R - Metropolitan Museum of Art
R - Metropolitan Museum of Art
R - Metropolitan Museum of Art
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24. The band <strong>of</strong> slightly beveled lozenges<br />
on this large, handled cup, which<br />
resembles a Roman Imperial skyphos, is<br />
bordered at top and bottom by an angular<br />
molding. Contoured to exclude the handle<br />
with its thumbstop from the decorative<br />
band, this molding is reminiscent in form<br />
and function <strong>of</strong> that on the opaque<br />
turquoise lobed bowl in San Marco. The<br />
base <strong>of</strong> this cup is also relief-cut, containing<br />
a slightly concave protruding disc at<br />
its center circumscribed by two angular<br />
moldings arranged concentrically around<br />
it. A similar decoration is to be seen on a<br />
flat fragment found in Samarra. The cup<br />
has acquired a spectacular iridescence.<br />
25. The walls <strong>of</strong> this spherical vessel are<br />
decorated with two staggered rows <strong>of</strong><br />
ten discs, each with a raised dot, a motif<br />
found in Samarra. The ten petals that radiate<br />
from an identical disc on the bottom<br />
<strong>of</strong> this object are similar in form to the lozenges<br />
on the handled cup (no. 24) except<br />
that each petal here supports a smaller<br />
version <strong>of</strong> itself. A similar convention<br />
occurs on a fragment found in Samarra<br />
and on the feet and interstitial triangles<br />
on the green cosmetic bottle (no. 23).<br />
At this stage <strong>of</strong> research, these objects<br />
cannot be ascribed with any degree <strong>of</strong><br />
certainty to a particular production center.<br />
However, because <strong>of</strong> certain affinities between<br />
them and the fact that they have<br />
ninth- or tenth-century parallels in common,<br />
it appears that they were executed<br />
sometime within that two-hundred-year<br />
period.<br />
24<br />
25 27<br />
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