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R - Metropolitan Museum of Art

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-<br />

worladi tor reasons tnat may, never e -:<br />

Mknownsthis glass type'didnot inspire<br />

i'slamic'adaptations, but only adoptions<br />

ilike'these; the vogue for such decoration<br />

in the Muslim world did not continue<br />

much after the eighth century, nor does<br />

it appear to have extended beyond the<br />

easter shores <strong>of</strong> the Mediterranean.<br />

The "spectacle pattern" as well as the<br />

bands <strong>of</strong> thick and thin threading seen<br />

on the neck <strong>of</strong> the clear, colorless bottle<br />

(no. 8) were popular decorative motifs<br />

and conventions on pre-lslamic glass<br />

made in Greater Syria.<br />

w.lwn il-elyraveu inscurpuuro<br />

inreeK mna, :,<br />

reads "Drink and live long"; these words '<br />

clearly indicate that te vessel's function'<br />

and that <strong>of</strong> its progeny was to dispense<br />

liquid-a use that would explain the<br />

green bottle's funnel-shaped mouth.<br />

The lack <strong>of</strong> a pontil mark on the base<br />

<strong>of</strong> either vessel indicates that the glassthread<br />

decoration was very quickly,<br />

expertly applied and crimped at regular<br />

intervals while the object was still on the<br />

blowpipe. The finding <strong>of</strong> two similarly<br />

decorated vessels in the undisturbed<br />

pit at Fustat permits the placing <strong>of</strong> the<br />

<strong>Museum</strong>'s bottles in the eighth century.<br />

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