn branded lifestyle<br />
products this year and make these products available<br />
It’s Sunburn’s fifth anniversary this year,<br />
how are we celebrating<br />
Harindra Singh: For its fifth anniversary, Sunburn<br />
promises to be bigger and better than ever before. About<br />
1 lakh people are expected to attend Sunburn 2011. Sets<br />
will have video mapping for the first time, this has never<br />
been seen in India before. There will be dry ice machines<br />
and an 80 foot stage. Percept has roped in organisers<br />
of a multi-national annual dance music festival global<br />
gathering who are set to give the crowd a taste of their<br />
technology.<br />
The festival will be streamed live to over 80 countries with<br />
a viewership of approximately 2 million pairs of eyeballs.<br />
There will be four big stages and four small stages<br />
playing different genres of music. There will be double the<br />
number of DJs playing on stage as compared to last year<br />
featuring some of the hottest names of the international<br />
dance music scene.<br />
So there you have it, not just a beach party, but a brand<br />
promise of experiences that resonate with its target<br />
audience.
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GLIMPSES<br />
4 December 2011, EXPERIENTIAL MARKETING 68<br />
Bacardi NH7<br />
Weekender<br />
Only Much Louder (OML) organied the second<br />
edition of Bacardi NH7 Weekender in Pune at<br />
Magarpatta City from Nov. 18 to 20. The multigenre<br />
music festival saw 150 artists performing<br />
alternatively across six stages in three days. Each<br />
stage featured a different genre of music and<br />
experience. The event was promoted through 75<br />
pre-parties in eight cities.
GLIMPSES<br />
4 December 2011, EXPERIENTIAL MARKETING 69<br />
Park Avenue Fashion<br />
Show<br />
Park Avenue organized a fashion show in Mumbai<br />
on Nov. 15 to bring to the ramp the future of office<br />
wear over the next two seasons. With Genelia<br />
D’Souza as the show-stopper, the brand showcased<br />
its men’s, women’s, accessory and its new Dress<br />
Casual range, for the coming two seasons.<br />
Rockstar concert<br />
To promote the movie Rockstar, a concert was<br />
organised by Rapport Global <strong>Events</strong> at Bhavan’s<br />
College Grounds in Mumbai on Nov. 1. The concert,<br />
produced by Shree Ashtavinayak Cine Vision Ltd.<br />
and Eros International, saw Bollywood actor Ranbir<br />
Kapoor performing live with A R Rahman and others.<br />
The event also saw special choreography by Ashley<br />
Lobo.
GLIMPSES 4 December 2011, EXPERIENTIAL MARKETING 70<br />
BIG Marathi Rising<br />
Star Awards<br />
The BIG Marathi Rising Star Awards took place on<br />
Nov. 9 at the Bhavan’s Campus, Andheri, Mumbai.<br />
BIG Live and 92.7 BIG FM came together with Star<br />
Pravah to recognize upcoming local talent, whilst<br />
giving the industry a unified platform to celebrate.<br />
The awards saw winners from across different<br />
genres in movies, theatre, television, music and<br />
sports.<br />
Music & Soul<br />
Niche <strong>Events</strong> & <strong>Promotions</strong> executed Music<br />
& Soul, a musical extravaganza to felicitate<br />
Mumbai’s children gifted with musical talent. The<br />
concert was held at the Catholic Gymkhana,<br />
Mumbai, on Nov. 12. The objective was to provide<br />
a platform for children to explore their talent.<br />
Around 85 people attended the event, which<br />
witnessed over 30 performers from the age group<br />
of seven to 16 years.
GLIMPSES<br />
4 December 2011, EXPERIENTIAL MARKETING 71<br />
Colors Golden<br />
Petal Awards<br />
Cineyug Worldwide conceptualised, managed<br />
and executed the first edition of the Colors<br />
Golden Petal Awards on Nov. 21 at Filmcity<br />
in Goregaon, Mumbai. The award show was<br />
Colors TV’s way of recognising and rewarding<br />
its best personalities for their contribution to<br />
the channel. The award function was hosted<br />
by Sajid Khan, Himani Shivpuri and Apara<br />
Mehta.<br />
Celebrate Bandra<br />
The fifth edition of Celebrate Bandra,<br />
managed by Fountainhead <strong>Promotions</strong> and<br />
<strong>Events</strong>, took place from Nov. 12 to Nov. 27.<br />
This year, the event celebrated Bandra’s<br />
diversity. The Celebrate Bandra Festival<br />
showcased the culture and talent and<br />
portrayed the diversity among communities<br />
that reside in the queen of the suburbs.
GLIMPSES<br />
4 December 2011, EXPERIENTIAL MARKETING 72<br />
E Nights<br />
An initiative of EEMA and EVENTFAQS,<br />
E Nights returned with more entertainment and<br />
lots more fun on Nov. 23 at the Fat Cat Kitchen<br />
& Bar, Mumbai. The line-up for the evening<br />
included the only other Indian comedian to<br />
perform for the CEO’s group in Cairo, Nitin<br />
Mirani. Following this act of slapstick humour,<br />
DJ Akhil Talreja set the tone for the rest of the<br />
evening with his self-composed Bollywood<br />
remixes.
GLIMPSES<br />
GLIMPSES<br />
GLIMPSES 4 December<br />
4 August<br />
4 June<br />
2011, 2011,<br />
EXPERIENTIAL EXPERIENTIAL<br />
MARKETING MARKETING<br />
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73 61<br />
+919810119989 | www.emg.co.in<br />
Harley Rock<br />
Riders Season 2<br />
Harley Rock Riders, a property<br />
conceptualised jointly by Harley Davidson<br />
motorcycles and Rolling Stone Magazine, is<br />
back with season two. The tour, from May 5<br />
to October 1, will see the band, Half Step<br />
Down perform in four Indian cities along with<br />
other popular bands like Split, Thermal and a<br />
Quarter, and Parikrama.<br />
Tarun IRockTahiliani Bridal<br />
The national final of Independence Rock (IRock)<br />
Couture took place on Nov. Exposition<br />
26 at the Chitrakoot Grounds<br />
The in Andheri, third season Mumbai. of the This Tarun year, Tahiliani IRock, Bridal E18’s<br />
Couture flagship Exposition property, (TTBCE) teamed up is with taking MTV place India and<br />
over was the presented months of by July MTS and Red August. Energy. In On Mumbai, Nov.<br />
the 27, event concerts was held were at held the in Four Mumbai, Seasons New Hotel Delhi,<br />
from Bangalore, July 23 to Kolkata 25. This and year, Pune TTBCE between went 5 to PM and 10<br />
New PM Delhi simultaneously, and Mumbai which in July were and broadcast will travel live to on<br />
Hyderabad MTV and and VH1. Kolkata in August.
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Talent Central<br />
Team Rustic Private Limited<br />
Positions: Client Servicing | Sales | Event Co-ordinator | Production<br />
Location: Navi Mumbai<br />
Mail CV at vinodj@teamrustic.com<br />
The Ideas Exchange (part of IX <strong>Events</strong> Pvt Ltd)<br />
Positions: Business Development Executive (3 vacancies) | Conference Producer - Industry Researcher (Project Manager)<br />
(1 vacancy) | Social Media Marketing Manager (1 vacancy)<br />
Location: Mumbai<br />
Mail CV at vikas.vij@ideas-exchange.in<br />
KrayOn – Edumedia India Pvt Ltd<br />
Positions: Branch Manager | Senior Executive / Asst. Manager - Production | Sr. Executive / Asst Manager – Business<br />
Development | Asst Manager – <strong>Events</strong> | Sr. Executive – Creative | Sr. Executive – Copywriter<br />
Location: Mumbai<br />
Mail CV at hr@edumediaindia.com<br />
Rising <strong>Events</strong><br />
Positions: 3D Modeller | 3D Designer<br />
Location: Mumbai<br />
Mail CV at eventsrising@gmail.com<br />
To view more job postings log on to www.eventfaqs.com<br />
To list your company & HR requirements, drop us a line at sales@eventfaqs.com
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