R - Metropolitan Museum of Art
R - Metropolitan Museum of Art
R - Metropolitan Museum of Art
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worladi tor reasons tnat may, never e -:<br />
Mknownsthis glass type'didnot inspire<br />
i'slamic'adaptations, but only adoptions<br />
ilike'these; the vogue for such decoration<br />
in the Muslim world did not continue<br />
much after the eighth century, nor does<br />
it appear to have extended beyond the<br />
easter shores <strong>of</strong> the Mediterranean.<br />
The "spectacle pattern" as well as the<br />
bands <strong>of</strong> thick and thin threading seen<br />
on the neck <strong>of</strong> the clear, colorless bottle<br />
(no. 8) were popular decorative motifs<br />
and conventions on pre-lslamic glass<br />
made in Greater Syria.<br />
w.lwn il-elyraveu inscurpuuro<br />
inreeK mna, :,<br />
reads "Drink and live long"; these words '<br />
clearly indicate that te vessel's function'<br />
and that <strong>of</strong> its progeny was to dispense<br />
liquid-a use that would explain the<br />
green bottle's funnel-shaped mouth.<br />
The lack <strong>of</strong> a pontil mark on the base<br />
<strong>of</strong> either vessel indicates that the glassthread<br />
decoration was very quickly,<br />
expertly applied and crimped at regular<br />
intervals while the object was still on the<br />
blowpipe. The finding <strong>of</strong> two similarly<br />
decorated vessels in the undisturbed<br />
pit at Fustat permits the placing <strong>of</strong> the<br />
<strong>Museum</strong>'s bottles in the eighth century.<br />
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