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Myths and Legends of the Celtic Race - Knowledge Rush

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248 <strong>Myths</strong> <strong>and</strong> <strong>Legends</strong> <strong>of</strong> <strong>the</strong> <strong>Celtic</strong> <strong>Race</strong><br />

[289]<br />

St. Patrick, Oisīn, <strong>and</strong> Keelta<br />

Before we leave <strong>the</strong> “Colloquy” ano<strong>the</strong>r interesting point<br />

must be mentioned in connexion with it. To <strong>the</strong> general public<br />

probably <strong>the</strong> best-known things in Ossianic literature—I refer,<br />

<strong>of</strong> course, to <strong>the</strong> true Gaelic poetry which goes under that name,<br />

not to <strong>the</strong> pseudo-Ossian <strong>of</strong> Macpherson—are those dialogues in<br />

which <strong>the</strong> pagan <strong>and</strong> <strong>the</strong> Christian ideals are contrasted, <strong>of</strong>ten<br />

in a spirit <strong>of</strong> humorous exaggeration or <strong>of</strong> satire. The earliest<br />

<strong>of</strong> <strong>the</strong>se pieces are found in <strong>the</strong> manuscript called “The Dean <strong>of</strong><br />

Lismore's Book,” in which James Macgregor, Dean <strong>of</strong> Lismore<br />

in Argyllshire,wrote down, some time before <strong>the</strong> year 1518, all<br />

he could remember or discover <strong>of</strong> traditional Gaelic poetry in<br />

his time. It may be observed that up to this period, <strong>and</strong>, indeed,<br />

long after it, Scottish <strong>and</strong> Irish Gaelic were one language <strong>and</strong><br />

one literature, <strong>the</strong> great written monuments <strong>of</strong> which were in<br />

Irel<strong>and</strong>, though <strong>the</strong>y belonged just as much to <strong>the</strong> Highl<strong>and</strong> Celt,<br />

<strong>and</strong> <strong>the</strong> two branches <strong>of</strong> <strong>the</strong> Gael had an absolutely common<br />

stock <strong>of</strong> poetic tradition. These Oisīn-<strong>and</strong>-Patrick dialogues<br />

are found in abundance both in Irel<strong>and</strong> <strong>and</strong> in <strong>the</strong> Highl<strong>and</strong>s,<br />

though, as I have said, “The Dean <strong>of</strong> Lismore's Book” is <strong>the</strong>ir<br />

first written record now extant. What relation, <strong>the</strong>n, do <strong>the</strong>se<br />

dialogues bear to <strong>the</strong> Keelta-<strong>and</strong>-Patrick dialogues with which<br />

we make acquaintance in <strong>the</strong> “Colloquy” The questions which<br />

really came first, where <strong>the</strong>y respectively originated, <strong>and</strong> what<br />

current <strong>of</strong> thought or sentiment each represented, constitute, as<br />

Mr. Alfred Nutt has pointed out, a literary problem <strong>of</strong> <strong>the</strong> greatest<br />

interest; <strong>and</strong> one which no critic has yet attempted to solve, or,<br />

indeed, until quite lately, even to call attention to. For though<br />

<strong>the</strong>se two attempts to represent, in imaginative <strong>and</strong> artistic form,<br />

<strong>the</strong> contact <strong>of</strong> paganism with Christianity are nearly identical in<br />

machinery <strong>and</strong> framework, save that one is in verse <strong>and</strong> <strong>the</strong> o<strong>the</strong>r<br />

in prose, yet <strong>the</strong>y differ widely in <strong>the</strong>ir point <strong>of</strong> view.<br />

In <strong>the</strong> Oisīn dialogues 186 <strong>the</strong>re is a great deal <strong>of</strong> rough humour<br />

186<br />

Examples <strong>of</strong> <strong>the</strong>se have been published, with translations, in <strong>the</strong>

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