faces of the future - Illuminating Engineering Society
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The magazine <strong>of</strong> <strong>the</strong> <strong>Illuminating</strong> <strong>Engineering</strong> <strong>Society</strong> <strong>of</strong> North America<br />
FACES OF THE FUTURE<br />
December 2010<br />
Lighting Design and<br />
Application<br />
www.ies.org
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10 th Edition <strong>of</strong> <strong>the</strong><br />
IES LIGHTING HANDBOOK<br />
Editors: David DiLaura, Kevin Houser,<br />
Richard Mistrick, Gary Steffy<br />
Special Pre-publication Offer<br />
IES Members: Save $75 <strong>of</strong>f <strong>the</strong> Member Price<br />
Offer expires January 31, 2011<br />
Changes to <strong>the</strong> new edition:<br />
New illuminance determination procedure consisting <strong>of</strong> visual<br />
age-based illuminance ranges and mesopic adaptation<br />
Extensive updates on light sources, including solid state lighting<br />
Holistic and complementary daylighting and electric<br />
lighting strategies<br />
More extensive and specific qualitative lighting design criteria<br />
such as subjective impressions (psychological factors) and<br />
architectural spatial factors<br />
Broader quantitative criteria such as illuminance uniformities,<br />
power and energy aspects, light trespass, and light pollution<br />
In-depth coverage <strong>of</strong> sustainability practices: new chapters<br />
on daylighting, controls, sustainability, commissioning and energy<br />
management<br />
Features:<br />
Provides a compendium <strong>of</strong> what is known that directly relates to<br />
lighting and lighting design<br />
Concise explanation <strong>of</strong> material<br />
Content and format tailored to those involved in lighting decisions<br />
including practitioners, designers, architects, and engineers<br />
Four color throughout; 600+ illustrations that enhance<br />
understanding<br />
Conveniently-referenced tabular information is exemplified with<br />
numerous photographs and illustrations<br />
Sustainable practice embedded throughout: refinement <strong>of</strong><br />
light level criteria, definitive criteria related to brightness and<br />
user impressions, factors influencing power and energy use for<br />
lighting, and methods to minimize light trespass and light pollution<br />
TABLES THAT SUCCINCTLY<br />
SUMMARIZE INFORMATION<br />
NUMEROUS COLOR PHOTOGRAPHS AND<br />
DETAILED CAPTIONS CLARIFY CONCEPTS<br />
Design | Designing Electric Lighting<br />
Design | Designing Electric Lighting<br />
Table 15.1 | Ceiling Mounted Ambient Linear Lighting<br />
Mounting Form Factor Configuration Optics/Look Distribution/Features/Caveats<br />
Recessed • Linear • Continuous • Details a<br />
Distribution: Direct (see 8.2.2.1 | CIE System).<br />
• Discrete<br />
• Baffled Features: Custom look; width <strong>of</strong> several inches to several feet; length <strong>of</strong><br />
several feet to unlimited; depth <strong>of</strong> several inches to several feet. Uses <strong>of</strong>f-<strong>the</strong>shelf<br />
optic/lamp/ballast/driver modules.<br />
• Lensed<br />
• Louvered<br />
Caveats: Overall cost <strong>of</strong> architectural detail may be more than <strong>of</strong>f-<strong>the</strong>-shelf<br />
• Open b luminaires; photometric pedegree is elusive and demands careful modeling;<br />
• Slot c<br />
lengths typically based on available lamp modules.<br />
• Combination d<br />
• Luminaires Distribution: Direct (see 8.2.2.1 | CIE System).<br />
• Baffled Features: Width <strong>of</strong> several inches to perhaps a foot; length <strong>of</strong> several feet to<br />
<br />
unlimited; depth <strong>of</strong> several inches to perhaps a foot. Integral optics, lamps, and<br />
• Lensed<br />
ballasts/drivers.<br />
• Louvered<br />
Caveats: Ceiling construction needs to accommodate available modular<br />
• Open b lengths and mounting methods unless customized luminaires and/or ceilings<br />
• Slot c<br />
are used; longer runs demand heavy gage or extruded trims and/or housings<br />
• Combination d and finely-detailed, robust joiners to maintain true linearity.<br />
<br />
<br />
<br />
Figure 15.5a | Ambient Ceiling Recessed Continuous Linear Lensed<br />
Ambient light (to <strong>the</strong> left) for circulation and stack lighting in this library is achieved with<br />
ceiling recessed linear continuous luminaires technique . Linear row consists <strong>of</strong> 6” wide by<br />
4’ long units mounted end-to-end. Luminaires exhibit a regressed lens for a dimensional look<br />
and use F28W/T5/835 lamps and nondim ballasts. O<strong>the</strong>r lighting is shown in adjacent areas.<br />
» Image ©Balthazar Korab Ltd.<br />
Figure 15.5b | Ambient Ceiling Recessed Discrete Linear Lensed<br />
Some ambient light for circulation and social interaction in this indoor pool is achieved with<br />
ceiling recessed linear discrete luminaires technique . Discrete luminaire consists <strong>of</strong> 3” wide<br />
by 4’ long extruded aluminum housing. Luminaires exhibit a flush diffuse lens with a flangeless<br />
trim for a “seamless” appearance with ceiling plane and use F28W/T5/830 lamps and<br />
nondim ballasts. Running <strong>the</strong> linear dimension perpendicular to <strong>the</strong> tangent <strong>of</strong> <strong>the</strong> arc, <strong>the</strong><br />
close-spaced pattern works to accentuate <strong>the</strong> arc. A similar pattern <strong>of</strong> identical luminaires is<br />
wall mounted and lamped with F28W/T5/Blue lamps for a more decorative appearance .<br />
» Image ©Kevin Beswick.<br />
Semi-recessed • Linear • Continuous • Details a<br />
Distributions: Direct, Semi-direct, and General Diffuse (see 8.2.2.1 | CIE<br />
Surface • Discrete • Baffled System).<br />
Features: Custom look; width <strong>of</strong> several inches to several feet; length <strong>of</strong><br />
• Lensed<br />
several feet to unlimited; depth <strong>of</strong> several inches to several feet. Uses <strong>of</strong>f-<strong>the</strong>shelf<br />
optic/lamp/ballast/driver modules.<br />
• Louvered<br />
• Open b<br />
Caveats: Overall cost <strong>of</strong> architectural detail may be more than <strong>of</strong>f-<strong>the</strong>-shelf<br />
• Slot c<br />
luminaires; photometric pedegree is elusive and demands careful modeling;<br />
• Combination d lengths typically based on available lamp modules.<br />
• Luminaires Distribution: Direct, Semi-direct, and General Diffuse (see 8.2.2.1 | CIE System).<br />
• Baffled Features: Width <strong>of</strong> several inches to perhaps a foot; length <strong>of</strong> several feet to<br />
unlimited; depth <strong>of</strong> several inches to perhaps a foot.<br />
• Lensed<br />
Caveats: Ceiling construction needs to accommodate available modular<br />
• Louvered<br />
lengths and mounting methods unless customized luminaires and/or ceilings<br />
• Open b are used; longer runs demand heavy gage or extruded trims and/or housings<br />
• Slot c<br />
and finely-detailed, robust joiners to maintain true linearity.<br />
• Combination d<br />
Pendant • Linear • Continuous • Details a<br />
Distribution: Direct, Semi-direct, General Diffuse, Direct-indirect, Semiindirect,<br />
and Indirect (see 8.2.2.1 | CIE System).<br />
• Discrete<br />
• Baffled<br />
Features: Custom look; width <strong>of</strong> several inches to perhaps several feet;<br />
• Lensed<br />
continuous length unlimited; discrete length typically 4' to 8'; depth <strong>of</strong> several<br />
• Louvered<br />
inches to several feet. Uses <strong>of</strong>f-<strong>the</strong>-shelf optic/lamp/ballast/driver modules.<br />
• Open b Various suspension methods (stems, aircraft cable, rigid stanchions, vertical<br />
• Slot c<br />
plates) for different and unique appearances.<br />
• Combination d Caveats: Overall cost <strong>of</strong> architectural detail may be more than custom-fromfactory<br />
and/or <strong>of</strong>f-<strong>the</strong>-shelf luminaires; photometric pedegree is elusive and<br />
demands careful modeling; lengths typically based on available lamp<br />
modules; detailing <strong>of</strong> suspension elements and power feed(s) critical.<br />
• Luminaires Distribution: Direct, Semi-direct, General Diffuse, Direct-indirect, Semiindirect,<br />
and Indirect (see 8.2.2.1 | CIE System).<br />
• Baffled<br />
Features: Width <strong>of</strong> several inches to perhaps a foot; length unlimited; depth <strong>of</strong><br />
• Lensed<br />
several inches to perhaps a foot.<br />
• Louvered<br />
Caveats: Ceiling construction needs to accommodate typical suspension and<br />
• Open b power feed types and locations, which are not necessarily spaced on<br />
• Slot c<br />
incremental modules sympa<strong>the</strong>tic to ceiling layout; longer runs demand<br />
• Combination d extruded trims and housings and finely-detailed, robust joiners to maintain<br />
true linearity.<br />
<br />
<br />
Figure 15.5c | Ambient Ceiling Recessed Discrete Linear Slot<br />
Linear open slots create <strong>the</strong> ambient lighting <strong>of</strong> <strong>the</strong> elevator lobbies in this 18-story hotel .<br />
Discrete luminaire consists <strong>of</strong> 9” wide by 6’ long 20-gage housing and extruded aluminum trim.<br />
Slot aperture exhibits minimal trim for a “ceiling-cutout” appearance. Luminaire uses F39W/<br />
T5HO/Blue lamps and nondim ballasts. Lamps are hidden from view along one side—essentially<br />
a linear cove. All light is reflected from within<br />
<strong>the</strong> slot. A radial layout accentuates <strong>the</strong> planning<br />
arc. At night, <strong>the</strong> colored ambient light<br />
reflects from each elevator lobby’s white walls<br />
<br />
and ceiling to give <strong>the</strong> building its skyline<br />
presence without facade lights or excessive<br />
interior wattage. F32W/Triple/830 downlights<br />
at elevator doors and <strong>the</strong> effect <strong>of</strong> color constancy<br />
(colors, such as skin tones and clothing,<br />
retain <strong>the</strong>ir color appearance despite changes<br />
in <strong>the</strong> light source color) allow <strong>the</strong> blue light<br />
to succeed in this transitory space—albeit one<br />
contributing to <strong>the</strong> overall guest experience..<br />
» Image ©Kevin Beswick.<br />
Figure 15.5d | Ambient Ceiling Pendant Discrete Linear Combination<br />
Ambient light for conferencing is achieved with ceiling mounted linear discrete luminaire<br />
technique . Linear luminaire consists <strong>of</strong> 3” wide by 4½” high by 13’ long extruded aluminum<br />
housing. Luminaire exhibits a flush bottom lens and an open top. Downlight ambient uses<br />
F54W/T5HO/830 lamps and dimming ballasts. Uplight compartment uses F54W/T5HO/830<br />
lamps and dimming ballasts. In combination with <strong>the</strong> direct-indirect ambient lighting, two<br />
37W/halogenIR LV /MR16 lamps provide supplemental task lighting.<br />
» Image ©Beth Singer Photographer, Inc.<br />
a. Consisting typically <strong>of</strong> millwork, drywall, or metal architectural details housing luminaires.<br />
b. The term “open” refers to linears exhibiting bare lamps or lamps with tight lamp shrouds or guards for an open appearance into <strong>the</strong> lamp chamber.<br />
c. The term “slot” refers to linears exhibiting return-lipped compartments for an open appearance but into a void where lamps are hidden from view.<br />
d. Combinations <strong>of</strong> any <strong>the</strong> aforementioned optics/looks.<br />
15.4 | The Lighting Handbook IES 10th Edition<br />
IES 10th Edition The Lighting Handbook | 15.5
g<br />
<br />
<br />
<br />
Table 24.2 | Educational Facilities Illuminance Recommendations continued next page<br />
Applications | Lighting for Education<br />
Table 24.2 | Educational Facilities Illuminance Recommendations continued from previous page<br />
b, c ,d<br />
Recommended Maintained Illuminance Targets (lux) Uniformity Targets e<br />
Horizontal (E h) Targets<br />
Vertical (E v) Targets<br />
Over Area <strong>of</strong> Coverage<br />
Visual Ages <strong>of</strong> Observers (years)<br />
Visual Ages <strong>of</strong> Observers (years)<br />
1 st ratio E h/2 nd ratio E v if<br />
where at least half are<br />
where at least half are<br />
different uniformities apply<br />
a<br />
Applications and Tasks Notes 65 65 Max:Avg Avg:Min Max:Min<br />
Category Gauge Category Gauge<br />
<br />
AUDITORIA<br />
(continued)<br />
Dedicated to artistic performances (likely fixed seating); For dedicated <strong>the</strong>aters see 28 | LIGHTING FOR HOSPITALITY AND<br />
Performance<br />
ENTERTAINMENT<br />
House As <strong>the</strong> architect coordinates contrast markings with steps, curbs, and ramps, localized lighting may be deemed appropriate.<br />
During event 2 2 2 Min F 5 10 20 Avg 5:1/3:1<br />
Applications | Lighting for Education<br />
Pre/Post event L 37.5 75 150 Avg K 25 50 100 Avg 3:1 <br />
Stage<br />
Access ramps/stairs See AUDITORIA/Circulation<br />
Amateur productions<br />
Dance (performance) E h @floor; E v @5' AFF P 150 300 600 Avg R 250 500 1000 Avg 1.5:1<br />
Demonstration T 500 1000 2000 Avg R 250 500 1000 Avg 3:1<br />
Music P 150 300 600 Avg R 250 500 1000 Avg 2:1<br />
Theater Simple, no stage lighting cues P 150 300 600 Avg P 150 300 600 Avg 2:1<br />
Pr<strong>of</strong>essional productions<br />
Prefunction<br />
Anteroom or transition space adjoining auditorium<br />
During event K 25 50 100 Avg I 15 30 60 Avg 3:1 <br />
Pre/Post event, intermission N 75 150 300 Avg L 37.5 75 150 Avg 3:1 <br />
Sound and light lock<br />
Transition from lobby or foyer space adjoining auditorium<br />
During event 2 2 2 Min I 15 30 60 Avg 5:1/3:1<br />
Pre/Post event, intermission M 50 100 200 Avg K 25 50 100 Avg 3:1 <br />
BUILDING ENTRIES<br />
CLASSROOMS<br />
Arts<br />
See 22 | LIGHTING FOR COMMON APPLICATIONS<br />
Art Studios R 250 500 1000 Avg P 150 300 600 Avg 3:1 <br />
Graphic Arts<br />
Displays<br />
Fine art See 21 | LIGHTING FOR ART<br />
Stage lighting as determined by production crew; See IES DG-20-09 | Stage Lighting A Guide to <strong>the</strong> Planning <strong>of</strong> Theatres<br />
and Auditoriums for guidance on architectural and electrical infrastructure<br />
Permanent/Temporary Awards, student art, plaques<br />
Dimensional<br />
Dark finish
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December 2010<br />
Vol.40/No.12<br />
FUTURE LEADERS: THE NEXT GENERATION OF LIGHTING LUMINARIES<br />
37<br />
68 72<br />
features<br />
departments<br />
6 Editorial<br />
8 Letters<br />
14 Updates<br />
18 Energy Advisor<br />
22 LED Watch<br />
26 Research Matters<br />
32 Education<br />
37 Tools + Techniques<br />
78 Annual Index <strong>of</strong> Articles<br />
84 Products & Literature<br />
87 Events<br />
88 Classified Advertisements<br />
89 Ad Index & Ad Offices<br />
90 New and Sustaining Members<br />
92 IES FYI<br />
41 FUTURE LEADERS: THE NEXT<br />
GENERATION OF<br />
LIGHTING LUMINARIES<br />
LD+A pr<strong>of</strong>iles 25 rising stars in <strong>the</strong><br />
lighting pr<strong>of</strong>ession<br />
68 WANTED: A NEW TYPE OF LIGHTING<br />
PROFESSIONAL<br />
Looking beyond <strong>the</strong> traditional roles <strong>of</strong> designer,<br />
manufacturer, rep and distributor, <strong>the</strong> author <strong>of</strong>fers a<br />
fearless forecast <strong>of</strong> five new job titles poised to make an<br />
impact on <strong>the</strong> industry<br />
72 A STAR IS REBORN<br />
With its restored Tiffany fixtures and selective use <strong>of</strong><br />
LEDs, <strong>the</strong> renovated Belasco Theatre is again <strong>the</strong> jewel in<br />
Broadway’s crown<br />
ON THE COVER:<br />
Our list <strong>of</strong> Future Leaders includes designers, suppliers,<br />
academics and researchers.
EDITORIAL<br />
No disrespect to <strong>the</strong> o<strong>the</strong>r 90-plus issues I’ve worked<br />
Publisher<br />
William Hanley, CAE<br />
Editor/Associate Publisher<br />
Paul Tarricone<br />
Associate Editor<br />
Elizabeth Hall<br />
Assistant Editor<br />
Roslyn Lowe<br />
Art Director<br />
Samuel Fontanez<br />
Associate Art Director<br />
Petra Domingo<br />
Columnists<br />
Edward Bartholomew • James Brodrick<br />
Mark Lien • Eunice Noell-Waggoner<br />
Don Peifer • Paul Pompeo<br />
Willard Warren<br />
Marketing Manager<br />
Clayton Gordon<br />
Advertising Coordinator<br />
Leslie Prestia<br />
Published by IES<br />
120 Wall Street, 17th Floor<br />
New York, NY 10005-4001<br />
Phone: 212-248-5000<br />
Fax: 212-248-5017/18<br />
Website: www.ies.org<br />
Email: ies@ies.org<br />
Vol.40/No.12<br />
on since becoming editor <strong>of</strong> LD+A, but for sheer fun, this one ranks near <strong>the</strong> top<br />
(right up <strong>the</strong>re with <strong>the</strong> IES Centennial issue in January 2006).<br />
The <strong>the</strong>me <strong>of</strong> this issue is “Future Leaders: The Next Generation <strong>of</strong> Lighting<br />
Luminaries.” The idea for it grew out <strong>of</strong> an association publishing conference<br />
where editors <strong>of</strong> o<strong>the</strong>r society publications discussed various special “one-<strong>of</strong>f”<br />
issues <strong>the</strong>y’ve produced over <strong>the</strong> years. Soon after, we ran <strong>the</strong> idea by a few<br />
IES members—Kim Mercier, Kevin Flynn and Robert Davis, among o<strong>the</strong>rs—<br />
who have taken a particular interest in mentoring and growing <strong>the</strong> ranks <strong>of</strong> our<br />
young pr<strong>of</strong>essionals.<br />
As for methodology, LD+A rejected <strong>the</strong> “30 under 30” format found in many<br />
magazines for two reasons: it didn’t seem fair to exclude a contender based on<br />
age; and more importantly, many people come to lighting (or at least begin to<br />
specialize in it) later in <strong>the</strong>ir careers. With that, we narrowed our focus to those<br />
with about five years experience in <strong>the</strong> lighting industry (some have a bit more,<br />
some a little less). Much more important than rigid age/experience parameters<br />
were <strong>the</strong>ir achievements to date and <strong>the</strong>ir potential as <strong>future</strong> thought leaders.<br />
We met some talented, interesting and ambitious people—25 in all representing<br />
all niches <strong>of</strong> <strong>the</strong> pr<strong>of</strong>ession—during this process. One hopes to revolutionize<br />
<strong>the</strong> traditional method <strong>of</strong> product procurement in <strong>the</strong> industry; ano<strong>the</strong>r is<br />
developing a new coating for white LEDs that would make <strong>the</strong>m markedly more<br />
efficient; one Ph.D. student is recruiting would-be lighting pr<strong>of</strong>essionals in <strong>the</strong><br />
nation’s high schools, while ano<strong>the</strong>r academic might someday start his own<br />
university lighting program. Several o<strong>the</strong>rs are gifted designers with an eye on<br />
marketing, management or running <strong>the</strong>ir own firms in <strong>the</strong> <strong>future</strong>. Finally, one is<br />
extremely specific: he hopes to be president <strong>of</strong> <strong>the</strong> IALD.<br />
We hope you enjoy reading <strong>the</strong>ir stories as much as we enjoyed telling <strong>the</strong>m.<br />
PAUL TARRICONE<br />
Editor/Associate Publisher<br />
ptarricone@ies.org<br />
LD+A is a magazine for pr<strong>of</strong>essionals involved in <strong>the</strong> art, science,<br />
study, manufacture, teaching, and implementation <strong>of</strong> lighting. LD+A<br />
is designed to enhance and improve <strong>the</strong> practice <strong>of</strong> lighting. Every<br />
issue <strong>of</strong> LD+A includes feature articles on design projects, technical<br />
articles on <strong>the</strong> science <strong>of</strong> illumination, new product developments,<br />
industry trends, news <strong>of</strong> <strong>the</strong> <strong>Illuminating</strong> <strong>Engineering</strong> <strong>Society</strong> <strong>of</strong> North<br />
America, and vital information about <strong>the</strong> illuminating pr<strong>of</strong>ession.<br />
Statements and opinions expressed in articles and editorials in LD+A<br />
are <strong>the</strong> expressions <strong>of</strong> contributors and do not necessarily represent<br />
<strong>the</strong> policies or opinions <strong>of</strong> <strong>the</strong> <strong>Illuminating</strong> <strong>Engineering</strong> <strong>Society</strong> <strong>of</strong><br />
North America. Advertisements appearing in this publication are <strong>the</strong><br />
sole responsibility <strong>of</strong> <strong>the</strong> advertiser.<br />
LD+A (ISSN 0360-6325) is published monthly in <strong>the</strong> United States <strong>of</strong><br />
America by <strong>the</strong> <strong>Illuminating</strong> <strong>Engineering</strong> <strong>Society</strong> <strong>of</strong> North America,<br />
120 Wall Street, 17th Floor, New York, NY 10005, 212-248-5000.<br />
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6 www.ies.org
EDITORIAL<br />
No disrespect to <strong>the</strong> o<strong>the</strong>r 90-plus issues I’ve worked<br />
Publisher<br />
William Hanley, CAE<br />
Editor/Associate Publisher<br />
Paul Tarricone<br />
Associate Editor<br />
Elizabeth Hall<br />
Assistant Editor<br />
Roslyn Lowe<br />
Art Director<br />
Samuel Fontanez<br />
Associate Art Director<br />
Petra Domingo<br />
Columnists<br />
Edward Bartholomew • James Brodrick<br />
Mark Lien • Eunice Noell-Waggoner<br />
Don Peifer • Paul Pompeo<br />
Willard Warren<br />
Marketing Manager<br />
Clayton Gordon<br />
Advertising Coordinator<br />
Leslie Prestia<br />
Published by IES<br />
120 Wall Street, 17th Floor<br />
New York, NY 10005-4001<br />
Phone: 212-248-5000<br />
Fax: 212-248-5017/18<br />
Website: www.ies.org<br />
Email: ies@ies.org<br />
Vol.40/No.12<br />
on since becoming editor <strong>of</strong> LD+A, but for sheer fun, this one ranks near <strong>the</strong> top<br />
(right up <strong>the</strong>re with <strong>the</strong> IES Centennial issue in January 2006).<br />
The <strong>the</strong>me <strong>of</strong> this issue is “Future Leaders: The Next Generation <strong>of</strong> Lighting<br />
Luminaries.” The idea for it grew out <strong>of</strong> an association publishing conference<br />
where editors <strong>of</strong> o<strong>the</strong>r society publications discussed various special “one-<strong>of</strong>f”<br />
issues <strong>the</strong>y’ve produced over <strong>the</strong> years. Soon after, we ran <strong>the</strong> idea by a few<br />
IES members—Kim Mercier, Kevin Flynn and Robert Davis, among o<strong>the</strong>rs—<br />
who have taken a particular interest in mentoring and growing <strong>the</strong> ranks <strong>of</strong> our<br />
young pr<strong>of</strong>essionals.<br />
As for methodology, LD+A rejected <strong>the</strong> “30 under 30” format found in many<br />
magazines for two reasons: it didn’t seem fair to exclude a contender based on<br />
age; and more importantly, many people come to lighting (or at least begin to<br />
specialize in it) later in <strong>the</strong>ir careers. With that, we narrowed our focus to those<br />
with about five years experience in <strong>the</strong> lighting industry (some have a bit more,<br />
some a little less). Much more important than rigid age/experience parameters<br />
were <strong>the</strong>ir achievements to date and <strong>the</strong>ir potential as <strong>future</strong> thought leaders.<br />
We met some talented, interesting and ambitious people—25 in all representing<br />
all niches <strong>of</strong> <strong>the</strong> pr<strong>of</strong>ession—during this process. One hopes to revolutionize<br />
<strong>the</strong> traditional method <strong>of</strong> product procurement in <strong>the</strong> industry; ano<strong>the</strong>r is<br />
developing a new coating for white LEDs that would make <strong>the</strong>m markedly more<br />
efficient; one Ph.D. student is recruiting would-be lighting pr<strong>of</strong>essionals in <strong>the</strong><br />
nation’s high schools, while ano<strong>the</strong>r academic might someday start his own<br />
university lighting program. Several o<strong>the</strong>rs are gifted designers with an eye on<br />
marketing, management or running <strong>the</strong>ir own firms in <strong>the</strong> <strong>future</strong>. Finally, one is<br />
extremely specific: he hopes to be president <strong>of</strong> <strong>the</strong> IALD.<br />
We hope you enjoy reading <strong>the</strong>ir stories as much as we enjoyed telling <strong>the</strong>m.<br />
PAUL TARRICONE<br />
Editor/Associate Publisher<br />
ptarricone@ies.org<br />
LD+A is a magazine for pr<strong>of</strong>essionals involved in <strong>the</strong> art, science,<br />
study, manufacture, teaching, and implementation <strong>of</strong> lighting. LD+A<br />
is designed to enhance and improve <strong>the</strong> practice <strong>of</strong> lighting. Every<br />
issue <strong>of</strong> LD+A includes feature articles on design projects, technical<br />
articles on <strong>the</strong> science <strong>of</strong> illumination, new product developments,<br />
industry trends, news <strong>of</strong> <strong>the</strong> <strong>Illuminating</strong> <strong>Engineering</strong> <strong>Society</strong> <strong>of</strong> North<br />
America, and vital information about <strong>the</strong> illuminating pr<strong>of</strong>ession.<br />
Statements and opinions expressed in articles and editorials in LD+A<br />
are <strong>the</strong> expressions <strong>of</strong> contributors and do not necessarily represent<br />
<strong>the</strong> policies or opinions <strong>of</strong> <strong>the</strong> <strong>Illuminating</strong> <strong>Engineering</strong> <strong>Society</strong> <strong>of</strong><br />
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6 www.ies.org
LETTERS<br />
Power to <strong>the</strong> People<br />
The article by Greg Guarnaccia<br />
regarding <strong>the</strong> continuing reduction<br />
<strong>of</strong> lighting power density without<br />
regard to people (“The Code Word<br />
is People,” LD+A, October) is dead<br />
on. It’s about like mandating that<br />
all big cities get rid <strong>of</strong> cooling (to<br />
save power) and everyone run<br />
around naked! Ok, maybe not—but<br />
it’s about as ridiculous. Thanks for<br />
making a stand.<br />
Greg Pride, PE<br />
HGE, Inc.<br />
Coos Bay, OR<br />
Did you ever have a dream where<br />
you were standing in <strong>the</strong> middle<br />
<strong>of</strong> <strong>the</strong> road, a bus is coming at<br />
you, and you can’t get out <strong>of</strong> <strong>the</strong><br />
way That’s what it feels like as<br />
I read LD+A month after month.<br />
Greg Guarnaccia’s article and <strong>the</strong><br />
“President’s Perspective” in <strong>the</strong><br />
October issue, Willard Warren’s<br />
thoughtful monthly column, and a<br />
host <strong>of</strong> eloquent writings from o<strong>the</strong>r<br />
concerned practitioners all point to<br />
<strong>the</strong> same thing: we’re watching as<br />
our watts are taken away.<br />
The bus is AARP and The<br />
Americans with Disabilities Act who<br />
(we predict) in <strong>the</strong> coming years<br />
will enact <strong>the</strong> full body slam <strong>of</strong> litigation<br />
for <strong>the</strong> under-illumination <strong>of</strong><br />
spaces for <strong>the</strong> visually handicapped<br />
(that would be everyone over 50).<br />
Building owners spend millions <strong>of</strong><br />
dollars each year on ADA-compliant<br />
improvements and enhancements,<br />
even if <strong>the</strong> ramps, handrails and<br />
large toilet stalls are never used.<br />
Everything costs more to comply<br />
with ADA, but not lighting. We’ve<br />
been championing <strong>the</strong> cause <strong>of</strong><br />
lighting for <strong>the</strong> growing population<br />
over 50. New research results<br />
published by <strong>the</strong> America <strong>Society</strong><br />
<strong>of</strong> Photobiology also supports <strong>the</strong><br />
central point <strong>of</strong> more (and better)<br />
light for people. Now we have 90.1-<br />
2010 to look forward to. To make<br />
matters worse, <strong>the</strong> IES continues to<br />
base minimum recommended light<br />
levels on <strong>the</strong> visual needs <strong>of</strong> 30-year<br />
olds which starts <strong>the</strong> conversation<br />
behind <strong>the</strong> curve.<br />
Here’s what I wrote when I woke<br />
up from my nightmare: “We design<br />
lighting systems to meet current IES<br />
minimum light levels, and to comply<br />
with current ASHRAE/IESNA 90.1<br />
standards. This does not imply or<br />
represent that <strong>the</strong>se light levels are<br />
appropriate for, or meet <strong>the</strong> needs<br />
<strong>of</strong>, persons over <strong>the</strong> age <strong>of</strong> 50 or <strong>the</strong><br />
visually impaired.” There, I’m safe<br />
from my own practice.<br />
It’s a privilege to get up every<br />
day with <strong>the</strong> experience, knowledge<br />
and motivation to use light to create<br />
attractive, functional spaces for<br />
people. It would be refreshing if we<br />
didn’t have to do it with both hands<br />
tied behind our backs by <strong>the</strong> very<br />
PRESIDENT<br />
John Selander, LC, LEED AP<br />
Acuity Brands Lighting<br />
jselander@gothamlighting.com<br />
PAST PRESIDENT<br />
Fred Oberkircher, LC, FIES<br />
Texas Christian University (retired)<br />
VICE PRESIDENT<br />
(President-Elect)<br />
Denis Lavoie, PE, LC<br />
Philips-Lumec, Inc.<br />
TREASURER<br />
Chip Israel<br />
Lighting Design Alliance<br />
EXECUTIVE VICE PRESIDENT<br />
William Hanley, CAE<br />
DIRECTORS<br />
Nick Bleeker<br />
Philips Day-Brite<br />
Jeffrey J. Davis, LC<br />
System Design Consultants<br />
Lisa Heschong<br />
Heschong Mahone Group<br />
Kevin Houser, Ph.D.<br />
The Pennsylvania State University<br />
Terrance Kilbourne, LC<br />
TEC, Inc.<br />
Mark Lien, LC, LEED AP<br />
Hubbell Lighting Inc.<br />
Eric Lind<br />
Lutron Electronics<br />
Peggy Sue Meehan<br />
Amerlux<br />
2010-2011<br />
Board <strong>of</strong> Directors<br />
Chad Watters, LC, LEED AP<br />
Lumia Light Studio<br />
David R. Woodward, Ph.D.<br />
Philips Lighting Company<br />
8 www.ies.org
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LETTERS<br />
entities that are supposed to advocate<br />
and support good design.<br />
Hopefully, our final act (as you<br />
wrote) will be a legacy <strong>of</strong> lighting<br />
for human visual needs as we know<br />
<strong>the</strong>m to be, not a bus accident.<br />
As Greg said, sustainable design<br />
begins with sustaining people.<br />
Bruce C. Dunlop, PLDA, IALD, LC<br />
Bruce Dunlop Lighting Design<br />
Lu<strong>the</strong>rville, MD<br />
The DOE Defense<br />
The October issue <strong>of</strong> LD+A contained<br />
several references to DOE’s<br />
Solid-State Lighting program,<br />
which I would like to address. First,<br />
Dawn De Grazio’s letter to <strong>the</strong><br />
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editor pointed out <strong>the</strong> illuminance<br />
requirements for <strong>the</strong> Walmart<br />
Leavenworth site (“Whole Lot <strong>of</strong><br />
LEDs” June 2010) were not stated<br />
and it was <strong>the</strong>refore difficult to<br />
compare <strong>the</strong> 1000-W and 400-W<br />
PMH and LED options presented,<br />
each <strong>of</strong> which produced very different<br />
illuminance levels. Good point.<br />
The target illuminance level for <strong>the</strong><br />
front drive was 1.50 footcandles<br />
(minimum) and for <strong>the</strong> main lot it<br />
was 0.75 fc (minimum), both with a<br />
max/min target uniformity <strong>of</strong> 10:1.<br />
Second, I want to address a misunderstanding<br />
evidenced in Alvin<br />
L. Hart’s letter regarding my statement<br />
in <strong>the</strong> August 2010 issue, which<br />
read: “We hope it will be clear to Mr.<br />
“Let <strong>the</strong>re be light.”<br />
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Warren that calibrated illuminance<br />
meters <strong>of</strong> differing make/model may<br />
yield different results. . . .” Mr. Hart<br />
questioned how meters calibrated to<br />
traceable NIST standards could differ,<br />
<strong>the</strong> point <strong>of</strong> calibration being to<br />
yield comparable results. In general<br />
this is true, but meter calibration may<br />
or may not include spectral correction,<br />
cosine correction, or linearity,<br />
and <strong>the</strong>se parameters may vary substantially<br />
between different make/<br />
model illuminance meters. Some<br />
calibration labs only test for one light<br />
source, at one distance, and perpendicular<br />
to <strong>the</strong> face <strong>of</strong> <strong>the</strong> sensor. We<br />
recommend that readers check <strong>the</strong>ir<br />
calibration reports for <strong>the</strong>se details.<br />
Also please see Robert E. Levin’s<br />
seminal Photometric Connection columns<br />
in LD+A, in which he notes,<br />
“Thus, a statement <strong>of</strong> traceability in<br />
itself is meaningless” (Nov, 1982).<br />
Finally, I’d like to respond to <strong>the</strong><br />
“Energy Advisor” column, which<br />
takes as its starting point my<br />
August 13, 2010 Posting, a regular<br />
e-mail newsletter I use to communicate<br />
with <strong>the</strong> lighting and energy<br />
efficiency communities about SSL<br />
issues. Mr. Warren states, “The<br />
DOE claims that an LED is 10 times<br />
as efficient (efficacious) as an<br />
incandescent lamp. That’s true for<br />
<strong>the</strong> lamp itself, however, when you<br />
include <strong>the</strong> optical, driver and <strong>the</strong>rmal<br />
losses, LEDs are only six times<br />
as efficacious as incandescents. . .”<br />
The passage Mr. Warren references<br />
is forward-looking, not a statement<br />
about current LED integral lamp<br />
efficacy: “With <strong>the</strong> promise <strong>of</strong><br />
being 10 times more efficient than<br />
incandescent lighting, LEDs will<br />
change <strong>the</strong> way Americans light
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LETTERS<br />
IES Emerging<br />
Pr<strong>of</strong>essionals<br />
Program<br />
Find out how young lighting<br />
pr<strong>of</strong>essionals and <strong>the</strong>ir<br />
employers can can benefit<br />
from participation in <strong>the</strong><br />
IES Emerging Pr<strong>of</strong>essionals<br />
Program<br />
For more information visit<br />
Career Development at<br />
www.ies.org<br />
<strong>the</strong>ir homes and businesses.” This<br />
is consistent with performance<br />
projections (around 150 lumens<br />
per watt) for <strong>the</strong> year 2030, as estimated<br />
in <strong>the</strong> March 2010 DOE SSL<br />
Multi-Year Program Plan, and does<br />
indeed account for optical, driver<br />
and <strong>the</strong>rmal losses. Incandescent<br />
efficacy varies, so LED integral<br />
lamps will be 10 times more efficacious<br />
than some incandescents by<br />
2020 (around 120 lumens per watt).<br />
Mr. Warren <strong>the</strong>n provides a cost<br />
and savings example for converting<br />
magnetically ballasted T12 lamps<br />
to electronically ballasted T8 lamps<br />
and concludes DOE should provide<br />
rebates for T8 upgrades, strongly<br />
implying this would be a better<br />
investment than SSL. DOE agrees<br />
<strong>the</strong> T8 upgrade is a “no brainer.” In<br />
fact, we’ve been recommending it<br />
for nearly 20 years and we know <strong>the</strong><br />
lighting industry, utilities, ESCOs<br />
and building owners are wellequipped<br />
to identify and implement<br />
this very straightforward measure<br />
without federal subsidies.<br />
James Brodrick<br />
U.S. Department <strong>of</strong> Energy<br />
Washington, D.C.<br />
Booed Off <strong>the</strong> Stage<br />
Absolutely fabulous article by<br />
Paul Pompeo about LeBron James<br />
and his exiting blunders (“Careers<br />
& Hiring,” LD+A, October). Point #4<br />
was right on <strong>the</strong> money, especially<br />
how he let down his employer and<br />
betrayed his teammates. He is certainly<br />
not going to find <strong>the</strong> same<br />
level <strong>of</strong> adulation in Miami, and<br />
I believe <strong>the</strong> Cavaliers are much<br />
better <strong>of</strong>f without him. Too bad<br />
your article wasn’t printed in <strong>the</strong><br />
Cleveland Plain Dealer.<br />
Tony Vespoli<br />
Ashtabula, OH<br />
Throwing Down <strong>the</strong><br />
Gauntlet<br />
I would like to comment on <strong>the</strong><br />
letter to <strong>the</strong> editor that appeared<br />
in <strong>the</strong> September issue <strong>of</strong> LD+A<br />
titled “Spectrally Enhanced Lighting<br />
Clarified” written by Dr. Sam<br />
Berman. Dr. Berman, as usual, has<br />
hit <strong>the</strong> nail on <strong>the</strong> head perfectly and<br />
is one <strong>of</strong> <strong>the</strong> few people that have<br />
conveyed <strong>the</strong> truth about <strong>the</strong> effect<br />
<strong>of</strong> SEL sources on <strong>the</strong> human eye.<br />
The problem is that Dr. Berman’s<br />
letter to <strong>the</strong> editor, albeit important,<br />
does not reach <strong>the</strong> masses in <strong>the</strong><br />
lighting industry that have had <strong>the</strong>ir<br />
minds polluted by people that have<br />
taken his and o<strong>the</strong>r people’s research<br />
and skewed it to <strong>the</strong>ir agenda. I ask<br />
<strong>the</strong> editor <strong>of</strong> LD+A, Mr. Tarricone,<br />
to arm-twist Dr. Berman to write an<br />
article to be presented in LD+A as<br />
a feature article so <strong>the</strong> truth can be<br />
properly presented and debated.<br />
Correction<br />
Ed Morel<br />
Schaumburg, IL<br />
IES Roadway Lighting<br />
Committee<br />
The quote at <strong>the</strong> conclusion<br />
<strong>of</strong> Edward Bartholomew’s<br />
“Education” column on mentoring<br />
in LD+A September should have<br />
been attributed to James Highgate<br />
<strong>of</strong> The Lighting Group, Las Vegas.<br />
LD+A regrets <strong>the</strong> error.<br />
12 www.ies.org
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UPDATES<br />
OLEDs Are Coming<br />
to America<br />
While o<strong>the</strong>r U.S. towns are still reeling from<br />
<strong>the</strong> recession, Canandaigua, NY, is getting<br />
some relief. It has been selected as <strong>the</strong> site for<br />
<strong>the</strong> America’s first pilot manufacturing facility<br />
The first U.S. OLED<br />
plant will open in for organic light-emitting diode (OLED) lighting<br />
panels. A partnership between <strong>the</strong> U.S.<br />
New York.<br />
Department <strong>of</strong> Energy (DOE), <strong>the</strong> Universal Display Corporation (UDC),<br />
Moser Baer Technologies, Inc. (MBT) and New York’s Smart System<br />
Technology & Commercialization Center (STC), <strong>the</strong> pilot facility will<br />
demonstrate <strong>the</strong> scalability <strong>of</strong> UDC’s phosphorescent OLED technology<br />
and materials for <strong>the</strong> manufacture <strong>of</strong> white OLED lighting panels that<br />
meet commercial lighting targets.<br />
The 140,000-sq ft facility will be designed, built and operated by<br />
Moser Baer and will produce more than 1,000 panels per day. The project<br />
is funded by a $4 million American Recovery and Reinvestment Act<br />
(ARRA) grant, an $11.5 million investment from MBT, state government<br />
incentives available through <strong>the</strong> STC and municipal tax credits.<br />
“The idea behind <strong>the</strong> Canandaigua project is to facilitate <strong>the</strong> growth<br />
<strong>of</strong> <strong>the</strong> embryonic OLED lighting industry by providing prototype<br />
lighting panels to U.S. luminaire manufacturers to incorporate into<br />
products, in order to facilitate testing <strong>of</strong> design and to gauge customer<br />
acceptance,” says DOE lighting program manager James Brodrick. The<br />
new facility should also “help bring down OLED manufacturing costs<br />
by developing efficient mass-production technology.”<br />
The facility is expected to create more than 50 high-tech jobs in<br />
Canandaigua by 2012. “We hear a lot <strong>the</strong>se days about <strong>the</strong> decline <strong>of</strong><br />
U.S. manufacturing, but this story gives us some much-needed good<br />
news in that regard,” says Brodrick. “The relationship between <strong>the</strong> four<br />
players involved illustrates how government-industry collaboration can<br />
lead to <strong>the</strong> creation <strong>of</strong> a new industry and high-tech jobs in America.”<br />
Texas Campus<br />
Invests<br />
in Green<br />
Upgrades<br />
Texans are known for living large,<br />
but <strong>the</strong> University <strong>of</strong> North Texas<br />
(UNT) in Denton, TX, is hoping to<br />
reverse <strong>the</strong> trend by minimizing its<br />
carbon footprint. UNT recently awarded<br />
a $42.4 million performance contracting<br />
project to Schneider Electric<br />
to improve energy efficiency, operations,<br />
reliability and comfort in 5.4<br />
million sq ft <strong>of</strong> its facilities.<br />
Schneider Electric will implement<br />
numerous energy conservation<br />
measures, including lighting control<br />
through motion sensors, electrical<br />
power quality upgrades, electronic<br />
building automation and various<br />
HVAC upgrades.<br />
The contract also includes <strong>the</strong> creation<br />
<strong>of</strong> a campus energy-tracking<br />
effort accomplished through extensive<br />
submetering <strong>of</strong> buildings. Energy<br />
usage data will be made visible on<br />
<strong>the</strong> Internet enabling <strong>the</strong> university to<br />
be proactive in managing usage on<br />
campus in a real-time environment<br />
and driving energy awareness among<br />
faculty and students.<br />
Turn on <strong>the</strong> Sou<strong>the</strong>rn Charm<br />
Each year, Sou<strong>the</strong>rn Living readers get a taste <strong>of</strong> <strong>the</strong> latest residential trends from <strong>the</strong><br />
magazine’s Idea Houses—homes designed and decorated by local firms to foster design<br />
inspiration. Built in Senoia, GA, this year’s 3,700-sq ft, 3.5-story Idea House in may evoke <strong>the</strong><br />
historical architecture <strong>of</strong> Savannah and Charleston, but its lighting is wholly modern thanks to<br />
LED luminaires. Used in <strong>the</strong> kitchen, bathrooms and bedrooms LED downlights (from Cooper<br />
Lighting) consume less than 15 watts each, but deliver between 511-945 lumens.<br />
Photo: 2010 Sou<strong>the</strong>rn Living House<br />
14 www.ies.org
UPDATES<br />
GE Spawns<br />
Hybrid Lamp<br />
What do you get when you cross<br />
an incandescent bulb with a CFL GE’s<br />
new hybrid lamp. Debuting in 2011,<br />
<strong>the</strong> new hybrid halogen-CFL contains<br />
a halogen capsule inside a CFL that<br />
is, in turn, encased in an incandescent-shaped<br />
bulb. The halogen capsule<br />
comes on instantly and shuts <strong>of</strong>f<br />
once <strong>the</strong> CFL comes to full brightness.<br />
Engineered to operate with only 1 mg<br />
<strong>of</strong> mercury, <strong>the</strong> lamps will be RoHS<br />
compliant with an expected 8,000-<br />
hour lifetime. The 15-W and 20-W<br />
lamps will be first to launch.<br />
DOE Absorbs<br />
Cree LED City<br />
Participants in Cree’s LED City<br />
program will join forces with DOE’s<br />
Municipal Solid-State Street Lighting<br />
Consortium. The Consortium will<br />
assume <strong>the</strong> functions <strong>of</strong> <strong>the</strong> LED<br />
City program and will continue to<br />
provide a forum where municipalities<br />
in <strong>the</strong> process <strong>of</strong> evaluating SSL<br />
technologies can get information,<br />
discuss best practices and share lessons<br />
learned. Formed earlier this<br />
year, DOE’s SSL Street Lighting<br />
Consortium has nearly 400 members<br />
in 48 states, five Canadian provinces<br />
and four o<strong>the</strong>r countries.<br />
Mixed Results for CALiPER<br />
Round 11<br />
Citing good news and bad, <strong>the</strong> U.S. Department <strong>of</strong> Energy released<br />
its “Round 11 Summary Report” for <strong>the</strong> CALiPER testing program in late<br />
October. CALiPER tests a wide range <strong>of</strong> solid-state lighting products that are<br />
available on <strong>the</strong> market, and for benchmarking purposes compares <strong>the</strong>m<br />
with similar products that use traditional light sources. The results <strong>of</strong> each<br />
round <strong>of</strong> testing are highlighted in a Summary Report.<br />
CALiPER Round 11 was conducted from March to September <strong>of</strong> this year<br />
and looked at 31 LED lighting products in five applications: linear replacement<br />
lamps, arm-mounted roadway luminaries, post-top roadway luminaries,<br />
high-bay luminaires and small replacement lamps. “Overall, <strong>the</strong>re were<br />
some encouraging findings,” says DOE lighting program manager, James<br />
Brodrick. “For example, we saw a continuation <strong>of</strong> <strong>the</strong> steady increase in<br />
average overall efficacy over previous rounds. And although many products<br />
continue to carry misleading equivalency claims and inaccurate performance<br />
metrics, performance claims for a number <strong>of</strong> products were found<br />
to be accurate—especially for those products carrying <strong>the</strong> Lighting Facts<br />
label.”<br />
For LED linear replacement lamps, <strong>the</strong> good news, reports DOE, is that<br />
<strong>the</strong>y’re getting better, especially in terms <strong>of</strong> efficacy, but <strong>the</strong> bad news is that<br />
<strong>the</strong>y still have some major performance issues in <strong>the</strong> areas <strong>of</strong> light distribution,<br />
color quality and reliability. Still, using a tr<strong>of</strong>fer equipped with two SSL<br />
lamps to replace a single-lamp fluorescent tr<strong>of</strong>fer in situations where lower<br />
light levels are needed, or where o<strong>the</strong>r SSL characteristics provide an advantage,<br />
may now be viable in some cases—even though at this point in time<br />
LED linear replacement lamps will probably not be <strong>the</strong> most cost-effective<br />
or reliable option.<br />
Likewise, <strong>the</strong> roadway luminaire results were “a mixed bag.” Both <strong>the</strong> armmounted<br />
and <strong>the</strong> post-top luminaires showed a wide range in performance,<br />
although <strong>the</strong>re was significant improvement on average over earlier rounds.<br />
Half <strong>of</strong> <strong>the</strong> SSL outdoor luminaires achieved light output and efficacy levels<br />
that matched or exceeded those <strong>of</strong> <strong>the</strong>ir benchmark counterparts, but most <strong>of</strong><br />
those tested exhibited substantial variations in color characteristics, as compared<br />
to <strong>the</strong>ir rated CCT.<br />
A Summary Report containing <strong>the</strong> results from Round 11 testing is now<br />
available for download on <strong>the</strong> DOE SSL website at www.ssl.energy.gov/<br />
reports.html.<br />
LD+A December 2010 15
UPDATES<br />
LRC Specifier Report<br />
NLPIP Study Questions Effectiveness <strong>of</strong><br />
LED and Induction Streetlights<br />
LED and induction streetlights may be popular alternatives<br />
to traditional high-pressure sodium (HPS) streetlights,<br />
but <strong>the</strong>y may not be better options. According<br />
to a new study from The National Lighting Product<br />
Information Program (NLPIP) at Rensselaer Polytechnic<br />
Institute’s Lighting Research Center, it may take more<br />
LED and induction streetlights than HPS streetlights to<br />
meet necessary design criteria.<br />
In <strong>the</strong> study, NLPIP performed photometric<br />
evaluations <strong>of</strong> 14 streetlights<br />
that used ei<strong>the</strong>r HPS, pulse-start metal<br />
halide (PSMH), induction lamps or LED<br />
modules. It analyzed <strong>the</strong> streetlights for<br />
light output and distribution, energy use,<br />
spectral effects on visual performance,<br />
discomfort glare, and economic factors.<br />
The streetlights were evaluated as part<br />
<strong>of</strong> installations that meet <strong>the</strong> lighting criteria<br />
as defined in <strong>the</strong> American National<br />
Standard Practice for Roadway Lighting, ANSI/IESNA<br />
RP-8-00 (R2005), for a simulated one-mile stretch <strong>of</strong> collector<br />
roadway (a road servicing traffic between local<br />
and major roadways).<br />
The NLPIP found that if LED or induction streetlights<br />
replaced <strong>the</strong> pole-mounted HPS streetlights, it would take<br />
twice as many <strong>of</strong> <strong>the</strong> streetlights to meet <strong>the</strong> lighting criteria<br />
as defined in RP-8-00. Additional findings included:<br />
• On average, <strong>the</strong> LED streetlights and <strong>the</strong> induction<br />
streetlight could be spaced only about one-half <strong>the</strong><br />
distance <strong>of</strong> <strong>the</strong> HPS and PSMH streetlights and still<br />
meet <strong>the</strong> RP-8 lighting criteria. If an HPS or PSMH<br />
streetlight system just meeting RP-8 is replaced with<br />
<strong>the</strong> LED or induction streetlights tested in this report<br />
on a one-for-one basis, <strong>the</strong> streetlight system will<br />
not meet RP-8.<br />
• The life-cycle cost per mile is dominated by <strong>the</strong> initial<br />
and installation cost <strong>of</strong> <strong>the</strong> poles, not <strong>the</strong> initial cost<br />
<strong>of</strong> streetlights or any potential energy or<br />
maintenance cost savings. Because <strong>of</strong> <strong>the</strong><br />
narrower pole spacing required to meet<br />
RP-8, <strong>the</strong> life-cycle cost <strong>of</strong> <strong>the</strong> LED streetlights<br />
tested for this study is up to twice that<br />
<strong>of</strong> <strong>the</strong> HPS and PSMH streetlights tested.<br />
However <strong>the</strong> study acknowledges that:<br />
• On average, <strong>the</strong> LED streetlights require<br />
between 1 percent and 10 percent less<br />
power per mile than <strong>the</strong> HPS streetlights<br />
tested in staggered and single-sided layouts,<br />
respectively. On average, <strong>the</strong> LED<br />
streetlights require between 8 percent and 24 percent<br />
less power than <strong>the</strong> PSMH streetlight tested in singlesided<br />
and staggered layouts, respectively.<br />
• At <strong>the</strong> illuminance levels typical <strong>of</strong> collector roadways,<br />
power requirements for “white light” sources<br />
are 3 percent to 19 percent lower than HPS sources<br />
based on models <strong>of</strong> mesopic photometry.<br />
The NLPIP’s finding were published in a Specifier<br />
Report, which is available online at www.lrc.rpi.edu/<br />
nlpip/publications.asp.<br />
NALMCO Certification<br />
More Letters in <strong>the</strong> Alphabet Soup<br />
Move over LEED, <strong>the</strong> newest sustainable certification program is all about lighting. The interNational Association<br />
<strong>of</strong> Lighting Management Companies (NALMCO) has announced its new certification—Certified Sustainable Lighting<br />
Consultant (CSLC)—<strong>the</strong> industry’s first “sustainability certification” for lighting pr<strong>of</strong>essionals. The certification can be<br />
earned through an exam that tests 10 areas <strong>of</strong> knowledge, touching on such topics as materials, recycling, transportation,<br />
light pollution, manufacturing and o<strong>the</strong>r environmental impacts. Only individuals who are already Certified<br />
Lighting Management Consultants, ano<strong>the</strong>r NALMCO certification, are eligible to take <strong>the</strong> exam.<br />
16 www.ies.org
energy<br />
BY WILLARD L. WARREN A D V I S O R<br />
November’s column<br />
described <strong>the</strong> disconnect<br />
between<br />
manufacturers, who<br />
produce high CRI (Color Rendering<br />
Index) LEDs, and lighting designers,<br />
who complain about <strong>the</strong> color<br />
rendering and color consistency<br />
<strong>of</strong> white LEDs. In edisonreport.net,<br />
Marcel van der Steen with Olino.org<br />
explains that CRI was adopted by <strong>the</strong><br />
CIE, a 39-country lighting organization,<br />
to establish a 0 to 100 grading<br />
system for color valuing. Eight matte<br />
swatches <strong>of</strong> various colors are illuminated<br />
by a 5,000K full-spectrum<br />
source and <strong>the</strong>n scored, compared<br />
to a test source. The scores are averaged<br />
and Van der Steen points out<br />
eight colors aren’t enough for a true<br />
comparison. By averaging, one color<br />
might match perfectly while ano<strong>the</strong>r<br />
misses, so while <strong>the</strong> average may be<br />
high, some colors may be way <strong>of</strong>f.<br />
His solution is for <strong>the</strong> CIE to develop<br />
a new CRI test that overcomes this<br />
deficiency. It’s like <strong>the</strong> great Groucho<br />
Marx’s “con” line: “Who do you<br />
believe, me or your eyes”<br />
My August LD+A “Letter to<br />
<strong>the</strong> Editor” referred to <strong>the</strong> U.S.<br />
Department <strong>of</strong> Energy (DOE)<br />
Gateway study <strong>of</strong> roadway lighting,<br />
comparing LED luminaires to HPS<br />
cobra heads, as being misleading.<br />
In September, <strong>the</strong> National<br />
Lighting Products Information<br />
Program (NLPIP), administered by<br />
<strong>the</strong> Lighting Research Center (LRC)<br />
at Rensselaer Polytechnic Institute<br />
published “Specifier Reports:<br />
Streetlights for Collector Roads,”<br />
which stated: “Recently <strong>the</strong>re have<br />
been many LED street lighting demonstrations<br />
(for example see <strong>the</strong><br />
U.S. DOE Gateway program). Some<br />
<strong>of</strong> <strong>the</strong>se demonstrations present<br />
incomplete and potentially misleading<br />
comparisons with incumbent<br />
technologies. A complete comparison<br />
should demonstrate <strong>the</strong> system’s<br />
performance compared to<br />
alternative technologies that meet<br />
all <strong>of</strong> <strong>the</strong> required performance criteria.<br />
Evaluations should be measured<br />
or simulated excluding ambient light<br />
and should include . . . full system<br />
costs.”<br />
On October 6, The Pacific<br />
Northwest National Laboratory<br />
(PNNL), which administers <strong>the</strong><br />
Gateway project for its major client,<br />
<strong>the</strong> U.S. DOE, responded to <strong>the</strong> LRC<br />
report: “Regardless <strong>of</strong> whe<strong>the</strong>r or not<br />
[<strong>the</strong> accusations <strong>of</strong> inaccuracy] was<br />
<strong>the</strong> intent <strong>of</strong> <strong>the</strong> text, we request that<br />
<strong>the</strong> LRC consider revising <strong>the</strong> text to<br />
ei<strong>the</strong>r remove <strong>the</strong> apparent accusation,<br />
or to clarify <strong>the</strong> real issues. If<br />
<strong>the</strong> LRC takes issue with particular<br />
aspects <strong>of</strong> particular Gateway reports,<br />
we would welcome your pr<strong>of</strong>essional<br />
input in <strong>the</strong> form <strong>of</strong> direct correspondence.<br />
Please note that while <strong>the</strong><br />
Energy Policy Act <strong>of</strong> 2005 mandates<br />
<strong>the</strong> DOE to accelerate SSL (solidstate<br />
lighting) technology, we do<br />
advise end users to consider ano<strong>the</strong>r<br />
technology when it is immediately<br />
clear that LED is not a good fit for<br />
a given application. (You don’t see<br />
Gateway reports for <strong>the</strong>se projects<br />
because once a decision is made to<br />
use ano<strong>the</strong>r technology in lieu <strong>of</strong> SSL,<br />
our team is removed from <strong>the</strong> project.)<br />
We request in <strong>the</strong> interest <strong>of</strong> continued<br />
good relations between your<br />
program and ours, <strong>the</strong> LRC will consider<br />
revising this text appropriately.<br />
‘Many LED street lighting demonstrations<br />
present incomplete and potentially<br />
misleading comparisons with incumbent<br />
technologies’ NLPIP report<br />
Please . . . let us know if and when you<br />
will be making any changes.”<br />
THE LRC RESPONSE<br />
On October 13, <strong>the</strong> LRC responded<br />
to <strong>the</strong> PNNL as follows: “The NLPIP<br />
believes that <strong>the</strong> Gateway program<br />
has not provided neutral comparisons<br />
between streetlights with LEDs<br />
and o<strong>the</strong>r light sources. Examples<br />
might not have been selected randomly<br />
and may not be compared to<br />
o<strong>the</strong>r technologies that could deliver<br />
better performance or cost.”<br />
These were <strong>the</strong> specific objections<br />
enumerated by NLPIP:<br />
• In some installations, <strong>the</strong> average<br />
illumination provided by <strong>the</strong><br />
new LED system was about half<br />
that provided by <strong>the</strong> HPS system<br />
it replaced. If a lower illuminance<br />
level is acceptable in a particular<br />
area, <strong>the</strong>n this could also be<br />
18 www.ies.org
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ENERGY ADVISOR<br />
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achieved by re-ballasting and relamping<br />
<strong>the</strong> existing luminaires<br />
to a lower power level, but <strong>the</strong>se<br />
cases are not examined for energy<br />
and economic effects.<br />
• One Gateway report did not<br />
compare LED luminaires against<br />
HPS sources, which are <strong>the</strong> most<br />
commonly installed outdoor<br />
area luminaires and which NLPIP<br />
found most cost effective for collector<br />
roads from <strong>the</strong> models<br />
tested.<br />
• The studies fail to separately<br />
measure or adjust for ambient<br />
light levels.<br />
• For collector roads, <strong>the</strong> LED luminaires<br />
studied required a narrower<br />
pole spacing to meet (IES/<br />
ANSI) RP-8 (Roadway Lighting)<br />
than did o<strong>the</strong>r lighting technologies,<br />
and this significantly affected<br />
<strong>the</strong>ir cost effectivness.<br />
• One report on maintenance presumably<br />
includes re-ballasting<br />
and cleaning for <strong>the</strong> previously<br />
installed system, but assumes<br />
no maintenance costs for an LED<br />
luminaire, even though <strong>the</strong>re is<br />
no evidence LED drivers will outlast<br />
HID ballasts.<br />
• One LED installation with vacancy<br />
sensors is compared to an<br />
HID system without a motion<br />
sensor even though it is possible<br />
to dim HID sources.<br />
• In some cases <strong>the</strong> selected<br />
luminaires overlighted or underlighted<br />
<strong>the</strong> sites relative to <strong>the</strong><br />
performance criteria.<br />
• One report showed a max-tomin<br />
illuminance ratio for <strong>the</strong> LED<br />
luminaire that is not consistent<br />
with <strong>the</strong> data presented and <strong>the</strong><br />
price <strong>of</strong> <strong>the</strong> LED unit in <strong>the</strong> text<br />
is different from <strong>the</strong> price in <strong>the</strong><br />
payback analysis, leading to a<br />
different economic result for <strong>the</strong><br />
non-LED system.<br />
NLPIP has faith that LED systems<br />
will play an important role in <strong>the</strong><br />
<strong>future</strong> <strong>of</strong> lighting, but strives to<br />
help “prevent backlash and permanent<br />
barriers for new technologies.”<br />
NLPIP also identifies “shortcomings<br />
<strong>of</strong> products, which has led to an<br />
industry response resulting in new<br />
and better products, and debunks<br />
non-performing products like power<br />
reducers, polarizing panels and<br />
specular reflectors, which resulted<br />
in <strong>the</strong>ir decreased market share.”<br />
THE VIRTUE OF PEER REVIEW<br />
The DOE is now being challenged<br />
by <strong>the</strong> independent LRC as to whe<strong>the</strong>r<br />
<strong>the</strong>ir Gateway reports are unbiased<br />
engineering studies or are only<br />
being used to “accelerate SSL technology.”<br />
This is <strong>the</strong> virtue <strong>of</strong> “peer<br />
review.” In order for <strong>the</strong> IES, or any<br />
technical organization to be considered<br />
relevant, it must engage in peer<br />
review. The IES is very careful to have<br />
every Recommended Practice (RPs),<br />
Measurement, Testing, Calculations<br />
(LMs) <strong>the</strong> IES Lighting Handbook,<br />
and its published reports, thoroughly<br />
vetted by experts to maintain its<br />
guarded reputation for relevance<br />
and accuracy. And LD+A continues<br />
to print “Letters to <strong>the</strong> Editor,” even<br />
when <strong>the</strong>y criticize this columnist.<br />
Willard L. Warren, PE, Fellow<br />
IES, is principal <strong>of</strong> Willard L.<br />
Warren Associates, a consulting<br />
firm serving industry, government<br />
and utility clients in lighting<br />
and energy conservation.<br />
20 www.ies.org
LED WATCH<br />
The Standards Wave<br />
BY JAMES BRODRICK<br />
Rolls On<br />
At <strong>the</strong> movies, we get so caught<br />
up in <strong>the</strong> on-screen action that we<br />
seldom think about all <strong>the</strong> months <strong>of</strong><br />
behind-<strong>the</strong>-scenes work that made<br />
our two hours <strong>of</strong> cinematic enjoyment<br />
possible—much less about <strong>the</strong><br />
army <strong>of</strong> people who patiently and<br />
painstakingly carried out that work.<br />
Not just <strong>the</strong> producer, director and<br />
screenwriter, but also those unsung<br />
heroes—from <strong>the</strong> art director, to<br />
<strong>the</strong> set designer to <strong>the</strong> gaffer—who<br />
played far less glamorous roles.<br />
So it is with a technology like solid-state<br />
lighting (SSL). Most people<br />
focus only on <strong>the</strong> “wow factor” <strong>of</strong> <strong>the</strong><br />
end product, without considering all<br />
<strong>the</strong> little things that lie behind it. One<br />
<strong>of</strong> <strong>the</strong> most important <strong>of</strong> those “little<br />
things” is standards, which play a<br />
huge role in <strong>the</strong> development <strong>of</strong> any<br />
technology. Without standards and<br />
test methods to consistently characterize<br />
product performance and<br />
assure safety, an “anything-goes”<br />
mentality could create widespread<br />
confusion and make things difficult<br />
for manufacturers, consumers and<br />
specifiers alike.<br />
And that’s just what happened<br />
in <strong>the</strong> early years <strong>of</strong> SSL, which<br />
were likened more than once to <strong>the</strong><br />
Wild West. But recent progress in<br />
standards development has brought<br />
a semblance <strong>of</strong> law and order to<br />
Dodge City, thanks to <strong>the</strong> coordinated<br />
efforts <strong>of</strong> such organizations as<br />
<strong>the</strong> IES, NEMA, American National<br />
Standards Lighting Group (ANSLG),<br />
American National Standards<br />
Institute, National Institute <strong>of</strong><br />
Standards and Technology (NIST),<br />
Underwriters Laboratories, International<br />
Electrotechnical Commission,<br />
International Commission on<br />
Illumination (CIE) and Canadian<br />
Standards Association.<br />
These groups have helped develop<br />
standards that have already<br />
addressed many key aspects <strong>of</strong><br />
SSL—from nomenclature, to chromaticity<br />
and performance specifications,<br />
to power supply and safety.<br />
Two <strong>of</strong> <strong>the</strong> most important <strong>of</strong> <strong>the</strong>se<br />
standards have come from IES: LM-79<br />
specifies a standard test method for<br />
measuring <strong>the</strong> photometric and electrical<br />
properties <strong>of</strong> SSL devices in<br />
order to compare light output and calculate<br />
luminaire efficacy, while LM-80<br />
lays out procedures for measuring<br />
lumen degradation over time, a key<br />
component <strong>of</strong> reliability and lifetime.<br />
Both are up for <strong>the</strong>ir regularly scheduled<br />
two-year reviews, with committees<br />
already formed and well-armed<br />
with lists <strong>of</strong> newly surfaced issues<br />
that may need to be addressed by<br />
updates that enable <strong>the</strong> standards<br />
to keep pace with a rapidly evolving<br />
technology.<br />
TWO ON THE WAY<br />
Two related standards from<br />
NEMA, which have been in development,<br />
are nearing publication. SSL-1,<br />
“Electronic Drivers for LED Devices,<br />
Arrays, or Systems,” is in <strong>the</strong> balloting<br />
stage and is expected to be published<br />
by <strong>the</strong> end <strong>of</strong> <strong>the</strong> year. A logical<br />
sequel to LM-79, which looks at lamp<br />
performance, SSL-1 focuses on <strong>the</strong><br />
driver, which many feel is <strong>the</strong> weakest<br />
link in <strong>the</strong> SSL luminaire chain.<br />
The idea is to create some standards<br />
around drivers so that <strong>the</strong>y live up to<br />
<strong>the</strong> same lifetime claims as <strong>the</strong> LEDs.<br />
What good are LEDs that last for<br />
50,000-plus hours, if <strong>the</strong>y depend on<br />
a driver that lasts only 30,000 hours<br />
About as good as <strong>the</strong> proverbial cow<br />
that yields <strong>the</strong> sweetest milk in town<br />
but has an unfortunate habit <strong>of</strong> kicking<br />
<strong>the</strong> pail over.<br />
SSL-6, “Solid State Lighting<br />
for Incandescent Replacement-<br />
Dimming,” looks at ano<strong>the</strong>r issue<br />
that’s been getting quite a bit <strong>of</strong><br />
attention lately, namely, controllability.<br />
Many people assume that all<br />
LEDs are easily dimmable, but in<br />
fact that only holds true if <strong>the</strong> LED<br />
has an electronic driver with dimming<br />
capability and <strong>the</strong> driver is<br />
compatible with <strong>the</strong> chosen dimming<br />
control. SSL-6 provides interface<br />
recommendations for dimming<br />
control <strong>of</strong> integrated LED lamps<br />
intended to replace general service<br />
incandescent products. Like SSL-1,<br />
SSL-6 is in <strong>the</strong> balloting stage and<br />
should be published by year’s end,<br />
after which NEMA plans to initiate<br />
additional dimming standards. Both<br />
standards—SSL-1 and SSL-6—have<br />
been long-awaited and are sure to<br />
make a big difference when <strong>the</strong>y’re<br />
published, because <strong>the</strong>y’ll be filling<br />
what amounts to a huge void.<br />
THE QUESTION OF LIFETIME<br />
Still ano<strong>the</strong>r much-anticipated<br />
solid-state lighting document, which<br />
22 www.ies.org
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will potentially make a significant<br />
impact on <strong>the</strong> industry when it’s<br />
published, is IES TM-21. Intended<br />
for use with LM-80 test data, it is<br />
expected to specify a method for<br />
estimating <strong>future</strong> lumen depreciation<br />
<strong>of</strong> LED packages and modules,<br />
which can <strong>the</strong>n be used in determining<br />
<strong>the</strong> expected useful life <strong>of</strong> an<br />
LED product. This potential useful<br />
life <strong>of</strong> an LED package or module is<br />
only one aspect <strong>of</strong> total LED luminaire<br />
reliability—but it is a key one,<br />
and an especially tricky one as well.<br />
Color is an important issue for<br />
solid-state lighting, and in <strong>the</strong><br />
September issue <strong>of</strong> LD+A, I wrote<br />
about <strong>the</strong> Color Quality Scale, a<br />
new metric developed by NIST to<br />
convey <strong>the</strong> color quality <strong>of</strong> lighting<br />
products more accurately than <strong>the</strong><br />
widely used Color Rendering Index.<br />
In April <strong>of</strong> this year, NEMA published<br />
SSL-3, a standard that will<br />
have an impact on LED color quality.<br />
Entitled “High-Power White LED<br />
Binning for General Illumination,”<br />
it provides a way for chip manufacturers<br />
to bin <strong>the</strong>ir chips based<br />
on color, which will translate into<br />
more consistent color quality <strong>of</strong><br />
LED lighting products.<br />
A couple <strong>of</strong> white papers that were<br />
published by NEMA a while back may<br />
also eventually result in standards,<br />
because <strong>the</strong> subjects <strong>the</strong>y cover are<br />
very much on people’s minds. LSD-<br />
44 “Solid-State Lighting—The Need<br />
for a New Generation <strong>of</strong> Sockets<br />
and Interconnects,” and LSD-45<br />
“Recommendations for Solid-State<br />
Lighting Sub-Assembly Inter<strong>faces</strong><br />
for Luminaires,” both deal with <strong>the</strong><br />
key issue <strong>of</strong> replaceability. That is,<br />
<strong>the</strong>y deal with <strong>the</strong> importance <strong>of</strong> creating<br />
a standard format for replacing<br />
individual LED arrays within a<br />
luminaire, which would go a long<br />
way toward making <strong>the</strong>m modular,<br />
<strong>the</strong>reby creating a great deal more<br />
flexibility for manufacturers and<br />
specifiers, alike.<br />
These are some <strong>of</strong> <strong>the</strong> key solidstate<br />
lighting standards that are in<br />
<strong>the</strong> works, but it’s by no means<br />
an exhaustive list. Developing SSL<br />
standards is an ongoing process,<br />
because <strong>the</strong> technology is still evolving.<br />
Although it’s unglamorous<br />
work, <strong>the</strong> pay<strong>of</strong>f is big: less guesswork<br />
about products, in terms <strong>of</strong><br />
<strong>the</strong>ir performance and characteristics.<br />
And that, in turn, will raise <strong>the</strong><br />
confidence level when specifying<br />
those products.<br />
James Brodrick is <strong>the</strong><br />
lighting program manager<br />
for <strong>the</strong> U.S. Department<br />
<strong>of</strong> Energy, Building Technologies<br />
Program. The Department’s national<br />
strategy to guide high-efficiency,<br />
high-performance solid-state lighting<br />
products from laboratory to market<br />
draws on key partnerships with <strong>the</strong><br />
lighting industry, research community,<br />
standards organizations, energy-efficiency<br />
programs, utilities and<br />
many o<strong>the</strong>r voices for efficiency.<br />
BACK ISSUES<br />
ARE NOW ONLINE<br />
WWW.IESNA.ORG<br />
+e-mail a letter to<br />
<strong>the</strong> editor:<br />
ptarricone@ies.org<br />
24 www.ies.org
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VLI-1032A1-0810
esearch<br />
BY JENNIFER A. VEITCH<br />
M A T T E R S<br />
In a previous column (March<br />
2008), I wrote about laboratory<br />
experiments that showed<br />
<strong>the</strong> benefits <strong>of</strong> individual, personal<br />
control over lighting. These<br />
experiments showed that giving<br />
people <strong>the</strong> opportunity to choose<br />
<strong>the</strong>ir own local lighting levels<br />
enables <strong>the</strong>m to create conditions<br />
closer to <strong>the</strong>ir personal preferences.<br />
Working in one’s preferred conditions<br />
leads to a more positive mood<br />
and to better satisfaction with lighting.<br />
In experiments supported by<br />
<strong>the</strong> Light Right Consortium (www.<br />
lightright.org), having individual<br />
control over lighting seemed to<br />
improve motivation over <strong>the</strong> workday;<br />
people without control showed<br />
a drop in motivation from morning<br />
to afternoon. Today, I can update<br />
you on our progress in studying<br />
<strong>the</strong>se effects in <strong>the</strong> field.<br />
When writing <strong>the</strong> final report for<br />
<strong>the</strong> Light Right Albany experiments,<br />
<strong>the</strong> team concluded that laboratory<br />
investigations <strong>of</strong> <strong>the</strong> effects<br />
<strong>of</strong> light distribution and individual<br />
control had reached <strong>the</strong> end <strong>of</strong> <strong>the</strong>ir<br />
usefulness (Boyce, et al., 2006;<br />
Boyce, Veitch, Newsham, Myer, &<br />
Hunter, 2003). To demonstrate <strong>the</strong><br />
overall organizational benefits <strong>of</strong><br />
high-quality, energy-efficient lighting<br />
in <strong>of</strong>fices would require a field<br />
study in a functioning work setting.<br />
Our team at NRC-IRC has now<br />
completed that study, with funding<br />
from <strong>the</strong> Light Right Consortium.<br />
The investigation was designed to<br />
achieve two objectives:<br />
1. To replicate <strong>the</strong> results <strong>of</strong> <strong>the</strong><br />
Light Right Albany experiments in a<br />
functioning work setting.<br />
2. To extend <strong>the</strong> model developed<br />
from <strong>the</strong> Albany data to organizational<br />
effectiveness outcomes.<br />
RESEARCH DESIGN<br />
The project was designed around<br />
a linked mechanisms map (Figure 1).<br />
As in <strong>the</strong> Albany experiments, each<br />
concept in <strong>the</strong> linked mechanisms<br />
map had at least one associated<br />
measurement.<br />
The experimental design was a<br />
naturally occurring field experiment<br />
in an organization that has undertaken<br />
a major renovation <strong>of</strong> three <strong>of</strong>fice<br />
buildings, involving both furnishings<br />
and lighting. Individual floors in all<br />
buildings will be renovated in phases<br />
over several years. During <strong>the</strong> study<br />
period (May 2008-September 2009),<br />
both old (pre-renovation) and new<br />
(post-renovation) conditions existed<br />
in <strong>the</strong> buildings. The old lighting<br />
consisted <strong>of</strong> recessed paraboliclouvered<br />
luminaires (similar to <strong>the</strong><br />
Base Case condition in <strong>the</strong> Albany<br />
experiment 1), and <strong>the</strong> new lighting<br />
consisted <strong>of</strong> workstation-specific,<br />
individually controllable, suspended,<br />
direct/indirect luminaires (similar<br />
to <strong>the</strong> Dimming Control condition<br />
in <strong>the</strong> Albany experiment 1).<br />
Furnishings also changed with <strong>the</strong><br />
lighting (from teal (dark) to <strong>of</strong>f-white<br />
(light)), except for four floors in one<br />
building that have had <strong>the</strong> new lighting<br />
for several years and that are<br />
keeping <strong>the</strong>ir medium grey panels.<br />
All <strong>of</strong> <strong>the</strong> buildings had large windows<br />
on all orientations. Figure 2<br />
shows examples <strong>of</strong> <strong>the</strong> old and new<br />
lighting and furnishings.<br />
All occupants <strong>of</strong> <strong>the</strong> three buildings<br />
were asked to complete an<br />
online questionnaire on three occasions<br />
during <strong>the</strong> study, in May-June<br />
2008, June 2009 and September<br />
2009. Each time, <strong>the</strong> questionnaire<br />
included questions and tasks to<br />
assess <strong>the</strong> individual-level concepts<br />
in <strong>the</strong> linked mechanisms<br />
map. Each measurement wave<br />
included a site visit by <strong>the</strong> research<br />
team, during which <strong>the</strong> physical<br />
conditions in selected locations<br />
were measured, with photometric<br />
measurements both by day and by<br />
night (electric lighting only). Some<br />
<strong>of</strong> <strong>the</strong> participants moved to newly<br />
renovated <strong>of</strong>fices between <strong>the</strong> first<br />
and second measurement waves;<br />
o<strong>the</strong>rs had already moved to new or<br />
newly renovated spaces before <strong>the</strong><br />
first wave; and o<strong>the</strong>rs did not experience<br />
any <strong>of</strong>fice design or lighting<br />
changes during <strong>the</strong> study period.<br />
As is evident from <strong>the</strong> photos,<br />
<strong>the</strong> three luminaire and furnishing<br />
combinations created markedly<br />
different visual conditions. (There<br />
were also three variations in <strong>the</strong><br />
operation <strong>of</strong> <strong>the</strong> workstation-specific,<br />
direct-indirect luminaires, which<br />
resulted in different proportions <strong>of</strong><br />
indirect illumination, but <strong>the</strong>se were<br />
small in comparison to <strong>the</strong> difference<br />
between workstation-specific,<br />
direct-indirect lighting and recessed<br />
parabolic louvered luminaires.)<br />
All <strong>the</strong> measured locations met or<br />
exceeded IES recommendations for<br />
work-plane illuminance. The <strong>of</strong>fices<br />
26 www.ies.org
RESEARCH MATTERS<br />
with workstation-specific luminaires<br />
had higher ceiling luminances than<br />
<strong>the</strong> parabolic-louvered luminaire<br />
spaces; those with high-reflectance<br />
furnishings also had higher vertical<br />
luminances in <strong>the</strong> field <strong>of</strong> view.<br />
QUESTIONNAIRE RESULTS<br />
The questionnaire revealed <strong>the</strong><br />
following. Detailed results are available<br />
in <strong>the</strong> project report (Veitch,<br />
Newsham, Mancini, & Arsenault,<br />
2010, in press) on <strong>the</strong> Light Right<br />
(www.lightright.org) and NRC<br />
(www.nrc-cnrc.gc.ca) websites.<br />
Workstation-specific lighting with<br />
individual control is <strong>the</strong> higher-quality<br />
lighting solution. Workstationspecific<br />
lighting with individual<br />
(personal) control was preferred<br />
over parabolic-louvered luminaires<br />
regardless <strong>of</strong> <strong>the</strong> surface reflectances<br />
<strong>of</strong> <strong>the</strong> furnishings. The workstationspecific<br />
luminaires were rated as providing<br />
lighting that was better than<br />
in o<strong>the</strong>r similar workplaces; <strong>the</strong> parabolic-louvered<br />
luminaires were seen<br />
as being <strong>the</strong> same as in o<strong>the</strong>r similar<br />
workplaces. In <strong>the</strong> most sensitive statistical<br />
tests, small effects were found<br />
for several outcomes. Pleasure, room<br />
attractiveness and illumination, lighting<br />
satisfaction, overall environmental<br />
satisfaction, job satisfaction, and<br />
organizational commitment were all<br />
higher for <strong>the</strong> people in <strong>of</strong>fices with<br />
workstation-specific luminaires. The<br />
frequency and intensity <strong>of</strong> physical<br />
symptoms and <strong>the</strong> intent to turnover<br />
(voluntarily seek o<strong>the</strong>r employment)<br />
were all lower for <strong>the</strong> people<br />
in <strong>of</strong>fices with workstation-specific<br />
Figure 1. Proposed conceptual model. The black lines indicate<br />
relationships observed in <strong>the</strong> Albany experiments. The blue lines<br />
are relationships derived from o<strong>the</strong>r research.<br />
Figure 2. Top: Old panels,<br />
old lighting. Middle:<br />
New panels, new lighting.<br />
Bottom: Older panels, new<br />
lighting.<br />
LD+A December 2010 27
RESEARCH MATTERS<br />
2008). As shown in Figure 4, better<br />
luminous conditions (which in this<br />
case meant individually controllable,<br />
workstation-specific lighting and<br />
high-reflectance panels, as opposed<br />
to parabolic-louvered luminaires, no<br />
individual control and dark panels),<br />
generally produced better appraisals,<br />
and <strong>the</strong>se in turn indirectly related<br />
to reduced health problems and<br />
to reduced intent to turnover.<br />
Figure 3. Group means for <strong>the</strong> overall comparison between responses<br />
from people in workstations lit with parabolic-louvered luminaires<br />
(PARAB), compared to those with workstation-specific direct-indirect<br />
luminaires with individual control (WS-60U-C), all with low-reflectance,<br />
old furniture. All differences are statistically significant.<br />
Figure 4. Conceptual form <strong>of</strong> final structural equation model.<br />
luminaires. There were no effects<br />
that were contrary to <strong>the</strong> expected<br />
direction. Figure 3 shows some <strong>of</strong> <strong>the</strong><br />
results in graphical format.<br />
Room surface reflectances influence<br />
lighting quality. Workstationspecific<br />
luminaires with individual<br />
control were more likely to be rated<br />
as being better than in o<strong>the</strong>r similar<br />
<strong>of</strong>fices when <strong>the</strong> surface reflectances<br />
were high. The workstation was also<br />
judged to be more attractive and to<br />
be more highly illuminated, and to<br />
deliver a better workplace image.<br />
Luminous conditions matter to<br />
organizational productivity. We<br />
tested <strong>the</strong> overall linked mechanisms<br />
map using structural equation<br />
modeling. The best-fitting model<br />
was based on <strong>the</strong> Albany experiments’<br />
linked mechanisms map<br />
(Veitch, Newsham, Boyce, & Jones,<br />
DISCUSSION<br />
This field investigation achieved<br />
both objectives. The basic findings<br />
from <strong>the</strong> Albany experiments were<br />
replicated, in that we obtained clear<br />
evidence that energy-efficient lighting<br />
can deliver good lighting quality<br />
that benefits occupants, when it<br />
provides:<br />
• Light distribution that lights all<br />
<strong>the</strong> room sur<strong>faces</strong> (i.e., a mix <strong>of</strong><br />
direct and indirect lighting);<br />
• Room sur<strong>faces</strong> that contribute<br />
to <strong>the</strong> light distribution; and,<br />
• Individual control to accommodate<br />
different needs and desires.<br />
Moreover, we replicated <strong>the</strong><br />
appraisal path from <strong>the</strong> Albany linked<br />
mechanisms map and extended it<br />
to include organizationally relevant<br />
outcomes. The best-fitting model<br />
links <strong>the</strong>se luminous conditions to<br />
higher ratings <strong>of</strong> room appearance;<br />
more favourable mood; fewer health<br />
problems; higher environmental<br />
satisfaction; higher job satisfaction;<br />
higher organizational commitment;<br />
and, lower intent to turnover. If goodquality<br />
lighting only resulted in more<br />
attractive spaces, <strong>the</strong> chain <strong>of</strong> relationships<br />
would stop at room appearance.<br />
It did not: We have shown that<br />
lighting conditions in employee <strong>of</strong>fic-<br />
28 www.ies.org
RESEARCH MATTERS<br />
es affect organizational productivity<br />
through effects on employees.<br />
O<strong>the</strong>r NRC research in <strong>the</strong> same<br />
host organization has demonstrated<br />
that <strong>the</strong> workstation-specific, directindirect<br />
luminaires with individual<br />
control, daylight harvesting and<br />
occupancy sensors can save 69 percent<br />
<strong>of</strong> <strong>the</strong> electricity used compared<br />
to a conventional grid <strong>of</strong> parabolic-louvered<br />
luminaires (Galasiu,<br />
Newsham, Suvagau, & Sander,<br />
2007). The evidence that <strong>the</strong>se luminaires<br />
also deliver a higher-quality<br />
work environment, and fur<strong>the</strong>rmore<br />
that this environment is associated<br />
with fewer health problems and better<br />
employee retention, makes this<br />
lighting solution an excellent choice<br />
for individuals, <strong>the</strong>ir employers and<br />
<strong>the</strong> environment.<br />
REFERENCES<br />
Boyce, P. R., Veitch, J. A., Newsham, G.<br />
R., Jones, C. C., Heerwagen, J., Myer, M., et<br />
al. (2006). Lighting quality and <strong>of</strong>fice work:<br />
Two field simulation experiments. Lighting<br />
Research and Technology, 38(3), 191-223.<br />
Boyce, P. R., Veitch, J. A., Newsham, G.<br />
R., Myer, M., & Hunter, C. (2003). Lighting<br />
quality and <strong>of</strong>fice work: A field simulation<br />
study. (PNNL 14506). Richland, WA, USA:<br />
Pacific Northwest National Laboratory<br />
Retrieved from http://www.nrc-cnrc.gc.ca/<br />
obj/irc/doc/pubs/b3214.1/B3214.1.pdf.<br />
Galasiu, A. D., Newsham, G. R., Suvagau,<br />
C., & Sander, D. M. (2007). Energy saving<br />
lighting control systems for open-plan<br />
<strong>of</strong>fices: a field study. Leukos, 4(1), 7-29.<br />
Veitch, J. A., Newsham, G. R., Boyce, P.<br />
R., & Jones, C. C. (2008). Lighting appraisal,<br />
well-being, and performance in open-plan<br />
<strong>of</strong>fices: A linked mechanisms approach.<br />
Lighting Research and Technology, 40(2),<br />
133-151.<br />
Veitch, J. A., Newsham, G. R., Mancini,<br />
S., & Arsenault, C. D. (2010, in press).<br />
Lighting and <strong>of</strong>fice renovation effects on<br />
employee and organizational well-being.<br />
(NRC-IRC B3230.1). Ottawa, ON: NRC<br />
Institute for Research in Construction.<br />
Jennifer A. Veitch, Ph.D.,<br />
Fellow IESNA, is a senior<br />
research <strong>of</strong>ficer at <strong>the</strong><br />
National Research Council Canada<br />
Institute for Research in Construction<br />
(NRC-IRC). She’s best known for her<br />
research on lighting quality, and her<br />
contributions to Chapter 10, Quality<br />
<strong>of</strong> <strong>the</strong> Visual Environment, in <strong>the</strong><br />
IESNA Lighting Handbook (Ninth ed.),<br />
and more recently for research into<br />
environmental and job satisfaction<br />
in open-plan <strong>of</strong>fices. She serves on<br />
<strong>the</strong> IES Lighting Criteria Committee<br />
and <strong>the</strong> Operations Advisory Board<br />
for LEUKOS.<br />
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EDUCATION<br />
Project CANDLE:<br />
A Virus that Cures<br />
BY EDWARD BARTHOLOMEW<br />
I have <strong>of</strong>ten thought <strong>of</strong> lighting<br />
as <strong>the</strong> accidental pr<strong>of</strong>ession. Unlike<br />
architecture—with its established<br />
career arc that starts with an accredited<br />
college degree, a three-year<br />
training period and a rigorous test<br />
before you are allowed to practice—<br />
lighting is a relatively young pr<strong>of</strong>ession,<br />
and for most <strong>of</strong> <strong>the</strong> last century<br />
it has been focused on <strong>the</strong> engineering<br />
<strong>of</strong> a single building system, electric<br />
lighting. Practitioners stumbled<br />
upon lighting from far and wide with<br />
<strong>the</strong> primarily routes being electrical<br />
engineering or <strong>the</strong>atrical lighting, but<br />
with no established path to practice.<br />
But today, <strong>the</strong>re are a growing<br />
number <strong>of</strong> academic programs that<br />
allow students to study lighting,<br />
and even obtain undergraduate and<br />
graduate degrees in lighting. Yet<br />
most high-school students who are<br />
looking into colleges or searching<br />
for a college major are unaware <strong>of</strong><br />
lighting as a field <strong>of</strong> study, or even<br />
as a career option. So where will<br />
<strong>the</strong> next generation <strong>of</strong> lighting pr<strong>of</strong>essionals<br />
come from<br />
At <strong>the</strong> same time that <strong>the</strong> lighting<br />
industry is seeking a new pool<br />
<strong>of</strong> educated pr<strong>of</strong>essionals, high<br />
schools are undergoing significant<br />
reforms to improve student performance<br />
and graduation rates. In<br />
today’s global economy, America’s<br />
ability to compete depends on its<br />
ability to prepare high-school graduates<br />
to be successful in an increasingly<br />
knowledge-based economy.<br />
However, <strong>the</strong> Manhattan Institute<br />
has estimated that only 34 percent <strong>of</strong><br />
all students who entered ninth grade<br />
in 2002 were prepared for college<br />
when <strong>the</strong>y graduated high school.<br />
Increasingly, studies show that aligning<br />
high-school coursework to college<br />
and workplace opportunities is<br />
a critical step toward giving students<br />
a solid foundation in <strong>the</strong> academic,<br />
social and workplace skills needed<br />
for success in college or a career.<br />
ONE SOLUTION<br />
An innovative program called<br />
Project CANDLE may be a part <strong>of</strong><br />
<strong>the</strong> solution to both <strong>of</strong> <strong>the</strong>se problems.<br />
Project CANDLE is a lighting<br />
industry-funded partnership<br />
to Create an Alliance to Nurture<br />
Design in Lighting Education.<br />
This program was first proposed<br />
for <strong>the</strong> University <strong>of</strong> Nebraska-Lincoln<br />
College <strong>of</strong> <strong>Engineering</strong> by principal<br />
investigator Pr<strong>of</strong>. Kevin Houser, who<br />
received <strong>the</strong> 2007 IALD Education<br />
Trust Grant. When Kevin moved<br />
from Nebraska to Pennsylvania State<br />
University, this program evolved into<br />
a collaboration between Pennsylvania<br />
State University, <strong>the</strong> IALD Education<br />
Trust and various lighting industry<br />
partners.<br />
One <strong>of</strong> Project CANDLE’s main<br />
goals is to meet <strong>the</strong> ever-growing<br />
demand for educated lighting pr<strong>of</strong>essionals<br />
by “priming <strong>the</strong> pump”<br />
with high school students who will<br />
eventually choose lighting as a<br />
degree in college and as a career.<br />
Project CANDLE uses undergraduate<br />
students, referred to as “student<br />
ambassadors,” to speak in highschool<br />
classrooms about light and<br />
lighting in a way that is directly connected<br />
to <strong>the</strong> subject <strong>of</strong> <strong>the</strong>ir classes.<br />
Undergraduate college students are<br />
perfect for connecting with highschool<br />
students because <strong>the</strong>y are<br />
closer in age and able to relate to<br />
<strong>the</strong>m. It also helps if <strong>the</strong> student<br />
ambassadors are recent graduates<br />
<strong>of</strong> <strong>the</strong> high school that <strong>the</strong>y are visiting,<br />
thus providing a personal connection,<br />
but this is not a necessity.<br />
The key is to speak honestly and<br />
directly to <strong>the</strong> students by showing<br />
<strong>the</strong>m how lighting directly relates to<br />
<strong>the</strong>ir academics and career options.<br />
As Mark Roush, <strong>the</strong> president <strong>of</strong><br />
<strong>the</strong> IALD Education Trust, eloquently<br />
put it: “We are expecting <strong>the</strong>se student<br />
ambassadors to be passionate<br />
spokespersons that infect [highschool]<br />
students with <strong>the</strong>ir passion.<br />
Their passion is like a virus designed<br />
to infect <strong>the</strong>ir audience and spread<br />
<strong>the</strong> infection to a <strong>future</strong> generation<br />
<strong>of</strong> lighting pr<strong>of</strong>essionals.”<br />
I recently attended a two-day<br />
Project CANDLE workshop for student<br />
ambassadors and lighting<br />
educators at Penn State University<br />
hosted by Pr<strong>of</strong>. Houser and coordinated<br />
by Ph.D. candidate Andrea<br />
Wilkerson. This workshop brought<br />
toge<strong>the</strong>r faculty from five different<br />
lighting programs throughout<br />
<strong>the</strong> country including our host,<br />
representing Penn State; Liliana O.<br />
32 www.ies.org
EDUCATION<br />
Beltrán, associate pr<strong>of</strong>essor from<br />
Texas A&M University; Clarence E.<br />
Waters, pr<strong>of</strong>essor from University<br />
<strong>of</strong> Nebraska-Lincoln; Derek Porter,<br />
director <strong>of</strong> <strong>the</strong> Lighting Design program<br />
at Parsons <strong>the</strong> New School<br />
<strong>of</strong> Design; myself, representing <strong>the</strong><br />
University <strong>of</strong> Washington; as well<br />
as IALD Education Trust president,<br />
Mark Roush.<br />
Each <strong>of</strong> <strong>the</strong> faculty brought two<br />
undergraduate students with <strong>the</strong>m<br />
to participate in this workshop, <strong>the</strong><br />
purpose <strong>of</strong> which was to put <strong>the</strong>se<br />
student ambassadors through<br />
intensive training on how to create<br />
effective lighting presentations<br />
that communicate <strong>the</strong>ir passion for<br />
lighting while demonstrating lighting<br />
concepts that directly relate to<br />
<strong>the</strong> high school’s class work.<br />
One module was developed for<br />
a physics class, ano<strong>the</strong>r was for a<br />
geometry class and a third was a general<br />
module covering architectural<br />
lighting. Lighting demonstration kits<br />
with various educational tools have<br />
been developed and distributed to<br />
support each <strong>of</strong> <strong>the</strong>se college lighting<br />
programs in <strong>the</strong>ir efforts to reach out<br />
to high schools in <strong>the</strong>ir community.<br />
But what made this workshop so<br />
valuable was its emphasis on developing<br />
<strong>the</strong> presentation skills <strong>of</strong> <strong>the</strong>se<br />
young student ambassadors. Says<br />
Parsons student ambassador Caitlin<br />
Brow, “The presentation and communication<br />
skills that I learned at <strong>the</strong><br />
Project CANDLE workshop will help<br />
me with <strong>future</strong> presentations as a<br />
student and later in my career.”<br />
One <strong>of</strong> Project CANDLE’s main<br />
goals is to meet <strong>the</strong> ever-growing<br />
demand for educated lighting<br />
pr<strong>of</strong>essionals by ‘priming <strong>the</strong> pump’<br />
with high-school students who will<br />
eventually choose lighting as a degree<br />
in college and as a career<br />
WHO BENEFITS<br />
The outcome <strong>of</strong> this effort to<br />
inspire high-school students would<br />
be significant even if only a small percentage<br />
ultimately choose a career<br />
in lighting, because a greater percentage<br />
<strong>of</strong> students will have gained<br />
an increased awareness and appreciation<br />
for lighting. Any effort that<br />
raises public consciousness around<br />
lighting is beneficial for our industry.<br />
Ano<strong>the</strong>r important outcome from<br />
<strong>the</strong> program will be to spur <strong>the</strong> next<br />
generation <strong>of</strong> lighting clients. Our<br />
pr<strong>of</strong>ession, services and goods will<br />
never realize <strong>the</strong>ir real worth until<br />
<strong>the</strong> public is made aware <strong>of</strong> <strong>the</strong> value<br />
that well-designed quality lighting<br />
provides to <strong>the</strong> built environment.<br />
We need better educated and more<br />
enthusiastic clients who will appreciate<br />
<strong>the</strong> value <strong>of</strong> our expertise.<br />
Creating a strong academic path<br />
for <strong>the</strong> next generation <strong>of</strong> lighting<br />
pr<strong>of</strong>essionals requires three things:<br />
inspired, hard-working students<br />
who are made aware <strong>of</strong> an academic<br />
path to lighting; college and<br />
university lighting programs that<br />
<strong>of</strong>fer this structured path; and welltrained<br />
and supported lighting educators<br />
that provide guidance and<br />
knowledge through <strong>the</strong>ir programs<br />
while shepherding <strong>the</strong>se students<br />
along this path.<br />
By making an impact earlier in<br />
<strong>the</strong> academic supply chain, we can<br />
guarantee lighting’s place as a valued<br />
pr<strong>of</strong>iciency, grounded in rigorous<br />
study and academic accomplishment.<br />
Lighting students can act as<br />
a virus that infects unexposed students<br />
with <strong>the</strong>ir passion to pursue,<br />
appreciate and value lighting.<br />
For more information regarding<br />
this program please visit: www.<br />
engr.psu.edu/candle or contact<br />
Kevin Houser at khouser@engr.<br />
psu.edu<br />
Edward Bartholomew IALD,<br />
LC, LEED AP, is a lighting<br />
designer and research<br />
assistant pr<strong>of</strong>essor at <strong>the</strong> Integrated<br />
Design Lab-Puget Sound, an extension<br />
<strong>of</strong> <strong>the</strong> College <strong>of</strong> <strong>the</strong> Built<br />
Environments at <strong>the</strong> University <strong>of</strong><br />
Washington.<br />
FOR BACK ISSUES<br />
Call Leslie Prestia<br />
212-248-5000 ext 111<br />
34 www.ies.org
BUILD AWARENESS AND<br />
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MANUFACTURERS<br />
• Receive a free print<br />
and online listing<br />
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pr<strong>of</strong>essionals<br />
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Print:<br />
March 2011<br />
issue<br />
Online:<br />
year-round<br />
No company is automatically listed. If you have updated your<br />
online listing since June 1, 2010, and <strong>the</strong> information is still<br />
current, <strong>the</strong>re is no need to make fur<strong>the</strong>r adjustments to your<br />
listing. If you have not updated your entry since June 1, you<br />
must register or update your organization’s information before<br />
January 7, 2011 to appear in <strong>the</strong> print Directory.<br />
DIRECTORY PRODUCT CATEGORIES<br />
LIGHT SOURCES<br />
Incandescent filament<br />
Tungsten halogen<br />
Low voltage<br />
Fluorescent<br />
Compact fluorescent<br />
Mercury<br />
Metal halide<br />
High pressure sodium<br />
Low pressure sodium<br />
Carbon arc<br />
Electroluminescent<br />
Flashtubes<br />
Short arc<br />
Miniature<br />
Blacklight<br />
Neon<br />
LEDs (bulbs, tubes—not fixtures)<br />
Plasma<br />
LUMINAIRES (FIXTURES)<br />
Types<br />
Recessed<br />
Surface<br />
Track<br />
Pendant<br />
Decorative<br />
Custom<br />
Portable<br />
High/low mount<br />
Floodlights<br />
Spot/accent<br />
Searchlights<br />
Navigation lights<br />
Emergency<br />
Exit<br />
Sign<br />
Explosion pro<strong>of</strong><br />
Task<br />
For:<br />
Incandescent<br />
Halogen<br />
Low voltage<br />
Fluorescent<br />
Xenon short arc<br />
Mercury<br />
Metal halide<br />
High pressure sodium<br />
Low pressure sodium<br />
LEDs<br />
Plasma<br />
Applications:<br />
Commercial<br />
Industrial<br />
Residential<br />
Institutional<br />
Roadway<br />
Landscape<br />
Security<br />
Vehicular<br />
Theater/TV<br />
Office<br />
BALLASTS<br />
Fluorescent<br />
Metal halide<br />
Mercury<br />
High pressure sodium<br />
Low pressure sodium<br />
Emergency<br />
Electronic<br />
Step Up<br />
Step Down<br />
Variable<br />
LIGHTING CONTROLS<br />
Types:<br />
Strap/wallbox dimmers<br />
Switches<br />
Sensing devices<br />
Processors<br />
Control systems<br />
Monitoring devices<br />
For:<br />
Incandescent<br />
Fluorescent<br />
HID<br />
Neon/cold cathode<br />
Low voltage<br />
Applications:<br />
Residential<br />
Commercial<br />
Industrial<br />
Theater/TV<br />
Office<br />
LIGHT CONTROL COMPONENTS<br />
Glass lenses diffusers<br />
Plastic lenses, diffusers<br />
Reflectors<br />
Louvers, baffles<br />
Luminous ceilings<br />
Anodized aluminum<br />
MOUNTING DEVICES<br />
Standard poles<br />
Custom poles<br />
High-mast poles<br />
Lowering devices<br />
METERS<br />
Illuminance<br />
Luminance<br />
O<strong>the</strong>r<br />
MISCELLANEOUS<br />
Fiberoptics<br />
Lasers<br />
Maintenance equipment<br />
S<strong>of</strong>tware<br />
Photometric testing labs<br />
O<strong>the</strong>r
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ONLINE OPPORTUNITIES<br />
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FOR ADVERTISING IN THE MARCH ISSUE, CONTACT YOUR LOCAL LD+A REP:<br />
NORTHEAST/<br />
MID-ATLANTIC<br />
Brett Goldfine<br />
Sage Publications<br />
1403 Whitpain Hills<br />
Blue Bell, PA 19422<br />
(484) 231-1308<br />
(805) 375-5282 (fax)<br />
brett.goldfine@sagepub.com<br />
States serviced: CT, DE, MA, MD, ME,<br />
NC, NH, NJ, NY, PA, RI, VA, VT, Wash DC<br />
SOUTH/MIDWEST<br />
Bill Middleton<br />
Middleton Media<br />
561 Robin Lane<br />
Marietta, GA 30067<br />
770-973-9190<br />
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midmedia@aol.com<br />
States serviced: AL, AR, FL, GA, IA, IL,<br />
IN, KS, KY, LA, MI, MN, MO, MS, ND,<br />
NE, OH, OK, SC, SD, TN, TX, WI, WV<br />
and Eastern Canada<br />
WEST<br />
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P.O. Box 274<br />
Lafayette, CA 94549-0274<br />
925-385-0151<br />
925-385-0155 (fax)<br />
pmullins@ies.org<br />
States serviced: AK, AZ, CA, CO, HI,<br />
ID, MT, NM, NV, OR, UT, WA, WY, and<br />
Western Canada<br />
If you have an existing online Directory listing but forgot your username and/or password,<br />
contact Leslie Prestia, ph: 212-248-5000, ext 111, or email: lprestia@ies.org.
Photos: Joseph Michael Photography<br />
A Dealer Cashes In<br />
Car dealers are typically responsible for promoting rebates. But this fall, Agincourt Hyundai in<br />
Scarborough, Ontario, Canada, received a rebate <strong>of</strong> its own from its local utility. Hoping to boost sales<br />
and cut maintenance costs with <strong>the</strong> right lighting, <strong>the</strong> dealership installed LED luminaires from Cireon<br />
in <strong>the</strong> showroom, <strong>of</strong>fices, service areas and customer lounge <strong>of</strong> its new facility. Months after <strong>the</strong> installation<br />
was complete, Ontario Power Authority toured <strong>the</strong> facility and was so impressed that it issued<br />
Agincourt a retroactive rebate.<br />
With help from TEC3 Innovations, an automobile dealership contracting firm, Agincourt determined<br />
that <strong>the</strong> best method <strong>of</strong> reducing energy and maintenance costs would be to outfit its new facility with<br />
LEDs. In <strong>the</strong> two showrooms—one for new cars and one for pre-owned vehicles—56 180-W LED highbay<br />
luminaires were used in place <strong>of</strong> <strong>the</strong> 400-W metal halide fixtures that <strong>the</strong> owner had used at its o<strong>the</strong>r<br />
dealerships. Each luminaire contains six modules <strong>of</strong><br />
24 Philips Luxeon LEDs and features 80-deg optics for<br />
increased control. Neutral-white LEDs with a 75-plus<br />
CRI were used to complement <strong>the</strong> colors and finishes<br />
<strong>of</strong> <strong>the</strong> cars.<br />
From an 18-ft mounting height, <strong>the</strong> luminaires deliver<br />
95-105 footcandles <strong>of</strong> 4,100K light on <strong>the</strong> car hoods. To<br />
maximize natural light from <strong>the</strong> expansive glass windows,<br />
<strong>the</strong> fixtures incorporate a linear dimming<br />
system. Unlike traditional photocells that power<br />
on after sunlight levels peak, <strong>the</strong> linear system<br />
begins to reduce current incrementally at <strong>the</strong><br />
first sign <strong>of</strong> daylight. “They read <strong>the</strong> energy<br />
as it’s coming in, so <strong>the</strong>y completely adjust to<br />
<strong>the</strong> light on <strong>the</strong> ground,” says Cireon general<br />
manager, Jim Dilbeck. “You can’t tell when <strong>the</strong><br />
increment changes.” Dilbeck estimates that <strong>of</strong><br />
<strong>the</strong> 18 hours <strong>the</strong> lights are on per day, <strong>the</strong>y are<br />
AGINCOURT HYUNDAI, SCARBOROUGH, ONTARIO dimmed or turned <strong>of</strong>f for eight hours.<br />
The Challenge: Provide ample light for sales and service LED luminaires also save energy in <strong>the</strong><br />
tasks, while reducing energy and maintenance costs<br />
<strong>of</strong>fices and service areas. In <strong>the</strong> conference<br />
The Solution: LED luminaires boost illuminance levels in room and private and open <strong>of</strong>fices, 87 2-ft by<br />
<strong>the</strong> showroom and service areas<br />
2-ft, 60-W luminaires with 48 LEDs each were<br />
used as an alternative to standard fluorescent tr<strong>of</strong>fers. The luminaires are 4,100K and deliver 55-65<br />
fc in most <strong>of</strong> <strong>the</strong> <strong>of</strong>fice spaces, and as much as 95 fc in <strong>the</strong> conference room. Since <strong>the</strong> service areas<br />
require substantial light for detailed car repair and maintenance, 30 5,700K LED high-bay luminaires<br />
were specified. “We wanted <strong>the</strong> area to be really bright, and higher color temperature light is perceived<br />
as brighter,” says Dilbeck. Here, <strong>the</strong> luminaires average 70 fc. In total, Cireon and TEC3 estimate that <strong>the</strong><br />
LED luminaires use 31,000 watts less than traditional sources.<br />
Elizabeth Hall<br />
TOOLS + TECHNIQUES<br />
LD+A December 2010 37
TOOLS + TECHNIQUES<br />
Photo courtesy <strong>of</strong> Spring City<br />
Technology Takes <strong>the</strong> Scenic Route<br />
Ambler, PA, is a small town with big-city aspirations. With help from engineering firm Gilmore<br />
and Associates, it recently installed 22 new decorative LED luminaires from Spring City Electrical<br />
Manufacturing along Race Street and joined Cree’s LED City initiative (now <strong>the</strong> DOE’s Municipal Solid-<br />
State Street Lighting Consortium). Though it had previously used high-pressure sodium lights for<br />
street lighting, <strong>the</strong> Borough <strong>of</strong> Ambler decided to move in a new direction after receiving funds from<br />
<strong>the</strong> county to revitalize its streetscape.<br />
The first order <strong>of</strong> business was determining how<br />
to make LEDs work for a decorative street-lighting<br />
application. Unlike cobra-head LED streetlights, decorative<br />
LED streetlights are less common. “Decorative<br />
applications are a completely different animal than<br />
cobra-head applications,” says Spring City vice president<br />
<strong>of</strong> sales and marketing, Chris Rosfelder. “You not<br />
only want to light a street efficiently, you also want to<br />
create <strong>the</strong> right aes<strong>the</strong>tic atmosphere.”<br />
Ra<strong>the</strong>r than forcing <strong>the</strong> technology to fit into its<br />
existing fixtures, Spring City modified its luminaires<br />
to meet <strong>the</strong> needs <strong>of</strong> <strong>the</strong> LEDs. The Borough luminaires<br />
installed on Race Street are equipped with<br />
<strong>the</strong>rmal management technology that allows for longer<br />
life <strong>of</strong> <strong>the</strong> LED drivers and optical technology that<br />
utilizes a parabolic and elliptical reflector system.<br />
Fitted with 3,000K Cree LEDs, each luminaire uses 74<br />
watts, as opposed to <strong>the</strong> 150-W power draw <strong>of</strong> <strong>the</strong><br />
HPS fixtures typically used by <strong>the</strong> borough.<br />
RACE STRET DECORATIVE STREETLIGHTS,<br />
AMBLER, PA<br />
The luminaires also maintain an historic aes<strong>the</strong>tic<br />
The Challenge: Add LED streetlights without appeal. “The goal was to incorporate LED technology<br />
comprising <strong>the</strong> historic aes<strong>the</strong>tic <strong>of</strong> <strong>the</strong> streetscape without compromising <strong>the</strong> aes<strong>the</strong>tics <strong>of</strong> our design,”<br />
The Solution: Decorative luminaires with ro<strong>of</strong>mounted<br />
LEDs shield <strong>the</strong> light source<br />
says Rosfelder. “You don’t want a fixture that looks<br />
like it’s from 1910 or 1920, and <strong>the</strong>n have visible LEDs<br />
that look like Christmas tree lights.” To shield <strong>the</strong> LEDs from view, <strong>the</strong>y are mounted in <strong>the</strong> cast ro<strong>of</strong> <strong>of</strong><br />
<strong>the</strong> luminaires. “It’s a semi-cut<strong>of</strong>f, post-top application that prohibits <strong>the</strong> viewer from seeing multiple<br />
points <strong>of</strong> light,” says Rosfelder.<br />
Ambler’s new decorative LED luminaires are expected to save it 60 percent in energy costs and $15<br />
a year per fixture in maintenance costs, for approximately $100 in savings each year.<br />
Elizabeth Hall<br />
38 www.ies.org
Borough <strong>of</strong> Ambler, PA as seen in LD+A’s Tools and Techniques Section
FUTURE LEADERS<br />
FUTURE LEADERS<br />
THE NEXT GENERATION<br />
OF LIGHTING LUMINARIES<br />
LD+A pr<strong>of</strong>iles 25 rising stars in <strong>the</strong> lighting pr<strong>of</strong>ession<br />
To compile our list <strong>of</strong> “Future Leaders,” LD+A editors reached out<br />
to more than 50 lighting pr<strong>of</strong>essionals representing all corners <strong>of</strong><br />
<strong>the</strong> industry and asked that <strong>the</strong>y submit nominations. LD+A also<br />
contacted IES leadership at <strong>the</strong> Section level, as well as IES members involved<br />
in both <strong>the</strong> IES Emerging Pr<strong>of</strong>essionals and Young Pr<strong>of</strong>essionals<br />
Scholarship programs, for <strong>the</strong>ir feedback. We asked each <strong>of</strong> <strong>the</strong>se people<br />
to recommend those with approximately five years experience who are<br />
on <strong>the</strong> cusp <strong>of</strong> leadership positions (e.g., technical, management, educational)<br />
in <strong>the</strong> industry.<br />
LD+A <strong>the</strong>n selected 25 <strong>of</strong> <strong>the</strong>se pr<strong>of</strong>essionals to be pr<strong>of</strong>iled on <strong>the</strong> pages<br />
that follow. These “<strong>future</strong> luminaries” come from all walks <strong>of</strong> life in<br />
<strong>the</strong> industry, including <strong>the</strong> design community, <strong>the</strong> supplier side (be it<br />
manufacturers, a rep agency and a distributor), and <strong>the</strong> research and<br />
academic communities. Their achievements, to date, are equally varied.<br />
Some have demonstrated uncommon design/project management expertise;<br />
some are at <strong>the</strong> forefront <strong>of</strong> new product development; while o<strong>the</strong>rs<br />
are committed to bolstering lighting education.<br />
A final word: this list is by no means all-encompassing. It is simply a<br />
representative sample—we believe a good one—<strong>of</strong> <strong>the</strong> <strong>future</strong> thought leaders<br />
<strong>of</strong> <strong>the</strong> lighting industry.<br />
LD+A December 2010 41
FUTURE LEADERS<br />
AVRAHAM MOR<br />
LIGHTSWITCH<br />
ARCHITECTURAL<br />
CHICAGO<br />
CAREER CAPSULE<br />
• IALD; LEED AP<br />
• Past-president IES<br />
Chicago Section<br />
• Key projects: Chicago<br />
Model City-Chicago<br />
Architecture Foundation;<br />
The Fairfield Hotel,<br />
Chicago; Joe’s Seafood<br />
Prime Steak and Stone<br />
Crab, Las Vegas;<br />
Polar Play Zone and <strong>the</strong><br />
Oceanarium at <strong>the</strong> John G.<br />
Shedd Aquarium, Chicago<br />
Avraham (Avi) Mor logs more<br />
time on <strong>the</strong> road than <strong>the</strong> business<br />
traveler played by George<br />
Clooney in Up in <strong>the</strong> Air. When he’s<br />
not designing <strong>the</strong> lighting for Chicago’s<br />
famed Wit Hotel or for exhibits at The<br />
Field Museum, you’re likely to find<br />
Mor on <strong>the</strong> proverbial rubber-chicken<br />
circuit, speaking or participating as a<br />
panelist at various industry conferences<br />
(he’s made more than 20 such appearances<br />
in just <strong>the</strong> last few years).<br />
If he’s not speaking, he might be <strong>of</strong>f<br />
judging new solid-state lighting products<br />
for <strong>the</strong> Department <strong>of</strong> Energy in<br />
its Next Generation Luminaires competition,<br />
or even appearing on national<br />
television—on Housesmarts TV—as an<br />
advocate for residential lighting design.<br />
(As it happens, Mor was in New York<br />
City, presenting at a SSL lighting conference<br />
when interviewed for this pr<strong>of</strong>ile.)<br />
“When I started speaking, I was really<br />
looking to educate people and have <strong>the</strong>m<br />
hire Lightswitch Architectural [where<br />
Mor is a partner]. Recently, I really just<br />
want people to hire an IALD lighting designer,<br />
hoping <strong>the</strong>y hire us, but as long<br />
as an IALD designer is involved in <strong>the</strong><br />
project I have done my job.”<br />
If all those speaking engagements were<br />
not enough, Mor has also found time to<br />
compete in <strong>the</strong> last two Chicago Triathlons.<br />
“I look at training for a triathlon as<br />
cross-training for my design business.<br />
The mental and physical training required<br />
to complete a triathlon helps me<br />
keep a sharp focus at work and reinforces<br />
my self-discipline and confidence,” says<br />
<strong>the</strong> University <strong>of</strong> Kansas graduate. The<br />
2009 triathlon coincided with a pr<strong>of</strong>essional<br />
milestone—Mor’s acceptance as a<br />
Pr<strong>of</strong>essional Member into <strong>the</strong> IALD at <strong>the</strong><br />
tender age <strong>of</strong> 30.<br />
A FEW KIND WORDS: “Since <strong>the</strong> first<br />
time I met Avi six years ago, I have never<br />
ceased to be amazed by his thirst for<br />
knowledge, his passion for <strong>the</strong> environment<br />
and his unrelenting pursuit <strong>of</strong> excellence<br />
in <strong>the</strong> field <strong>of</strong> lighting design,”<br />
says John Fea<strong>the</strong>rstone, principal, Lightswitch<br />
Architectural. “Our relationship<br />
certainly started with a mentor-student<br />
foundation, but as <strong>the</strong> years have passed<br />
I have learned every bit as much from<br />
Avi as he has from me.”<br />
DOWN THE ROAD: Mor has some farflung<br />
goals for <strong>the</strong> <strong>future</strong>. “I hope to<br />
become <strong>the</strong> president <strong>of</strong> <strong>the</strong> IALD and<br />
hopefully a board member in <strong>the</strong> not<br />
too distant <strong>future</strong>. I hope to be an assistant<br />
designer for an Olympic Games<br />
Opening Ceremony. (I’m still sad that<br />
Chicago did not get <strong>the</strong> games.) I also<br />
would like to design a high school and<br />
sail around <strong>the</strong> world.”<br />
Paul Tarricone<br />
‘I have to say The Wit is one <strong>of</strong> my favorite projects. Everyone in Chicago<br />
knows about it. The project is one <strong>of</strong> <strong>the</strong> best reasons to hire a lighting<br />
designer, and I designed it’<br />
42<br />
www.ies.org
FUTURE LEADERS<br />
Some people grow up knowing<br />
<strong>the</strong>ir <strong>future</strong> careers. O<strong>the</strong>rs simply<br />
stumble into <strong>the</strong>m. Rachel<br />
Eichorn is in <strong>the</strong> latter camp. In fact, she<br />
can chalk up her successful lighting design<br />
and project management career to<br />
a series <strong>of</strong> random coincidences and one<br />
giant mistake.<br />
The daughter <strong>of</strong> midwestern Mennonite<br />
dairy farmers, Eichorn “didn’t<br />
have tremendous exposure to <strong>the</strong> lighting<br />
industry. Honestly I didn’t even realize<br />
lighting designers existed until <strong>the</strong><br />
end <strong>of</strong> high school,” she recalls. All that<br />
changed when she accepted a summer<br />
job at <strong>the</strong> Interlochen Center for <strong>the</strong> Arts<br />
in upstate Michigan. “I thought I would<br />
be moving stands and chairs for orchestras,”<br />
says Eichorn. “Instead I ended up<br />
on <strong>the</strong> production crew.”<br />
Eichorn’s introduction to stage lighting<br />
was rocky, to say <strong>the</strong> least. One night<br />
after a technician joked about taking a<br />
night <strong>of</strong>f, Eichorn decided that she would<br />
run <strong>the</strong> lighting console for that night’s<br />
performance. “Mind you I had never<br />
even touched a lighting console before,”<br />
she remembers. “However, I proceeded<br />
to stalk <strong>the</strong> technician until he agreed to<br />
let me run <strong>the</strong> show.” What followed was<br />
“a disaster. We will skip <strong>the</strong> details, but<br />
let’s say it involved <strong>the</strong> following items:<br />
a grand finale, a bro<strong>the</strong>r juggling act,<br />
multiple sharp objects, a unicycle and an<br />
ill-timed blackout.”<br />
Afterwards, Eichorn was “completely<br />
mortified.” Ra<strong>the</strong>r than cutting her losses<br />
and setting her sights on a new career,<br />
Eichorn decided to redeem herself with<br />
a second try. “I begged and pleaded, and,<br />
finally, I was given permission to cue<br />
and mix <strong>the</strong> lighting for [singer] Shawn<br />
Colvin. That evening changed my life.<br />
I fell completely in love with sculpting<br />
with light.” Later, Eichorn “was given a<br />
choice: go to SUNY Purchase for Lighting<br />
Design or go to Western Michigan<br />
for Pre-Med. I made <strong>the</strong> choice to go after<br />
<strong>the</strong> career that if I hadn’t, I would have<br />
regretted for <strong>the</strong> rest <strong>of</strong> my life.”<br />
If Eichorn’s résumé is any indication,<br />
she made <strong>the</strong> right decision. Since leaving<br />
<strong>the</strong> midwest to move to <strong>the</strong> Big Apple,<br />
she has racked up scores <strong>of</strong> design credits<br />
lighting Broadway productions, highend<br />
residential and hospitality projects,<br />
such as <strong>the</strong> W Hotel, and nationwide retailers,<br />
like Victoria’s Secret.<br />
A FEW KIND WORDS: “From Rachel’s<br />
[job] interview, she has expressed that<br />
her goal is to be at <strong>the</strong> top <strong>of</strong> her career<br />
path. We discovered quickly that she<br />
has <strong>the</strong> talent and ambition to do so,”<br />
says Jackson Ning II, principal, Kugler<br />
Ning Lighting Design, Inc. “Rachel<br />
can speak with confidence about her<br />
craft, and she enjoys <strong>the</strong> interaction<br />
and engagement. These skills can’t be<br />
taught, and <strong>the</strong>y give her an edge as a<br />
project manager and help clients gain<br />
her trust.”<br />
DOWN THE ROAD: Next up, Eichorn<br />
wants to master <strong>the</strong> latest lighting<br />
technology. “Our firm has made <strong>the</strong><br />
forward leap towards using REVIT on<br />
projects, and I’m certified in 2010 MEP.<br />
My goals are to continue to utilize technology<br />
that assists with workflow and<br />
to streamline <strong>the</strong> extensive paperwork<br />
process that architecture demands so<br />
that <strong>the</strong>re is more time to do what I really<br />
love to do: design.”<br />
Elizabeth Hall<br />
RACHEL EICHORN<br />
KUGLER NING LIGHTING<br />
DESIGN, INC<br />
NEW YORK CITY<br />
CAREER CAPSULE<br />
• Key projects: Hamlet; <strong>the</strong><br />
Cincinnati Ballet; Nobu<br />
hotel and residence,<br />
Israel; Princeton Club,<br />
New York City; St. Regis<br />
Resort, Bahia Beach,<br />
Puerto Rico; Victoria’s<br />
Secret prototypes; Maple<br />
Leaf Sports and Fine<br />
Dining restaurants,<br />
Toronto<br />
‘I’m in love<br />
with retail. I<br />
really enjoy <strong>the</strong><br />
quick nine to<br />
12-month<br />
build-outs.<br />
They allow you<br />
enough time to<br />
collaborate with<br />
<strong>the</strong> design team<br />
but not dwell<br />
on it’<br />
LD+A December 2010 43
FUTURE LEADERS<br />
AMER MALEH<br />
CONTINENTAL LIGHTING<br />
NEW YORK CITY<br />
CAREER CAPSULE<br />
• LEED AP<br />
• IESNY 2005 Student<br />
Grant Design<br />
Competition-First Place<br />
• Key projects: One Island<br />
East <strong>of</strong>fices, Hong Kong;<br />
Guthrie Theater, Minneapolis;<br />
Highline Hybrid<br />
Tower, New York City;<br />
Newtown Creek Plant,<br />
Brooklyn, NY<br />
‘There have<br />
been a couple<br />
<strong>of</strong> exciting<br />
moments, from<br />
managing a<br />
multi-use<br />
project in<br />
China to<br />
randomly<br />
meeting Ingo<br />
Maurer on a<br />
focusing job at<br />
3:00 a.m.’<br />
Amer Maleh’s experience as a<br />
designer might not necessarily<br />
open doors with his new clients,<br />
but once inside, it does give him<br />
plenty <strong>of</strong> good talking points.<br />
Earlier this year, Maleh, <strong>the</strong> one-time<br />
lighting designer/project manager with<br />
<strong>the</strong> highly regarded firm L’Observatoire<br />
International, moved to <strong>the</strong> o<strong>the</strong>r side <strong>of</strong><br />
<strong>the</strong> fence, in <strong>the</strong> role <strong>of</strong> lighting specifications<br />
consultant for Continental<br />
Lighting, a manufacturer’s representative.<br />
Even though he’s now in sales,<br />
Maleh still speaks <strong>the</strong> language <strong>of</strong> <strong>the</strong><br />
discriminating designer. “Working as a<br />
lighting designer in a high-end firm like<br />
L’Observatoire, I reviewed a lot <strong>of</strong> different<br />
products and had representatives<br />
calling on me all <strong>the</strong> time,” says Maleh. “I<br />
was very nitpicky when it came to products<br />
and always had some kind <strong>of</strong> modifications<br />
or custom requests with very<br />
tight timelines. So in a sense, I embodied<br />
<strong>the</strong> most demanding client I would have<br />
in my position at CLSI today.”<br />
The desire to gain a broader view <strong>of</strong><br />
<strong>the</strong> industry prompted Maleh’s transition<br />
to sales. “I realized that I’m more<br />
interested in getting a full understanding<br />
<strong>of</strong> <strong>the</strong> lighting business and wanted<br />
to get involved in <strong>the</strong> o<strong>the</strong>r side,” he<br />
says. “Being an industrial designer too,<br />
I’m interested in product manufacturing<br />
and sales.”<br />
Still, Maleh hasn’t completely let go <strong>of</strong><br />
design. Since 2009, he’s operated a small<br />
firm, maleh.design, where he’s had <strong>the</strong><br />
luxury to pick and choose among projects.<br />
“I’ve been working on some fun<br />
and diverse projects,” says Maleh, among<br />
which are several private residences in<br />
Manhattan, <strong>the</strong> Brooklyn Brewery in Williamsburg<br />
and one <strong>of</strong> <strong>the</strong> tallest buildings<br />
in Beirut. “For now, I plan on keeping a<br />
very small number <strong>of</strong> projects per year<br />
to which I can bring substantial added<br />
value and creativity. I have seen too many<br />
designers lose <strong>the</strong>ir passion as a result <strong>of</strong><br />
stress and overloaded deadlines because<br />
<strong>of</strong> <strong>the</strong> number <strong>of</strong> projects <strong>the</strong>y need to<br />
keep afloat. I am not interested in that.”<br />
This dual-track career path makes<br />
teaching a natural fit. Maleh is an instructor<br />
at <strong>the</strong> Parsons School <strong>of</strong> Design,<br />
where he earned his Master <strong>of</strong> Lighting<br />
Design in 2006; he also holds a Master <strong>of</strong><br />
Industrial Design from <strong>the</strong> Pratt Institute.<br />
Whe<strong>the</strong>r it’s design, sales or teaching,<br />
<strong>the</strong>y’re all complementary pieces<br />
<strong>of</strong> a larger puzzle. “Quite simply, I am<br />
in love with light,” Maleh says. “Like a<br />
kid, I am still fascinated by this e<strong>the</strong>real,<br />
ephemeral source <strong>of</strong> life.”<br />
A FEW KIND WORDS: “Amer is a<br />
key addition to our agency,” says Jean<br />
Jacques vice president <strong>of</strong> sales for CLSI.<br />
“His education and experience in <strong>the</strong><br />
fields <strong>of</strong> electrical engineering, industrial<br />
and lighting design provides his clients<br />
with a level <strong>of</strong> expertise that is somewhat<br />
unique in our marketplace. As <strong>the</strong> lighting<br />
technology and landscape evolves so<br />
too does our agency, and Amer is a key<br />
component in that evolution.”<br />
DOWN THE ROAD: Maleh foresees<br />
continued multi-front involvement in<br />
<strong>the</strong> industry. “Whe<strong>the</strong>r this relates to<br />
innovation in product design, creation<br />
<strong>of</strong> a new business model or introduction<br />
<strong>of</strong> new lighting concepts, I hope to<br />
elevate <strong>the</strong> general awareness <strong>of</strong> lighting<br />
and its impact on our living environments<br />
and our bodies.”<br />
Paul Tarricone<br />
44<br />
www.ies.org
FUTURE LEADERS<br />
If <strong>the</strong> lighting pr<strong>of</strong>ession were a highschool<br />
class, lighting designer Andrea<br />
Hauber would be voted “most<br />
likely to succeed.” An over-achiever<br />
(in <strong>the</strong> best sense <strong>of</strong> <strong>the</strong> word), Hauber<br />
currently serves on <strong>the</strong> Philadelphia<br />
IES Section Board <strong>of</strong> Managers, Social<br />
Committee and Lights <strong>of</strong> Philadelphia<br />
Conference Publicity Committee, and<br />
instructs a section <strong>of</strong> <strong>the</strong> IES Intermediate<br />
Lighting Course.<br />
To sharpen her technical skills, she<br />
has plunged head-first into <strong>the</strong> industry’s<br />
alphabet soup <strong>of</strong> accreditation—<br />
LEED AP, LC, E.I.T.—and has designed<br />
facility lighting for commercial heavyweights<br />
like DuPont, Pfizer and Shire,<br />
as well as for healthcare, education,<br />
government and hospitality clients. Perhaps<br />
most impressive, Hauber has accomplished<br />
all this only six years after<br />
graduating with a B.S. in Architectural<br />
<strong>Engineering</strong> from Penn State.<br />
Hauber found a perfect fit in lighting<br />
design because it allows her to use her<br />
“engineering mind for a creative career.”<br />
This ability to blend science and<br />
art has not gone unnoticed by KlingStubbins’<br />
chief <strong>of</strong> lighting, Donald Gallegos,<br />
who notes: “There are lighting<br />
designers who pride <strong>the</strong>mselves with<br />
technical knowledge <strong>of</strong> lighting and<br />
those who are artistic in <strong>the</strong>ir designs;<br />
Andrea provides both technical intellect<br />
and artistry in her designs.”<br />
A FEW KIND WORDS: “Andrea always<br />
has a ‘need-to-know’ mentality—she<br />
needs to know what <strong>the</strong> client<br />
is looking for and always maintains a<br />
need to know what <strong>the</strong> lighting industry<br />
has to <strong>of</strong>fer,” says Gallegos. “With<br />
such ‘need-to-know’ motivation, Andrea<br />
provides a design that follows<br />
form, function and technology, which<br />
in turn creates an outstanding design.<br />
Andrea is expanding her lighting expertise,<br />
leaps and bounds, and we can<br />
expect to see some truly exciting lighting<br />
designs from her very soon.”<br />
DOWN THE ROAD: Hauber plans for<br />
an alphabet upgrade: “My current focus,<br />
in preparing for <strong>the</strong> <strong>future</strong>, is to convert<br />
<strong>the</strong> letters E.I.T. to P.E. in my accreditations,”<br />
she notes. Her additional goals include<br />
“increasing my client involvement,<br />
maximizing involvement in design and<br />
controls <strong>of</strong> <strong>the</strong> lighting specification, and<br />
creating each experience to be aes<strong>the</strong>tically<br />
pleasing and efficient. Outside <strong>the</strong><br />
<strong>of</strong>fice, my goals are to continue traveling<br />
and reading, two activities which introduce<br />
me to new vantage points and technologies<br />
and inspire my designs.”<br />
Elizabeth Hall<br />
ANDREA HAUBER<br />
KLINGSTUBBINS<br />
PHILADELPHIA<br />
CAREER CAPSULE<br />
• LC; LEED AP<br />
• Key projects: U.S. Army<br />
Corps <strong>of</strong> Engineers’<br />
National Geospatial-<br />
Intelligence Agency in<br />
Fort Belvoir, VA; Parx<br />
Grill in Bensalem, PA;<br />
<strong>the</strong> W.E. Hunt Community<br />
Center in Holly<br />
Springs, NC; <strong>the</strong> ING<br />
Clarion Metro Park 6<br />
<strong>of</strong>fice building<br />
‘My most memorable moment was <strong>the</strong> first time a client said to me, “I trust<br />
your pr<strong>of</strong>essional opinion” ’<br />
LD+A December 2010 45
FUTURE LEADERS<br />
ANDREA<br />
WILKERSON<br />
PENN STATE UNIVERSITY<br />
UNIVERSITY PARK, PA<br />
CAREER CAPSULE<br />
• Graduate teaching<br />
assistant and research<br />
assistant at UNL<br />
• Intern for SmithGroup,<br />
RTKL and Smith &<br />
Boucher Engineers<br />
• R.J. Besal Scholarship;<br />
IES Young Pr<strong>of</strong>essionals<br />
Scholarship; Thomas M.<br />
Lemmons Scholarship<br />
‘Awards are<br />
nice, but<br />
meeting <strong>the</strong><br />
namesake for<br />
<strong>the</strong> award is far<br />
better’<br />
Andrea Wilkerson never planned<br />
to be a teacher. But after serving<br />
as an assistant teacher for an<br />
undergraduate lighting design course<br />
while completing her master’s degree<br />
at <strong>the</strong> University <strong>of</strong> Nebraska-Lincoln<br />
(UNL), she knew she’d found her <strong>future</strong><br />
career. “I distinctly remember waking<br />
up very early one morning and not being<br />
able to go back to sleep because I began<br />
reflecting on my teaching experience at<br />
Nebraska, and I realized how blessed I<br />
was to get paid to do something I would<br />
have gladly done for free,” she recalls.<br />
Wilkerson is currently a Ph.D. candidate<br />
at Penn State, where she is pursing<br />
a degree in architectural engineering<br />
and looking forward to becoming a<br />
pr<strong>of</strong>essor. In <strong>the</strong> meantime, she’s scouting<br />
out new lighting recruits through<br />
Penn State’s Project Candle (Create an<br />
Alliance to Nurture Design in Lighting<br />
Education) Outreach Ambassadors<br />
program, which introduces architectural<br />
lighting to high-school students<br />
across <strong>the</strong> nation. “Lighting education<br />
is important because <strong>of</strong> <strong>the</strong> multi-faceted<br />
nature <strong>of</strong> lighting,” says Wilkerson.<br />
“Light provides security, improves<br />
health, creates comfort and has <strong>the</strong><br />
potential to improve lives. Few o<strong>the</strong>r<br />
fields provide so many diverse benefits,<br />
and lighting education is necessary to<br />
ensure that society reaps <strong>the</strong>m.”<br />
Like any good teacher, Wilkerson<br />
will be <strong>the</strong>re to support her students<br />
through good times and bad: “I have<br />
struggled and failed during my education,<br />
and <strong>the</strong> reason for my success is<br />
that I work hard and have a great support<br />
network. I want to make sure my<br />
students will know <strong>the</strong>y are not alone<br />
in <strong>the</strong>ir struggles, failing is not <strong>the</strong> end<br />
<strong>of</strong> <strong>the</strong> world and it will all work out if<br />
<strong>the</strong>y keep working hard.”<br />
A FEW KIND WORDS: IALD Education<br />
Trust president Mark Roush knew<br />
Wilkerson was one to watch when she<br />
received <strong>the</strong> IALD Future Lighting<br />
Educator Fellowship as part <strong>of</strong> Project<br />
Candle. But Roush realized that she<br />
was in it for <strong>the</strong> long haul when she<br />
joined him skydiving to raise money<br />
for <strong>the</strong> trust. “Given we have jumped<br />
from planes toge<strong>the</strong>r, and now interacted<br />
through several roundtables and<br />
conference events, I am sure <strong>of</strong> her<br />
commitment to pursue lighting education,”<br />
notes Roush. “She will make a<br />
formidable pr<strong>of</strong>essor, and one can only<br />
hope that a new institution will form<br />
an academic program wherein Andrea<br />
can become chair and continue <strong>the</strong> fine<br />
work <strong>of</strong> her mentors and colleagues.”<br />
DOWN THE ROAD: “My overarching<br />
goal is to have an academic job in a few<br />
years,” says Wilkerson. “I hope that <strong>the</strong><br />
Project Candle Outreach Ambassadors<br />
program I am coordinating increases<br />
interest in <strong>the</strong> field <strong>of</strong> lighting in high<br />
schools around <strong>the</strong> country. I also hope<br />
to return to Rwanda, help improve <strong>the</strong><br />
educational environment for its students,<br />
and begin to examine how lighting can<br />
positively impact Rwanda and o<strong>the</strong>r<br />
third-world countries.”<br />
Elizabeth Hall<br />
46<br />
www.ies.org
FUTURE LEADERS<br />
In Keith Graeber’s world, research<br />
results don’t sit on a shelf ga<strong>the</strong>ring<br />
dust. Applied research is <strong>the</strong> operative<br />
term. As director <strong>of</strong> engineering at <strong>the</strong> renowned<br />
California Lighting Technology<br />
Center, Graeber coordinates <strong>the</strong> technical<br />
development and implementation <strong>of</strong><br />
CLTC research projects, which include<br />
electric lighting, daylighting and lighting<br />
controls technologies.<br />
Industry partnerships are <strong>the</strong> lifeblood<br />
<strong>of</strong> CLTC, and Graeber is CLTC’s go-to<br />
guy for managing those relationships.<br />
The tasks are varied: <strong>the</strong>re’s recruitment<br />
<strong>of</strong> new partners; serving as a liaison<br />
between CLTC and industry; and coordinating<br />
<strong>the</strong> communication between<br />
contractors, manufacturers and end users<br />
during installation <strong>of</strong> new technologies.<br />
Graeber uses a colorful expression<br />
to describe <strong>the</strong> process: “shepherding<br />
technologies across <strong>the</strong> ‘valley <strong>of</strong> death.’ ”<br />
The final result <strong>of</strong> a CLTC-industry<br />
collaboration ranges from product design<br />
to test reports, educational curriculum,<br />
speaking engagements and<br />
industry match-making activities. But<br />
<strong>the</strong> emphasis is typically on application-based<br />
research. “Because <strong>of</strong> this,<br />
we have extensive experience with<br />
most lighting technologies and strategies<br />
that are already in <strong>the</strong> market or<br />
nearing marketplace readiness,” says<br />
Graeber. “Controls do make up a significant<br />
portion <strong>of</strong> our project portfolio<br />
as we believe <strong>the</strong>y are far and away <strong>the</strong><br />
lowest hanging fruit in terms <strong>of</strong> enabling<br />
kWh reduction.”<br />
A licensed P.E., Graeber is also one<br />
<strong>of</strong> <strong>the</strong> few individuals in <strong>the</strong> lighting<br />
industry with a background in mechanical<br />
engineering. “The P.E. was a<br />
pr<strong>of</strong>essional goal I set for myself after<br />
graduating college,” he says. “Early<br />
in my career I had <strong>the</strong> opportunity to<br />
work under and with pr<strong>of</strong>essionally licensed<br />
engineers. That combined with<br />
<strong>the</strong> nature <strong>of</strong> my work made it <strong>the</strong> ideal<br />
situation for me to obtain my license.”<br />
But he’s glad to have found a home<br />
in lighting. “I have two favorite things<br />
about <strong>the</strong> lighting industry. I like how<br />
<strong>the</strong> end product defines environments<br />
and how people interact with <strong>the</strong>m. I<br />
also like <strong>the</strong> variety <strong>of</strong> challenges it <strong>of</strong>fers,<br />
ranging from basic hardware and<br />
s<strong>of</strong>tware development all <strong>the</strong> way to<br />
implementation and design strategies.”<br />
A FEW KIND WORDS: “Keith has<br />
grown into a key senior leadership position<br />
at CLTC. He has developed a broad<br />
‘lab-to-marketplace’ perspective that<br />
has allowed him to be highly successful<br />
when working with industry towards<br />
<strong>the</strong> commercialization <strong>of</strong> next-generation<br />
lighting technologies,” says CLTC<br />
director Michael Siminovitch.<br />
DOWN THE ROAD: Graeber expects to<br />
make his mark through <strong>the</strong> combination<br />
<strong>of</strong> information exchange and product<br />
development. “I hope to continue to<br />
contribute to <strong>the</strong> growing body <strong>of</strong> work<br />
surrounding lighting and energy efficiency<br />
in <strong>the</strong> manner that I am best<br />
suited—sharing ideas and information,<br />
designing and refining product or any<br />
o<strong>the</strong>r opportunity that comes my way.”<br />
Paul Tarricone<br />
KEITH GRAEBER<br />
CALIFORNIA LIGHTING<br />
TECHNOLOGY CENTER<br />
UC DAVIS<br />
CAREER CAPSULE<br />
• P.E.-mechanical<br />
engineering<br />
• Named on three patents<br />
• Presented at <strong>the</strong> 2010<br />
Strategies in Light and<br />
LIGHTFAIR conferences<br />
‘A highlight<br />
was <strong>the</strong> first<br />
time I walked<br />
into a building<br />
and realized<br />
<strong>the</strong> lighting was<br />
<strong>the</strong> product <strong>of</strong><br />
a collaboration<br />
between<br />
industry and<br />
CLTC that<br />
started with<br />
a whiteboard<br />
sketch and<br />
culminated in<br />
a commercial<br />
product’<br />
LD+A December 2010 47
FUTURE LEADERS<br />
CHRISTY ROGERS<br />
EWINGCOLE<br />
PHILADELPHIA<br />
CAREER CAPSULE<br />
• P.E.; LC; LEED AP<br />
• Key projects: George<br />
Mason University<br />
Arlington Campus<br />
Academic Building;<br />
University <strong>of</strong> Connecticut<br />
campus projects; Saint<br />
Mary’s University and<br />
Saint Mary’s College<br />
<strong>of</strong> Maryland new<br />
academic building;<br />
Princeton Theological<br />
Seminary, Princeton, NJ<br />
Christy Rogers knows a thing or<br />
two about football. The Pittsburgh<br />
native and Penn State<br />
alumna is a die-hard Steelers fan and<br />
Nittany Lions season ticket holder.<br />
What’s more, as a lighting designer,<br />
electrical engineer and head <strong>of</strong> Ewing-<br />
Cole’s Sports and Entertainment Studio,<br />
she designed <strong>the</strong> lighting for <strong>the</strong> New<br />
Meadowlands Stadium—<strong>the</strong> most expensive<br />
and second-largest NFL stadium<br />
ever constructed—and <strong>the</strong> IES Illumination<br />
Merit Award-winning New York Giants<br />
Training Facility. As a “huge football<br />
fan, it was truly exciting to work on<br />
<strong>the</strong>se projects from design conception<br />
through construction,” says Rogers.<br />
When she’s not cheering on her<br />
teams, Rogers can be found volunteering<br />
with <strong>the</strong> IES Philadelphia Section,<br />
where she is a board member and contributes<br />
to various educational initiatives<br />
like teaching Fundamentals <strong>of</strong><br />
Lighting courses and helping coordinate<br />
<strong>the</strong> Section’s “Students Design<br />
with Light” competition. “My involvement<br />
with <strong>the</strong> IES provides opportunities<br />
to network with talented pr<strong>of</strong>essionals<br />
and stay current in <strong>the</strong> latest<br />
developments in my field,” says Rogers.<br />
One <strong>of</strong> <strong>the</strong>se new developments is<br />
daylighting, which Rogers studied in<br />
depth while working on a daylight<br />
harvesting study for <strong>the</strong> U.S. Congress<br />
Architect <strong>of</strong> <strong>the</strong> Capitol that covered 13<br />
million sq ft <strong>of</strong> space and 19 buildings,<br />
including <strong>the</strong> U.S. Capitol building, <strong>the</strong><br />
Library <strong>of</strong> Congress, <strong>the</strong> Botanic Gardens<br />
and <strong>the</strong> Thurgood Marshall Federal<br />
Judiciary Building.<br />
Rogers recently had <strong>the</strong> opportunity<br />
to educate o<strong>the</strong>rs when she spoke about<br />
her findings at LIGHTFAIR 2010. “We<br />
presented our recommended lighting<br />
and daylighting control upgrades, as<br />
well as <strong>the</strong> projected energy savings<br />
and payback results <strong>of</strong> select facilities,”<br />
she notes.<br />
A FEW KIND WORDS: “Christy is a<br />
talented lighting designer and engineer<br />
whom architects and interior designers<br />
enjoy working with,” says Mary<br />
Alcaraz, principal, EwingCole. “She is<br />
creative and puts her heart and soul<br />
into her work. Christy recently had a<br />
receptive audience at Lights <strong>of</strong> Philadelphia<br />
2010 while speaking on daylight<br />
harvesting.”<br />
DOWN THE ROAD: Football may always<br />
be a favorite, but Rogers hopes to diversify<br />
in <strong>the</strong> <strong>future</strong>: “I would like to expand<br />
my project portfolio within <strong>the</strong> entertainment<br />
and hospitality sectors and hopefully<br />
have an opportunity to work on<br />
iconic projects.”<br />
Elizabeth Hall<br />
‘After working on <strong>the</strong> New Meadowlands Stadium and New York Giants<br />
Training Facility from start to finish over a four-year period, I had <strong>the</strong><br />
opportunity to attend an NFL game and experience <strong>the</strong> final product’<br />
48<br />
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FUTURE LEADERS<br />
For Matt Alleman, “Counterpoint”<br />
was a true high point. Alleman<br />
and his SmithGroup colleague<br />
Chris Coulter took <strong>the</strong>ir “Counterpoint”<br />
design concept to Germany after<br />
reaching <strong>the</strong> finals <strong>of</strong> <strong>the</strong> Architectural<br />
Lighting Design Competition 2010. Specifically<br />
for young lighting designers, <strong>the</strong><br />
contest was sponsored by Philips Lighting<br />
and <strong>the</strong> Pr<strong>of</strong>essional Lighting Designers’<br />
Association. Although it didn’t<br />
win, <strong>the</strong> Alleman-Coulter design was<br />
one <strong>of</strong> four finalists chosen from more<br />
than 175 international entries.<br />
The assignment was to design a<br />
lighting concept for <strong>the</strong> exterior <strong>of</strong> <strong>the</strong><br />
“youth-centric” St. Peter’s Church in<br />
central Frankfurt. “The intent <strong>of</strong> our<br />
design was to reflect in <strong>the</strong> architectural<br />
envelope <strong>the</strong> fusion <strong>of</strong> historic and contemporary<br />
that exists within <strong>the</strong> church<br />
walls,” says Alleman. “In music, ‘counterpoint’<br />
refers to <strong>the</strong> art <strong>of</strong> combining<br />
melodies. Symbolically, our goal for <strong>the</strong><br />
lighting design was to express <strong>the</strong> counterpoint<br />
that exists within St. Peter’s<br />
Church. Metaphorically our aim was [to<br />
use lighting] to ‘fuse’ <strong>the</strong> young contemporary<br />
congregation and <strong>the</strong> historic architectural<br />
envelope.”<br />
As it happens, Alleman is serving<br />
youth in o<strong>the</strong>r ways. Though only five<br />
years removed from Penn State himself,<br />
Alleman has been active in Smith-<br />
Group’s recruiting and mentoring<br />
program. Firm principal and director<br />
<strong>of</strong> operations Jeff Gerwing says Alleman<br />
has “a natural ability to connect<br />
with students; he teaches <strong>the</strong>m our approach<br />
to <strong>the</strong> design process, how to<br />
utilize <strong>the</strong> appropriate tools and how to<br />
navigate <strong>the</strong> challenges <strong>of</strong> real-world<br />
lighting design.”<br />
Young designers and interns would<br />
be hard-pressed to find a better training<br />
ground than SmithGroup. “One <strong>of</strong> <strong>the</strong><br />
reasons I chose to work for SmithGroup<br />
was <strong>the</strong> variety <strong>of</strong> projects I would get<br />
exposed to. I can’t speak to <strong>the</strong> experience<br />
<strong>of</strong> working at a smaller lighting<br />
firm, but I have been fortunate to work<br />
on a wide range <strong>of</strong> projects at Smith-<br />
Group, varying not just in size but also<br />
in design challenge,” says Alleman.<br />
Those projects include a billion-dollar<br />
hospital, <strong>the</strong> flagship facility for <strong>the</strong><br />
world’s only university for <strong>the</strong> deaf, <strong>the</strong><br />
renovation <strong>of</strong> a historic Eero Saarinendesigned<br />
museum and a streetscape renovation<br />
for a historic suburb <strong>of</strong> Detroit.<br />
A FEW KIND WORDS: “Matt has made<br />
critical contributions to both our lighting<br />
design group and <strong>the</strong> industry through<br />
his active role in recruiting and mentoring,”<br />
says Gerwing. “He has been an<br />
ambassador for SmithGroup and has received<br />
fabulous feedback from our summer<br />
interns. Through his efforts, he is<br />
shaping many <strong>of</strong> those who will be <strong>the</strong><br />
<strong>future</strong> <strong>of</strong> our pr<strong>of</strong>ession.”<br />
DOWN THE ROAD: For Alleman, good<br />
design and good talent go hand-inhand.<br />
“Over <strong>the</strong> next few years I hope<br />
to continue to build SmithGroup both<br />
as a world-class lighting design firm<br />
and also as a hotbed for developing talented<br />
lighting designers.”<br />
Paul Tarricone<br />
MATT ALLEMAN<br />
SMITHGROUP, DETROIT<br />
CAREER CAPSULE<br />
• LC; LEED AP<br />
• Outstanding Record <strong>of</strong><br />
Study in Illumination<br />
(Penn State 2005)<br />
• IES Illumination Awards <strong>of</strong><br />
Merit for <strong>the</strong> Christman<br />
Building, Lansing, MI, and<br />
a communications center<br />
at Gallaudet University,<br />
Washington, D.C.<br />
‘Being a<br />
finalist in <strong>the</strong><br />
Architectural<br />
Lighting Design<br />
Competition<br />
was gratifying<br />
because <strong>the</strong><br />
selection<br />
committee was<br />
composed <strong>of</strong><br />
lighting design<br />
pr<strong>of</strong>essionals I<br />
greatly admire’<br />
LD+A December 2010 49
FUTURE LEADERS<br />
MEGAN CHRISTEN<br />
COOPER LIGHTING<br />
PEACHTREE CITY, GA<br />
CAREER CAPSULE<br />
• Robert Besal Scholarship;<br />
Jonas Bellovin Scholar<br />
Achievement Award<br />
• Listed as inventor on<br />
multiple patent<br />
applications<br />
‘Presenting my<br />
master’s <strong>the</strong>sis<br />
topic at <strong>the</strong><br />
IES Annual<br />
Conference<br />
was extremely<br />
rewarding’<br />
Guidance from one <strong>of</strong> lighting’s<br />
most revered educators, a welltimed<br />
internship and some<br />
course work during her years at <strong>the</strong> University<br />
<strong>of</strong> Colorado at Boulder, helped<br />
put Megan Christen on a career path to<br />
product development. “During my junior<br />
year <strong>of</strong> college, David DiLaura spurred<br />
my interest in illumination engineering<br />
in <strong>the</strong> broadest sense—this because I had<br />
not been immersed in <strong>the</strong> intricacies <strong>of</strong><br />
any one discipline within lighting,” says<br />
Christen, who is now associate product<br />
manager-Outdoor for Cooper Lighting.<br />
“An internship with ERCO Lighting as a<br />
technical applications specialist exposed<br />
me to products, manufacturing and<br />
lighting design application. The junioryear<br />
internship experience, in addition<br />
to product-oriented courses, solidified<br />
my desire to work on <strong>the</strong> product side <strong>of</strong><br />
<strong>the</strong> industry.”<br />
After four years in a purely product<br />
development role, Christen has now<br />
taken on <strong>the</strong> marketing mantle in her<br />
new position at Cooper. “The ongoing<br />
challenge in <strong>the</strong> new marketing role is<br />
weighing and comprehending <strong>the</strong> design,<br />
cost and quality metrics which are<br />
expected by our end-user, and prioritizing<br />
those entities to benefit <strong>the</strong> largest<br />
customer base.”<br />
One <strong>of</strong> <strong>the</strong> pluses <strong>of</strong> working for a<br />
manufacturer is that it provides a macro<br />
view <strong>of</strong> <strong>the</strong> industry, says Christen. “I<br />
enjoy <strong>the</strong> breadth <strong>of</strong> backgrounds and<br />
talents <strong>of</strong> <strong>the</strong> people in our industrylighting<br />
designers, architects, manufacturers’<br />
representatives and engineers,<br />
as well as <strong>the</strong> intricacies <strong>of</strong> how <strong>the</strong>y<br />
collaborate to advance our industry.”<br />
Finally, Christen is quick to point out<br />
that in many ways, we’re all a product<br />
<strong>of</strong> our environment—in her case, <strong>the</strong><br />
University <strong>of</strong> Colorado, Boulder. “David<br />
DiLaura and Bob Davis instilled in<br />
<strong>the</strong>ir students’ work ethic an eagerness<br />
for lifelong learning. Their passion for<br />
<strong>the</strong> advancement <strong>of</strong> our industry resonated<br />
with students and pr<strong>of</strong>essionals,<br />
and that enthusiasm and passion will<br />
continue to proliferate in each <strong>of</strong> <strong>the</strong>ir<br />
students despite both leaving traditional<br />
academia.”<br />
A FEW KIND WORDS: “Megan joined<br />
Cooper Lighting as an intern while<br />
working on her master’s degree. She<br />
quickly took to designing optics and impressed<br />
us enough to make her an <strong>of</strong>fer<br />
for permanent employment in our division<br />
headquarters <strong>of</strong>fices,” says Bart Ideker,<br />
vice president, engineering, Cooper<br />
Lighting. “Megan has been a key contributor<br />
on many new product development<br />
programs and is sought after by<br />
many <strong>of</strong> our new product teams.”<br />
DOWN THE ROAD: Christen will keep<br />
her eye on matching products to customers.<br />
“My goals in <strong>the</strong> next couple <strong>of</strong><br />
years include understanding customer<br />
needs and <strong>the</strong> competitive landscape.<br />
It’s my intention to ensure market relevance<br />
with emerging products.”<br />
Paul Tarricone<br />
50<br />
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FUTURE LEADERS<br />
They say a picture is worth a thousand<br />
words. But for Juan Pablo<br />
Lira, pictures are priceless. Lira,<br />
a lighting designer whose fa<strong>the</strong>r is a wellknown<br />
Chilean photographer, developed<br />
his passion for light through photographs.<br />
“Ever since I can remember, I<br />
have been exposed to my fa<strong>the</strong>r’s photography,”<br />
recalls Lira. “This made me<br />
aware <strong>of</strong> <strong>the</strong> potential <strong>of</strong> light in interior<br />
spaces. As I started to shoot, photography<br />
trained me fur<strong>the</strong>r on how to observe,<br />
frame and capture an emotion. Now, as<br />
a lighting designer, I try to create, design<br />
and build a specific and unique emotion.”<br />
Combined with his early exposure<br />
to photography, Lira’s formal architectural<br />
training <strong>the</strong> Universidad Finis<br />
Terrae, in Santiago, Chile, showed him<br />
how to “rigorously analyze <strong>the</strong> design<br />
that organizes and creates three-dimensional<br />
spaces,” he says. “This is essential<br />
to every project so <strong>the</strong> lighting<br />
design syn<strong>the</strong>sizes with <strong>the</strong> architects’<br />
design as one. [My training] also created<br />
<strong>the</strong> habit <strong>of</strong> hand-sketching, which I feel<br />
is a powerful tool that can help explain<br />
your ideas and intent.” In fact, before<br />
emigrating to <strong>the</strong> U.S., Lira worked as a<br />
drawing teacher, as well as an architect,<br />
lighting designer and, <strong>of</strong> course, photographer<br />
in his native Chile.<br />
Currently a lighting designer at Focus<br />
Lighting in New York City, Lira has lent<br />
his artistic eye to an array <strong>of</strong> noteworthy<br />
projects such as <strong>the</strong> FAO Schwarz<br />
store and Le Cirque restaurant in New<br />
York City, as well as <strong>the</strong> recently completed<br />
Crystals at City Center in Las<br />
Vegas, for which he received an IES Illumination<br />
Award <strong>of</strong> Merit. Though he<br />
is surrounded by talented designers,<br />
Lira has cultivated his own aes<strong>the</strong>tic,<br />
one which draws on his roots. “[Photography]<br />
is in his blood,” says Focus<br />
Lighting principal, Paul Gregory. “He<br />
sees <strong>the</strong> light reflecting <strong>of</strong>f sur<strong>faces</strong> and<br />
is able to capture it with his camera or<br />
his mind and recreate it architecturally<br />
with great precision and speed.”<br />
A FEW KIND WORDS: “Juan Pablo’s<br />
combination <strong>of</strong> architectural training,<br />
photography and drive for excellence<br />
will be <strong>the</strong> basis for his <strong>future</strong> success,”<br />
says Gregory. “His unique ability<br />
to see a project through an architect’s<br />
eyes, and <strong>the</strong>n work like a photographer<br />
to compose <strong>the</strong> perfect shot, will<br />
undoubtedly lead to remarkable lighting<br />
designs.”<br />
DOWN THE ROAD: Like his fa<strong>the</strong>r<br />
has with pictures, Lira hopes to “keep<br />
creating diverse spaces that generate<br />
strong, powerful emotions.”<br />
Elizabeth Hall<br />
JUAN PABLO LIRA<br />
FOCUS LIGHTING<br />
NEW YORK CITY<br />
CAREER CAPSULE<br />
• Key projects: Tourneau<br />
Flagship Store, Las<br />
Vegas; Canyon Ranch,<br />
Miami; Aureole, New York<br />
City (IES Illumination<br />
Award <strong>of</strong> Merit 2010);<br />
exhibit hall at <strong>the</strong><br />
Museum <strong>of</strong> Natural<br />
History, Los Angeles;<br />
renovations to <strong>the</strong><br />
Fashion Institute <strong>of</strong><br />
Technology, New York City<br />
‘The “great moments” are when you can see that people enjoy and<br />
appreciate <strong>the</strong> spaces you design’<br />
LD+A December 2010 51
FUTURE LEADERS<br />
BRYAN KLAMMER<br />
LIGHTING DESIGN<br />
ALLIANCE<br />
LOS ANGELES<br />
CAREER CAPSULE<br />
• Associate IALD;<br />
LEED AP<br />
• Key projects: Katsuya<br />
restaurant, Hollywood,<br />
CA (IES Illumination<br />
Award <strong>of</strong> Merit); S Bar,<br />
Hollywood, CA; Disney’s<br />
Animal Kingdom<br />
Lodge; Disney’s Art <strong>of</strong><br />
Animation; Keyes<br />
Mercedes; Autry Museum;<br />
Aquabella Rancho Belago<br />
Some designers have all <strong>the</strong> luck.<br />
Take, for instance, Bryan Klammer,<br />
who has had <strong>the</strong> good<br />
fortune <strong>of</strong> unearthing extraordinary<br />
mentors wherever he goes. As a student<br />
at University <strong>of</strong> Colorado at Boulder,<br />
Klammer was taught by David DiLaura<br />
and Bob Davis. During a summer break,<br />
he interned at <strong>the</strong> Office <strong>of</strong> Visual Interaction<br />
in New York City, where he was<br />
exposed to <strong>the</strong> work <strong>of</strong> Jean Sundin and<br />
Enrique Peiniger. Following graduation,<br />
he landed a lighting design job at<br />
Lighting Design Alliance (LDA), where<br />
he has flourished under <strong>the</strong> guidance <strong>of</strong><br />
Chip Israel and Kyllene Jones.<br />
These opportunities to “work for<br />
such well-recognized and respected<br />
lighting design firms” are strokes <strong>of</strong><br />
“extreme luck,” says Klammer. “I feel<br />
like I’m in <strong>the</strong> right place at <strong>the</strong> right<br />
time to work alongside <strong>the</strong>se coaches.<br />
I’ve modeled my approach to projects<br />
on <strong>the</strong>ir examples. These wise and experienced<br />
mentors have given me confidence<br />
in my potential.”<br />
But luck isn’t responsible for <strong>the</strong> host <strong>of</strong><br />
accolades he’s received, including IES Illumination<br />
Awards <strong>of</strong> Merit and Lumen<br />
West Awards <strong>of</strong> Excellence and Merit<br />
for various LDA projects. Klammer has<br />
also translated that design acumen to<br />
<strong>the</strong> printed page by serving as editor <strong>of</strong><br />
LDA’s Ignite: The Art <strong>of</strong> Lighting Design,<br />
a company pr<strong>of</strong>ile book that had been on<br />
hold until he volunteered to complete it.<br />
“Initially, I gained a new appreciation for<br />
photography and graphic design,” says<br />
Klammer. “As <strong>the</strong> process developed,<br />
I’ve learned that creating a high-quality<br />
book takes much more effort than I ever<br />
expected. However, by taking that time<br />
to make it my best, I’ve also learned that<br />
all <strong>the</strong> effort pays <strong>of</strong>f. The book highlights<br />
some <strong>of</strong> our most beautiful and<br />
eye-catching projects, and it’s a great visual<br />
for current and prospective clients.”<br />
A FEW KIND WORDS: “With his increasing<br />
ability to meet clients’ needs,<br />
keep sustainability in mind and develop<br />
innovative ways to provide lighting, Bryan<br />
has become a leader in his studio,”<br />
says Kyllene Jones, principal, LDA. “Regardless<br />
<strong>of</strong> his role, Bryan’s passion for<br />
design, keen eye for detail and developing<br />
expertise has helped ensure <strong>the</strong> success<br />
<strong>of</strong> several LDA projects. The quality<br />
<strong>of</strong> his work is exemplary and will only<br />
continue to impress in <strong>future</strong> years.”<br />
DOWN THE ROAD: “I think many<br />
people have expectations <strong>of</strong> <strong>the</strong>mselves<br />
that ei<strong>the</strong>r commit <strong>the</strong>m in <strong>the</strong><br />
wrong direction or lead <strong>the</strong>m to disappointment,”<br />
says Klammer. “So, to be<br />
honest, I don’t try to plan too far in advance,<br />
instead making <strong>the</strong> best <strong>of</strong> every<br />
situation as it arrives. However, I<br />
can definitely say I’d like to be such a<br />
strong and recognized contributor that<br />
I could be considered for any <strong>future</strong><br />
project, lighting design or o<strong>the</strong>rwise.”<br />
Elizabeth Hall<br />
‘Katsuya Hollywood (an ultra-modern sushi restaurant) and Disney’s<br />
Animal Kingdom Lodge-Kidani Village (an African-<strong>the</strong>med hotel) were two<br />
<strong>of</strong> my most rewarding projects. Both were once-in-a-lifetime spaces’<br />
52<br />
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FUTURE LEADERS<br />
You can’t say Lara Cordell doesn’t<br />
have a bold agenda for <strong>the</strong> lighting<br />
industry. Her goal, quite<br />
simply, is to reinvent <strong>the</strong> product procurement<br />
process. Cordell, director <strong>of</strong><br />
technology with distributor Wiedenbach-Brown,<br />
has launched two major<br />
initiatives in her two years with <strong>the</strong> company:<br />
one is <strong>the</strong> Owner-Direct Lighting<br />
Procurement (ODLP) program; <strong>the</strong> o<strong>the</strong>r<br />
is <strong>the</strong> LED Performance Assessment<br />
Screening System (LED PASS).<br />
The ODLP program gives WB a seat<br />
at <strong>the</strong> table with key members <strong>of</strong> <strong>the</strong> design<br />
and construction team—<strong>the</strong> architect,<br />
engineer, lighting designer, owner’s<br />
rep, general contractor and electrical<br />
contractor—during <strong>the</strong> early phase <strong>of</strong><br />
<strong>the</strong> project (i.e., design development).<br />
“When a project goes to bid through <strong>the</strong><br />
typical distribution channel, <strong>the</strong> lighting<br />
package gets awarded prior to submittal<br />
review, which puts <strong>the</strong> design intent<br />
at risk. With ODLP, we bring control<br />
back to <strong>the</strong> design team, working on<br />
<strong>the</strong>ir behalf to negotiate fixture pricing<br />
with reps and manufacturers. This<br />
gives designers <strong>the</strong> power to decide how<br />
and where to ‘spend’ <strong>the</strong> budget in reference<br />
to real costs, down to sales tax and<br />
freight,” says Cordell. “The goal is pricing<br />
clarity so we can meet <strong>the</strong> owner’s<br />
budget, upfront, during design, <strong>the</strong>reby<br />
eliminating <strong>the</strong> need for <strong>future</strong> value engineering<br />
and associated project delays.”<br />
Meanwhile, with <strong>the</strong> LED PASS program,<br />
Cordell has taken on <strong>the</strong> role <strong>of</strong><br />
LED watchdog for WB. “The goal was<br />
to develop a set <strong>of</strong> criteria whereby LED<br />
products can be quantitatively scored on<br />
<strong>the</strong>ir effectiveness to retr<strong>of</strong>it a given application.<br />
Some <strong>of</strong> <strong>the</strong> criteria are general<br />
go/no-go questions, o<strong>the</strong>rs relate<br />
to threshold performance <strong>of</strong> <strong>the</strong> existing<br />
product and o<strong>the</strong>rs focus on general<br />
manufacturer questions including financial<br />
well-being. This allows me to quickly<br />
weed through <strong>the</strong> junk (<strong>the</strong>y generally<br />
don’t have UL or LM-79) and <strong>the</strong>n prioritize<br />
which products to mock-up. I call this<br />
approach, ‘guilty until proven innocent.’ ”<br />
Cordell’s technology evaluations<br />
have a high currency in <strong>the</strong> marketplace<br />
due to her background. After<br />
earning a Master <strong>of</strong> Science from Rensselaer<br />
Polytechnic Institute’s Lighting<br />
Research Center, she started her career<br />
on <strong>the</strong> design side <strong>of</strong> <strong>the</strong> fence,<br />
with <strong>the</strong> Long Beach, CA, <strong>of</strong>fice <strong>of</strong><br />
Lighting Design Alliance. Three years<br />
later, she transitioned to <strong>the</strong> product<br />
side <strong>of</strong> <strong>the</strong> industry. “I was approached<br />
to join a start-up manufacturing company<br />
[LITE360] as a partner. Eighteen<br />
months later <strong>the</strong> economy took a tumble<br />
and we closed up shop.”<br />
Cordell was quickly approached by<br />
WB, and two years later she calls it “<strong>the</strong><br />
best decision I’ve made in my career.”<br />
A FEW KIND WORDS: “I find Lara one <strong>of</strong><br />
<strong>the</strong> industry’s best tipping points because<br />
her knowledge is based on some good<br />
practical experience consolidated from<br />
many parts <strong>of</strong> <strong>the</strong> industry food chain,”<br />
says Lee Waldron <strong>of</strong> Grenald Waldron<br />
Associates. “As a knowledge maven with<br />
a good business sense, she will influence<br />
<strong>the</strong> <strong>future</strong> understanding <strong>of</strong> lighting information<br />
by both specifiers and clients.”<br />
DOWN THE ROAD: In <strong>the</strong> short-term,<br />
Cordell is focused on nurturing <strong>the</strong><br />
ODLP programand “hope to grow it” into<br />
<strong>the</strong> preferred path for procurement.”<br />
Paul Tarricone<br />
LARA CORDELL<br />
WIEDENBACH-BROWN,<br />
YORBA LINDA, CA<br />
CAREER CAPSULE<br />
• LC; LEED AP<br />
• Robert J. Besal Fund<br />
Scholarship<br />
• Board member <strong>of</strong> <strong>the</strong><br />
IES Orange County<br />
Section and <strong>the</strong> IALD<br />
Education Trust<br />
• IES Lumen West and<br />
IIDA Award <strong>of</strong> Merit for<br />
<strong>the</strong> Port <strong>of</strong> Los Angeles<br />
Waterfront<br />
‘The path I’ve<br />
taken from<br />
design, to<br />
manufacturing<br />
and finally<br />
distribution<br />
has allowed<br />
priceless insight<br />
into how our<br />
industry works,<br />
and I have a<br />
vision for how<br />
I’d like to see<br />
it work in <strong>the</strong><br />
<strong>future</strong>.’<br />
LD+A December 2010 53
FUTURE LEADERS<br />
LISA KRAMER<br />
H.E. BANKS +<br />
ASSOCIATES<br />
SAN FRANCISCO<br />
CAREER CAPSULE<br />
• LC; LEED AP<br />
• Intern, Fisher Marantz<br />
Stone; lighting designer,<br />
Auerbach Glasow French<br />
and Flack & Kurtz<br />
• Key projects: Apple<br />
conference room<br />
renovation, Cupertino, CA;<br />
Four Seasons residence,<br />
San Francisco; Shooting<br />
Star Clubhouse,<br />
Jackson Hole, WY; <strong>the</strong><br />
Hilton Hawiian Village Alii<br />
Tower Suites Remodel<br />
Art and science—to Lisa Kramer<br />
<strong>the</strong>se are <strong>the</strong> yin and yang <strong>of</strong><br />
lighting design. “Throughout<br />
my life I have always had a great interest<br />
in both <strong>the</strong> arts and sciences,”<br />
she says. “Lighting design is one <strong>of</strong> <strong>the</strong><br />
few fields <strong>of</strong> study that combines <strong>the</strong>se<br />
two interests.” Kramer first discovered<br />
lighting design while studying architectural<br />
engineering at Penn State. “I<br />
knew this was just what I was looking<br />
for,” says Kramer, “and I have been<br />
working in <strong>the</strong> lighting design field<br />
ever since I graduated.”<br />
Seven years later, Kramer has designed<br />
lighting for an impressive roster<br />
<strong>of</strong> clients, including Apple, Hilton, Williams<br />
Sonoma and Pottery Barn. Along<br />
<strong>the</strong> way, she has risen through <strong>the</strong> ranks<br />
to become a senior lighting designer and<br />
project manager at h.e. banks + associates.<br />
With <strong>the</strong> thoughtfulness <strong>of</strong> a Taoist<br />
philosopher, Kramer seeks to align<br />
<strong>the</strong> art and science <strong>of</strong> light in her work.<br />
“I love <strong>the</strong> combination <strong>of</strong> <strong>the</strong> technical<br />
knowledge and creativity required<br />
to achieve aes<strong>the</strong>tic and sustainability<br />
goals,” says Kramer. “A great balance<br />
between <strong>the</strong>se two areas is required to<br />
achieve a successful lighting design.”<br />
Kramer has also learned to juggle<br />
designing with <strong>the</strong> business aspects<br />
<strong>of</strong> lighting design, such as client interaction,<br />
proposals, scheduling and<br />
budgeting. “I enjoy <strong>the</strong> opportunity to<br />
handle a mix <strong>of</strong> both project management<br />
and design responsibilities.”<br />
A FEW KIND WORDS: “Lisa’s dedication<br />
to advancing <strong>the</strong> lighting field is<br />
enviable,” says Jody Pritchard, principal,<br />
h.e. banks + associates. “Somehow<br />
she carves out <strong>the</strong> time to participate in<br />
public discussions like <strong>the</strong> new Title 24<br />
legislation—something we all know we<br />
should be a part <strong>of</strong>, but just don’t make a<br />
priority in our busy lives. She also is constantly<br />
seeking out classes, events and<br />
speakers that help broaden her knowledge<br />
about everything lighting related.<br />
Her efforts not only benefit her own career,<br />
but <strong>the</strong> rest <strong>of</strong> ours as well.”<br />
DOWN THE ROAD: The <strong>future</strong> looks<br />
green for Kramer, who plans to learn<br />
more about sustainable design through<br />
LEED AP continuing education courses<br />
and put that knowledge to practical use<br />
by “working on more LEED projects<br />
or projects that have sustainability as<br />
a major design element. I also hope to<br />
bring higher sustainable design goals to<br />
our residential projects and to continue<br />
diversifying my responsibilities and increase<br />
<strong>the</strong> client base <strong>of</strong> our firm, while<br />
working towards IALD pr<strong>of</strong>essional<br />
membership.”<br />
Elizabeth Hall<br />
‘I really enjoy working on projects in which <strong>the</strong> client is looking for creative<br />
solutions. I recently completed a residence in San Francisco where we<br />
integrated numerous custom design details to conceal standard linear<br />
fluorescent and LED sources’<br />
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FUTURE LEADERS<br />
For Martha Lopacki, <strong>the</strong> transition<br />
from fashion to fixtures has been,<br />
in a word, seamless.<br />
Before joining <strong>the</strong> lighting industry<br />
five years ago, Lopacki spent <strong>the</strong> first<br />
part <strong>of</strong> her career as a product designer<br />
for Nike, Swiss Army and Callaway<br />
Golf. Today, she has risen to <strong>the</strong> position<br />
<strong>of</strong> studio director at Sean O’Connor<br />
Lighting. “I’ve always been drawn to<br />
<strong>the</strong> technical side <strong>of</strong> design whe<strong>the</strong>r it is<br />
<strong>the</strong> seam-sealed, waterpro<strong>of</strong> construction<br />
<strong>of</strong> a jacket, or a luggage design that<br />
transfers <strong>the</strong> load and reduces weight<br />
in hand when wheeling,” says Lopacki.<br />
“For me, lighting design is <strong>the</strong> ideal balance<br />
<strong>of</strong> artistic expression and technical<br />
design and [<strong>the</strong> switch to <strong>the</strong> lighting industry]<br />
seemed a very natural progression.<br />
Product design is still very much a<br />
part <strong>of</strong> my job as a lighting designer.”<br />
In fact, Lopacki has a wealth <strong>of</strong> product<br />
development experience to draw<br />
on; her work has been featured at some<br />
<strong>of</strong> <strong>the</strong> most prominent museums in <strong>the</strong><br />
U.S., while o<strong>the</strong>r designs have been<br />
used on <strong>the</strong> PGA tour and to summit<br />
Mount Everest. “There was a bamboo<br />
serving tray I designed that was included<br />
in an exhibit on green design at <strong>the</strong><br />
Philadelphia Museum <strong>of</strong> Art and some<br />
technical outerwear pieces shown at<br />
<strong>the</strong> Cooper-Hewitt, National Design<br />
Museum technical fabrication exhibit.<br />
The patent I am named on is for a travel<br />
bag designed with an integral golf club<br />
protection system for airplane travel.”<br />
That ingenuity has transferred nicely<br />
to <strong>the</strong> lighting market: a large “pearl<br />
necklace pendant” is <strong>the</strong> centerpiece<br />
for <strong>the</strong> lighting design <strong>of</strong> <strong>the</strong> Park Hyatt<br />
in Philadelphia—a collaborative design<br />
with Sean O’Connor that received multiple<br />
design awards in 2006-2007.<br />
Lopacki also credits her extensive<br />
international travel with informing her<br />
lighting design. “Great lighting design is<br />
not something you see; it is something<br />
you feel,” she says. “I was 24 when I first<br />
visited China. It was a business trip; I<br />
went alone and was <strong>the</strong>re for four weeks.<br />
That trip changed my life. The colors,<br />
tastes and smells <strong>of</strong> different cultures<br />
are all experiences that feed creativity.”<br />
A FEW KIND WORDS: “Martha’s experience<br />
outside <strong>the</strong> field <strong>of</strong> lighting design<br />
should not be downplayed. She came to<br />
us with amazing skills from fashion and<br />
product design, as well as manufacturing,<br />
that were immediately useful to<br />
what we do,” says Sean O’Connor. “Martha<br />
grasped lighting design very quickly<br />
and has changed <strong>the</strong> way we do things,<br />
whe<strong>the</strong>r it’s in-house systems, lighting<br />
design for a project or custom fixture<br />
and product design.”<br />
DOWN THE ROAD: Over <strong>the</strong> next few<br />
years, Lopacki expects to continue working<br />
wonders with new products. “Custom<br />
fixture design plays a large role in<br />
my projects, and I’d like to continue to<br />
grow that side <strong>of</strong> my work. I particularly<br />
like designing decorative fixtures where<br />
I take aes<strong>the</strong>tic cues from <strong>the</strong> interior and<br />
architectural design while applying my<br />
technical knowledge.”<br />
Paul Tarricone<br />
MARTHA LOPACKI<br />
SEAN O’CONNOR<br />
LIGHTING<br />
BEVERLY HILLS, CA<br />
CAREER CAPSULE<br />
• Adjunct pr<strong>of</strong>essor, Santa<br />
Monica College<br />
• Design awards from <strong>the</strong><br />
IES, IALD, GE Edison<br />
and Cooper Lighting for<br />
Sally Hershberger Salon,<br />
West Hollywood CA;<br />
Sidwell Friends School,<br />
Washington, D.C.; AT&T<br />
Experience Store prototypes;<br />
and <strong>the</strong> Park Hyatt<br />
Philadelphia<br />
• Named on U.S. patent<br />
for a golf bag carrier<br />
‘On <strong>the</strong> oceanfront residence in <strong>the</strong> Caribbean, everyone was incredibly<br />
talented, no one had an ego and all <strong>of</strong> us were united in creating <strong>the</strong> best home<br />
for our client. It was a true team and <strong>the</strong> final project reflects this’<br />
LD+A December 2010 55
FUTURE LEADERS<br />
Photo: Peiheing Tsai<br />
RENÉE JOOSTEN<br />
COOLEY MONATO<br />
STUDIO<br />
NEW YORK CITY<br />
CAREER CAPSULE<br />
• Interior designer, Olthaar<br />
Ontwerpen<br />
• Key projects: David<br />
Yurman flagship store,<br />
New York City; Pio Pio<br />
restaurant, New York<br />
City; Tiffany & Co. Hong<br />
Kong Plaza, Shanghai;<br />
Gucci, Macau<br />
The stamps on senior lighting designer<br />
Renée Joosten’s passport<br />
could rival those <strong>of</strong> a Travel<br />
Channel host. The Dutch native has<br />
traveled through Africa, Europe, Malaysia,<br />
Mexico and <strong>the</strong> U.S.; speaks<br />
five languages; and counts biking <strong>the</strong><br />
700-mile pilgrimage route to Santiago<br />
de Compostela, Spain, excavating archeological<br />
artifacts from a Roman<br />
settlement and a medieval castle, and<br />
exploring Mayan temples in Mexico<br />
among her many adventures. Along <strong>the</strong><br />
way, she also picked up a B.A. in Interior<br />
Design from <strong>the</strong> Royal Academy <strong>of</strong><br />
Visual Arts in <strong>the</strong> Ne<strong>the</strong>rlands and an<br />
M.A. in Lighting Design from Parsons<br />
The New School for Design, which she<br />
attended on a Fulbright Fellowship.<br />
Travel has not only given Joosten <strong>the</strong><br />
chance to explore new places, it has also<br />
taught her how light shapes architecture:<br />
“Through my travels I have seen how<br />
(day)light throughout time has always<br />
been an integral part <strong>of</strong> people’s culture<br />
and spiritual experience, from <strong>the</strong> temples<br />
<strong>of</strong> Tulum, where <strong>the</strong> Mayans used<br />
<strong>the</strong> position <strong>of</strong> <strong>the</strong> sun for <strong>the</strong>ir agriculture<br />
calendar, to <strong>the</strong> churches along el<br />
Camino de Santiago, where <strong>the</strong> interplay<br />
<strong>of</strong> light and architecture is meant to create<br />
a divine and magical experience. Being<br />
exposed to <strong>the</strong>se sites has increased<br />
my awareness <strong>of</strong> <strong>the</strong> power <strong>of</strong> light and<br />
<strong>the</strong> balance between light and darkness.”<br />
When she’s not driven by wanderlust,<br />
Joosten can be found in New York City,<br />
designing lighting for international retail<br />
and residential projects, teaching in <strong>the</strong><br />
lighting design program at Parsons, and<br />
interacting with <strong>the</strong> local lighting community,<br />
including <strong>the</strong> IES New York City<br />
Section. A firm believer in integrated design,<br />
Joosten both practices and preaches<br />
“that lighting should always be a cohesive<br />
and integral part <strong>of</strong> any spatial design. It<br />
is important to educate not only lighting<br />
design students, but also architecture<br />
and interior design students about light.”<br />
A FEW KIND WORDS: “Renée simply<br />
shines (pun definitely intended),” says<br />
Renée Cooley, principal, Cooley Monato<br />
Studio. “She has a keen design sense that<br />
embraces both <strong>the</strong> aes<strong>the</strong>tics <strong>of</strong> <strong>the</strong> studio<br />
and <strong>the</strong> needs <strong>of</strong> our clients. That, coupled<br />
with her solid project management<br />
skills, equates to bringing <strong>the</strong> concepts<br />
<strong>of</strong> our designs to fruition. During <strong>the</strong> six<br />
years we’ve been working toge<strong>the</strong>r I’ve<br />
seen her grow steadily, fed by her curiosity<br />
and willingness to look beyond <strong>the</strong><br />
easy answers. That internal spark is at<br />
<strong>the</strong> very heart <strong>of</strong> what makes an achiever—a<br />
<strong>future</strong> luminary—and she’s got it.”<br />
DOWN THE ROAD: Joosten is especially<br />
“interested in <strong>the</strong> correlation between<br />
health, light and darkness and<br />
how <strong>the</strong> developments <strong>of</strong> new technologies<br />
can tie into that. I’d like to fur<strong>the</strong>r<br />
explore <strong>the</strong>se developments and integrate<br />
this knowledge into public and<br />
private projects.”<br />
Elizabeth Hall<br />
‘It was rewarding to get recognition when <strong>the</strong> Virtual Light L<strong>of</strong>t was<br />
awarded <strong>the</strong> IES Illumination Award <strong>of</strong> Merit’<br />
56<br />
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FUTURE LEADERS<br />
Many young lighting pr<strong>of</strong>essionals<br />
have won awards, but<br />
how many have been recognized<br />
by <strong>the</strong> Worshipful Company <strong>of</strong><br />
Lightmongers (No, that’s not a misprint.)<br />
Emrah Baki Ulas has. In 2008,<br />
he received <strong>the</strong> organization’s “Best<br />
Presentation Award.”<br />
In many ways, Ulas’s career is as<br />
singular as his achievements. An international<br />
man <strong>of</strong> light, he was trained<br />
in Turkey, attended graduate school in<br />
Germany, practices lighting design in<br />
Australia, and lectures and presents all<br />
around <strong>the</strong> world, most recently in Sweden,<br />
where he headed <strong>the</strong> PLDA’s Lights<br />
in Alingsås workshop. Though Ulas only<br />
has a few years <strong>of</strong> pr<strong>of</strong>essional experience,<br />
his jam-packed résumé could easily<br />
be mistaken for that <strong>of</strong> a much more<br />
seasoned designer. Since graduating with<br />
an M.A. in Architectural Lighting Design<br />
in 2006, he has presented at more than<br />
10 conferences, won several prestigious<br />
awards, become an accredited Greenstar<br />
Pr<strong>of</strong>essional from <strong>the</strong> Australian Green<br />
Building Council and has been promoted<br />
from lighting designer to lighting team<br />
leader at Steensen Varming.<br />
From his first foray in lighting, as a<br />
lighting crew assistant for <strong>the</strong> International<br />
Istanbul Biennial visual arts<br />
exhibition, to his current role, Ulas has<br />
maintained an experimental edge to<br />
his design, blending architectural lighting<br />
with art and performance. That<br />
approach is evident in both his architectural<br />
lighting, such as <strong>the</strong> Sydney<br />
Opera House lighting master plan, and<br />
his one-<strong>of</strong>-a-kind light art, like <strong>the</strong> recent<br />
“Lumi-Pops” installation at <strong>the</strong><br />
University <strong>of</strong> Technology Sydney.<br />
While Ulas may relish <strong>the</strong> e<strong>the</strong>real<br />
aspects <strong>of</strong> light, he also knows how to<br />
successfully execute a real project and<br />
counts teamwork as a major tenet <strong>of</strong><br />
good design. “If you share <strong>the</strong> vision and<br />
<strong>the</strong> mindset <strong>of</strong> <strong>the</strong> people you work with,<br />
everything goes smoothly,” says Ulas.<br />
“At Steensen Varming we are a compact<br />
team made up <strong>of</strong> people with diverse<br />
skills. We learn a lot from each o<strong>the</strong>r, we<br />
work on enviable projects and we work<br />
hard. Every opinion is welcomed.”<br />
A FEW KIND WORDS: “Emrah is an<br />
unusually talented artist,” says his mentor,<br />
PLDA president, Dr. Georgios Paissidis.<br />
“He is devoted to <strong>the</strong> visualization<br />
<strong>of</strong> myths. Light in his hands is <strong>the</strong> language<br />
<strong>of</strong> myths. He is not contented with<br />
a decent lighting design approach and,<br />
as far as I know him, he ra<strong>the</strong>r dislikes a<br />
compromise with neutrality. He prefers<br />
risks and accepts adventures. I am certain<br />
that Emrah can enjoyably surprise<br />
us with his works for many years.”<br />
DOWN THE ROAD: Ulas has much on<br />
his to-do list. He hopes to “increase<br />
public awareness <strong>of</strong> good lighting and<br />
help influence codes and standards in<br />
<strong>the</strong> field <strong>of</strong> lighting (most <strong>of</strong> which date<br />
back to ancient quantitative methods<br />
and don’t really make better spaces<br />
for human beings); do more teaching;<br />
pursue a Ph.D. in lighting; collaborate<br />
with people from o<strong>the</strong>r creative industries;<br />
and explore light-as-art and socially<br />
conscious projects.”<br />
Elizabeth Hall<br />
EMRAH BAKI ULAS<br />
STEENSEN VARMING<br />
NORTHBRIDGE,<br />
AUSTRALIA<br />
CAREER CAPSULE<br />
• CIBSE’s <strong>Society</strong> <strong>of</strong> Light<br />
and Lighting “Young<br />
Lighters <strong>of</strong> <strong>the</strong> Year<br />
2008” Award<br />
• University <strong>of</strong> Technology<br />
Sydney adjunct lecturer<br />
• Key projects: Art Gallery<br />
<strong>of</strong> New South Wales,<br />
Sydney; Tasmanian<br />
Museum and Art Gallery;<br />
National Capital Authority,<br />
Kings Avenue lighting<br />
‘One [career<br />
highlight] is to<br />
be involved with<br />
<strong>the</strong> Sydney<br />
Opera House<br />
lighting master<br />
plan’<br />
LD+A December 2010 57
FUTURE LEADERS<br />
CHRIS BAILEY<br />
HUBBELL LIGHTING<br />
BRADENTON, FL<br />
CAREER CAPSULE<br />
• LEED AP<br />
• Previously vice president<br />
<strong>of</strong> sales, Beacon<br />
Products<br />
• Leader, Hubbell’s Solar<br />
Technology Initiative<br />
Plenty <strong>of</strong> people prognosticate on<br />
tomorrow’s lighting technologies.<br />
Chris Bailey does <strong>the</strong>m one<br />
better by looking out to <strong>the</strong> day after tomorrow,<br />
if you will. Really, who else is<br />
talking about “quantum dots” (Store<br />
that one away in your memory for <strong>future</strong><br />
reference.)<br />
As <strong>the</strong> newly appointed technical strategist<br />
for <strong>the</strong> Hubbell Solid-State Lighting<br />
Team, Bailey is responsible for researching<br />
<strong>the</strong> latest SSL technologies available<br />
today (e.g., LED and plasma) and o<strong>the</strong>rs<br />
which may soon be viable. He evaluates<br />
<strong>the</strong> impact each type <strong>of</strong> technology may<br />
have on individual market segments,<br />
categories and Hubbell brands, and will<br />
help educate <strong>the</strong> marketplace by co-developing<br />
curriculum used at Hubbell’s<br />
Lighting Solutions Center.<br />
And for those stumped by <strong>the</strong> quantum<br />
dot, it’s a nano-carbon crystal (somewhere<br />
in <strong>the</strong> vicinity <strong>of</strong> one-billionth <strong>of</strong> a<br />
meter in size) that can replace <strong>the</strong> phosphor<br />
coating in white LEDs, potentially<br />
making LEDs 50 percent more efficient<br />
than <strong>the</strong>y are today.<br />
A FEW KIND WORDS: “Chris is an articulate<br />
lighting evangelist with charisma<br />
who will ascend to higher levels <strong>of</strong><br />
leadership in our industry and deserves<br />
to,” says Mark Lien <strong>of</strong> Hubbell Lighting.<br />
“Every company needs people who are<br />
forward thinkers, o<strong>the</strong>rs who are great<br />
communicators and some disciplined<br />
enough to consistently do <strong>the</strong> parts <strong>of</strong><br />
<strong>the</strong> job that most <strong>of</strong> us consider <strong>the</strong> hard<br />
work. Because Chris excels at all three<br />
skills he is destined for a long successful<br />
career in lighting.”<br />
DOWN THE ROAD: The possibilities<br />
are endless in terms <strong>of</strong> new product development,<br />
says Bailey. “The light bulb<br />
has just been reinvented. Never before<br />
has <strong>the</strong>re been as much ‘energy’ dedicated<br />
to <strong>the</strong> advancement <strong>of</strong> SSL and<br />
o<strong>the</strong>r energy-saving technologies. Our<br />
industry finally has <strong>the</strong> chance to innovate<br />
in a way that could truly reshape<br />
<strong>the</strong> <strong>future</strong> <strong>of</strong> lighting. To be even a small<br />
part <strong>of</strong> that is extremely exciting.”<br />
Paul Tarricone<br />
‘I have been involved in several LED luminaire designs and as a result have<br />
filed for several valuable patents. Knowing <strong>the</strong>se designs have become<br />
real products—and solutions to real problems—gives me what I want most,<br />
which is to make a difference’<br />
58<br />
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FUTURE LEADERS<br />
Whe<strong>the</strong>r it’s serving as <strong>the</strong> Illumination<br />
Awards Committee<br />
chair for her local IES section,<br />
taking on <strong>the</strong> role <strong>of</strong> treasurer for <strong>the</strong> <strong>Society</strong><br />
<strong>of</strong> Women Engineers or authoring<br />
articles for her firm’s in-house publications,<br />
Chrysanthi Stockwell is what you<br />
would call “a joiner.” She’s even working<br />
to polish her rhetorical skills as a member<br />
<strong>of</strong> <strong>the</strong> worldwide educational group,<br />
Toastmasters International. “Toastmasters<br />
is an opportunity to improve my<br />
public-speaking skills and network with<br />
o<strong>the</strong>rs in <strong>the</strong> engineering group,” says<br />
Stockwell. “Besides <strong>the</strong> chance to speak<br />
in front <strong>of</strong> my colleagues, I have also<br />
learned to conduct efficient meetings, answer<br />
questions impromptu and give constructive<br />
evaluations. I like Toastmasters<br />
because it really applies to many aspects<br />
<strong>of</strong> our industry, such as interviewing,<br />
marketing and client interaction.”<br />
But Stockwell doesn’t just talk <strong>the</strong> talk.<br />
She has also demonstrated her engineering<br />
and design expertise on a range <strong>of</strong><br />
projects since graduating from <strong>the</strong> University<br />
<strong>of</strong> Nebraska-Lincoln in 2007.<br />
Working for a major industry player such<br />
as HGA has provided Stockwell ample<br />
opportunity to show her technical chops.<br />
“It’s given me <strong>the</strong> opportunity to work<br />
on many projects types throughout <strong>the</strong><br />
country and across <strong>the</strong> different <strong>of</strong>fices.”<br />
That variety <strong>of</strong> project types has cut<br />
across <strong>the</strong> healthcare, corporate, arts<br />
and education sectors, and, in some<br />
cases, Stockwell has also taken on project<br />
management duties. “The Owatonna<br />
Replacement Hospital and Clinic was my<br />
first project that I was in charge <strong>of</strong> from<br />
beginning to end. I learned a lot about<br />
healthcare lighting on this project. I also<br />
learned <strong>the</strong> importance <strong>of</strong> lighting details<br />
and architectural coordination.”<br />
The diversity within <strong>the</strong> industry, itself,<br />
also appeals to Stockwell. “The lighting<br />
industry is a melting pot <strong>of</strong> people from<br />
all different backgrounds. Everyone has<br />
a story about where <strong>the</strong>y came from and<br />
how <strong>the</strong>y got into lighting,” she says. “It’s<br />
very rare to find people who have a taste<br />
for design, but at <strong>the</strong> same time love <strong>the</strong><br />
intricacies <strong>of</strong> calculation and technology.<br />
That is one <strong>of</strong> <strong>the</strong> most appealing things<br />
about our industry; lighting touches so<br />
many aspects <strong>of</strong> life, from psychology to<br />
design to engineering.”<br />
A FEW KIND WORDS: “In spite <strong>of</strong><br />
her relative newness to <strong>the</strong> lighting<br />
industry, Chrysanthi has a great understanding<br />
<strong>of</strong> what lighting can bring<br />
to a project. She understands how to<br />
integrate with o<strong>the</strong>r disciplines and<br />
designers to create a cohesive project<br />
design. She has shown <strong>the</strong> ability to<br />
work with clients, understand <strong>the</strong>ir<br />
needs and educate when necessary,”<br />
says HGA’s Pat Hunt.<br />
DOWN THE ROAD: Broader project<br />
experience is <strong>the</strong> short-term goal for<br />
Stockwell. “I especially have an interest<br />
in learning more about cultural<br />
arts projects and would love to gain<br />
more lighting experience in that area.<br />
Eventually, I would like to be involved<br />
in project marketing and advocating<br />
lighting design as an integral part <strong>of</strong><br />
full architectural services.”<br />
Paul Tarricone<br />
CHRYSANTHI<br />
STOCKWELL<br />
HAMMEL, GREEN AND<br />
ABRAHAMSON<br />
MINNEAPOLIS, MN<br />
CAREER CAPSULE<br />
• LC; LEED AP<br />
• 2009 IES Young<br />
Pr<strong>of</strong>essionals Scholarship;<br />
Mutual <strong>of</strong> Omaha IST&E<br />
Scholarship; Litecontrol<br />
Scholarship; Robert J.<br />
Besal Scholarship<br />
• Key projects: Douglas<br />
County Hospital,<br />
Alexandria, MN;<br />
General Mills Photo<br />
Studio, Golden Valley, MN<br />
‘It is scary<br />
doing your first<br />
project as <strong>the</strong><br />
lead lighting<br />
designer. When<br />
you see it all<br />
come toge<strong>the</strong>r,<br />
<strong>the</strong>re is a<br />
moment that<br />
makes it all<br />
worth it and<br />
inspires you to<br />
do it again’<br />
LD+A December 2010 59
FUTURE LEADERS<br />
KRISTY BENNER<br />
KAPLAN GEHRING<br />
McCARROLL<br />
ARCHITECTURAL<br />
LIGHTING<br />
EL SEGUNDO, CA<br />
CAREER CAPSULE<br />
• Associate IALD; LC;<br />
LEED AP<br />
• IES Illumination Awards,<br />
GE Edison Awards and<br />
IIDA Awards for The<br />
Palazzo, Jersey Boys<br />
<strong>the</strong>ater and Grand Lux<br />
Café<br />
• President, Los Angeles<br />
Chapter <strong>of</strong> <strong>the</strong> Designers<br />
Lighting Forum<br />
‘Going to <strong>the</strong><br />
IES conference<br />
last year to<br />
accept an award<br />
for The Palazzo<br />
and being<br />
recognized<br />
among a<br />
handful <strong>of</strong> o<strong>the</strong>r<br />
design teams<br />
selected from<br />
over 500 entries<br />
was an honor’<br />
Kristy Benner is not one to be intimidated<br />
by <strong>the</strong> size <strong>of</strong> a project.<br />
“Every large project can<br />
be broken down into small, manageable<br />
pieces,” says Benner, an associate with<br />
KGM Architectural Lighting, who has<br />
worked on several mega-projects during<br />
her five years at <strong>the</strong> firm. The most notable<br />
was The Palazzo Resort Hotel and<br />
Casino and <strong>the</strong> Jersey Boys <strong>the</strong>ater lobby<br />
in Las Vegas. “The Palazzo was definitely<br />
a challenging project, but more<br />
from <strong>the</strong> complexity <strong>of</strong> <strong>the</strong> project itself<br />
ra<strong>the</strong>r than <strong>the</strong> size. One <strong>of</strong> <strong>the</strong> biggest<br />
challenges with <strong>the</strong> Palazzo was that it<br />
had previously been designed to meet<br />
standard codes and <strong>the</strong>n we had to carry<br />
out <strong>the</strong> design through construction and<br />
redesign it to comply with LEED.”<br />
All in a day’s work for Benner, who<br />
has been responsible for everything<br />
from schematic design to construction<br />
administration on a wide range <strong>of</strong> projects,<br />
including a Vera Wang store in West<br />
Hollywood, CA, <strong>the</strong> San Antonio River<br />
Improvement Project, <strong>the</strong> Mission Chapel<br />
in Malibu, CA, as well as a number<br />
<strong>of</strong> private residences. These projects all<br />
have one thing in common: “Lighting<br />
design can be somewhat universal—light<br />
<strong>the</strong> work plane, light <strong>the</strong> walls, light <strong>the</strong><br />
ceiling, etc.—but each project has a specific<br />
task or function. The main objective<br />
is to light that task,” she says. “Beyond<br />
that we have creative license to layer<br />
lighting effects and details to get many<br />
interesting compositions for <strong>the</strong> different<br />
spaces and functions.”<br />
The geographic locale <strong>of</strong> <strong>the</strong>se installations<br />
has been equally varied: sou<strong>the</strong>rn<br />
California to Kuwait and all points in between.<br />
“The most interesting difference<br />
[between U.S. and international projects]<br />
is <strong>the</strong> way projects are constructed<br />
and how lighting fixtures are installed.<br />
When I was in India, I was definitely<br />
surprised by contractors that didn’t have<br />
proper shoes, much less hard hats; <strong>the</strong><br />
bamboo scaffolding was interesting as<br />
well. Also, because <strong>the</strong>y don’t have traditional<br />
housings like we are used to using,<br />
<strong>the</strong>y can simply drill a hole in <strong>the</strong> ceiling<br />
and move any fixture at anytime.”<br />
Benner has seen a lot in a mere five<br />
years; it’s no surprise she’s unruffled<br />
by a $2 billion project like The Palazzo.<br />
A FEW KIND WORDS: “Kristy Benner<br />
has all <strong>the</strong> right qualities inherent<br />
in a successful lighting consultant—her<br />
technical skills are well-matched with<br />
a sense <strong>of</strong> understanding about each <strong>of</strong><br />
<strong>the</strong> projects she takes on. She continues<br />
to show leadership skills both in<br />
<strong>the</strong> <strong>of</strong>fice and through her involvement<br />
in organizations such as <strong>the</strong> Designers<br />
Lighting Forum,” says Martin van<br />
Koolbergen, a partner with KGM Architectural<br />
Lighting.<br />
DOWN THE ROAD: Benner is ready for<br />
<strong>the</strong> shifting landscape in <strong>the</strong> industry.<br />
“In <strong>the</strong> near <strong>future</strong> lighting is going to<br />
change in a big way. Budget and energy<br />
efficiency are going to drive each design<br />
and I would like to continue to positively<br />
impact interesting projects, large and<br />
small, worldwide. Mastering <strong>the</strong> delicate<br />
balance between design complexity,<br />
energy efficiency and budget is a skill I<br />
aspire to have.”<br />
Paul Tarricone<br />
60<br />
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FUTURE LEADERS<br />
Lighting designer. Builder. Sportsman.<br />
Photographer. International<br />
volunteer. Craig Spring is<br />
lighting’s Renaissance Man.<br />
A lighting designer with Candela,<br />
Spring is currently on a leave <strong>of</strong> absence<br />
from <strong>the</strong> firm and traveling with<br />
his wife to Nepal, Sou<strong>the</strong>ast Asia and<br />
South America until February. “The<br />
first month we volunteered with The<br />
Mountain Fund, a non-pr<strong>of</strong>it organization<br />
based out <strong>of</strong> Nepal. My time was<br />
spent in a rural mountainous village in<br />
<strong>the</strong> Langtang region, working with <strong>the</strong><br />
local community to implement a photovoltaic<br />
system for a school. Hea<strong>the</strong>r will<br />
be working at a nearby clinic, providing<br />
medical care to <strong>the</strong> community.”<br />
Eventually, though, it’s back to Seattle<br />
to continue a career that’s gotten <strong>of</strong>f to<br />
an impressive start since Spring earned<br />
his Master <strong>of</strong> Science from <strong>the</strong> University<br />
<strong>of</strong> Colorado at Boulder, in 2004. His<br />
first taste <strong>of</strong> working in <strong>the</strong> pr<strong>of</strong>ession<br />
actually came a few years earlier when<br />
he interned for two <strong>of</strong> <strong>the</strong> most wellregarded<br />
firms in <strong>the</strong> industry while<br />
an undergraduate at Colorado. “My first<br />
internship at Auerbach and Glasow in<br />
San Francisco [now Auerbach Glasow<br />
French] was a great introduction into<br />
<strong>the</strong> lighting industry. Both Patricia Glasow<br />
and Larry French were excellent<br />
role models and educators <strong>of</strong> <strong>the</strong> design/<br />
construction process,” says Spring. “The<br />
following summer, I wanted to see a different<br />
perspective out on <strong>the</strong> east coast,<br />
so I joined Fisher Marantz Stone in New<br />
York for an internship. I was looking for<br />
a different scale <strong>of</strong> firm and approach to<br />
see what fit my personality best.”<br />
Spring ultimately joined Candela in<br />
2005 and earlier this year earned his<br />
first IES Illumination Award <strong>of</strong> Excellence<br />
for <strong>the</strong> Lightcatcher Museum.<br />
Several months earlier, he attended <strong>the</strong><br />
IES Annual Conference in Seattle under<br />
<strong>the</strong> <strong>Society</strong>’s Young Pr<strong>of</strong>essionals<br />
Scholarship program.<br />
But it is Spring’s extra-curricular activities<br />
that set him apart. Robert Davis,<br />
his former advisor at Colorado and<br />
now director, product management for<br />
Litecontrol, says his “outside experiences<br />
are what make him a fascinating<br />
person to be around.” He has a passion<br />
for photography, picked up from his fa<strong>the</strong>r,<br />
a pr<strong>of</strong>essional photographer. He<br />
designed and supervised construction<br />
for a vacation home for his family, outside<br />
<strong>of</strong> Breckenridge, CO. And his outdoor<br />
activities include skiing and golf.<br />
Between that and his design and volunteer<br />
work, it’s been a busy few years.<br />
A FEW KIND WORDS: “Craig is one <strong>of</strong><br />
<strong>the</strong> bright young stars in our industry,”<br />
says Litecontrol’s Davis. “As one <strong>of</strong> <strong>the</strong><br />
top undergraduates, Craig was a natural<br />
candidate for graduate school, and I was<br />
fortunate to serve as his <strong>the</strong>sis advisor<br />
for his Master <strong>of</strong> Science degree. He designed<br />
and built his own experimental<br />
apparatus as part <strong>of</strong> this project, an apparatus<br />
that is still in use at CU Boulder.”<br />
DOWN THE ROAD: Spring says he has<br />
“reached that threshold in my career<br />
where I am looking for <strong>the</strong> next challenge<br />
and opportunity. From opening an<br />
<strong>of</strong>fice to experiencing a new locale, both<br />
are appealing and are atop <strong>the</strong> list.”<br />
Paul Tarricone<br />
CRAIG SPRING<br />
CANDELA<br />
ARCHITECTURAL<br />
LIGHTING<br />
CONSULTANTS<br />
SEATTLE, WA<br />
CAREER CAPSULE<br />
• Associate IALD; LC;<br />
LEED AP<br />
• Key projects:<br />
University <strong>of</strong> Alaska<br />
Arena; Nintendo corporate<br />
headquarters,<br />
Redmond, WA; Legacy<br />
Children’s Hospital,<br />
Portland, OR<br />
‘The Mine<br />
Shack, <strong>the</strong><br />
Lightcatcher<br />
Museum and<br />
Ladder Creek<br />
Falls had varied<br />
challenges.<br />
Each provided<br />
an avenue<br />
for creative<br />
freedom with<br />
light ei<strong>the</strong>r<br />
enhancing <strong>the</strong><br />
architecture or<br />
interacting with<br />
nature’<br />
LD+A December 2010 61
FUTURE LEADERS<br />
AARON SMITH<br />
RENSSELAER<br />
POLYTECHNIC<br />
INSTITUTE’S LIGHTING<br />
RESEARCH CENTER<br />
TROY, NY<br />
CAREER CAPSULE<br />
• B.S. Electrical <strong>Engineering</strong><br />
Technology from Cal State<br />
Long Beach<br />
• Key projects: USGBC<br />
daylighting pattern book<br />
for schools; daylight<br />
technical services for <strong>the</strong><br />
New York State<br />
Energy Research and<br />
Development<br />
Authority; Welch Allyn<br />
facility renovation<br />
Daylighting is <strong>the</strong> new recycling.<br />
At least it will be if Aaron Smith<br />
has a say. The senior research<br />
specialist at LRC wants to spread <strong>the</strong> gospel<br />
<strong>of</strong> daylighting not only to academics,<br />
but to <strong>the</strong> general public. “Most people<br />
are probably unfamiliar with <strong>the</strong> term<br />
‘daylight harvesting’ and rarely consider<br />
working by daylight alone,” says Smith.<br />
“It probably never occurs to most people<br />
that working by daylight can reduce electricity<br />
consumption and make a positive<br />
impact on <strong>the</strong> environment.”<br />
Smith hopes to educate consumers<br />
through a widespread educational campaign<br />
“similar in nature to <strong>the</strong> voluntary<br />
curbside aluminum and plastic recycling<br />
programs that began in <strong>the</strong> late<br />
’80s and early ’90s,” he explains. “The<br />
recycling programs changed many people’s<br />
minds about <strong>the</strong> need to recycle,<br />
and I think similar benefits—a general<br />
awareness and a surge in participation—<br />
could be gained from voluntary daylight<br />
harvesting.”<br />
At <strong>the</strong> moment, Smith is spearheading<br />
research on <strong>the</strong> Daysimeter, a device<br />
that monitors and logs an individual’s<br />
light exposure and rest/activity patterns<br />
over an extended period <strong>of</strong> time.<br />
“The Daysimeter allows researchers to<br />
quantify <strong>the</strong> light and activity history<br />
<strong>of</strong> people wearing <strong>the</strong> device, which is<br />
leading to more in-depth studies on <strong>the</strong><br />
impact <strong>of</strong> light on human health and<br />
well-being, and will change <strong>the</strong> way we<br />
study circadian disruption,” says Smith,<br />
who believes that “<strong>the</strong> opportunities in<br />
daylighting are endless.”<br />
A FEW KIND WORDS: LRC director<br />
Mark Rea describes Smith as “smart and<br />
dedicated, and, with his modest yet persistent<br />
demeanor, [he] can coordinate<br />
and rally a team to achieve significant<br />
milestones. He has true leadership qualities<br />
and is on <strong>the</strong> path to making great<br />
contributions in <strong>the</strong> lighting industry.”<br />
DOWN THE ROAD: Smith intends to<br />
be a vocal advocate for daylight harvesting<br />
education “by demonstrating<br />
effective strategies for working by daylight,<br />
such as <strong>of</strong>fice set-up and window<br />
blind positioning,” he says. “Eventually,<br />
people may start routinely walking<br />
into <strong>the</strong>ir <strong>of</strong>fices and reaching to adjust<br />
or open <strong>the</strong> window blinds to provide<br />
light ra<strong>the</strong>r than immediately reaching<br />
for <strong>the</strong> light switch.”<br />
Elizabeth Hall<br />
‘I chose daylighting as a focus because I want to make a difference by<br />
helping design buildings that contribute to people leading healthier, more<br />
productive lives’<br />
62<br />
www.ies.org
FUTURE LEADERS<br />
Shanna Olson was green before<br />
green was cool. In college, Olson<br />
and six o<strong>the</strong>r interior design<br />
students founded <strong>the</strong> Environmental<br />
Collegians <strong>of</strong> Sustainability (ECOS).<br />
“At its inception, ECOS mainly focused<br />
on bringing new sustainable technologies<br />
and design concepts to <strong>the</strong> interior<br />
design department,” says Olson. As copresident<br />
<strong>of</strong> ECOS, Olson expanded <strong>the</strong><br />
scope <strong>of</strong> <strong>the</strong> organization beyond her<br />
department “to <strong>the</strong> entire college. We<br />
made attempts to educate <strong>the</strong> public and<br />
reduce energy within our school.”<br />
Now a lighting and electrical designer<br />
for IBC <strong>Engineering</strong>, Olson is still<br />
a steward <strong>of</strong> <strong>the</strong> environment and returns<br />
to her alma mater each year “to<br />
guest lecture about what I do and why I<br />
find sustainability so important.”<br />
Sustainability is also an integral aspect<br />
<strong>of</strong> her design portfolio. “I find that selecting<br />
<strong>the</strong> right lamp sources as well as<br />
luminaires; providing appropriate, but<br />
not excessive, illumination levels; supplying<br />
adjustable task lighting as needed;<br />
and utilizing enhanced controls significantly<br />
reduces <strong>the</strong> actual used lighting<br />
power while still creating a productive<br />
and pleasant environment,” say Olson.<br />
Olson’s efforts to educate o<strong>the</strong>rs aren’t<br />
limited to her work with ECOS. She also<br />
serves as <strong>the</strong> chair <strong>of</strong> <strong>the</strong> IES Milwaukee<br />
Section Education Committee, where<br />
she facilitates <strong>the</strong> Lighting Fundamentals<br />
course. The post has allowed her<br />
“to pull toge<strong>the</strong>r a wide variety <strong>of</strong> highly<br />
qualified lighting designers and engineers<br />
to lecture.” It has also given her<br />
<strong>the</strong> opportunity to become part <strong>of</strong> a new<br />
community <strong>of</strong> like-minded designers:<br />
“The board strives to bring new technologies<br />
and methods <strong>of</strong> design to <strong>the</strong>ir<br />
members while going out <strong>of</strong> <strong>the</strong>ir way to<br />
make emerging pr<strong>of</strong>essionals, such as<br />
myself, feel welcome.”<br />
A FEW KIND WORDS: “A few years ago<br />
we took a chance hiring someone without<br />
an engineering background to be a<br />
part <strong>of</strong> our electrical engineering team<br />
because she impressed us with her enthusiasm<br />
for learning,” says Fieena<br />
Zvenyach, IBC president and CEO. “We<br />
have never regretted <strong>the</strong> decision to<br />
bring Shanna on board; she has proven<br />
herself a quick study and has continued<br />
to move above and beyond our expectations.<br />
She has a knack for pairing her<br />
style and artistry with a passion for sustainability<br />
that benefits both our clients<br />
and our internal team.”<br />
DOWN THE ROAD: “Education will be<br />
my main focus in <strong>the</strong> next few years,”<br />
says Olson. “As education chair for <strong>the</strong><br />
Milwaukee Section, I will continue to<br />
focus on bringing new technologies and<br />
methods <strong>of</strong> design to our lighting community.<br />
As a part <strong>of</strong> <strong>the</strong> IBC team, I will<br />
strive to educate our clients on <strong>the</strong> importance<br />
<strong>of</strong> sustainability and <strong>the</strong> best<br />
methods <strong>of</strong> achieving this goal. In this<br />
vein, I hope to continue to work on projects<br />
which have a long-term impact both<br />
aes<strong>the</strong>tically and sustainably.”<br />
Elizabeth Hall<br />
SHANNA OLSON<br />
IBC ENGINEERING<br />
SERVICES, INC.<br />
WAUKESHA, WI<br />
CAREER CAPSULE<br />
• Key projects: Shaw<br />
Technology and<br />
Learning Center Power<br />
House High, Chicago;<br />
Engberg Anderson Design<br />
Partnership, Milwaukee;<br />
Milwaukee Intermodal;<br />
Chicago Park District<br />
Sustainable Prototype<br />
• IES Illumination Awards<br />
<strong>of</strong> Merit for St. Croix Falls<br />
Library, St. Croix Falls,<br />
WI, and Muchin College<br />
Prep, Chicago<br />
‘Designing<br />
sustainably<br />
is not only<br />
<strong>the</strong> right<br />
choice, but <strong>the</strong><br />
rational one’<br />
LD+A December 2010 63
FUTURE LEADERS<br />
RACHAEL<br />
CLARK-LANE<br />
LIGHTING DESIGN<br />
INNOVATIONS<br />
CALGARY, CANADA<br />
CAREER CAPSULE<br />
• Benjamin Moore<br />
Scholarship; Jason Lang<br />
Scholarship; Karen<br />
Miller-Tait Memorial<br />
Scholarship<br />
• Intern designer, City <strong>of</strong><br />
Calgary<br />
• Key projects: Banff<br />
Springs Hotel Gold Floor,<br />
Banff, Alberta;<br />
Timber-frame Residence<br />
and Landscape, Okotoks,<br />
Alberta; Medalta<br />
Potteries Interpretive<br />
Centre, Medicine Hat,<br />
Alberta; LDI headquarters,<br />
Batavia, NY<br />
In November 2008, Rachael Clark-<br />
Lane made her lighting debut at <strong>the</strong><br />
IES Annual Conference. Hours after<br />
walking across <strong>the</strong> stage to receive her<br />
college degree, Clark-Lane hopped on a<br />
plane and headed to Savannah to attend<br />
her first industry event through <strong>the</strong> IES<br />
Young Pr<strong>of</strong>essionals Scholarship program.<br />
A few months later in <strong>the</strong> pages <strong>of</strong><br />
LD+A, Clark-Lane told our readers about<br />
<strong>the</strong> combination <strong>of</strong> nerves and excitement<br />
she had felt as a new recruit surrounded<br />
by an army <strong>of</strong> lighting veterans.<br />
Soon after, Clark-Lane shook <strong>of</strong>f her<br />
early jitters and hit <strong>the</strong> ground running.<br />
Just two years later, she is an associate<br />
at Lighting Design Innovations<br />
(LDI) and board manager for <strong>the</strong> IES<br />
Calgary Section, where she’s leading<br />
<strong>the</strong> Emerging Pr<strong>of</strong>essionals program<br />
and <strong>of</strong>fering encouragement to young<br />
pr<strong>of</strong>essionals like herself.<br />
Perhaps Clark-Lane’s biggest strength<br />
as Emerging Pr<strong>of</strong>essionals chair is her<br />
ability to empathize with o<strong>the</strong>r young<br />
lighting practioners; like <strong>the</strong>m, she is<br />
learning as she goes. “Sometimes you<br />
don’t even know what resources and<br />
opportunities are available to you when<br />
you first enter an industry,” she says.<br />
“Everything is new, and it is hard to<br />
know where to look for personal and career<br />
opportunities and advancement.”<br />
For Clark-Lane, mentors Kim and<br />
Paul Mercier at LDI <strong>of</strong>fered a roadmap:<br />
“To have someone with much more experience<br />
in <strong>the</strong> industry help you navigate<br />
and find your way is invaluable.”<br />
Likewise, <strong>the</strong> IES helped boost her confidence.<br />
“At first I just watched from <strong>the</strong><br />
sidelines, but I gradually began taking<br />
on some responsibility and felt comfortable<br />
enough to contribute to <strong>the</strong> discussions,”<br />
she recalls.<br />
After honing her design skills on<br />
commercial, hospitality and residential<br />
projects, Clark-Lane has discovered that<br />
“what I love about light is its ability to<br />
make you see and think about <strong>the</strong> world<br />
around us. One <strong>of</strong> my favorite quotes<br />
comes from Charles Eames: ‘Choose<br />
your corner, pick away at it carefully, intensely<br />
and to <strong>the</strong> best <strong>of</strong> your ability, and<br />
that way you might change <strong>the</strong> world.’ I<br />
think I’ve found an exciting corner.”<br />
A FEW KIND WORDS: “Most <strong>of</strong> an individual’s<br />
contributions are recognized in<br />
retrospect,” says IES past-president and<br />
LDI principal, Kim Mercier. “These include<br />
a conscientious ethic, being designminded,<br />
being learned and learning, and<br />
possessing a sense <strong>of</strong> responsibility that<br />
comes from within and a drive to be a<br />
better person. Rachael has <strong>the</strong>se characteristics<br />
and is on this path.”<br />
DOWN THE ROAD: Ever <strong>the</strong> emerging<br />
pr<strong>of</strong>essional, Clark-Lane “looks forward<br />
to taking on opportunities that will expand<br />
my accreditations and knowledge<br />
<strong>of</strong> lighting and to be able to apply that directly<br />
to my work.”<br />
Elizabeth Hall<br />
‘This really shows how new I am, but <strong>the</strong> most excited I’ve been in my<br />
career was when one <strong>of</strong> my first projects was finally completed and we<br />
turned <strong>the</strong> lights on. I truly felt like a designer’<br />
64<br />
www.ies.org
FUTURE LEADERS<br />
Many in <strong>the</strong> pr<strong>of</strong>ession have<br />
voiced concern over <strong>the</strong> past<br />
few years that <strong>the</strong>re will not be<br />
enough Ph.D.s to sustain university lighting<br />
programs. Michael Royer, who will<br />
earn his Ph.D. from Penn State University<br />
in May, wants to be part <strong>of</strong> <strong>the</strong> solution<br />
to that thorny problem. “There are many<br />
people out <strong>the</strong>re who are good at and love<br />
to teach lighting, but <strong>the</strong> problem is that<br />
most universities require a Ph.D. for fulltime<br />
faculty members,” says Royer. “In<br />
recent years, <strong>the</strong>re’s been a shortage <strong>of</strong><br />
Ph.D.s coming out <strong>of</strong> lighting programs,<br />
which in turn creates a shortage <strong>of</strong> lighting<br />
programs and a vicious cycle ensues.<br />
Dr. Kevin Houser, my advisor, has made<br />
a dedicated effort to bring in graduate<br />
students who are intent on pursuing<br />
academic careers. This will allow existing<br />
programs to flourish while creating<br />
a pool <strong>of</strong> qualified individuals who can<br />
start new programs. I’d like to think I’m<br />
among <strong>the</strong> first <strong>of</strong> <strong>the</strong> next generation <strong>of</strong><br />
lighting educators, both helping to expand<br />
<strong>the</strong> reach <strong>of</strong> lighting education and<br />
eventually filling <strong>the</strong> void as <strong>the</strong> existing<br />
generation <strong>of</strong> educators move on.”<br />
Royer, who also earned his bachelor’s<br />
and master’s at Penn State, is working<br />
toward a Ph.D. in Architectural <strong>Engineering</strong>,<br />
Illuminations Systems. His dissertation<br />
includes research done with<br />
doctors at Penn State’s Milton S. Hershey<br />
Medical Center. “My work with Hershey<br />
focuses on examining light <strong>the</strong>rapy as<br />
a prophylactic treatment for a general<br />
population <strong>of</strong> seniors. We are examining<br />
<strong>the</strong> possibilities <strong>of</strong> adapting light <strong>the</strong>rapy<br />
as an integral part <strong>of</strong> daily activities. The<br />
end goal is to improve quality <strong>of</strong> life, and<br />
potentially longevity, for seniors.”<br />
Royer also hopes to educate those outside<br />
<strong>the</strong> industry by showing <strong>the</strong> public<br />
what’s possible through lighting. “The<br />
coolest thing about working in lighting<br />
is <strong>the</strong> opportunity to change someone’s<br />
environment in a way <strong>the</strong>y never imagined.<br />
I think lighting is underappreciated<br />
as an integral part <strong>of</strong> <strong>the</strong> built environment,<br />
but once people see what can<br />
be done, <strong>the</strong>y are usually amazed.”<br />
A FEW KIND WORDS: “When I first met<br />
Michael at <strong>the</strong> IES Conference in Seattle,<br />
I found his enthusiasm for <strong>the</strong> lighting<br />
pr<strong>of</strong>ession refreshing. His interest in ensuring<br />
that lighting pr<strong>of</strong>essionals take<br />
ownership and responsibility for <strong>the</strong> visual<br />
environment was exciting to hear,”<br />
says Kevin Flynn, executive vice president,<br />
Kiku Obata & Company. “I look forward<br />
to following Michael’s career and<br />
one day reading about his lighting program<br />
at one <strong>of</strong> our nation’s universities.”<br />
DOWN THE ROAD: Royer is looking<br />
forward to a dual-track career in academia.<br />
“In <strong>the</strong> next few years, I hope<br />
to establish myself as a prominent<br />
researcher and begin giving back to<br />
<strong>the</strong> industry by training <strong>the</strong> next generation<br />
<strong>of</strong> lighting pr<strong>of</strong>essionals. I hope<br />
that my research will lead to increased<br />
energy efficiency, more pleasing visual<br />
environments and lighting systems<br />
that emphasize not only visual needs,<br />
but biological needs as well.”<br />
Paul Tarricone<br />
MICHAEL ROYER<br />
PENN STATE UNIVERSITY<br />
UNIVERSITY PARK, PA<br />
CAREER CAPSULE<br />
• 2010 Jonas Bellovin<br />
Scholar Achievement<br />
Award; 2009 NSF<br />
Graduate Research<br />
Fellowship, Honorable<br />
Mention; 2009 IES Young<br />
Pr<strong>of</strong>essionals<br />
Scholarship<br />
‘Seeing my first<br />
paper published<br />
in LEUKOS<br />
wasn’t <strong>the</strong> most<br />
fun or exciting<br />
moment, but<br />
it’s memorable<br />
since, hopefully,<br />
it’s <strong>the</strong><br />
beginning <strong>of</strong><br />
bigger things to<br />
come’<br />
LD+A December 2010 65
FUTURE LEADERS<br />
FAITH JEWELL<br />
HORTON LEES<br />
BROGDEN LIGHTING<br />
DESIGN<br />
SAN FRANCISCO<br />
CAREER CAPSULE<br />
• Young Urbanist,<br />
San Francisco Planning<br />
+ Urban Research<br />
Association<br />
• Key projects: Canyon<br />
Land Resort Hotel,<br />
Phoenix; <strong>the</strong> San<br />
Bernardino Courthouse;<br />
UC Berkeley M<strong>of</strong>fitt<br />
Library; Cologne Science<br />
Center.<br />
‘I’ve been<br />
working on a<br />
hotel in Austin,<br />
TX, and am<br />
excited to<br />
see how it<br />
turned out’<br />
Faith Jewell has something <strong>of</strong> a<br />
dual personality when it comes<br />
to lighting. While she can wax<br />
philosophical about <strong>the</strong> design nuances<br />
in different cultures, she also sweats<br />
<strong>the</strong> small stuff in her role at HLB.<br />
After graduating from <strong>the</strong> University <strong>of</strong><br />
San Diego, Jewell earned an M.A. in Architectural<br />
Lighting Design at <strong>the</strong> Hochschule,<br />
Wismar in Germany. Her travels<br />
in Europe took her to <strong>the</strong> Luminale Light<br />
+ Building Festival in Frankfurt, where<br />
her design for a parking garage near <strong>the</strong><br />
city’s central train station was installed;<br />
to France where she studied architecture;<br />
to Cologne, Germany, for an internship;<br />
and later to Berlin, where she<br />
designed <strong>the</strong> lighting for several international<br />
projects, including <strong>the</strong> Palazzo<br />
Versace Dubai hotel and resort.<br />
That journey revealed both similarities<br />
and differences between <strong>the</strong> U.S. and<br />
Europe in design approach. “Europe is<br />
divided into many small countries and<br />
many tiny markets. Each European<br />
country has a distinct culture and education<br />
system that have led to a unique design<br />
approach that is <strong>of</strong>ten part <strong>of</strong> a country’s<br />
identity,” notes Jewell. “A good way<br />
to visualize it is to think about <strong>the</strong> differences<br />
between a Mercedes sports car and<br />
a Ferrari. Design in Italy is something<br />
totally different from design in Germany,<br />
and this also holds true in terms <strong>of</strong> lighting<br />
design across Europe.”<br />
The U.S., by contrast, may <strong>of</strong>fer more<br />
creative opportunities. “In terms <strong>of</strong> design<br />
style and process, <strong>the</strong>re are subtle<br />
regional differences, but because we are<br />
one big domestic market and designers<br />
are <strong>of</strong>ten educated in a region different<br />
from <strong>the</strong>ir own, <strong>the</strong>re is a thread that<br />
ties us all toge<strong>the</strong>r, but less <strong>of</strong> a distinctly<br />
‘American’ style,” she says. “In many ways<br />
this is what I like most about working as a<br />
lighting designer in <strong>the</strong> U.S. It is not meant<br />
as an insult because no one can argue<br />
with <strong>the</strong> greatness <strong>of</strong> European design.<br />
Certainly <strong>the</strong> design process in <strong>the</strong> U.S.<br />
is much less stylized than it is in Europe,<br />
but here we have <strong>the</strong> freedom to develop<br />
concepts from many different traditions<br />
and a style that is uniquely our own.”<br />
Jewell’s interests, though, extend beyond<br />
<strong>the</strong> conceptual to <strong>the</strong> day-to-day<br />
concerns <strong>of</strong> <strong>the</strong> designer, and she’s been<br />
instrumental in developing quality control<br />
practices among her peers at HLB.<br />
“We meet as a team to focus on both<br />
small- and big-picture issues ranging<br />
from <strong>of</strong>fice standards, drafting techniques,<br />
to what lessons we can learn from<br />
completed projects, project management<br />
styles and how to learn from each o<strong>the</strong>r’s<br />
design approach,” says Jewell.<br />
A FEW KIND WORDS: “Faith is constantly<br />
learning from <strong>the</strong> projects around<br />
her as well as reaching beyond <strong>the</strong> lighting<br />
practice to take ideas and inspiration<br />
from <strong>the</strong> design community and <strong>the</strong><br />
world at large,” says HLB senior principal<br />
Angela McDonald. “Her openness<br />
to new ideas is invigorating to <strong>the</strong> o<strong>the</strong>r<br />
pr<strong>of</strong>essionals who have <strong>the</strong> opportunity<br />
to work with her.”<br />
DOWN THE ROAD: Jewell hopes to refine<br />
her design techniques. “My focus<br />
will be on continuing to develop my<br />
personal style and approach. I am hoping<br />
that by filling my head with inspiration,<br />
exploring new technologies and<br />
continuing to sharpen my methods that<br />
someday I will be recognized as an expert<br />
in <strong>the</strong> industry.”<br />
Paul Tarricone<br />
66<br />
www.ies.org
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FUTURE LEADERS<br />
<br />
WANTED<br />
A NEW<br />
TYPE OF<br />
LIGHTING<br />
PROFESSIONAL<br />
Looking beyond <strong>the</strong> traditional roles <strong>of</strong><br />
designer, manufacturer, rep and distributor,<br />
<strong>the</strong> author <strong>of</strong>fers a fearless forecast <strong>of</strong> five<br />
new job titles poised to make an impact on<br />
<strong>the</strong> industry<br />
BY KELLY M. SEEGER<br />
When Paul Tarricone asked<br />
me to write a companion<br />
piece for this issue <strong>of</strong><br />
LD+A focusing on new and emerging<br />
jobs in lighting, I jumped at <strong>the</strong><br />
opportunity. Watching industry<br />
trends and considering new roles for<br />
lighting pr<strong>of</strong>essionals has long been<br />
an interest <strong>of</strong> mine.<br />
It has been so much <strong>of</strong> an interest,<br />
in fact, that three years ago I<br />
developed a presentation on <strong>the</strong>se<br />
topics for <strong>the</strong> graduate students <strong>of</strong><br />
<strong>the</strong> Lighting Research Center at<br />
RPI. The intent was simple: give<br />
<strong>the</strong> students a leg up and let <strong>the</strong>m<br />
in on <strong>the</strong> things that I’ve learned<br />
over my 10 years out in <strong>the</strong> real<br />
world before <strong>the</strong>y enter it. I convinced<br />
my good friend and colleague,<br />
Peping Dee, Jr., a lighting<br />
product designer and fellow LRC<br />
alum, to assist in editing and delivering<br />
<strong>the</strong> presentation.<br />
The result was an overview <strong>of</strong><br />
<strong>the</strong> lighting industry covering topics<br />
<strong>the</strong>y should be familiar with<br />
but wouldn’t learn in school—<strong>the</strong><br />
different jobs <strong>the</strong>y could do, <strong>the</strong><br />
sales process, lighting organizations,<br />
credentials, trends and so on.<br />
What began as a small effort on my<br />
part to give back to my alma mater<br />
and <strong>the</strong> lighting community has<br />
grown into a two-hour, 60-slide<br />
presentation entitled, “The Lighting<br />
Industry in a Nutshell” that we<br />
continue to give to <strong>the</strong> students and<br />
will enter its third year this spring.<br />
What I would like to share here<br />
is my perspective and observations<br />
on industry trends and new jobs for<br />
lighting pr<strong>of</strong>essionals—ones that I<br />
have seen and <strong>the</strong> emerging roles<br />
that I think are on <strong>the</strong> horizon. I<br />
68 www.ies.org
FUTURE LEADERS<br />
will add that my perspective on <strong>the</strong><br />
industry is perhaps a bit unique in<br />
that my current role falls into what<br />
I call “The O<strong>the</strong>rs” in my presentation—one<br />
<strong>of</strong> a group with nontraditional<br />
roles in lighting. These<br />
roles might technically be in o<strong>the</strong>r<br />
market sectors, but in some way<br />
<strong>the</strong>y intersect with lighting.<br />
In my case, this is as consultant<br />
who specializes in lighting for a<br />
global pr<strong>of</strong>essional services firm.<br />
In my primary role as an account<br />
manager for a commercial lighting<br />
incentive program, I interact with<br />
lighting designers, architects, engineers,<br />
manufacturer’s reps, distributors,<br />
contractors, lighting energy<br />
services companies (ESCOs)<br />
and end-users on a daily basis. In<br />
addition, my experience extends<br />
to working as a lighting designer<br />
and to manufacturing, where I’ve<br />
worked as an applications engineer,<br />
metro New York regional<br />
sales manager and director <strong>of</strong> sales<br />
and marketing.<br />
INDUSTRY TRENDS<br />
One <strong>of</strong> <strong>the</strong> things I find so great<br />
about our industry is that it’s young<br />
compared to many o<strong>the</strong>r industries—<strong>the</strong>re<br />
are still things left to<br />
be discovered and <strong>the</strong> rules aren’t<br />
set in stone. Our industry is constantly<br />
expanding and evolving.<br />
Just as our universe is expanding,<br />
so is lighting—we are improving<br />
existing techniques and developing<br />
new ones. We are learning to<br />
utilize sophisticated technologies<br />
such as solid-state lighting and we<br />
are adapting control protocols into<br />
our lighting systems. In doing this,<br />
we are also incorporating new pr<strong>of</strong>essionals<br />
and skills sets from o<strong>the</strong>r<br />
industries. Our industry is truly<br />
becoming well-rounded.<br />
The following are several trends<br />
that I anticipate for <strong>the</strong> lighting industry<br />
in <strong>the</strong> coming years.<br />
Companies will consolidate<br />
resources and look for an edge<br />
to help <strong>the</strong>m stand out from<br />
<strong>the</strong> crowd. We’ve all heard it. The<br />
number <strong>of</strong> LED manufacturers is<br />
predicted to drop drastically over<br />
<strong>the</strong> next few years as LED manufacturing<br />
processes solidify and<br />
standards take hold. The same will<br />
be true <strong>of</strong> o<strong>the</strong>r sectors <strong>of</strong> <strong>the</strong> industry<br />
and lighting pr<strong>of</strong>essionals will<br />
be tasked with wearing more hats,<br />
doing more jobs and becoming pr<strong>of</strong>icient<br />
in more skills. Opportunities<br />
will be <strong>the</strong>re for truly outstanding<br />
individuals to shine in leading<br />
roles in <strong>the</strong> industry. To quote<br />
Stephen Covey, “effective people<br />
are not problem-minded; <strong>the</strong>y’re<br />
opportunity-minded. They feed opportunities<br />
and starve problems.”<br />
An increase in architecture<br />
and engineering firms with inhouse<br />
lighting departments.<br />
This is an interesting trend. Some<br />
design firms now <strong>of</strong>fer energy<br />
auditing and lighting redesign<br />
services; no longer are <strong>the</strong>se services<br />
confined to <strong>the</strong> realm <strong>of</strong> <strong>the</strong><br />
contractor or ESCO. It will be advantageous<br />
for <strong>the</strong>se companies<br />
to employ lighting pr<strong>of</strong>essionals to<br />
bridge <strong>the</strong> gap between design and<br />
energy efficiency.<br />
Lighting pr<strong>of</strong>essionals in<br />
non-traditional roles. Since<br />
becoming a consultant, I am continually<br />
amazed at how many opportunities<br />
exist for lighting pr<strong>of</strong>essionals<br />
outside <strong>the</strong> traditional<br />
roles <strong>of</strong> designer, manufacturer,<br />
lighting rep and distributor. The<br />
growth <strong>of</strong> solid-state lighting as<br />
well as <strong>the</strong> move toward greater<br />
energy efficiency across our nation<br />
ensures <strong>the</strong> need for lighting pr<strong>of</strong>essionals<br />
in neighboring market<br />
sectors including energy, environment,<br />
policy/government, utilities,<br />
state agencies and municipalities.<br />
WHAT THE FUTURE HOLDS<br />
So what does <strong>the</strong> <strong>future</strong> hold for<br />
<strong>the</strong> lighting pr<strong>of</strong>essional Well, to<br />
borrow a phrase from an old ’80s<br />
song, “The Future’s So Bright, I<br />
Gotta Wear Shades.” We can identify<br />
several emerging jobs as well<br />
as a number <strong>of</strong> jobs that will become<br />
more widespread in <strong>the</strong> coming<br />
years. These jobs are likely to<br />
come about in one <strong>of</strong> two ways—ei<strong>the</strong>r<br />
as spin-<strong>of</strong>fs or specializations<br />
from within traditional roles, or<br />
in response to needs that arise in<br />
<strong>the</strong> marketplace. The infusion <strong>of</strong><br />
new technologies, infrastructure<br />
improvements, <strong>the</strong> refinement<br />
<strong>of</strong> codes and standards, and new<br />
practices/strategies will all contribute<br />
to <strong>the</strong> creation <strong>of</strong> new jobs<br />
and expansion <strong>of</strong> existing ones.<br />
What follows is a look at five job<br />
titles that may be just over <strong>the</strong> horizon.<br />
1The Lighting and Controls<br />
Specialist. If <strong>the</strong> focus on<br />
energy efficiency, LEDs<br />
and controls integration continues<br />
(which I expect it will), <strong>the</strong>re will<br />
be a need for ESCOs, A/E Firms,<br />
electrical distributors and electrical<br />
contractors to employ lighting<br />
specialists. The trend toward sus-<br />
LD+A December 2010 69
FUTURE LEADERS<br />
tainable building design practices<br />
indicates that what may have traditionally<br />
been handled by existing<br />
staff at <strong>the</strong>se companies will<br />
now need to be overseen by trained<br />
lighting pr<strong>of</strong>essionals. The Lighting<br />
and Controls Specialist may<br />
also coordinate efforts to ensure<br />
that <strong>the</strong> systems are installed as designed<br />
in order to maximize energy<br />
savings and return on investment.<br />
2<br />
The Lighting Systems Commissioning<br />
Agent. As <strong>the</strong><br />
design and implementation<br />
<strong>of</strong> lighting and control systems becomes<br />
more sophisticated, owners<br />
will need to employ commissioning<br />
agents specifically for <strong>the</strong>se systems.<br />
The Lighting Systems Commissioning<br />
Agent may also coordinate<br />
<strong>the</strong> measurement and verification<br />
(M&V) process to make sure that <strong>the</strong><br />
owner receives anticipated energyefficiency<br />
incentives for <strong>the</strong> project<br />
from utilities or o<strong>the</strong>r organizations.<br />
3The Municipality Energy<br />
Manager. It’s not uncommon<br />
for a city or town to<br />
have an Energy Manager. What is<br />
uncommon is for that individual to<br />
be educated in good lighting design<br />
and practice. And today, this is exactly<br />
what is needed because now<br />
more than ever, <strong>the</strong>ir challenges<br />
are lighting-related. Traditionally,<br />
Energy Managers have been responsible<br />
for identifying opportunities<br />
for energy-efficiency upgrades,<br />
training personnel on energy conservation,<br />
conducting outreach and<br />
creating an energy management<br />
plan for <strong>the</strong> municipality.<br />
Today, municipalities have a lot <strong>of</strong><br />
lighting work. Many have received<br />
stimulus funding or o<strong>the</strong>r grants to<br />
upgrade lighting to improve energy<br />
efficiency in schools, on streets and<br />
at o<strong>the</strong>r sites throughout <strong>the</strong>ir areas.<br />
There is growing need for lighting<br />
pr<strong>of</strong>essionals to direct <strong>the</strong>se planned<br />
upgrades. Within an Energy Manager<br />
role, a lighting pr<strong>of</strong>essional can<br />
So what does <strong>the</strong> <strong>future</strong> hold for <strong>the</strong><br />
lighting pr<strong>of</strong>essional Well, to borrow a<br />
phrase from an old ’80s song, ‘The Future’s<br />
So Bright, I Gotta Wear Shades’<br />
also be <strong>of</strong> crucial importance when<br />
it comes to writing specifications<br />
and requests for proposals as well as<br />
managing <strong>the</strong> installation process.<br />
4The Independent Lighting<br />
Product Designer. In recent<br />
years, manufacturers<br />
have increasingly sought product<br />
development assistance from outside<br />
engineering firms. In response<br />
to this need, lighting pr<strong>of</strong>essionals<br />
who have mechanical engineering<br />
or industrial design backgrounds<br />
will begin taking on this role. The<br />
ability to marry industrial design<br />
with an understanding <strong>of</strong> optics<br />
and lighting sets <strong>the</strong> Lighting<br />
Product Designer apart from <strong>the</strong><br />
typical mechanical engineer or industrial<br />
designer.<br />
5The Consultant (who specializes<br />
in lighting). Traditionally,<br />
when <strong>the</strong> term<br />
lighting consultant is mentioned,<br />
one typically thinks <strong>of</strong> a lighting<br />
designer. In <strong>the</strong> coming years, I<br />
think <strong>the</strong>se two terms will cease<br />
to be synonymous. Wikipedia and<br />
dictionary.com define a consultant<br />
as “a pr<strong>of</strong>essional who provides<br />
expert advice in a particular area<br />
<strong>of</strong> expertise and has a wide knowledge<br />
<strong>of</strong> <strong>the</strong> subject matter.”<br />
Continued national, regional<br />
and local emphasis on energy efficiency<br />
and lighting will facilitate<br />
<strong>the</strong> need for more consultants who<br />
specialize in lighting. Lighting<br />
Consultants will be called upon to<br />
provide advice and technical assistance<br />
to a wide range <strong>of</strong> clients<br />
from federal and state agencies to<br />
utilities, municipalities and o<strong>the</strong>rs.<br />
They will provide valuable support<br />
to our industry as proponents and<br />
educators <strong>of</strong> good lighting principles<br />
and practices.<br />
All in all, it’s an exciting time to<br />
be a lighting pr<strong>of</strong>essional.<br />
About <strong>the</strong> Author: Kelly Seeger,<br />
MSc, LC, Member IES (2005), LEED<br />
AP ID+C, is an associate with ICF<br />
International, where works for <strong>the</strong><br />
Energy Efficiency line <strong>of</strong> business.<br />
She works on several projects including <strong>the</strong> NYSERDA<br />
Commercial Lighting Program where she is an account<br />
manager. Ms. Seeger holds a Master <strong>of</strong> Science in<br />
Lighting from <strong>the</strong> Lighting Research Center at Rensselaer<br />
Polytechnic Institute and is <strong>the</strong> president <strong>of</strong> <strong>the</strong><br />
IES New York City Section (IESNYC).<br />
70 www.ies.org
PROJECT<br />
The c<strong>of</strong>fered ceiling has inset “lay lights”—22<br />
octagonal panels <strong>of</strong> Tiffany glass. Suspended<br />
from <strong>the</strong> ceiling are 22 long pendants, which<br />
beam uplight. On <strong>the</strong> orchestra and mezzanine<br />
balcony ceilings, three <strong>of</strong> <strong>the</strong> 13 Tiffany stainedglass<br />
fixtures that were missing were replicated<br />
to match <strong>the</strong> glass <strong>of</strong> <strong>the</strong> original fixtures.<br />
72 www.ies.org
PROJECT<br />
With its restored Tiffany fixtures and selective<br />
use <strong>of</strong> LEDs, <strong>the</strong> renovated Belasco Theatre<br />
is again <strong>the</strong> jewel in Broadway’s crown<br />
BY VILMA BARR AND ELLEN LAMPERT-GRÉAUX<br />
A STAR IS<br />
REBORN<br />
Photo: Whitney Cox<br />
Theatrical lore has it that<br />
Manhattan’s Belasco Theatre<br />
is haunted, and that <strong>the</strong><br />
ghost <strong>of</strong> fabled showman and playwright<br />
David Belasco still appears<br />
backstage, watching over his former<br />
home. Perhaps, now that <strong>the</strong> <strong>the</strong>ater<br />
has undergone a $14.5 million restoration,<br />
Belasco’s ghost can bask<br />
in <strong>the</strong> glow <strong>of</strong> <strong>the</strong> restored Tiffany<br />
stained-glass fixtures, satisfied that<br />
<strong>the</strong> <strong>the</strong>ater bearing his name once<br />
again glitters on Broadway.<br />
With seating for 1,000, <strong>the</strong> circa<br />
1907 building was designed in neo-<br />
Georgian style by George Keister,<br />
a well-known <strong>the</strong>atrical architect<br />
<strong>of</strong> <strong>the</strong> early 20 th century. Belasco<br />
maintained a duplex apartment<br />
in <strong>the</strong> building’s nor<strong>the</strong>ast tower.<br />
For 23 years after its opening, Belasco<br />
produced and directed more<br />
than 50 shows, many <strong>of</strong> which he<br />
also wrote, introducing such actors<br />
as Humphrey Bogart to New York<br />
<strong>the</strong>atergoers. Through <strong>the</strong> decades<br />
following Belasco’s death in 1931,<br />
<strong>the</strong> <strong>the</strong>ater presented such classics<br />
as Follies, Will Success Spoil Rock<br />
Hunter and Oh, Calcutta!<br />
The restoration and general improvement<br />
<strong>of</strong> <strong>the</strong> lighting in <strong>the</strong><br />
Belasco was “a key element” in <strong>the</strong><br />
recent renovation, says architect<br />
Francesca Russo, who oversaw <strong>the</strong><br />
project for The Shubert Organization,<br />
which has owned <strong>the</strong> <strong>the</strong>ater<br />
since 1948. “The overall lighting in<br />
<strong>the</strong> <strong>the</strong>ater is very artistic and many<br />
<strong>of</strong> <strong>the</strong> fixtures were created by Tiffany<br />
Studios following Belasco’s instructions,”<br />
she recounts. Belasco<br />
LD+A December 2010 73
PROJECT<br />
Bunches <strong>of</strong> purple glass grapes affixed to tapered<br />
pilasters seem to burst with light now that <strong>the</strong>y have been<br />
cleaned and relighted from behind with LEDs.<br />
Photo: Whitney Cox<br />
and Louis Comfort Tiffany were<br />
good friends, and Tiffany’s manufacturing<br />
firm received <strong>the</strong> commission<br />
to create <strong>the</strong> <strong>the</strong>ater’s light fixtures.<br />
When <strong>the</strong> <strong>the</strong>ater opened, <strong>the</strong><br />
lighting was <strong>the</strong> talk <strong>of</strong> <strong>the</strong> town.<br />
As Arthur David noted in Architectural<br />
Record in 1908 about <strong>the</strong><br />
<strong>the</strong>n-Stuyvesant Theatre (later<br />
renamed <strong>the</strong> Belasco): “. . . lights<br />
veiled in tinted glass, whose color<br />
is borrowed from <strong>the</strong> decorations<br />
against which <strong>the</strong>y are placed: <strong>the</strong><br />
soothing color scheme in which<br />
<strong>the</strong> whole interior is floated-amber,<br />
golden brown, dusty gray, orange,<br />
and faded green blues.” Observers<br />
pointed out that Belasco had <strong>the</strong><br />
<strong>the</strong>ater decorated and illuminated<br />
as if he were inviting guests into<br />
his living room.<br />
STAGE REVIVAL<br />
Coordinating <strong>the</strong> renovation’s<br />
lighting and power upgrade was Ted<br />
Jacobi, engineering project manager<br />
for The Shubert Organization.<br />
He describes <strong>the</strong> lighting in <strong>the</strong> c<strong>of</strong>fered<br />
ceiling as inset “lay lights”—22<br />
octagonal panels <strong>of</strong> Tiffany glass.<br />
“They were part <strong>of</strong> <strong>the</strong> first phase <strong>of</strong><br />
<strong>the</strong> restoration, two years ago,” says<br />
Jacobi. Suspended from <strong>the</strong> ceiling<br />
are 22 Rosette-style fixtures on long<br />
pendants, which beam uplight onto<br />
<strong>the</strong> elegant palace-like geometric<br />
pattern overhead. Although many<br />
<strong>of</strong> <strong>the</strong> originals were missing, <strong>the</strong>y<br />
were replicated from <strong>the</strong> surviving<br />
fixtures by Femenella & Associates,<br />
Branchburg, NJ-based restoration<br />
specialists. “We replaced <strong>the</strong> existing<br />
11-W incandescent lamps with<br />
40-W incandescents to enhance <strong>the</strong><br />
visibility <strong>of</strong> <strong>the</strong> ceiling,” says Jacobi.<br />
Three <strong>of</strong> <strong>the</strong> 13 Tiffany stainedglass<br />
fixtures on <strong>the</strong> orchestra and<br />
mezzanine balcony ceilings that<br />
were missing were also replicated to<br />
exactly match <strong>the</strong> glass <strong>of</strong> <strong>the</strong> original<br />
fixtures. “The originals, which<br />
had been in storage for 40 years, had<br />
eight sockets each which I assumed<br />
held 25-W lamps, or 200 watts per<br />
fixture, for a total <strong>of</strong> 2,600 watts,” Jacobi<br />
says. “We installed a new bracket<br />
with four 6-W LEDs in each, or 24<br />
watts each, a savings <strong>of</strong> 2,288 watts.”<br />
During LD+A’s tour <strong>of</strong> <strong>the</strong> Belasco,<br />
Thomas Stein, project manager<br />
for The Shubert Organization, noted<br />
that <strong>the</strong> new lighting on all <strong>of</strong> <strong>the</strong><br />
<strong>the</strong>ater’s levels accents a very warm<br />
palette <strong>of</strong> earthy colors comprising<br />
74 www.ies.org
PROJECT<br />
The original lobby fixture, this six-armed gilded chandelier with globe glass<br />
shades, was reconditioned and restored, with missing pieces recast for<br />
au<strong>the</strong>nticity. The murals were also cleaned and washed with LED light.<br />
terra cotta, verdigris, wood graining<br />
and gold. Stein pointed out how <strong>the</strong><br />
Tiffany-made stained-glass glows in<br />
<strong>the</strong> fixtures at <strong>the</strong> top <strong>of</strong> <strong>the</strong> pilasters<br />
on <strong>the</strong> orchestra and mezzanine levels.<br />
Bunches <strong>of</strong> purple glass grapes<br />
affixed to <strong>the</strong>se upward tapered columns<br />
seem to burst with light now<br />
that <strong>the</strong>y have been cleaned and<br />
relighted from behind with LEDs.<br />
“The equipment installed in 1906<br />
took up a great deal <strong>of</strong> space inside<br />
<strong>the</strong> column capitals and blocked <strong>the</strong><br />
removed and replaced with four 6-W<br />
12-in. LED strips and four 3-W 6-in.<br />
strips in each capital, a total <strong>of</strong> 36<br />
watts each, a total <strong>of</strong> 180 watts, saving<br />
3,020 watts.”<br />
“The [column] capitals over <strong>the</strong><br />
box seating were given <strong>the</strong> same<br />
treatment,” Jacobi continues. “There<br />
were approximately 12 40-W lamps<br />
in each <strong>of</strong> four fixtures, or 1,920<br />
watts. We brought <strong>the</strong> total down to<br />
118 watts by installing LED strips, a<br />
saving <strong>of</strong> 1,802 watts.”<br />
reflective surface, making it impossible<br />
to light <strong>the</strong> lower half <strong>of</strong> <strong>the</strong> fixture,”<br />
Jacobi says. There were four<br />
40-W incandescent lamps on each<br />
<strong>of</strong> <strong>the</strong> four sur<strong>faces</strong> <strong>of</strong> <strong>the</strong>se fixtures<br />
on <strong>the</strong> pilasters (640 watts per fixture)<br />
MARQUEE ON THE MARK<br />
Outside <strong>the</strong> <strong>the</strong>ater, <strong>the</strong> new<br />
marquee repeats details from <strong>the</strong><br />
original, but combines what had<br />
been three sections into one con-<br />
and <strong>the</strong>re are five fixtures, for tinuous element that sparkles<br />
a total <strong>of</strong> 3,200 watts. “I had <strong>the</strong>m all when illuminate from 4 p.m until<br />
Photo: Whitney Cox<br />
midnight. Under <strong>the</strong> marquee’s<br />
pressed tin ceiling, and <strong>the</strong> chase<br />
lights around <strong>the</strong> perimeter, are<br />
rows <strong>of</strong> 3-W cold-cathode lamps,<br />
a total <strong>of</strong> 500 enclosed in glass<br />
globes to evoke <strong>the</strong> look <strong>of</strong> traditional<br />
incandescent bulbs. “By replacing<br />
each 25-W lamp, we went<br />
from 13,000 watts to 1,600,” Jacobi<br />
says. There are now a total <strong>of</strong> 2,000<br />
3-W cold-cathode lamps on <strong>the</strong> underside<br />
<strong>of</strong> <strong>the</strong> marquee and on <strong>the</strong><br />
two-sided vertical “Belasco” sign<br />
that identifies <strong>the</strong> <strong>the</strong>ater.<br />
Walking into <strong>the</strong> lobby reveals<br />
new lighting <strong>the</strong>re, as well. The original<br />
chandelier was reconditioned<br />
and restored, with missing pieces recast<br />
for au<strong>the</strong>nticity. The lobby décor<br />
includes original leaded glass panels<br />
in a circular bulls-eye pattern, also<br />
restored by Femenella & Associates<br />
and relighted from behind. Additional<br />
fixtures over <strong>the</strong> ticket windows<br />
add illumination to <strong>the</strong> lobby and <strong>the</strong><br />
carved cherubs that grace <strong>the</strong> lobby.<br />
Broadway lighting designer Ken<br />
Billington consulted on <strong>the</strong> lighting<br />
<strong>of</strong> <strong>the</strong> restored murals on <strong>the</strong> first and<br />
second floors, as well as <strong>the</strong> lounge<br />
level and lobby. “Some <strong>of</strong> <strong>the</strong> murals<br />
had been painted over in <strong>the</strong> 1950s<br />
with white paint, totally hidden from<br />
view. O<strong>the</strong>rs were coated with dirt<br />
from a century <strong>of</strong> cigarette smoke<br />
and dust,” Billington says. “Some <strong>of</strong><br />
<strong>the</strong> reflectors on <strong>the</strong> fixtures were<br />
just black from age; <strong>the</strong>y all needed<br />
to be thoroughly cleaned.”<br />
Once <strong>the</strong> murals were restored,<br />
Billington specified <strong>the</strong> wall washes<br />
to bring <strong>the</strong>m to life. In <strong>the</strong> lobby,<br />
he opted for a 2,700K white LED<br />
system. “The lobby had never been<br />
lighted like this before. You can<br />
LD+A December 2010 75
PROJECT<br />
The combined efforts <strong>of</strong> many<br />
artisans and design pr<strong>of</strong>essionals<br />
working toge<strong>the</strong>r restored <strong>the</strong> grand<br />
palazzo-like interior and upgraded<br />
<strong>the</strong> exterior to create a glowing <strong>the</strong>atrical<br />
landmark on New York’s Great<br />
White Way—like a period <strong>the</strong>ater<br />
during <strong>the</strong> days <strong>of</strong> David Belasco.<br />
Vilma Barr is based in Philadelphia<br />
and is a regular contributor<br />
to LD+A. She is collaborating on<br />
her sixteenth book on design and<br />
<strong>the</strong> built environment.<br />
Ellen Lampert-Gréaux is <strong>the</strong><br />
consulting editor for Live Design<br />
magazine and conference director<br />
for LDI, an annual entertainment<br />
design and technology trade show.<br />
Under <strong>the</strong> marquee’s pressed tin ceiling are rows <strong>of</strong> 3-W cold<br />
cathode lamps, a total <strong>of</strong> 500 enclosed in glass globes to evoke<br />
<strong>the</strong> look <strong>of</strong> traditional incandescent bulbs.<br />
really see <strong>the</strong> exceptional murals<br />
that were created by three artists,<br />
including Everett Shinn,” he says.<br />
For <strong>the</strong> lounge level and first floor<br />
murals, he selected warm white LED<br />
strips. “They come with <strong>the</strong>ir own<br />
dimmer and can be dimmed 100<br />
percent, which is better for <strong>the</strong> house<br />
lights,” explains Billington. On <strong>the</strong><br />
second floor, <strong>the</strong> lamps had to fit into<br />
a very shallow ceiling space, so recessed<br />
MR16 dimmable downlights<br />
were specified. “The challenge,” Billington<br />
notes, “is to put modern fixtures<br />
into an historic building like<br />
<strong>the</strong> Belasco and still be eco-friendly.”<br />
Billington set <strong>the</strong> levels for <strong>the</strong><br />
mural lighting with <strong>the</strong> assistance<br />
<strong>of</strong> programmer Victor Seastone. An<br />
ETC Unison architectural lighting<br />
control system handles <strong>the</strong> house<br />
lights and lobbies. “We set several<br />
levels: walk-in, house to half, house<br />
out with lights in boxes and stairs<br />
still on, and a cleaning cue,” notes<br />
Billington. “We never set <strong>the</strong> lights to<br />
100 percent, to increase lamp life, to<br />
keep <strong>the</strong> house lights <strong>of</strong>f as much as<br />
possible and to save power.”<br />
“When you walk in and see <strong>the</strong><br />
lighting, you might imagine that it<br />
looked just this way when <strong>the</strong> <strong>the</strong>ater<br />
was constructed,” Billington muses.<br />
“But <strong>of</strong> course today’s lighting program<br />
meets all current safety standards<br />
and regulations.” A new fire<br />
alarm system was put in place, along<br />
with an emergency generator.<br />
Photo: Vilma Barr<br />
About <strong>the</strong> Designers: Francesca<br />
M. Russo, architect for <strong>the</strong> restoration<br />
<strong>of</strong> <strong>the</strong> Belasco Theatre, has<br />
made a specialty in <strong>the</strong> restoration<br />
and adaptive reuse <strong>of</strong> buildings related<br />
to <strong>the</strong> arts, education and housing. Based in Nyack,<br />
NY and Barnstable, MA, she served as architect for <strong>the</strong><br />
award-winning renovations <strong>of</strong> <strong>the</strong> Hirschfeld, St. James,<br />
American Airlines, Sam S. Shubert and Eugene O’Neill<br />
Theatres. She is a member <strong>of</strong> <strong>the</strong> <strong>Society</strong> <strong>of</strong> Architectural<br />
Historians.<br />
Theodore V. (Ted) Jacobi III, has<br />
been engineering project manager<br />
for The Shubert Organization. Inc.,<br />
since 1997. His responsibilities<br />
cover design coordination and<br />
project management for all electrical, plumbing, mechanical<br />
systems, fire alarm and fire protection for <strong>the</strong>ater<br />
renovations and day-to-day <strong>the</strong>ater maintenance.<br />
Theatrical lighting designer Ken<br />
Billington, Member IES (1985), this<br />
season opened his 93 rd Broadway<br />
show, The Scottsboro Boys. Previous<br />
productions include: Chicago,<br />
Sondheim on Sondheim, The Drowsy Chaperone, The<br />
Visit, and revivals <strong>of</strong> Sunday in <strong>the</strong> Park with George,<br />
Candide, Annie, My Fair Lady and Fiddler on <strong>the</strong> Ro<strong>of</strong>.<br />
He is <strong>the</strong> recipient <strong>of</strong> Tony, Drama Desk and Outer Critics<br />
Circle Awards.<br />
76 www.ies.org
ADVERTISEMENT<br />
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Commercial spaces are usually over-illuminated,<br />
and <strong>the</strong> ability to dim lights to <strong>the</strong><br />
appropriate level for <strong>the</strong> job at hand can<br />
improve productivity and reduce eyestrain<br />
and computer glare. In fact, research by<br />
<strong>the</strong> Light Right Consortium found that<br />
employees are 6% more comfortable<br />
when <strong>the</strong>y have individual control over<br />
<strong>the</strong>ir lighting environment. Ano<strong>the</strong>r study<br />
by lighting expert Peter Boyce showed<br />
that “people with dimming control reported<br />
higher ratings <strong>of</strong> lighting quality,<br />
overall environmental satisfaction, and<br />
self-rated productivity.”<br />
“The productivity link is huge,” says<br />
Pessina. “Human resources cost $318 per<br />
square foot, which is more than six times<br />
higher than any o<strong>the</strong>r operating cost. If<br />
better light control can help people work<br />
more effectively for five minutes—which<br />
is equal to 1% <strong>of</strong> <strong>the</strong> work day—<strong>the</strong> investment<br />
in light controls will pay for itself<br />
in less than a year.”<br />
To find out how much<br />
you can save, visit:<br />
lutron.com/green.
ANNUAL INDEX SUBJECT<br />
BRIDGES<br />
Flight Simulator ............ Sep p.49<br />
The Museum <strong>of</strong> Flight—T. Evans<br />
Wyck<strong>of</strong>f Memorial Bridge<br />
Jeff Losnegard<br />
by Paul Tarricone<br />
COLUMNS<br />
Apps + Answers ...........Apr p.24<br />
Apps + Answers ...........Jun p.28<br />
Apps + Answers ...........Sep p.24<br />
Careers + Hiring ............Jan p.14<br />
Careers + Hiring ............Apr p.28<br />
Careers + Hiring ............Jul p.24<br />
Careers + Hiring ............Oct p.34<br />
Editorial ....................Jan p.4<br />
Editorial ....................Feb p.4<br />
Editorial ....................Mar p.4<br />
Editorial ....................Apr p.8<br />
Editorial ...................May p.26<br />
Editorial ...................Jun p.4<br />
Editorial ...................Jul p.4<br />
Editorial ....................Aug p.4<br />
Editorial ....................Sep p. 4<br />
Editorial ....................Oct p.4<br />
Editorial ....................Nov p.4<br />
Editorial ....................Dec p.6<br />
Education ..................Feb p.17<br />
Education . . . . . . . . . . . . . . . . . . Mar p.28<br />
Education . . . . . . . . . . . . . . . . . . May p.46<br />
Education . . . . . . . . . . . . . . . . . . Aug p.18<br />
Education . . . . . . . . . . . . . . . . . . Sep p.28<br />
Education . . . . . . . . . . . . . . . . . . Nov p.20<br />
Education . . . . . . . . . . . . . . . . . . Dec p.32<br />
Energy Advisor ............Jan p.12<br />
Energy Advisor ............Feb p.12<br />
Energy Advisor ............Mar p.16<br />
Energy Advisor ............Apr p.16<br />
Energy Advisor ............May p.42<br />
Energy Advisor ............Jun p.20<br />
Energy Advisor ............Jul p.14<br />
Energy Advisor ............Aug p.14<br />
Energy Advisor ............Sep p.14<br />
Energy Advisor ............Oct p.20<br />
Energy Advisor .............Nov p.16<br />
Energy Advisor ............Dec p.18<br />
Essay ......................Jan p.16<br />
Essay ......................Feb p.22<br />
Essay ......................Jul p.26<br />
Eye on <strong>the</strong> Boomers ........Jan p.18<br />
Eye on <strong>the</strong> Boomers .......Apr p.32<br />
Eye on <strong>the</strong> Boomers ........Jul p.20<br />
Eye on <strong>the</strong> Boomers ........Oct p.28<br />
LED Watch ................. Feb p.20<br />
LED Watch .................Apr p.20<br />
LED Watch .................May p.52<br />
LED Watch ................Aug p.28<br />
LED Watch .................Sep p.20<br />
LED Watch ................Oct p.24<br />
LED Watch ................Dec p.<br />
Policy Points . ..............Jul p.28<br />
Policy Points . ..............Sep p.32<br />
Policy Points . ..............Nov p.30<br />
President’s Perspective . . . . Jan p.8<br />
President’s Perspective . . . . Mar p.10<br />
President’s Perspective . . . . May p.32<br />
President’s Perspective . . . . Jul p.10<br />
President’s Perspective . . . . Oct p.12<br />
Research Matters. . . . . . . . . . Mar p.22<br />
Research Matters. . . . . . . . . . Jul p.18<br />
Research Matters. . . . . . . . . . Aug p.24<br />
Research Matters .........Nov p.26<br />
Research Matters. . . . . . . . . . Dec p.26<br />
Rules + Regs ...............Mar p.20<br />
Rules + Regs ...............Jun p.24<br />
DIRECTORIES<br />
2010 LIGHTING ............Mar p.53<br />
EQUIPMENT +<br />
ACCESSORIES DIRECTORY<br />
EDUCATION<br />
Buy Low, Sell High .........Jan p.37<br />
Art Center College <strong>of</strong> Design<br />
by Vilma Barr<br />
George Washington ........Jan p.39<br />
Says Hail to <strong>the</strong> Chiefs<br />
by Erin Speck<br />
EDUCATION FACILITIES/<br />
LIBRARIES<br />
A Lesson in Retr<strong>of</strong>itting . . . . May p.59<br />
University <strong>of</strong> Maryland<br />
by Elizabeth Hall<br />
Adaptive Approach ...... Nov p. 59<br />
by Elizabeth Hall<br />
Big Technology ............Jun p.54<br />
on Campus<br />
University <strong>of</strong> Colorado, Boulder Campus<br />
by Paul Tarricone<br />
Clearly Stated .............Jul p.54<br />
The Annenberg Public Policy Center<br />
Helen Diemer; The Lighting Practice<br />
and Fumihiko Maki; Maki and<br />
Associates<br />
by Elizabeth Hall<br />
Kinetic Cool . . . . . . . . . . . . . . . . Sep p.60<br />
Aldis Light Engine No. 19 at <strong>the</strong><br />
Arizona State University Walter<br />
Cronkite School <strong>of</strong> Journalism and<br />
Mass Communication<br />
Paul Deeb; Vox Manufacturing<br />
The Big Switch .............May p.69<br />
Hyatt Regency Grand Cypress Resort,<br />
Rockford High School and <strong>the</strong> Bowden<br />
Ice Arena<br />
by Paul Tarricone<br />
University <strong>of</strong> Michigan . . . . . Sep p.38<br />
Hill Dining Center<br />
by Elizabeth Hall<br />
ESSAY<br />
The Code Word Is People . . Oct p.56<br />
by Greg Guarnaccia<br />
Wanted: A New Type .......Dec p.68<br />
<strong>of</strong> Lighting Pr<strong>of</strong>essional<br />
by Kelly M. Seeger<br />
FAÇADE/LANDSCAPE LIGHTING<br />
Combo Pack. . . . . . . . . . . . . . . . Sep p.40<br />
Alegent Health, Bergan Mercy<br />
Hospital, parking garage<br />
Kyle G. Pearson<br />
by Paul Tarricone<br />
Holiday Gift. . . . . . . . . . . . . . . . . Nov p.53<br />
Denver City and County building<br />
by Paul Tarricone<br />
Line <strong>of</strong> Sight ................Sep p.44<br />
Spire Tower<br />
Rachel Petro; RNL<br />
by Elizabeth Hall<br />
Up on <strong>the</strong> Ro<strong>of</strong> .............Jan p.21<br />
Midtown Manhattan Ro<strong>of</strong>top<br />
by Elizabeth Hall<br />
FUTURE LEADERS: THE NEXT<br />
GENERATION OF LIGHTING<br />
LUMINAIRIES<br />
Matt Alleman; .............Dec p.49<br />
SmithGroup, Detroit<br />
by Paul Tarricone<br />
Chris Bailey; Hubbell .......Dec p.58<br />
Lighting, Bradenton, FL<br />
by Paul Tarricone<br />
Kristy Benner; Kaplan ......Dec p.60<br />
Gehring McCarroll<br />
Architectural Lighting,<br />
El Segundo, CA<br />
by Paul Tarricone<br />
Megan Christen; ...........Dec p.50<br />
Cooper Lighting,<br />
Peachtree City, GA<br />
by Paul Tarricone<br />
Rachel Clark-Lane; ......... Dec p.64<br />
Lighting Design Innovations,<br />
Calgary, Alberta, Canada<br />
by Elizabeth Hall<br />
Lara Cordell; ...............Dec p.53<br />
Wiedenbach-Brown, Yorba Linda, CA<br />
by Paul Tarricone<br />
Rachel Eichorn; Kugler . . . . Dec p.43<br />
Ning Lighting Design, Inc., New York,<br />
NY<br />
by Elizabeth Hall<br />
Keith Graeber; California . . Dec p.47<br />
Lighting Technology Center, UC Davis<br />
by Paul Tarricone<br />
Andrea Hauber; ............Dec p.45<br />
KlingStubbins, Philadelphia<br />
by Elizabeth Hall<br />
Faith Jewell; Horton .......Dec p.66<br />
Lees Brogden Lighting Design,<br />
San Francisco<br />
by Paul Tarricone<br />
Renée Joosten; ............Dec p.56<br />
Cooley Monato Studio, New York, NY<br />
by Elizabeth Hall<br />
Bryan Klammer; Lighting . . . Dec p.52<br />
Design Alliance, Los Angeles<br />
by Elizabeth Hall<br />
Lisa Kramer; h.e. ........... Dec p.54<br />
banks + associates, San Francisco<br />
by Elizabeth Hall<br />
Juan Pablo Lira; ............ Dec p.51<br />
Focus Lighting, New York, NY<br />
by Elizabeth Hall<br />
Martha Lopacki; ...........Dec p.55<br />
Sean O’Connor Lighting, Beverly Hills<br />
by Paul Tarricone<br />
Amer Maleh; .............. Dec p.44<br />
Continental Lighting, New York, NY<br />
by Paul Tarricone<br />
Avraham Mor; ..............Dec p.42<br />
Lightswitch Architectural, Chicago<br />
by Paul Tarricone<br />
Shanna Olson; .............Dec p.63<br />
IBC <strong>Engineering</strong> Services, Inc.,<br />
Waukesha, WI<br />
by Elizabeth Hall<br />
Christy Rogers, ............Dec p.48<br />
EwingCole, Philadelphia<br />
by Elizabeth Hall<br />
Michael Royer; .............Dec p.65<br />
Penn State University<br />
by Paul Tarricone<br />
Aaron Smith; Rensselaer . . . Dec p.62<br />
Polytechnic Institute’s<br />
Lighting Research Center<br />
by Elizabeth Hall<br />
Craig Spring .............. Dec p.61<br />
Architectural Lighting Consultants,<br />
Seattle, WA<br />
by Paul Tarricone<br />
Chrysanthi Stockwell . . . . Dec p.59<br />
Hammel, Green and Abrahamson<br />
Architects and Engineers,<br />
Minneapolis, MN<br />
by Paul Tarricone<br />
Emrah Baki Ulas; ..........Dec p.57<br />
Steensen Varming,<br />
Northbridge, Australia<br />
by Elizabeth Hall<br />
78 www.ies.org
Andrea Wilkerson; . . . . . . . . . Dec p.46<br />
The Penn State University<br />
by Elizabeth Hall<br />
HEALTH CARE FACILITIES<br />
Combo Pack. . . . . . . . . . . . . . . . Sep p.40<br />
Alegent Health, Bergan Mercy Hospital,<br />
parking garage<br />
Kyle G. Pearson<br />
by Paul Tarricone<br />
HOSPITALITY LIGHTING<br />
A League <strong>of</strong> Its Own . . . . . . . . Feb p.40<br />
Harvard Club New York City<br />
Suzan Tillotson; Tillotson Design<br />
Associates<br />
by Elizabeth Hall<br />
Big Pay<strong>of</strong>f . . . . . . . . . . . . . . . . . . Feb p.48<br />
MGM Grand Detroit<br />
Kenneth Klemmer; <strong>Illuminating</strong><br />
Concepts<br />
Deep in <strong>the</strong> Vault . . . . . . . . . . . Aug p.54<br />
Boston Mandarin Oriental Hotel’s<br />
Mizu Salon<br />
Jeffrey T. Berg, John Powell, Christopher<br />
Leon; Parsons Brinckerh<strong>of</strong>f<br />
by Paul Tarricone<br />
Elements <strong>of</strong> Entertainment . Aug p.33<br />
FireKeepers Casino<br />
by Elizabeth Hall<br />
Natural Selection . . . . . . . . . . Feb p.44<br />
Canyon Ranch<br />
Paul Gregory and Juan Pablo Lira;<br />
Focus Lighting, Inc.<br />
by Elizabeth Hall<br />
One Shell <strong>of</strong> a Structure . . . . Feb p.34<br />
Yas Hotel, Abu Dhabi<br />
Brian Stacy and Rogier van der Heide;<br />
Arup Lighting<br />
by Paul Tarricone<br />
Recovery Act . . . . . . . . . . . . . . Apr p.40<br />
Renaissance New Orleans Pere Marquette<br />
Hotel and Mila Restaurant<br />
Scott Oldner; Scott Oldner Lighting<br />
Design<br />
by Elizabeth Hall<br />
The Big Switch . . . . . . . . . . . . . May p.69<br />
Hyatt Regency Grand Cypress Resort;<br />
Rockford High School; and The Bowden<br />
Ice Arena<br />
by Paul Tarricone<br />
The Langham Yangtze . . . . . . Sep p.37<br />
Boutique Hotel<br />
by Elizabeth Hall<br />
HOUSES OF WORSHIP<br />
Moonstruck . . . . . . . . . . . . . . . . Aug p.48<br />
Sheikh Zayed Bin Sultan Al Nahyan<br />
Mosque<br />
Jonathan Speirs and Keith Bradshaw;<br />
Speirs and Major Associates<br />
by Elizabeth Hall<br />
IES ANNUAL CONFERENCE<br />
PREVIEW<br />
IES Conference Preview . . . Sep p.64<br />
IES FYI<br />
2010 IES Annual . . . . . . . . . . . . Mar p.120<br />
Conference Call for Papers<br />
2010: A Light Odyssey . . . . . . Jun p.80<br />
Besal Scholarships Go . . . . . May p.115<br />
to Student Members<br />
Deadline Approaches . . . . . . Apr p.100<br />
for Shemitz Scholarship<br />
Educating <strong>the</strong> Elderly. . . . . . . Jan p.80<br />
IES 2010 Position . . . . . . . . . . . Oct p.84<br />
Statement Recap<br />
IES and LD+A Win . . . . . . . . . . May p.116<br />
Media Awards<br />
IES to Host 29 th Annual . . . . . Jun p.80<br />
Street and Area Lighting Conference<br />
Lights <strong>of</strong> Philadelphia . . . . . . Nov p.75<br />
Manufacturers . . . . . . . . . . . . . Nov p.76<br />
on <strong>the</strong> Move<br />
NCQLP Announces . . . . . . . . Aug p.96<br />
2009 LC Exam Results<br />
New York’s Finest . . . . . . . . . . Aug p.94<br />
Celebrate at 2010 Lumens<br />
NYC Students Compete . . . . May p.116<br />
with Light<br />
Reflections from . . . . . . . . . . . Mar p.116<br />
<strong>the</strong> Emerald City<br />
Re-Model Home . . . . . . . . . . . Aug p.95<br />
Retro Redux at . . . . . . . . . . . . . Sep p.79<br />
Lumen West<br />
Saul Goldin Scholarship . . . . Sep p.79<br />
Section Awards . . . . . . . . . . . . Aug p.94<br />
and Tributes<br />
<strong>Society</strong> to Honor . . . . . . . . . . . Sep p.80<br />
Members at Annual Conference<br />
Sometimes You Get . . . . . . . . Jun p.12<br />
What You Need<br />
by Rachael Clark-Lane<br />
Stories from Seattle . . . . . . . . Jan p.79<br />
by Paul Tarricone<br />
Street and Area Lighting . . . Dec p.92<br />
Conference<br />
Survey: Members . . . . . . . . . . May p.115<br />
Satisfied with Dues Renewal<br />
University Students . . . . . . . . Aug p.9<br />
Receive Design Scholarships<br />
Upcoming IES Webcast . . . . Feb p.68<br />
to Cover Controls<br />
IES ILLUMINATION AWARDS<br />
2010 IES Illumination . . . . . . . Aug p.37<br />
Awards<br />
Deep in <strong>the</strong> Vault . . . . . . . . . . . Aug p.54<br />
Boston Mandarin Oriental Hotel’s<br />
Mizu Salon<br />
Jeffrey T. Berg, John Powell and Christopher<br />
Leon; Parson Brinckerh<strong>of</strong>f<br />
by Paul Tarricone<br />
Moonstruck . . . . . . . . . . . . . . . . Aug p.48<br />
Sheikh Zayed Bin Sultan Al Nahyan<br />
Mosque<br />
Jonathan Speirs and Keith Bradshaw;<br />
Speirs and Major Associates<br />
by Elizabeth Hall<br />
IES 2010 Illumination . . . . . . . Aug p.60<br />
Awards <strong>of</strong> Merit<br />
ANATOMY OF AN AWARD<br />
Be<strong>the</strong>sda Lane . . . . . . . . . . . . . Feb p.26<br />
by Elizabeth Hall<br />
Chicago Cultural Center . . . . Feb p.25<br />
Preston Bradley Hall Dome<br />
by Elizabeth Hall<br />
China Basin Landing . . . . . . . Jun p.34<br />
by Elizabeth Hall<br />
DTW North Terminal . . . . . . . Apr p.38<br />
by Elizabeth Hall<br />
Hello Cupcake . . . . . . . . . . . . . . Nov p.35<br />
by Elizabeth Hall<br />
Logan College Student . . . . . Jun p.33<br />
Center<br />
by Elizabeth Hall<br />
Taubman Museum <strong>of</strong> Art . . . Nov p.36<br />
by Elizabeth Hall<br />
The Langham Yangtze . . . . . . Sep p.37<br />
Boutique Hotel<br />
by Elizabeth Hall<br />
University <strong>of</strong> Michigan . . . . . Sep p.38<br />
Hill Dining Center<br />
by Elizabeth Hall<br />
World Market Center . . . . . . Apr p.37<br />
by Elizabeth Hall<br />
OBITUARIES<br />
Camille Labrecque . . . . . . . . . Aug p.95<br />
James Richards . . . . . . . . . . . . Nov p.75<br />
INDUSTRIAL LIGHTING<br />
A Slow Go on <strong>the</strong> . . . . . . . . . . . Jun p.43<br />
Factory Floor<br />
by Paul Tarricone<br />
Fewer Parts Required . . . . . . Jun p.42<br />
Frontline International<br />
Manufacturing Plant<br />
by Paul Tarricone<br />
LIGHTFAIR 2010<br />
PREVIEW . . . . . . . . . . . . . . . . . . Apr p.58<br />
Speakers In <strong>the</strong> Spotlight<br />
Daylight Decoder . . . . . . . . . . Apr p.78<br />
Mudit Saxena<br />
by Elizabeth Hall<br />
Household Name. . . . . . . . . . . Apr p.82<br />
Steven Klein<br />
by Paul Tarricone<br />
LED Provocateur . . . . . . . . . . . Apr p.66<br />
Jack Curran<br />
by Paul Tarricone<br />
Master <strong>of</strong> <strong>the</strong> Details . . . . . . . Apr p.74<br />
D. Schweppe<br />
by Paul Tarricone<br />
Musings <strong>of</strong> a Mentor . . . . . . . Apr p.70<br />
Alice Prussin<br />
by Elizabeth Hall<br />
The Landscape Luminairie . Apr p.62<br />
Jan Moyer<br />
by Elizabeth Hall<br />
MUSEUMS/EXHIBITS<br />
Backlighting Goes . . . . . . . . . . Aug p.34<br />
Back in Time<br />
West Virginia State Museum<br />
by Elizabeth Hall<br />
Flight Simulator . . . . . . . . . . . . Sep p.49<br />
The Museum <strong>of</strong> Flight—T. Evans<br />
Wyck<strong>of</strong>f Memorial Bridge<br />
Jeff Losnegard<br />
by Paul Tarricone<br />
Imagination Revisited . . . . . . Oct p.66<br />
Science Storms Exhibit at <strong>the</strong> Museum<br />
<strong>of</strong> Science and Industry<br />
Paul Gregory, J.R. Krauza and Joshua<br />
Spitzig; Focus Lighting, Inc.<br />
by Elizabeth Hall<br />
Local Hero . . . . . . . . . . . . . . . . . Mar p.38<br />
Auckland War Memorial Museum<br />
Francois Roupinian; Lightemotion<br />
by Elizabeth Hall<br />
Taubman Museum <strong>of</strong> Art . . . Nov p.36<br />
Taubman Museum <strong>of</strong> Art<br />
by Elizabeth Hall<br />
Under <strong>the</strong> Influence . . . . . . . . Jan p.28<br />
by Elizabeth Hall<br />
ANNUAL INDEX SUBJECT<br />
LD+A December 2010 79
ANNUAL INDEX SUBJECT<br />
Vision Quest . . . . . . . . . . . . . . . Jan p.24<br />
James Turrell Museum <strong>of</strong> <strong>the</strong> Hess Art<br />
Collection<br />
James Turrell and Felix Schweizer;<br />
Bodega and Estancia Colome’ and Bill<br />
Ellis; Candela Contols<br />
by Elizabeth Hall<br />
OFFICE LIGHTING<br />
Ano<strong>the</strong>r Level . . . . . . . . . . . . . . May p.76<br />
The Empire State Building, Skanska<br />
USA Offi ce<br />
Matt Franks; Arup<br />
Clearly Stated . . . . . . . . . . . . . Jul p.54<br />
The Annenberg Public Policy Center<br />
Helen Diemer; The Lighting Practice<br />
and Fumihiko Maki; Maki and Associates<br />
by Elizabeth Hall<br />
Color Chameleon . . . . . . . . . . . Nov p.56<br />
Reflective Flow Chandelier<br />
Beau McClellan; Beau McClellan<br />
Design and Jonathan Labbee; LSI Saco<br />
by Elizabeth Hall<br />
Daylight Savings . . . . . . . . . . . May p.82<br />
Lighting Design Alliance<br />
Chip Israel; Lighting Design Alliances<br />
by Elizabeth Hall<br />
Digging For a Solution . . . . . . Jul p.33<br />
Bucyrus International Headquarters<br />
by Elizabeth Hall<br />
Hospital Turned HQ . . . . . . . . Apr p.52<br />
Crow Holdings Headquarters<br />
LEDs Go To Work . . . . . . . . . . .Jul p.34<br />
Ranstad Offi ce Building<br />
by Elizabeth Hall<br />
Micros<strong>of</strong>t Pieces it . . . . . . . . . Oct p.40<br />
Toge<strong>the</strong>r<br />
Micros<strong>of</strong>t Conference Center<br />
by Elizabeth Hall<br />
Next-generation . . . . . . . . . . . Oct p.46<br />
Workstation<br />
Glumac Irvine Office<br />
Carlos Inclan and Jennifer Berg;<br />
Glumac<br />
by Elizabeth Hall<br />
Re/Max Redo . . . . . . . . . . . . . . Jan p.30<br />
Re/Max Headquarters<br />
Marla J. Stauth; Frankly Lighting and<br />
Deborah Barber; Barber Architecture<br />
by Paul Tarricone<br />
Theatrics at Work . . . . . . . . . . May p.86<br />
Design Duncan Miller Ullmann’s Offi ce<br />
Headquarters<br />
by Elizabeth Hall<br />
PROGRESS . . . . . . . . . . . . . . . Jan p.45<br />
REPORT 2009<br />
PUBLIC BUILDINGS/SPACES<br />
Big Technology. . . . . . . . . . . . . Jun p.54<br />
on Campus<br />
University <strong>of</strong> Colorado, Boulder Campus<br />
by Paul Tarricone<br />
Chicago Cultural Center . . . . Feb p.25<br />
Preston Bradley Hall Dome<br />
by Elizabeth Hall<br />
Combo Pack. . . . . . . . . . . . . . . . Sep p.40<br />
Alegent Health, Bergan Mercy<br />
Hospital, parking garage<br />
Kyle G. Pearson<br />
by Paul Tarricone<br />
DTW North Terminal . . . . . . . Apr p.38<br />
by Elizabeth Hall<br />
Government Tree Hugger . . Nov p.50<br />
U.S. Federal Courthouse<br />
Attila Uysal; SBLD Studio<br />
by Paul Tarricone<br />
Seven in Silhouette . . . . . . . . Nov p.38<br />
Rosa Parks Transit Center<br />
Tushar Advani; Parsons Brinckerh<strong>of</strong>f,<br />
Charles R. Scales; Scales & Associates,<br />
Nicholas Goldsmith and Ashish Soni;<br />
FTL Design <strong>Engineering</strong> Studio<br />
by Vilma Barr<br />
Solar Power Hits <strong>the</strong> Lot . . . May p.60<br />
Spokane Convention Center Parking Lot<br />
by Elizabeth Hall<br />
The Great Indoors . . . . . . . . . . Nov p.44<br />
Vancouver International Airport<br />
Michael W. Graham; MMM Group<br />
by Elizabeth Hall<br />
Q+A<br />
Americans in Dubai . . . . . . . . Jul p.60<br />
Mat<strong>the</strong>w Dacey and Nydia Bonilla<br />
by Roslyn Lowe<br />
Blockbuster by Design . . . . . Jan p.42<br />
Lisa Passamonte Green<br />
by Roslyn Lowe<br />
Seattle’s Man on . . . . . . . . . . . May p.94<br />
<strong>the</strong> Street<br />
Edward Smalley<br />
by Paul Tarricone<br />
Still Life Is Still Life . . . . . . . . . Jun p.64<br />
Rick Belzer<br />
by Roslyn Lowe<br />
21 st Century Fox . . . . . . . . . . . . Feb p.54<br />
John Fox<br />
by Paul Tarricone<br />
The Chinese Connection . . . Nov p.60<br />
Michael Siminovitch<br />
by Roslyn Lowe<br />
RESEARCH<br />
Nor<strong>the</strong>rn Extremes . . . . . . . . Oct p.61<br />
Daylighting Simulations<br />
Conor Sampson<br />
RESIDENTIAL LIGHTING<br />
Artistry in Residence . . . . . . . May p.88<br />
Kilbourn Towers<br />
Steven L. Klein; Klein Lighting<br />
Home Very Sweet Home . . . Aug p.76<br />
Randall Whitehead’s Residence<br />
by Randall Whitehead<br />
One For Two. . . . . . . . . . . . . . . . Oct p.42<br />
Arterra Condominiums<br />
Angela McDonald; Horton Lees<br />
Brogden Lighting Design<br />
by Paul Tarricone<br />
RESTAURANT<br />
Recovery Act . . . . . . . . . . . . . . Apr p.40<br />
Renaissance New Orleans Pere Marquette<br />
Hotel and MiLa Restaurant<br />
Scott Oldner; Scott Oldner Lighting<br />
Design<br />
by Elizabeth Hall<br />
Sombrero as Ceiling . . . . . . . . Feb p.28<br />
T&T Restaurant<br />
Ann Kale and Jeffrey Boynton; Ann<br />
Kale Associates<br />
by Vilma Barr<br />
University <strong>of</strong> Michigan . . . . . Sep p.38<br />
Hill Dining Center<br />
by Elizabeth Hall<br />
RETAIL<br />
A New Lease On Life . . . . . . . May p.62<br />
The Cherry Hill Mall<br />
William M. Kader and Lauren Roberts;<br />
Grenald Waldron Associates<br />
by Vilma Barr<br />
Be<strong>the</strong>sda Lane . . . . . . . . . . . . . Feb p.26<br />
by Elizabeth Hall<br />
Cabela’s Under Control . . . . . Jul p.41<br />
Cabela Hardware Stores<br />
by Paul Tarricone<br />
Flip Sides <strong>of</strong> Footwear. . . . . . Jul p.43<br />
United Nude and Christian Louboutin<br />
by Vilma Barr<br />
Haute Contours . . . . . . . . . . . . Jul p.48<br />
Armani/5th Avenue<br />
Jonathan Speirs and Keith Bradshaw;<br />
Speirs and Major Associates<br />
by Elizabeth Hall<br />
Hello Cupcake . . . . . . . . . . . . . . Nov p.35<br />
Hello Cupcake<br />
by Elizabeth Hall<br />
Keep It Fresh . . . . . . . . . . . . . . . Jan p.22<br />
Bi-Lo Grocery Store<br />
by Elizabeth Hall<br />
Market Ready . . . . . . . . . . . . . . Oct p.39<br />
Chestnut Hill Star Market<br />
by Elizabeth Hall<br />
Ordinary Stores, . . . . . . . . . . . Apr p.46<br />
Extraordinary Design<br />
Walgreens, Kangaroo Express and<br />
Sprout<br />
by Vilma Barr<br />
Prototypes Roll On . . . . . . . . . Jul p.36<br />
Store Prototype Lighting<br />
by Paul Tarricone<br />
ROUNDTABLE<br />
OLEDs Taking Shape . . . . . . . Jun p.58<br />
Jim Anderson, Shelley Wang,<br />
Mark Lien, Peter Ngai and Ann Reo<br />
Paul Tarricone<br />
SPECIAL REPORT: ARRA UPDATE<br />
Taking Stock <strong>of</strong> . . . . . . . . . . . . . Aug p.70<br />
<strong>the</strong> Stimulus<br />
Special Report: ARRA Update<br />
by Paul Tarricone<br />
SPORTS LIGHTING<br />
Oval Everlasting . . . . . . . . . . . . Mar p.44<br />
The 2010 Richmond Olympic Oval<br />
Galina Zbrizher; Total Lighting<br />
Solutions, Inc.<br />
by Paul Tarricone<br />
The Big Switch . . . . . . . . . . . . . May p.69<br />
Hyatt Regency Grand Cypress Resort;<br />
Rockford High School; and The Bowden<br />
Ice Arena<br />
by Paul Tarricone<br />
STREET LIGHTING<br />
Alternate Routes . . . . . . . . . . . Sep p.54<br />
San Diego and Chula Vista Street<br />
Lighting<br />
by Elizabeth Hall<br />
One Fixture, Many . . . . . . . . . Mar p.36<br />
Functions<br />
02 World Arena<br />
by Elizabeth Hall<br />
Relighting History . . . . . . . . . . Mar p. 35<br />
Blaue Liliengasse and Untere Bachgasse<br />
Alleyways<br />
by Elizabeth Hall<br />
Taking a Dim View <strong>of</strong> . . . . . . . Sep p.58<br />
Switched-<strong>of</strong>f Streetlights<br />
Streetlighting in Westminster<br />
by Michael McDonnell<br />
TECHNOLOGY<br />
Lessons from <strong>the</strong> Field . . . . . Jun p.47<br />
Three U.S. Department <strong>of</strong> Energy<br />
Gateway Installations<br />
by James Brodrick<br />
Points Well Taken . . . . . . . . . . Oct p.52<br />
by Michael Llewellyn<br />
80 www.ies.org
The Customer Is . . . . . . . . . . . Mar p.48<br />
Always Right<br />
OLEDs<br />
by Ian Ashdown and Brent York<br />
THEATER LIGHTING<br />
A Star is Reborn . . . . . . . . . . . . Dec p.72<br />
Belasco Theater<br />
by Vilma Barr<br />
Black-Tie Optional . . . . . . . . . Jun p.36<br />
Rensselaer Politechnic Institute’s<br />
Experimental Media and Performing<br />
Arts Center<br />
Enrique Peiniger and Jean S. Sundin;<br />
Offi ce for Visual Interaction<br />
by Elizabeth Hall<br />
Still Life Is Still Life . . . . . . . . . Jun p.64<br />
Rick Belzer<br />
by Roslyn Lowe<br />
TOOLS + TECHNIQUES<br />
A Dealer Cashes In . . . . . . . . Dec p.37<br />
Agincourt Hyundai<br />
by Elizabeth Hall<br />
A Lesson in Retr<strong>of</strong>itting . . . . May p.59<br />
University <strong>of</strong> Maryland<br />
by Elizabeth Hall<br />
Backlighting Goes . . . . . . . . . . Aug p.34<br />
Back In Time<br />
West Virginia State Museum<br />
by Elizabeth Hall<br />
Digging For a Solution . . . . . . Jul p.33<br />
Bucyrus International Headquarters<br />
by Elizabeth Hall<br />
Elements <strong>of</strong> Entertainment . Aug p.33<br />
FireKeepers Casino<br />
by Elizabeth Hall<br />
Keep It Fresh . . . . . . . . . . . . . . . Jan p.22<br />
Bi-Lo Grocery Store<br />
by Elizabeth Hall<br />
LEDs Go to Work . . . . . . . . . . . Jul p.34<br />
Ranstad Offi ce Building<br />
by Elizabeth Hall<br />
Market Ready . . . . . . . . . . . . . . Oct p.39<br />
Star Market<br />
by Elizabeth Hall<br />
Micros<strong>of</strong>t Pieces . . . . . . . . . . . Oct p.40<br />
It Toge<strong>the</strong>r<br />
Micros<strong>of</strong>t Conference Center<br />
by Elizabeth Hall<br />
One Fixture, Many . . . . . . . . . Mar p.36<br />
Functions<br />
02 World Arena<br />
by Elizabeth Hall<br />
Relighting History . . . . . . . . . . Mar p. 35<br />
Blaue Liliengasse and Untere<br />
Bachgasse Alleyways<br />
by Elizabeth Hall<br />
Solar Power Hits <strong>the</strong> Lot . . . May p.60<br />
Spokane Power Convention Center<br />
Parking Lot<br />
by Elizabeth Hall<br />
Technology Takes <strong>the</strong> . . . . . . Dec p.38<br />
Scenic Route<br />
Race Street Lighting<br />
by Elizabeth Hall<br />
Up on <strong>the</strong> Ro<strong>of</strong> . . . . . . . . . . . . . Jan p.21<br />
Midtown Manhattan Ro<strong>of</strong>top<br />
by Elizabeth Hall<br />
UPDATES<br />
A Green Standard to . . . . . . . Mar p.14<br />
Build On<br />
A New Approach to . . . . . . . . Feb p.10<br />
Nighttime Lighting<br />
A School Grows in . . . . . . . . . Oct p.17<br />
Tanzania<br />
A Wild Ride in Q2 . . . . . . . . . . . Oct p.17<br />
America Voices Opinions . . Mar p.13<br />
in Socket Survey<br />
Arc De Triomphe . . . . . . . . . . . Aug p.13<br />
At Ikea, . . . . . . . . . . . . . . . . . . . . Sep p.13<br />
Incandescents Are Flying Off <strong>the</strong> Shelf<br />
Bollards May Improve . . . . . . Jun p.17<br />
Crosswalk Safety<br />
Business Confidence . . . . . . Aug p.13<br />
Inches Forward<br />
Call for Entries . . . . . . . . . . . . . Mar p.12<br />
Call for Speakers . . . . . . . . . . . Apr p.14<br />
Catch <strong>of</strong> <strong>the</strong> Day. . . . . . . . . . . . Sep p.12<br />
Come Sail Away . . . . . . . . . . . . Sep p.13<br />
Design-it-Yourself . . . . . . . . . . Jul p.12<br />
Fixtures<br />
Dial it Up . . . . . . . . . . . . . . . . . . . Nov p.13<br />
DOE Absorbs Cree . . . . . . . . . Dec p.15<br />
LED City<br />
DOE Forecasts SSL . . . . . . . . May p.38<br />
Future<br />
DOE Funds Small . . . . . . . . . . Nov p.13<br />
Business SSL Grants<br />
Enlighten America . . . . . . . . . Sep p.12<br />
Goes Viral<br />
Fixture Market to . . . . . . . . . . . Jun p.18<br />
Accelerate<br />
GE Spawns Hybrid Lamp . . . Dec p.15<br />
Green Building . . . . . . . . . . . . . May p.38<br />
Goes Global<br />
Green Strategies that Pay . . Jan p.10<br />
Help for Haiti . . . . . . . . . . . . . . . Aug p.12<br />
How Many Users Does . . . . . Jul p.13<br />
it Take to Change a Website<br />
IES RP22 Review . . . . . . . . . . Aug p.13<br />
Underway<br />
Incentives May . . . . . . . . . . . . Oct p.16<br />
Disappear Along with T12s<br />
Industry Confidence . . . . . . . Mar p.13<br />
Rises In Early 2010<br />
Is <strong>the</strong> Bulb Back . . . . . . . . . . . Nov p.12<br />
Joining Forces . . . . . . . . . . . . . Jul p.12<br />
LED Leaders to Share . . . . . . Sep p.12<br />
Patents<br />
LEDs Bring Jobs to . . . . . . . . . May p.39<br />
Cleveland<br />
Legislation to Address . . . . . Jan p.11<br />
Outdoor Lighting<br />
Lighting for Tomorrow. . . . . . Nov p.14<br />
Names Winners<br />
Lighting Sales Increase . . . . May p.40<br />
In 2009 Q4<br />
Lighting Sales Increase . . . . Jul p.12<br />
in Q1; Modest Gains Forecast For ‘10<br />
Lights Out for ConEd . . . . . . . Oct p.16<br />
Lutron Artifacts at Home . . Jun p.16<br />
in <strong>the</strong> Smithsonian<br />
by Paul Tarricone<br />
Made in Italy . . . . . . . . . . . . . . . Jul p.12<br />
Make Way for <strong>the</strong> Green . . . Sep p.12<br />
Facility Manager<br />
Making <strong>the</strong> Most . . . . . . . . . . . Feb p.10<br />
<strong>of</strong> Metrics<br />
Manufacturers Join . . . . . . . . Apr p.15<br />
Haiti Relief Effort<br />
Mixed Results for . . . . . . . . . . Dec p.16<br />
CALiPER Round 11<br />
Mirror, Mirror on <strong>the</strong> Wall . . Feb p.10<br />
More Letters in <strong>the</strong><br />
Alphabet Soup . . . . . . . . . . . . . Dec p.16<br />
Mystic River . . . . . . . . . . . . . . . Jun p.18<br />
NEMA Q3 2009 Indices . . . . Jan p.10<br />
Reflect Highs and Lows<br />
New Members Join . . . . . . . . Jul p.13<br />
Emerge Alliance<br />
New Mexico to Pursue . . . . . Nov p.14<br />
Green Grid<br />
NLPIP Study Questions . . . . Dec p.16<br />
Effectiveness<br />
Nuckolls Grant Funds . . . . . . Aug p.12<br />
Multi-Institution Learning<br />
Oceanic Oasis . . . . . . . . . . . . . . Mar p.12<br />
by Elizabeth Hall<br />
OLEDs Are Coming . . . . . . . . . Dec p.14<br />
to America<br />
One Small Step For LEDs . . . Jan p.10<br />
One-Watt Wonder . . . . . . . . . May p.39<br />
Plasma Coming Soon . . . . . . Nov p.13<br />
to Indiana<br />
Ports <strong>of</strong> Color . . . . . . . . . . . . . . Mar p.13<br />
Red, White and Blue . . . . . . . Jan p.11<br />
Turns Green<br />
Rhode Island Adopts . . . . . . . Nov p.12<br />
IGCC<br />
Smartphone Users . . . . . . . . . Aug p.13<br />
Take Control<br />
Solar Decathlon<br />
Goes Abroad . . . . . . . . . . . . . . . Oct p. 18<br />
Starchitecture . . . . . . . . . . . . . Oct p.16<br />
States Go One-Stop . . . . . . . Jan p.11<br />
Shopping For SSL Products<br />
Stimulus Grants for . . . . . . . . Mar p.14<br />
SSL Projects<br />
Students Engineer LED. . . . . Nov p.12<br />
Luminaires<br />
Texas Campus Invests . . . . . Dec p.14<br />
in Green Upgrades<br />
Turn on <strong>the</strong> . . . . . . . . . . . . . . . . Dec p.14<br />
Sou<strong>the</strong>rn Charm<br />
UC Davis Students . . . . . . . . . Jun p.18<br />
Design Fixtures <strong>of</strong> <strong>the</strong> Future<br />
Volt, Watt...and . . . . . . . . . . . . May p.38<br />
Rosenfeld<br />
Winds <strong>of</strong> Change . . . . . . . . . . . May p.40<br />
Wine’s Newest Pairing . . . . . Apr p.14<br />
by Elizabeth Hall<br />
ANNUAL INDEX SUBJECT<br />
LD+A December 2010 81
ANNUAL INDEX AUTHOR<br />
AUTHOR<br />
Ashdown, Ian and York, Brent<br />
The Customer is Always . Mar p.48<br />
Right<br />
OLEDs<br />
Barr, Vilma<br />
A New Lease on Life . . . . . May p.62<br />
A Star is Reborn . . . . . . . . . . Dec p.72<br />
By Low, Sell High . . . . . . . . . .Jan p.37<br />
Flip Sides <strong>of</strong> Footwear. . . . . .Jul p.43<br />
Ordinary Stores, . . . . . . . . . .Apr p.46<br />
Extraordinary Design<br />
Seven in Silhouette . . . . . . Nov p.38<br />
Sombrero as Ceiling . . . . . . .Feb p.28<br />
Bartholomew, Edward<br />
Education . . . . . . . . . . . . . . . . Dec p.32<br />
Project CANDLE: A Virus that Cures<br />
Education . . . . . . . . . . . . . . . . Mar p.28<br />
Sharpening <strong>the</strong> Skill Set<br />
Education . . . . . . . . . . . . . . . . .Sep p.28<br />
The Grasp <strong>of</strong> a Helping Hand<br />
Brodrick, James<br />
LED Watch . . . . . . . . . . . . . . . .Feb p.20<br />
LED Watch . . . . . . . . . . . . . . . May p.52<br />
LED Watch . . . . . . . . . . . . . . . Dec p.22<br />
LED Watch . . . . . . . . . . . . . . . . Oct p.24<br />
Getting a Higher Education in Solid-<br />
State Lighting<br />
LED Watch . . . . . . . . . . . . . . . .Apr p.20<br />
LED Products Declared Ready in NGL<br />
Competition<br />
LED Watch . . . . . . . . . . . . . . . Aug p.28<br />
Lumens—The Forgotten Metric<br />
LED Watch . . . . . . . . . . . . . . . .Sep p.20<br />
Redefining Color<br />
Lessons from <strong>the</strong> Field . . . .Jun p.47<br />
Three U.S. Department <strong>of</strong> Energy<br />
Gateway Installations<br />
Clark-Lane, Rachael<br />
Sometimes You Get . . . . . . .Jun p.12<br />
What You Need<br />
Fisher, Randall P.<br />
Essay . . . . . . . . . . . . . . . . . . . . . .Jul p.26<br />
Gammon, Leland<br />
Rules + Regs . . . . . . . . . . . . . .Jun p.24<br />
Always Pack Your EPAct<br />
Guarnaccia, Greg<br />
The Code Word . . . . . . . . . . . Oct p.56<br />
Is People<br />
Hall, Elizabeth<br />
A League <strong>of</strong> Its Own . . . . . . .Feb p.40<br />
A Lesson in Retr<strong>of</strong>itting . . May p.59<br />
Adaptive Approach . . . . . . Nov p.59<br />
Alternate Routes . . . . . . . . . .Sep p.54<br />
Backlighting Goes . . . . . . .Aug. p.34<br />
Back in Time<br />
Be<strong>the</strong>sda Lane . . . . . . . . . . . .Feb p.26<br />
Black-Tie Optional . . . . . . . .Jun p.36<br />
Chicago Cultural Center . . .Feb p.25<br />
China Basin Landing . . . . . .Jun p.34<br />
Clearly Stated . . . . . . . . . . . . .Jul p.54<br />
Color Chameleon . . . . . . . . . Nov p.56<br />
Daylight Decoder . . . . . . . . .Apr p.78<br />
Daylight Savings . . . . . . . . . May p.82<br />
Digging for a Solution . . . . . .Jul p.33<br />
DTW North Terminal . . . . . .Apr p.38<br />
Elements <strong>of</strong> . . . . . . . . . . . . . . Aug p.33<br />
Entertainment<br />
Future Leaders . . . . . . . . . . . Dec p.64<br />
Rachel Clark-Lane; Lighting Design<br />
Innovations, Calgary, Alberta, Canada<br />
Future Leaders . . . . . . . . . . . Dec p.43<br />
Rachel Eichorn; Kugler Ning Lighting<br />
Design, Inc., New York, NY<br />
Future Leaders . . . . . . . . . . . Dec p.45<br />
Andrea Hauber; KlingStubbins,<br />
Philadelphia<br />
Future Leaders . . . . . . . . . . . Dec p.56<br />
Renée Joosten; Cooley Monato Studio,<br />
New York, NY<br />
Future Leaders . . . . . . . . . . . Dec p.52<br />
Bryan Klammer; Lighting Design Alliance,<br />
Los Angeles<br />
Future Leaders . . . . . . . . . . . Dec p.54<br />
Lisa Kramer; h.e. banks+ associates,<br />
San Francisco<br />
Future Leaders . . . . . . . . . . . Dec p.51<br />
Juan Pablo Lira; Focus Lighting, New<br />
York City<br />
Future Leaders . . . . . . . . . . . Dec p.63<br />
Shanna Olson; IBC <strong>Engineering</strong> Services,<br />
Inc., Waukesha, WI<br />
Future Leaders . . . . . . . . . . . Dec p.48<br />
Christy Rogers, EwingCole, Philadelphia<br />
Future Leaders . . . . . . . . . . . Dec p.62<br />
Aaron Smith; Rensselaer Polytechnic<br />
Institute’s Lighting Research Center<br />
Future Leaders . . . . . . . . . . . Dec p.57<br />
Emrah Baki Ulas; Steensen Varming,<br />
Northbridge, Australia<br />
Future Leaders . . . . . . . . . . . Dec p.46<br />
Andrea Wilkerson; Penn State<br />
University<br />
Haute Contours . . . . . . . . . . . .Jul p.48<br />
Hello Cupcake . . . . . . . . . . . . Nov p.35<br />
Imagination Revisited . . . . . Oct p.66<br />
Keep it Fresh . . . . . . . . . . . . . .Jan p.22<br />
LEDs Go to Work . . . . . . . . . . .Jul p.34<br />
Line <strong>of</strong> Sight . . . . . . . . . . . . . . .Sep p.44<br />
Local Hero . . . . . . . . . . . . . . . Mar p.38<br />
Logan College Student . . . .Jun p.33<br />
Center<br />
Market Ready . . . . . . . . . . . . . Oct p.39<br />
Micros<strong>of</strong>t Pieces It . . . . . . . . Oct p.40<br />
Toge<strong>the</strong>r<br />
Moonstruck . . . . . . . . . . . . . . Aug p.48<br />
Musings <strong>of</strong> a Mentor . . . . . .Apr p.70<br />
Natural Selection . . . . . . . . .Feb p.44<br />
Next-generation . . . . . . . . . . Oct p.46<br />
Workstation<br />
Oceanic Oasis . . . . . . . . . . . . Mar p.12<br />
One Fixture, Many . . . . . . . Mar p.36<br />
Functions<br />
Recovery Act . . . . . . . . . . . . .Apr p.40<br />
Relighting History . . . . . . . . Mar p. 35<br />
Solar Power Hits <strong>the</strong> Lot . May p.60<br />
Taubman Museum <strong>of</strong> Art . Nov p.36<br />
10 Degrees <strong>of</strong> Design . . . . . .Jun p.41<br />
The Great Indoors . . . . . . . . Nov p.44<br />
The Landscape . . . . . . . . . . . .Apr p.62<br />
Luminairie<br />
The Langham Yangtze . . . . .Sep p.37<br />
Boutique Hotel<br />
Theatrics at Work . . . . . . . . May p.86<br />
Under <strong>the</strong> Influence . . . . . . .Jan p.28<br />
University <strong>of</strong> Michigan . . . .Sep p.38<br />
Hill Dining Center<br />
Up on <strong>the</strong> Ro<strong>of</strong> . . . . . . . . . . . .Jan p.21<br />
Vision Quest . . . . . . . . . . . . . .Jan p.24<br />
Wine’s Newest Pairing . . . .Apr p.14<br />
World Market Center . . . . .Apr p.37<br />
Hamburger, Rick<br />
Essay . . . . . . . . . . . . . . . . . . . . .Jan p.16<br />
Hansen, Dain M.<br />
Rules + Regs . . . . . . . . . . . . . Mar p.20<br />
New DOE Effi ciency Standards for<br />
Lamps<br />
Herbert, Paulette R.<br />
Book Review . . . . . . . . . . . . . .Feb p.58<br />
Lighting for Driving and The SLL Lighting<br />
Handbook<br />
Horner, Bob<br />
Policy Points . . . . . . . . . . . . . .Sep p.32<br />
A Star Might Be Born<br />
Policy Points . . . . . . . . . . . . . Nov p.30<br />
Defining High-Performance Buildings<br />
Policy Points . . . . . . . . . . . . . . .Jul p.28<br />
Into <strong>the</strong> Alphabet Soup<br />
Leetzow, Larry<br />
Essay . . . . . . . . . . . . . . . . . . . . .Feb p.22<br />
Lien, Mark<br />
Education . . . . . . . . . . . . . . . . May p.46<br />
A Treatment for Obsessive Lighting<br />
Disorder<br />
Education . . . . . . . . . . . . . . . . .Feb p.17<br />
Church <strong>of</strong> <strong>the</strong> IES<br />
Education . . . . . . . . . . . . . . . . Nov p.20<br />
When I Woke Up It Was 2020<br />
Education . . . . . . . . . . . . . . . . Aug p.18<br />
Why Smart Lighting Pr<strong>of</strong>essionals Do<br />
Stupid Things<br />
Llewellyn, Michael<br />
Points Well Taken . . . . . . . . . Oct p.52<br />
Lomelino, Luis Fernandes;<br />
Siminovitch, Michael;<br />
Papamichael,Konstantinos<br />
Research Matters. . . . . . . . Mar p.22<br />
Lowe, Roslyn<br />
Americans in Dubai . . . . . . . .Jul p.60<br />
Blockbuster by Design . . . .Jan p.42<br />
Still Life Is Still Life . . . . . . . .Jun p.64<br />
The Chinese Connection . Nov p.60<br />
McDonnell, Michael<br />
Taking a Dim View <strong>of</strong> . . . . . .Sep p.58<br />
Switched-<strong>of</strong>f Streetlights<br />
Newsham, Guy R.<br />
Research Matters. . . . . . . . Aug p.24<br />
Noell-Waggoner, Eunice and Dupuy,<br />
Robert J.<br />
Eye on <strong>the</strong> Boomers . . . . . . .Jan p.18<br />
Eye on <strong>the</strong> Boomers . . . . . . .Apr p.32<br />
Eye on <strong>the</strong> Boomers . . . . . . . .Jul p.20<br />
Eye on <strong>the</strong> Boomers . . . . . . . Oct p.28<br />
Oberkircher, Fred<br />
President’s Perspective . . .Jan p.8<br />
President’s Perspective . . Mar p.10<br />
President’s Perspective . . May p.32<br />
Papamichael, Konstantinos; Lomelino,<br />
Luis Fernandes; and<br />
Anothai Thanachareonkit<br />
Research Matters. . . . . . . . Nov p.26<br />
Peifer, Don<br />
Apps + Answers . . . . . . . . . .Apr p.24<br />
Apps + Answers . . . . . . . . . .Jun p.28<br />
Apps + Answers . . . . . . . . . .Sep p.24<br />
Pompeo, Paul<br />
Careers + Hiring . . . . . . . . . . .Jan p.14<br />
How Candidates Can Get <strong>the</strong> Most Out<br />
<strong>of</strong> Recruiters<br />
Careers + Hiring . . . . . . . . . . . .Jul p.24<br />
How to Tweet Yourself Out <strong>of</strong> a Job<br />
Careers + Hiring . . . . . . . . . . . Oct p.34<br />
Lessons From LeBron and Brett<br />
Careers + Hiring . . . . . . . . . . .Apr p.28<br />
Time For A Search Firm Definitely,<br />
Maybe<br />
Sampson, Conor<br />
Nor<strong>the</strong>rn Extremes . . . . . . . Oct p.61<br />
Seeger, Kelly M.<br />
Wanted: A New Type . . . . Dec p.68<br />
Of Lighting Pr<strong>of</strong>essional<br />
Selander, John<br />
President’s Perspective . . . .Jul p.10<br />
President’s Perspective . . . Oct p.12<br />
Siminovitch, Michael<br />
Research Matters. . . . . . . . . .Jul p.18<br />
Taking <strong>the</strong> Long View on LED Street<br />
Lighting<br />
Speck, Erin<br />
George Washington . . . . . . .Jan p.39<br />
Says Hail to <strong>the</strong> Chiefs<br />
Tarricone, Paul<br />
A Slow Go On <strong>the</strong> . . . . . . . . . .Jun p.43<br />
Factory Floor<br />
Big Technology On . . . . . . . .Jun p.54<br />
Campus<br />
Cabela’s Under Control . . . . .Jul p.41<br />
Combo Pack. . . . . . . . . . . . . . .Sep p.40<br />
Deep in <strong>the</strong> Vault . . . . . . . . . Aug p.54<br />
Editorial . . . . . . . . . . . . . . . . . . .Jan p.4<br />
Editorial . . . . . . . . . . . . . . . . . .Feb p.4<br />
Editorial . . . . . . . . . . . . . . . . . Mar p.4<br />
Editorial . . . . . . . . . . . . . . . . . .Apr p.8<br />
Editorial . . . . . . . . . . . . . . . . . May p.26<br />
Editorial . . . . . . . . . . . . . . . . . .Jun p.4<br />
Editorial . . . . . . . . . . . . . . . . . . .Jul p.4<br />
Editorial . . . . . . . . . . . . . . . . . Aug p.4<br />
82 www.ies.org
Editorial ...................Sep p.4<br />
Editorial ..................Oct p.4<br />
Editorial ................. Nov p.4<br />
Editorial .................. Dec p.6<br />
Fewer Parts Required .....Jun p.42<br />
Flight Simulator ...........Sep p.49<br />
Future Leaders ........... Dec p.49<br />
Matt Alleman; SmithGroup, Detroit<br />
Future Leaders ........... Dec p.58<br />
Chris Bailey; Hubbell Lighting,<br />
Bradenton, FL<br />
Future Leaders ........... Dec p.60<br />
Kristy Benner; Kaplan Gehring<br />
McCarroll Architectural Lighting, El<br />
Segundo, CA<br />
Future Leaders ........... Dec p.50<br />
Megan Christen; Cooper Lighting,<br />
Peachtree City, GA<br />
Future Leaders ........... Dec p.53<br />
Lara Cordell; Wiedenbach-Brown,<br />
Yorba Linda, CA<br />
Future Leaders ........... Dec p.47<br />
Keith Graeber; California Lighting<br />
Technology Center, UC Davis<br />
Future Leaders ........... Dec p.66<br />
Faith Jewell; Horton Lees Brogden<br />
Lighting Design, San Francisco<br />
Future Leaders ........... Dec p.55<br />
Martha Lopacki; Sean O’Connor Lighting,<br />
Beverly Hills<br />
Future Leaders ........... Dec p.44<br />
Amer Maleh; Continental Lighting,<br />
New York, NY<br />
Future Leaders ........... Dec p.42<br />
Avraham Mor; Lightswitch Architectural,<br />
Chicago<br />
Future Leaders ........... Dec p.65<br />
Michael Royer; Penn State University<br />
Future Leaders ........... Dec p.61<br />
Craig Spring; Candela Architectural<br />
Lighting Consultants, Seattle, WA<br />
Future Leaders ........... Dec p.59<br />
Chrysanthi Stockwell; Hammel, Green<br />
and Abrahamson, Minneapolis, MN<br />
Government Tree Hugger Nov p.50<br />
Holiday Gift. . . . . . . . . . . . . . . Nov p.53<br />
Household Name. . . . . . . . . .Apr p.82<br />
LED Provocateur ..........Apr p.66<br />
Lutron Artifacts at ........Jun p.16<br />
Home in <strong>the</strong> Smithsonian<br />
Master <strong>of</strong> <strong>the</strong> Details ......Apr p.74<br />
OLEDs Taking Shape ......Jun p.58<br />
One For Two. . . . . . . . . . . . . . . Oct p.42<br />
One Shell <strong>of</strong> a Structure . . .Feb p.34<br />
Oval Everlasting ..........Mar p.44<br />
Prototypes Roll On .........Jul p.36<br />
Re/Max Redo .............Jan p.30<br />
Seattle’s Man on <strong>the</strong> .....May p.94<br />
Street<br />
Stories from Seattle .......Jan p.79<br />
Taking Stock <strong>of</strong> ........... Aug p.70<br />
<strong>the</strong> Stimulus<br />
The Big Switch ...........May p.69<br />
21 st Century Fox ...........Feb p.54<br />
Jennifer Veitch<br />
Research Matters. . . . . . . . Dec p.26<br />
Warren, Willard L.<br />
Energy Advisor ............Jan p.12<br />
Energy Advisor ............Feb p.12<br />
Energy Advisor ...........Mar p.16<br />
Energy Advisor ............Apr p.16<br />
Energy Advisor ...........May p.42<br />
Energy Advisor ............Jun p.20<br />
Energy Advisor .............Jul p.14<br />
Energy Advisor ........... Aug p.14<br />
Energy Advisor ............Sep p.14<br />
Energy Advisor ............Oct p.20<br />
Energy Advisor ........... Nov p.16<br />
Energy Advisor ........... Dec p.18<br />
Whitehead, Randall<br />
Home Very Sweet Home . Aug p.76<br />
ANNUAL INDEX<br />
H O W A R D B R A N D S T O N<br />
LEARNING TO SEE: A Matter <strong>of</strong> Light<br />
To order visit <strong>the</strong> IES Bookstore at www.ies.org<br />
LEARNING TO SEE<br />
A Matter <strong>of</strong> Light<br />
HOWARD M. BRANDSTON<br />
The reviews are in…<br />
“...Brandston shares in an easy to understand manner his more than 50 years <strong>of</strong> experience.<br />
His book is completely accessible to students and pr<strong>of</strong>essionals alike...Although<br />
Brandston’s focus is on architectural lighting, it is easy to see how his approach is rooted<br />
in <strong>the</strong>atrical design principles.”<br />
Theatre Design & Technology, Summer 2010<br />
“At 138 pages, it’s a slim book, but its content is ambitious in its comprehensiveness, covering<br />
<strong>the</strong> science <strong>of</strong> art and <strong>the</strong> art <strong>of</strong> lighting. It is Brandston’s gift to <strong>the</strong> design community, a playful<br />
but incisive distillation <strong>of</strong> more than 50 years <strong>of</strong> experience designing and teaching lighting.”<br />
Lightsearch.com, February 2009<br />
“Howard Brandston’s career achievements that span more than a half-century are a testimony to<br />
his preeminent leadership role in <strong>the</strong> lighting pr<strong>of</strong>ession. The slim volume covers <strong>the</strong> art <strong>of</strong> lighting<br />
design as Brandston sees it in <strong>the</strong> context <strong>of</strong> light. He intermixes philosophy with <strong>the</strong> use <strong>of</strong><br />
light in <strong>the</strong> built environment and its impact on human perception.” Mondo, October/November 2008<br />
List Price: $65.00 IES Member Price: $50.00<br />
LD+A December 2010 83
PRODUCTS + LITERATURE<br />
Nora Lighting introduces Moonglow, a collection <strong>of</strong> s<strong>of</strong>tly lighted<br />
pendants designed for hospitality, commercial and residential installations.<br />
Featuring a variety <strong>of</strong> styles, finishes and sizes, <strong>the</strong> Moonglow pendants cast<br />
a warm glow over tabletops, lounge areas or retail islands. The Cocoon and<br />
Open Pond pendants add an accent to a trendy environment, while <strong>the</strong> Beaded<br />
shade and Fea<strong>the</strong>r fixture fit well with traditional interiors. The pendants are<br />
available in five different lamp sources: GU24 self-ballasting compact fluorescent<br />
(13 watts to 26 watts); low voltage bi-pin (50 watts); and line voltage with<br />
a G9 base (40 watts), E12 candelabra base (60 watts) and E26 medium base A19 (100 watts). www.noralighting.com<br />
Photoprotective Technologies, Inc.’s Mel-Lumen CFL with melanin is a replacement<br />
for traditional CFLs. Like UV, high-energy visible light (HEV) also causes glare and damage to<br />
<strong>the</strong> eyes and skin. The Mel-Lumen CFL has a new polymer-coating that eliminates all <strong>of</strong> <strong>the</strong> UV,<br />
significant reduces <strong>the</strong> HEV and selectively filtrates light (melanin filters <strong>the</strong> wavelengths <strong>of</strong><br />
light roughly in proportion to <strong>the</strong>ir ability to cause eye damage, skin damage and glare). Benefits<br />
include less eyestrain and glare from reflections; less risk <strong>of</strong> skin and eye damage resulting<br />
from UV and HEV light; and increased ability to perceive colors in <strong>the</strong> lighted environment.<br />
www.melaninproducts.com<br />
Sun Valley Lighting’s turn-<strong>of</strong>-<strong>the</strong>-century-style streetlights now feature new VLED Optical<br />
Modules. The VLED Modules, featuring Philips/Lumileds Luxeon Rebel emitters, deliver fullspectrum<br />
illumination while minimizing light pollution, trespass and glare. The VLED Module<br />
reflector-prisms use <strong>the</strong> full output <strong>of</strong> each LED and feature 64 emitters (75 system watts), 80<br />
emitters (94 system watts) or 120 emitters (141 system watts). They are precisely oriented to produce<br />
Type II, Type III, Type IV and Type V-Sq. IES light distribution patterns. The LED driver operates<br />
with input voltages from 120 to 277V (50/60 Hz) and is independently sealed and UL-listed<br />
for wet locations. Sun Valley Lighting <strong>of</strong>fers a varied and versatile collection <strong>of</strong> traditional-styled<br />
luminaires with VLED modules. www.usaltg.com<br />
Litetronics has introduced 11-W BR30 Micro-Brite cold-cathode lamps. The lamps generate<br />
450 lumens to replace a 50-W incandescent bulb in recessed cans and track lights and dim<br />
down to 5 percent <strong>of</strong> light output on standard dimmers. They work on standard dimmers, making<br />
<strong>the</strong>m ideal for restaurants and cinemas that use dimming circuits. The lamp is available in<br />
two color temperatures: 2,250K and 2,850K. www.litetronics.com<br />
84 www.ies.org
OSRAM Opto Semiconductors has added <strong>the</strong> Oslon Black Series to its<br />
Oslon LED family. The first member <strong>of</strong> <strong>the</strong> new series has a metal lead frame and<br />
a compact package. The LED can be used wherever <strong>the</strong>re are large fluctuations in<br />
temperature and a large amount <strong>of</strong> light is needed from a small area. The black<br />
molded package <strong>of</strong> this high-power LED ensures a high level <strong>of</strong> stability. Not only<br />
does <strong>the</strong> <strong>the</strong>rmal coefficient <strong>of</strong> expansion <strong>of</strong> <strong>the</strong> molding material precisely match<br />
<strong>the</strong> coefficient <strong>of</strong> expansion <strong>of</strong> <strong>the</strong> boards, but <strong>the</strong>re is also an ESD protective diode<br />
concealed in <strong>the</strong> molding. The Oslon Black Series has a lens with a 90-deg beam angle and produces a typical brightness<br />
<strong>of</strong> 115 lm at an operating current <strong>of</strong> 350 mA and a color temperature <strong>of</strong> 6,500K. www.osram-os.com<br />
American Lighting introduces <strong>the</strong> LED Clear Flex, which is designed for cove, bookcase,<br />
backlighting, architectural built-ins, glass edge-lighting, under-cabinet lighting and o<strong>the</strong>r small,<br />
compact spaces. Less than 1 /2-in. wide by 3 /16-in. high, this ribbon-like linear lighting product is clear<br />
and flexible and provides bright, dimmable light. The LED Clear Flex uses Cree LED chips to deliver<br />
light with 82 CRI and has a PVC housing that allows tight bends and is rated for indoor and outdoor<br />
use. Available in 3,500K and 5,500K color temperatures. O<strong>the</strong>r colors available by special order.<br />
www.americanlighting.com<br />
Neidhardt introduces RPD02, a geometric deign based on linear extrusions supporting T5<br />
lamps in 24-, 36-, 48- and 60-in. lengths. The stock octagon pendants range in overall diameter<br />
from 60- to 146-in. The T5s are lensed with a satinized acrylic for a s<strong>of</strong>t, even diffusion. The<br />
linear sections are cleanly joined with inner brackets. Co-axial cables supply power to <strong>the</strong> sections.<br />
Stock finishes are available in flat silver mist or flat casino gold. Custom paint finishes are<br />
available, as well as custom lens options. neidhardtinc.com<br />
Bulbrite introduces an adjustable LED Multi-Beam MR16 featuring six<br />
distinct beam angles. The LED MR16 features beam-control technology<br />
that combines <strong>the</strong> functionality <strong>of</strong> six MR16s into one. The adjustable dial<br />
allows <strong>the</strong> user to select any <strong>of</strong> <strong>the</strong> six different beam angles including 15,<br />
20, 25, 30, 35 and 40 deg. The LED multi-beam MR16 can be used with both<br />
magnetic and electronic transformers, and it is designed for recessed, track<br />
and landscape lighting applications in residential and commercial retr<strong>of</strong>it installations. Each 2-W LED is equivalent to a<br />
10-W halogen bulb and operates on a low 12-V lighting system. It has a 75 CRI, 3,000K color temperature and 85 lumen<br />
output. www.bulbrite.com<br />
LD+A December 2010 85
PRODUCTS + LITERATURE<br />
Crestron has released <strong>the</strong> DIN-DALI-2 interface, which delivers fluorescent<br />
ballast control. The DIN-DALI-2 supports two DALI channels, enables<br />
control <strong>of</strong> up to 128 individual DALI ballasts, and provides direct, 2-way network<br />
connectivity between a Crestron control system and a DALI-compliant<br />
ballast. Designed to fit in a DIN rail enclosure, <strong>the</strong> DIN-DALI-2 includes an<br />
integrated DALI power supply. Developed specifically for <strong>the</strong> DIN-DALI-2,<br />
Crestron DALI commissioning s<strong>of</strong>tware provides step-by-step configuration<br />
<strong>of</strong> ballast properties, groups and scenes. Simply set <strong>the</strong> ballast address and check connectivity status, edit minimum/<br />
maximum levels and fade time, and change ballast grouping and scenes as needed. www.crestron.com<br />
RAB Lighting has expanded its family <strong>of</strong> outdoor LED lighting with <strong>the</strong><br />
cLED ceiling fixture. The RAB cLED is designed for indoor and outdoor use. The<br />
cLED is available in three configurations: <strong>the</strong> 20-W cLED replaces up to a 100-W<br />
metal halide, <strong>the</strong> 26-W cLED replaces up to a 150-W metal halide and <strong>the</strong> 40-W<br />
cLED replaces up to a 175-W metal halide. All cLED fixtures are UL Listed for<br />
damp locations and can also be used as an uplight in damp locations. All RAB<br />
Products are LM-79 and LM-80 tested and L70 lifetime determination data is<br />
available upon request. Additionally, <strong>the</strong> 26-W and 40-W cLED fixtures have a<br />
voltage-sensing driver for 120 up to 277 volts. www.rabweb.com<br />
WattStopper has introduced a line <strong>of</strong> wallbox dimmers and fan speed<br />
controls to help building owners and facility managers capture energy savings<br />
when lighting is on. The new dimmers include a family <strong>of</strong> specification-grade<br />
architectural dimmers, intended primarily for commercial applications, and<br />
three families <strong>of</strong> designer dimmers for commercial, hospitality and residential<br />
applications. WattStopper now <strong>of</strong>fers products designed to dim most lighting<br />
loads, including two-wire, three-wire and 0-10 volt fluorescent ballasts. The<br />
architectural dimmer family includes 120 and 277 volt models, and high-capacity dimmers for larger loads. The designer families<br />
include touch dimmers, paddle dimmers and slide dimmers, all styled to fit standard decorator wallplates so <strong>the</strong>y can be<br />
ganged easily with switches, sensors and o<strong>the</strong>r devices. www.wattstopper.com<br />
New LEDgend Roadway LED luminaires from Holophane emit zero<br />
uplight to reduce light pollution. The units’ highly engineered light engine<br />
is designed to restrict <strong>the</strong> direct view <strong>of</strong> <strong>the</strong> individual LEDs, creating a<br />
wholly luminous appearance and minimizing glare. Glass optics help prevent<br />
dirt depreciation and a sealed optical system provides an IP66 ingress<br />
rating against water and dust and extends component life. The luminaires<br />
are designed for a minimum <strong>of</strong> 80,000 hours, allow 100 percent light output during hours when roadways are <strong>the</strong> busiest and<br />
can decrease output to 50 percent. Holophane LEDgend luminaires are available with three optical distributions: Type I, Type<br />
II and Type III. www.holophane.com<br />
86 www.ies.org
December 15–16: The<br />
Eighth Annual “NeoCon East.”<br />
This two-day event held at <strong>the</strong><br />
Baltimore Convention Center,<br />
Baltimore, MD, is geared to<br />
<strong>the</strong> federal design community<br />
and pr<strong>of</strong>essionals including<br />
architects, interior designers,<br />
facility managers, government<br />
specifiers, space planners,<br />
etc., responsible for commercial<br />
interiors, focusing on<br />
<strong>the</strong> repair, retr<strong>of</strong>it and green<br />
modernization <strong>of</strong> city, county,<br />
state and federal government<br />
buildings. More than 7,500<br />
attendees are expected with<br />
over 250 exhibitors providing<br />
an ideal opportunity with<br />
government buyers flush<br />
with new budgets looking for<br />
products to fill <strong>the</strong>ir organization’s<br />
needs. CEUs include<br />
seminars such as healthcare<br />
safety and welfare, hospitality,<br />
institutional, <strong>of</strong>fice design and<br />
pr<strong>of</strong>essional development,<br />
residential, and lighting. For<br />
more information Contact:<br />
Lauren Finch 312-527-0114,<br />
E-mail: lfinch@mmart.com<br />
January 24–26: Acuity<br />
Brands Lighting presents <strong>the</strong><br />
“Specifier Seminar.” Held at<br />
<strong>the</strong> Light & Space Center in<br />
Conyers, GA, this three-day<br />
program <strong>of</strong>fers <strong>the</strong> lighting<br />
design pr<strong>of</strong>essional a review<br />
<strong>of</strong> <strong>the</strong> breadth <strong>of</strong> <strong>the</strong> Acuity<br />
Brands Lighting companies.<br />
Focus is on Gotham, Peerless,<br />
Hydrel, Antique Street Lamps,<br />
Mark Architectural, Tersen<br />
and recent Lithonia introductions.<br />
Lighting regulations<br />
and energy code updates are<br />
included. Participants travel to<br />
Conyers on Monday, January<br />
24, with an opening reception<br />
that evening. The program<br />
begins Tuesday morning<br />
and concludes Wednesday<br />
afternoon. All transportation<br />
to and from <strong>the</strong> Atlanta airport,<br />
lodging, and food expenses<br />
are included. For more information:<br />
Contact: Tricia Foster<br />
770-860-2049; E-mail: Tricia.<br />
Foster@acuitybrands.com<br />
February 10: Acuity Brands<br />
Lighting presents “Visual<br />
Training.” Held at <strong>the</strong> Light &<br />
Space center in Conyers, GA,<br />
this full-day session <strong>of</strong>fers<br />
hands-on experience with <strong>the</strong><br />
“Visual Pr<strong>of</strong>essional Edition.”<br />
Attendees follow along on a<br />
computer (computers will be<br />
provided) as <strong>the</strong> instructor<br />
demonstrates how to create<br />
real-world applications. The<br />
agenda covers new features<br />
<strong>of</strong> Visual 2.6, navigating <strong>the</strong><br />
Visual interface, creating<br />
and modifying models and<br />
a step-by-step walk through<br />
<strong>the</strong> interior and exterior <strong>of</strong> a<br />
project. Maximum attendance<br />
is 12 people. All ground transportation,<br />
food and one night<br />
hotel stay for <strong>the</strong> program will<br />
be covered, but <strong>the</strong> participant<br />
is responsible for airfare to<br />
Atlanta. For more information:<br />
Contact: Tricia Foster 770-860-<br />
2049; E-mail: Tricia.Foster@<br />
acuitybrands.com<br />
February 21–23: Acuity<br />
Brands Lighting presents,<br />
“Product Workshop,” at<br />
<strong>the</strong> Light & Space center in<br />
Conyers, GA. This three-day<br />
program provides an overview<br />
<strong>of</strong> all Acuity Brands Lighting<br />
companies. Focusing is on <strong>the</strong><br />
benefits and applications <strong>of</strong><br />
key Lithonia Lighting products.<br />
Participants arrive in Conyers<br />
February 21, with an opening<br />
reception that evening. The<br />
program begins Tuesday am<br />
and concludes Wednesday at<br />
2:30 pm. For more information:<br />
Contact:Tricia Foster<br />
770-860-2049; Email: Tricia.<br />
Foster@acuitybrands.com<br />
March 14–16: Acuity Brands<br />
Lighting presents <strong>the</strong> “Application<br />
and Solution Basics<br />
Workshop.” Held at <strong>the</strong> Light &<br />
Space center in Conyers, GA,<br />
this three-day program equips<br />
participants with cutting-edge<br />
technology enabling <strong>the</strong>m to<br />
develop <strong>the</strong>ir best designs in<br />
<strong>the</strong> least time. Sessions target<br />
<strong>the</strong> lighting needs <strong>of</strong> <strong>of</strong>fices,<br />
classrooms, warehouses and<br />
parking lots along with <strong>the</strong> benefits<br />
and limitations <strong>of</strong> products<br />
typically used in <strong>the</strong>se spaces.<br />
Lighting regulations and<br />
energy codes are reviewed,<br />
along with a number <strong>of</strong> webbased<br />
support tools. Training<br />
begins with an opening reception<br />
at <strong>the</strong> People Center on<br />
Monday, March 14. Tuesday<br />
and Wednesday will be training<br />
days, with departures at 2 pm<br />
on March 16. For more information:<br />
Contact: Tricia Foster<br />
770-860-2049; E-mail: Tricia.<br />
Foster@acuitybrands.com<br />
March 16: The Designers<br />
Forum <strong>of</strong> New York (Dlfny)<br />
is <strong>of</strong>fering <strong>the</strong> fifth annual<br />
program on LED technology,<br />
entitled, “LEDucation 5,” to be<br />
held at <strong>the</strong> Hotel Pennsylvania,<br />
New York City. Attendees have<br />
<strong>the</strong> choice <strong>of</strong> four credited<br />
programs and <strong>the</strong> opportunity<br />
to speak with manufacturers<br />
directly to see firsthand <strong>the</strong><br />
speed at which products have<br />
progressed, by viewing <strong>the</strong><br />
latest innovations on display at<br />
more than 96 LED and control<br />
manufacturer exhibits. Exhibit<br />
are from 12:00 pm to 9:00 pm.<br />
LED presentations will begin at<br />
12:30 pm thru 7:30 pm. Cost:<br />
No charge for DLF and IES<br />
members, $20 for all o<strong>the</strong>rs<br />
(pre-registration required). For<br />
more information Contact:<br />
dlfny.org or Leducation.org<br />
April 15–16: The IES St.<br />
PURE DRAMA<br />
Create stunning effects in your landscape<br />
with <strong>the</strong> HUNZA Metal Halide Pole Lite,<br />
featuring intense light output with low energy<br />
usage. At Hunza we take pride in making <strong>the</strong><br />
finest outdoor lights in <strong>the</strong> world, engineered<br />
in New Zealand from <strong>the</strong> best materials to<br />
provide a lifetime <strong>of</strong> pure enjoyment.<br />
www.hunzausa.com<br />
HUNZA LIGHTING USA<br />
Ph: +1 888 578 6005 Toll Free<br />
sales@hunzalightingusa.com<br />
Louis Section is <strong>of</strong>fering<br />
“Fundamentals <strong>of</strong> Lighting.”<br />
This two-day introductory<br />
course is <strong>the</strong> replacement<br />
for <strong>the</strong> IES ED-100 Course<br />
covering <strong>the</strong> basic and<br />
most important principles<br />
<strong>of</strong> lighting. Topics will<br />
be presented by experts<br />
including lighting designers<br />
Randy Burkett and James<br />
Benya. The seven lessons<br />
are ideal for those with<br />
basic awareness <strong>of</strong> lighting<br />
and those interested in<br />
a refresher course. Cost:<br />
$275 for IES members,<br />
$325 for nonmembers and<br />
$175 for students. CEUs: 16<br />
available IES, USGBC CEs<br />
and 16 AIA, LUs with Health,<br />
Safety and Welfare (HSW)<br />
credit. For more information<br />
Contact: KJWW <strong>Engineering</strong><br />
Consultants www.kjww.com<br />
Events KEY<br />
= tradeshows & conferences<br />
= educational opportunities<br />
For all Industry Events go to<br />
<strong>the</strong> website www.ies.org<br />
EVENTS<br />
LD+A December 2010 87
CLASSIFIED<br />
SALES REPS<br />
Commercial Lighting.We still have openings for Sales agents<br />
in several areas <strong>of</strong> <strong>the</strong> US.<br />
Review Our web site www.rhlightingsolutions.com <strong>the</strong>n<br />
Call us at 877-428-3080<br />
NATRALITE FILTERS, INC.<br />
Needs coverage for ALL areas. 15 yr. <strong>of</strong> sales to ‘who’s who’<br />
in business, from AT&T to XEROX are using our product.<br />
Now adding CFL LED + LENSES for ALL LIGHTING. Great<br />
COMMISSIONS and NO COMPETITION. Trademark protected<br />
and patented.<br />
We make all fluorescent & LED look like incandescent.<br />
natralitefiltersinc@comcast.net or 914 263 3636<br />
FACULTY POSITION IN<br />
BUILDING SYSTEMS ENGINEERING<br />
The University <strong>of</strong> Colorado at Boulder Department <strong>of</strong> Civil,<br />
Environmental and Architectural <strong>Engineering</strong> invites applications<br />
for a tenure-track position in its Building Systems<br />
Program (BSP) group to begin in Fall 2011. We seek candidates<br />
with research and teaching interests in general areas<br />
<strong>of</strong> architectural engineering and building systems with<br />
an emphasis in illumination engineering or building energy.<br />
Suitable areas include: illumination, lighting technologies,<br />
daylighting; heating, ventilating, and air-conditioning<br />
(HVAC); building electrical power, distributed renewable<br />
energy technologies; innovative building envelopes and<br />
materials; and building controls. Applicants must be able to<br />
develop an externally funded research program and to teach<br />
at both <strong>the</strong> undergraduate and graduate levels. Applicants<br />
must hold a Ph.D. in engineering or o<strong>the</strong>r discipline appropriate<br />
to <strong>the</strong>ir area <strong>of</strong> expertise. Pr<strong>of</strong>essional experience is<br />
valued. The position is <strong>of</strong>fered at <strong>the</strong> Assistant Pr<strong>of</strong>essor<br />
level, however o<strong>the</strong>r levels may be considered for exceptional<br />
candidates.<br />
Fur<strong>the</strong>r information is available at WEBSITE.<br />
Interested persons should apply through JobsAtCU<br />
(http://www.jobsatcu.com). Search for Job Posting Number<br />
8XXXX. The University <strong>of</strong> Colorado is an Equal Opportunity<br />
Employer committed to building a diverse workforce.<br />
VISIT<br />
<strong>the</strong> IES Career Center<br />
www.ies.org<br />
click on “Jobs”<br />
For employers and<br />
job seekers<br />
Targeted to <strong>the</strong><br />
lighting industry<br />
+<br />
make your voice<br />
HEARD!<br />
Join an IES committee:<br />
Fax: 212-248-5017<br />
Got new<br />
Light Products<br />
Email: ehall@ies.org<br />
88 www.ies.org
The companies listed below would like to tell you more about <strong>the</strong>ir products<br />
and services. To learn more, access <strong>the</strong> websites listed here.<br />
Company Website Page #<br />
Barn Light Electric Company . . . . . . . . . . . . . . . . www.barnlightelectric.com . . . . . . . . 30<br />
Chauvet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.chauvetlighting.com . . . . . . . . . 33<br />
Cree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.creeledlighting.com . . . . . . . . . 13<br />
Crestron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.crestron.com . . . . . . . . . . . . . 9<br />
Dialux . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.dialux.com . . . . . . . . . . . . . 10<br />
Feelux Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.feelux.com . . . . . . . . . . . . . 21<br />
Finelite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.finelite.com . . . . . . . . . . . . 11<br />
FSP Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.fspgroupusa.com . . . . . . . . . . 20<br />
Future Electronics . . . . . . . . . . . . . . . . . . . . . . .www.<strong>future</strong>lightingsolutions.com . . . . . 67<br />
Gotham Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.gothamlighting.com . . . . . . . . . 40<br />
Hatch Transformers . . . . . . . . . . . . . . . . . . . . . . . www.hatchtransformers.com . . . . . . . 29<br />
Howard Brandston . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.ies.org . . . . . . . . . . . . . . . 83<br />
Hunza Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.hunzausa.com . . . . . . . . . . . 87<br />
Hydrel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.hydrel.com . . . . . . . . . . . . . 19<br />
IES Handbook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.ies.org . . . . . . . . . . . . . . 2-3<br />
IES Manufacturers Directory . . . . . . . . . . . . . . . . . . . . . . . . www.ies.org . . . . . . . . . . . . . . . 35<br />
Intematix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .www.intematix.com . . . . . . . . . . . . . 4<br />
LEUKOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.ies.org . . . . . . . . . . . . . . . 91<br />
Leviton Manufacturing . . . . . . . . . . . . . . . . . . . . . . . . . .www.leviton.com . . . . . . . . . . . . 23<br />
Lutron Electronics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.lutron.com . . . Cover 4, 71,77<br />
New York School <strong>of</strong> Interior Design . . . . . . . . . . . . . . . www.nysid.edu . . . . . . . . . . . . . 17<br />
Nichia America . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.nichia.com . . . . . . . . . . . . . . 1<br />
Peerless Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . www.peerless-lighting.com . . . . . . . . 31<br />
Philips Lumileds . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.philipslumileds.com . . . . . . . . . . 7<br />
Ruud Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.betaled.com . . . . . . . .Cover 3<br />
Spectrum Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . www.speclighting.com . . . . . . . . . . 24<br />
SPI Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.spilighting.com . . . . . . .Cover 2<br />
Spring City . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . www.springcity.com . . . . . . . . . . . 25<br />
ADVERTISING<br />
OFFICES<br />
GENERAL OFFICES<br />
LD+A Advertising Department<br />
Leslie Prestia<br />
120 Wall Street, 17th Floor<br />
New York, NY 10005-4001<br />
(212) 248-5000 ext. 111<br />
(212) 248-5017/18 (fax)<br />
lprestia@ies.org<br />
NEW ENGLAND/<br />
MID-ATLANTIC<br />
Brett Goldfine<br />
Sage<br />
1403 Whitpain Hills<br />
Blue Bell, PA 19422<br />
(484) 231-1308<br />
(805)-375-5282 (fax)<br />
brett.goldfine@sagepub.com<br />
States serviced: NY, NJ, CT, VT, MA, NH,<br />
RI, ME, MD, DE, Wash DC, VA, NC, & PA<br />
SOUTH/MIDWEST<br />
Bill Middleton<br />
Middleton Media<br />
561 Robin Lane<br />
Marietta, GA 30067<br />
(770) 973-9190<br />
(770) 565-7013 (fax)<br />
midmedia@aol.com<br />
States serviced: GA, SC, TX, OK, AR, LA,<br />
MS, AL, FL, TN, NE, KS, MO, IA, MN,<br />
WI,IL, MI, IN, KY, OH, WV, ND, & SD—and<br />
Canadian Provinces <strong>of</strong> Ontario, Quebec,<br />
New Brunswick, Newfoundland and Labrador,<br />
Nova Scotia and Prince Edward Island<br />
WEST<br />
Peter D. Mullins<br />
P.O. Box 274<br />
Lafayette, CA 94549-0274<br />
(925) 385-0151<br />
(925) 385-0155 (fax)<br />
pmullins@ies.org<br />
States serviced: CA, MT, ID, OR, WY,<br />
UT, NV, WA, CO, AZ, NM—and Canadian<br />
Provinces <strong>of</strong> Manitoba, Saskatchewan,<br />
Alberta and British Columbia<br />
LD+A Article Reprints-<br />
Print and Electronic<br />
Nan Lamade<br />
IPA Publishing Services<br />
(800)-259-0470<br />
nlamade@reprintdept.com<br />
AD INDEX AD OFFICES<br />
Venture Lighting International . . . . . . . . . . . . . . . . www.venturelighting.com . . . . . . . . . 39<br />
This index is provided as a service by <strong>the</strong> publisher, who assumes no liability for errors or omissions.<br />
LD+A December 2010 89
NEW MEMBERS<br />
Membership Committee chair Norm Waff announced <strong>the</strong> IES gained four Sustaining Members and 147 members (M),<br />
associate and student members in October.<br />
Sustaining Members<br />
Contrast Lighting ML, Inc., St-Jean Chrysostome, QC<br />
It’s On Electric Company, Inc., Surrey, BC<br />
Walt Disney Imagineering, Glendale, CA<br />
Westpac LED Lighting, Inc., Hacienda Heights, CA<br />
Midwest Region<br />
Austin Ashe, General Electric, Cleveland, OH<br />
Emily Bahr, TCP, Inc., Minneapolis, MN<br />
Brandon Cartwright, Kenall Lighting, Gurnee, IL<br />
Grant W. Kightlinger, Schuler Shook, Chicago, IL<br />
John Langevin, Rambus, Brecksville, OH<br />
Jarrod E. Mann (M), Pr<strong>of</strong>essional <strong>Engineering</strong><br />
Consultants, P.A., Lawrence, KS<br />
Christine Oriti, The H Leff Electric Co., Cleveland, OH<br />
Chad D. Palmer, Budget Lighting, Inc., Minnetonka, MN<br />
Sanjay K. Sahni, X-cel <strong>Engineering</strong>, Columbus, OH<br />
Tom Stirling, 3M Commercial Graphics, St. Paul, MN<br />
Ben S. Strauss, Gary Steffy Lighting Design,<br />
Ann Arbor, MI<br />
James T. Wasko, GE Lighting Solutions, East<br />
Cleveland, OH<br />
Julie Whitmore (M), University <strong>of</strong> Akron, Akron, OH<br />
Columbus State Community College<br />
Charleann Laing<br />
Illinois Institute <strong>of</strong> Art Chicago<br />
Ramune Vincaityte<br />
Kansas State University<br />
Ryan D. Gant, Eric J. Stoyanov<br />
University <strong>of</strong> Kansas<br />
Grant W. Jamison<br />
University <strong>of</strong> Nebraska - Lincoln, Omaha Campus<br />
Spencer G. Gaskell, Evans Sordiashie, Yulia Tyukhova<br />
Nor<strong>the</strong>ast Region<br />
Davin Bartello, Standard Products, Inc.,<br />
Mississauga, ON<br />
Paul A. Cicchetti, Reflex Lighting <strong>of</strong> Connecticut,<br />
Newington, CT<br />
Ma<strong>the</strong>w J. Clark, Moncton Plumbing & Supply -<br />
Electrical Division, Moncton, NB<br />
Daniel R. Constable, Liteco, Moncton, NB<br />
David A. Cowan (M), MCW Maricor, Moncton, NB<br />
Timothy Daniel Craddock, The Stresscrete Group,<br />
Burlington, ON<br />
Susan E. Evans, City <strong>of</strong> Brampton, Brampton, ON<br />
Vincent C. Forte (M), Marktech Optoelectronics,<br />
Latham, NY<br />
Gerard Frederickson, Lightscape Materials, Inc.,<br />
Princeton, NJ<br />
Dave Kwant, Practical Energy Solutions, Wallingford, CT<br />
Patrick La Pointe, Standard Products, Inc.,<br />
Mississauga, ON<br />
Mario Lemay, Cyclone Lighting, Boisbriand, QC<br />
Christopher J. Leone (M), Parsons Brinckerh<strong>of</strong>f,<br />
Boston, MA<br />
Richard T. Lindemann, Jr, Samson Electrical Supply,<br />
South Plainfield, NJ<br />
Gary M. Malmquist, Magnetic Induction Lighting, Inc.,<br />
Mississauga, ON<br />
Anthony L Mascaro, Percon Electric, Rochester, NY<br />
Daniel Mclvor, M & R <strong>Engineering</strong>, Ltd., Halifax, NS<br />
Steve D. Megaffin, Rosco, Markham, ON<br />
Terry Mocherniak, Encelium Technologies,<br />
Richmond Hill, ON<br />
Arlene G. Northmore, Sylvania Lighting Services,<br />
Mississauga, ON<br />
Andre O’Connell, Contrast Lighting ML, Inc., St-Jean<br />
Chrysostome, QC<br />
Ana C. Pena, Domingo Gonzalez Associates,<br />
New York, NY<br />
Jason D. Preet, City <strong>of</strong> Brampton, Brampton, ON<br />
Greg Rushby, Ontario Power Authority, Toronto, ON<br />
Joyce P. Russell, D2S, Inc., Toronto, ON<br />
Peter Saccomanno (M), Lutronics Electronics Co., Inc.,<br />
Caledon East, ON<br />
Marcos A. Salvador (M), Bombardier, Montreal, QC<br />
Collin M. Thomas, Philips - Lightolier, Wilmington, MA<br />
David Tomasone, City <strong>of</strong> Brampton, Brampton, ON<br />
New Brunswick Community College<br />
Brent Atkinson, Jeremie Bourque, Rick Cormier, Hea<strong>the</strong>r<br />
Ginson, Jennifer Guidry, Maxime LeBlanc,<br />
Patrick LeBlanc, Julie Roy, Christopher Sanderson<br />
Pennsylvania State University<br />
Lisha A. Brown<br />
Tufts University<br />
Chirag Chaitanya Sthalekar<br />
South Region<br />
Sathish Anabathula (M), The University <strong>of</strong> Virginia,<br />
Charlottesville, VA<br />
Peter C Augusta, Duluth, GA<br />
Gene C. Casola, Spears/Votta & Associates, Inc.,<br />
Baltimore, MD<br />
Solomon Chinnam, Genesis LED Solutions, Plano, TX<br />
Neill P Ferrill, Intertek ETL, Duluth, GA<br />
Jerry M. Gaines (M), Voss Lighting, Albuquerque, NM<br />
Landon B. Gennetten, Cooper Lighting,<br />
Peachtree City, GA<br />
Grant Green, Mayer Electric Supply Co, Nashville, TN<br />
Mark Hand (M), Acuity Brands Lighting, Conyers, GA<br />
Danae S. Heath, Jacobs, San Antonio, TX<br />
Ryan W. Holloway, Lawrence Perry & Associates, Inc.,<br />
Roanoke, VA<br />
Lawrence A Kramer (M), DFW Airport, DFW Airport, TX<br />
Joan W. LaRock, LaRock Associates, Inc.,<br />
Virginia Beach, VA<br />
Christina Morrisey, Leah Wallace Associates, Inc.,<br />
Charlotte, NC<br />
Charles E. Nealy Sr., CEN Designing, Houston, TX<br />
Vince M. Pearl (M), Holophane Lighting,<br />
Fredericksburg, VA<br />
Harry Persaud (M), City Of University Park,<br />
University Park, TX<br />
Raul G. Quintero-de la Garza (M), Lumidim de Mexico,<br />
Monterrey, NL, Mexico<br />
Anibal Rosado, Rig-A-Lite Partnership, Ltd., Houston, TX<br />
Robert W. Schoggin, ALPHA Lighting Distributors, Inc.,<br />
Canyon Lake, TX<br />
Meredith Smith, Gewin Tucker and Associates,<br />
Birmingham, AL<br />
Allen R Sprinkle, Lone Mountain Contracting,<br />
Bosque Farms, NM<br />
Saiko Terahara (M), Washington, DC<br />
Benjamin J. Warren, Clark Nexsen, Architecture and<br />
<strong>Engineering</strong>, Norfolk, VA<br />
David E Wright (M), ccrd partners, Richmond, VA<br />
University <strong>of</strong> Alabama<br />
Kelsey Brock, Marina Coleman, Leigh Anne Creel,<br />
Jan Hales, Stefanie Keel, Julie Massey,<br />
Brittany Prescott, Cassie E. Pugh, Sarah Roberts,<br />
Jenna Simmons Emily Smith, Lacey Stalter, Amy Tucker,<br />
Rachel Vaughan, Sydney Wallace<br />
West Region<br />
Teren D. Abear (M), Sou<strong>the</strong>rn California Edison,<br />
Irwindale, CA<br />
Rana M. Ali (M), Government <strong>of</strong> Nunavut, Iqaluit, NT<br />
Klay Anderson (M), Klay Anderson Audio, Inc.,<br />
Salt Lake City, UT<br />
John T Brown PE (M), G. C Wallace, Inc., Las Vegas, NV<br />
Rebecca A. Carlson, B-K Lighting & TEKA Illumination,<br />
Madera, CA<br />
Stanton Dodson, Duke EcoGreen, Los Angeles, CA<br />
Ezra M. Domsky, City <strong>of</strong> Mesa, Mesa, AZ<br />
Charlotte Douglas, It’s On Electric Company, Inc.,<br />
Surrey, BC<br />
Jeff W. Erwin, Graybar Electric, Sparks, NV<br />
Andy W. Ferguson, Philips Lighting, Corona, CA<br />
Andrew C. Fisher, Nulite Lighting, Highlands Ranch, CO<br />
Jessica Granderson (M), Lawrence Berkeley National<br />
Laboratory, Berkeley, CA<br />
Thomas l. Grey (M), WattStopper, Carlsbad, CA<br />
Jeremy R. Hall (M), PWA <strong>Engineering</strong> Ltd.,<br />
Saskatoon, SK<br />
Travis N. Johnson, Xcel Energy, Denver, CO<br />
Lucas B. Krech, Lucas Krech Lighting Design,<br />
Oakland, CA<br />
Jorge H. Lujan, Dasal Industries, Port Coquitlam, BC<br />
Angela McDonald (M), Horton Lees Brogden Lighting<br />
Design, San Francisco, CA<br />
David Metcalfe, Sky Cast, Eloy, AZ<br />
George Mieling (M), Vode Lighting, Sonoma, CA<br />
Mridula Nathan, Ameri Lights, Inc., Artesia, CA<br />
Eric Percic (M), G & W Consulting Electrical Engineers,<br />
Venice, CA<br />
Anne C. Rubenstein, Qualcomm, San Jose, CA<br />
Todd H. Schuler, EECOL Electrical Corp, Saskatoon, SK<br />
Roger Spring (M), Evergreen Consulting Group,<br />
Beaverton, OR<br />
Rachel B. Stewart, Chips and Wafers, Inc.,<br />
Paradise Valley, AZ<br />
David A. Taylor, Walt Disney Imagineering, Glendale, CA<br />
Randy P Walter, Energy Effi cient Group, Billings, MT<br />
Christopher T. Werner, Chris Werner Design,<br />
Los Angeles, CA<br />
Riley J Wedewer, ReLumen <strong>Engineering</strong>, Edmonton, AB<br />
Yi Yang (M), Acuity <strong>Engineering</strong> and Consulting<br />
Services, Ltd., Edmonton, AB<br />
British Columbia Institue <strong>of</strong> Technology<br />
Paula Guerra, Jonette Pantos, Yuri Shinozawa, Erica<br />
Son, Kevin KM Wu, Gyunghee Yun<br />
Salt Lake City Community College<br />
Sean Murphy, Karl J. Redel<br />
University <strong>of</strong> California-Berkeley Extension<br />
Sara Kayal<br />
International<br />
Kaveh Ahmadian Tazeh Mahalleh, Rastak Pouya<br />
Tarh,Tehran, Iran<br />
Myriam Aries (M), Eindhoven, Ne<strong>the</strong>rlands<br />
Hoon Kim (M), Kangwon National University,<br />
Chuncheon, South Korea<br />
Rami Majzoub, Saudi Diyar Consultant, Jeddah I,<br />
Saudi Arabia<br />
Universite Catholique de Louvain<br />
Coralie E. Cauwerts, Maria B. Piderit Moreno<br />
90 www.ies.org
The following companies have elected to support <strong>the</strong> <strong>Society</strong> as Sustaining Members<br />
which allows <strong>the</strong> IES to fund programs that benefit all segments <strong>of</strong> <strong>the</strong> membership and<br />
pursue new endeavors, including education projects, lighting research and recommended<br />
practices. The level <strong>of</strong> support is classified by <strong>the</strong> amount <strong>of</strong> annual dues, based on a<br />
company’s annual lighting revenues:<br />
Diamond: $15,000 annual dues<br />
Lighting revenues over $500<br />
million<br />
Emerald: $10,000 annual dues<br />
Lighting revenues to $500 million<br />
Platinum: $5,000 annual dues<br />
Lighting revenues to $200 million<br />
Gold: $2,500 annual dues<br />
Lighting revenues to $50 million<br />
Silver: $1,000 annual dues<br />
Lighting revenues to $10 million<br />
Copper: $500 annual dues<br />
Lighting revenues to $4 million<br />
(Copper members are listed in <strong>the</strong><br />
IES Annual Report.)<br />
DIAMOND<br />
Acuity Brands<br />
Cooper Lighting<br />
GE Lighting<br />
Hubbell Lighting, Inc.<br />
OSRAM SYLVANIA, Inc.<br />
Philips Lighting Co.<br />
EMERALD<br />
Holophane<br />
SUSTAINING MEMBERS<br />
PLATINUM<br />
Finelite, Inc.<br />
H E Williams, Inc.<br />
Lightolier<br />
Lutron Electronics Co, Inc.<br />
Musco Lighting<br />
Philips Day-Brite<br />
Watt Stopper/Legrand<br />
GOLD<br />
A.L.P. Lighting Components Inc.<br />
Altman Lighting, Inc.<br />
Canlyte a Philips Group Brand<br />
Con-Tech Lighting<br />
Contrast Lighting ML, Inc.<br />
Duke Energy<br />
Edison Price Lighting, Inc.<br />
ETC<br />
EYE Lighting Int’l <strong>of</strong> NA<br />
Focal Point LLC<br />
Intense Lighting<br />
IOTA <strong>Engineering</strong> LLC<br />
Kenall Mfg Co.<br />
The Kirlin Company<br />
Kurt Versen Co.<br />
Lighting Science Group Corp<br />
Lighting Services, Inc<br />
Louis Poulsen Lighting, Inc.<br />
LSI Industries, Inc.<br />
Lucifer Lighting Co.<br />
National Grid<br />
Neonlite Electronic + Lighting (HK) Ltd.<br />
Philips Emergency Lighting<br />
Philips Gardco<br />
Prudential Lighting Corp<br />
RAB Lighting, Inc.<br />
Renova Lighting Systems, Inc<br />
San Diego Gas + Electric<br />
Sternberg Lighting<br />
Visa Lighting<br />
Vista Pr<strong>of</strong>essional Outdoor Lighting<br />
Zumtobel Lighting, Inc.<br />
SILVER<br />
Apollo Lighting<br />
Associated Lighting Representatives. Inc.<br />
Axis Lighting, Inc.<br />
BAERO North America, Inc.<br />
Bartco Lighting, Inc.<br />
Barth Electric Co., Inc.<br />
Beta Lighting<br />
Birchwood Lighting, Inc.<br />
BJB Electric Corporation<br />
Black + McDonald<br />
Border States Electric Supply<br />
Bulbrite Industries, Inc.<br />
Carmanah Technologies<br />
Celestial Products<br />
City <strong>of</strong> San Francisco<br />
Con Edison <strong>of</strong> New York<br />
Day Lite Maintenance Co.<br />
Delta Products Corp.<br />
EAE Lighting Co.<br />
Eastern Energy Services, Inc.<br />
Echelon Corporation<br />
Eclipse Lighting, Inc.<br />
Eco Lumens<br />
Eiko Ltd<br />
Encapsulite International, Inc.<br />
Energy Network Service<br />
ENMAX<br />
Enterprise Lighting Sales<br />
Fawoo Tech North America, LLC<br />
Gammalux Systems<br />
<strong>Illuminating</strong> Technologies, Inc.<br />
Illumivision, Inc.<br />
Kramer Lighting<br />
Lam Lighting<br />
LCA Holdings P/L<br />
The L.C. Doane Company<br />
Ledalite Architectural Products, Inc.<br />
LED Roadway Lighting Ltd.<br />
Lee Filters USA<br />
Legion Lighting Co.<br />
Leviton Mfg. Co., Inc.<br />
Lighting Analysts, Inc.<br />
Lighting Design Lab.<br />
Litecontrol Corp<br />
Litelab Corp<br />
LiteTech<br />
L. J. Illumination S. A. deCV.<br />
Lumascape USA, Inc<br />
Luma Stream, LLC.<br />
Luxim Corporation<br />
Manning Lighting<br />
Medga Lighting Group, Inc.<br />
Megalite USA, Inc.<br />
Metalumen Manufacturing, Inc.<br />
MP Lighting<br />
Neidhardt, Inc.<br />
Nora Lighting<br />
OCEM Acquisition Corp. dba<br />
Optical Research Associates<br />
Paramount Industries, Inc.<br />
Peter Basso Associates, Inc.<br />
Reflex Lighting Group, Inc.<br />
Richard McDonald & Associates, Ltd. - Calgary<br />
Richard McDonald & Associates, Ltd. -<br />
Edmonton<br />
Ruud Lighting Canada Corp.<br />
Senso Lighting<br />
Sentry Electric Corporation<br />
Shakespeare Composites & Structures<br />
Smedmarks Inc.<br />
Sou<strong>the</strong>rn California Edison<br />
Strand Lighting, Inc.<br />
StressCrete King Luminaire Co.<br />
The Climate Group<br />
The Lighting Quotient<br />
Tivoli, LLC.<br />
Toshiba International Corporation<br />
Traxon Technologies<br />
Utility Metals.<br />
Velux America, Inc.<br />
Westpac LED Lighting, Inc.<br />
Xal, Inc.<br />
As <strong>of</strong> October 2010<br />
IES QUARTERLY<br />
ONLINE JOURNAL<br />
available to all IES members and<br />
subscribers at www.ies.org<br />
“A journal’s most important characteristics<br />
are <strong>the</strong> quality and relevance <strong>of</strong> <strong>the</strong> articles,<br />
and for applied lighting, LEUKOS is second to<br />
none. The rigor <strong>of</strong> <strong>the</strong> vetting process, which<br />
I’ve participated in as an author and reviewer,<br />
gives me a high degree <strong>of</strong> confidence in<br />
<strong>the</strong> work that is reported.”<br />
— Kevin W. Houser, PhD, PE, LC, LEED AP<br />
The Pennsylvania State University<br />
“LEUKOS is <strong>the</strong> only publication in North<br />
America that publishes archival research<br />
papers specifically addressed to <strong>the</strong> lighting<br />
industry. With new technologies such as<br />
LEDs and with new trends such as sustainability<br />
transforming our industry, <strong>the</strong> need<br />
for peer-reviewed technical information is<br />
greater than ever. LEUKOS<br />
fills that need.”<br />
— Robert Davis, PhD,<br />
FIES, Director<br />
Product Management,<br />
Litecontrol<br />
Your annual subscription to LEUKOS<br />
includes:<br />
■ access to four online issues<br />
(your choice <strong>of</strong> start date)<br />
■ a printed one-volume compilation<br />
<strong>of</strong> four issues (July – June)<br />
■ access to all archival online issues<br />
ANNUAL SUBSCRIPTION: $250.00<br />
ORDERING INFORMATION:<br />
online | www.ies.org;<br />
phone | 212-248-5000 ext. 111;<br />
email | lprestia@ies.org<br />
LD+A December 2010 91
IES FYI<br />
Street and Area Lighting Conference,<br />
Huntington Beach, CA<br />
More than 650 lighting pr<strong>of</strong>essionals ga<strong>the</strong>red in Huntington<br />
Beach, CA, for <strong>the</strong> 29 th Annual Street and Area<br />
Lighting Conference in September. The conference kicked<br />
<strong>of</strong>f with opening remarks from <strong>the</strong> Huntington Beach energy<br />
project manager, Aaron Klemp, who spoke about<br />
<strong>the</strong> city’s recent installation <strong>of</strong> LED streetlights. Speakers<br />
ranged from lighting designers, such as Lighting Design<br />
Alliance’s Chip Israel, to government <strong>of</strong>ficials, including<br />
Ed Ebrahiminian from <strong>the</strong> City <strong>of</strong> Los Angeles and Laura<br />
Stuchinsky from San Jose, and utility program managers,<br />
like Chris Balliet from we energies and Steve Dannecker<br />
from Pacific Gas & Electric. Balliet also received <strong>the</strong> IES<br />
Lifetime Achievement Award. Next year’s event will be<br />
held September 18-21, 2011, in New Orleans.<br />
Attendees peruse <strong>the</strong> tradeshow.<br />
Attendees mix at <strong>the</strong> welcome event.<br />
Mark McClear presents on LEDs.<br />
Members in <strong>the</strong> News<br />
Candace M. Kling <strong>of</strong> C.M. Kling<br />
& Associates and Charles Stone <strong>of</strong><br />
Fisher Marantz Stone, Inc. have been<br />
inducted into <strong>the</strong> IALD College <strong>of</strong> Fellows.<br />
Kevin Houser has<br />
been appointed associate<br />
editor for LEUKOS,<br />
Houser <strong>the</strong> journal <strong>of</strong> <strong>the</strong> IES.<br />
Kenneth Neppach<br />
has been named regional<br />
sales manager for W2<br />
Architectural Lighting’s<br />
Neppach<br />
eastern division.<br />
WAC Lighting has<br />
appointed Timothy E.<br />
Vislay to western regional<br />
sales manager.<br />
Vislay<br />
Leviton’s global headquarters is<br />
<strong>the</strong> first commercial interior on Long<br />
Island to achieve LEED Certification.<br />
Cooper Lighting received <strong>the</strong> Silver<br />
Medal in <strong>the</strong> Lighting and Lighting<br />
Controls category for its Halo Downlight<br />
series in Consulting-Specifying<br />
Engineer magazine’s 2010 Product <strong>of</strong><br />
<strong>the</strong> Year competition. Lutron Electronics<br />
Co., Inc. will collaborate with<br />
<strong>the</strong> American National Standards<br />
Institute to develop standards for<br />
<strong>the</strong> national Smart Grid effort. The<br />
company will also participate in an<br />
Automated Demand Response Small<br />
Commercial Pilot Program conducted<br />
by Lawrence Berkeley National<br />
Lab and Pacific Gas & Electric.<br />
IES<br />
Calendar <strong>of</strong><br />
Events<br />
May 15-19, 2011<br />
LIGHTFAIR International<br />
Philadelphia, PA<br />
www.lightfair.com<br />
92 www.ies.org
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©2010 Lutron Electronics Co., Inc.