P L A N T A R C H Y 2 - Critical Documents

More documents

Recommendations

Info

RFORMATIVITY PERFORMANCE & PERFORM
P L A N T A R C H Y 2 P E R F O R M A N C E & P E R F O R M A T I V I T Y Editor: jUStin!katKO ISSN 1558-8874 © 2006 Critical Documents All rights revert to contributors upon publication. 300 copies printed on the HP LaserJet 2420 at Critical Documents and sewn there too. Trimmed at the Slack Buddha Press printshop and Church Street Printing. 1 issue $10 / £7 – 4 issues $25 / £17 http://plantarchy.us | justin.katko@gmail.com 112 North College #4 | Oxford Ohio 45056 USA
Page 4 and 5: CONTRIBUTORS 4 — Editor 6 — cri
Page 6 and 7: And so take this, from Stuart Calto
Page 8 and 9: That among hard gesticulating male
Page 10 and 11: your ticket to the free guide loved
Page 12: “Providing efficacious and exagge
Page 16 and 17: possibility of associative thought.
Page 18 and 19: Not-god brings the sky down Vulnera
Page 20 and 21: If-then economy economy you work if
Page 22 and 23: § What unfenced region we term mem
Page 24 and 25: § Yet isn’t utter autonomy utter
Page 26 and 27: The country (the country we recall)
Page 28 and 29: Grief tax death tossed Not in you t
Page 30 and 31: Taken from the “Memo Concerning C
Page 32 and 33: Her Rice-Sheets Squealing Fatima Ne
Page 34 and 35: Degeneracy theory replaced its pred
Page 36 and 37: ‡ Some masturbatory myths… 1. M
Page 40 and 41: Michael Basinski Someone Wake Up Th
Page 42 and 43: Words in Church 41
Page 44 and 45: Ric Royer Performing the Word, Soun
Page 46 and 47: capable even of choosing; all it ca
Page 48 and 49: art (something to be exhibited as a
Page 50 and 51: performance, Young’s composition,
Page 52 and 53:
the reading of writerly texts as
Page 54 and 55:
Conclusions/Departures Performance
Page 56 and 57:
A performance piece for two perform
Page 58 and 59:
SPIDER VOICE It’s very nice to be
Page 60 and 61:
THAT CAUSAL CHAIN IS MADE OF GOLD M
Page 82 and 83:
This page left intentionally blank.
Page 84 and 85:
1. three/ little/ words one/ anothe
Page 86 and 87:
3. her/ thin/ moat literature’s/
Page 88 and 89:
5. the/ south-eastern/ tip revolved
Page 90 and 91:
7. some/ legendary/ concern for/ br
Page 92 and 93:
9. read/ those/ names cut/ and/ dea
Page 94 and 95:
11. unnameable/ until/ teamed besid
Page 96 and 97:
13. hanno preso mia figlia/ or/ ma
Page 98 and 99:
Giles Goodland Caleb Whitefoord: Th
Page 100 and 101:
current coin. Now in rehearsal the
Page 102 and 103:
a brass candlestick, value ten-penc
Page 104 and 105:
Mark Wallace from Notes From The Ce
Page 106 and 107:
to the twists of a shining countena
Page 108 and 109:
uthless individual leap. Capitalizi
Page 110 and 111:
Christ only calling the beat machin
Page 112 and 113:
y radio we mean what listens — a
Page 114 and 115:
Keith Tuma After Theory, After Amer
Page 116 and 117:
Raworth, and Riley, among other sen
Page 118 and 119:
making for new or renewed alliances
Page 120 and 121:
propositions and information offere
Page 122 and 123:
Mark Mendoza after Haroldo de Campo
Page 124 and 125:
Growing on me. - Each darkened to v
Page 126 and 127:
It’s the wording at those things
Page 128 and 129:
Major Brass: Drops design the ocean
Page 130 and 131:
Stuart Calton VERSUS ALL OVER BODY-
Page 132 and 133:
ody ghost cat on the vibes spectral
Page 134 and 135:
on top of your mimed re-constructio
Page 136 and 137:
part of your home. Begin to disenga
Page 138 and 139:
going well, will lead to a final pa
Page 140 and 141:
Keith Tuma. Topical Ointment (Slack
Page 142 and 143:
MAGAZINES / ANTHOLOGIES 1913: a jou
Page 145:
BARQUE PRESS in association with HU
Page 149:
OXFORD MAGAZINE ISSUE XX ❧ NOW ON
show all

P L A N T A R C H Y 2 - Critical Documents

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?