P L A N T A R C H Y 2 - Critical Documents

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THAT CAUSAL CHAIN IS MADE OF GOLD MY ANKLE IS SHACKLED TO OZONE MY NECK IS NOOSED TO ICE FLOATING MERRILY ON AN OIL SLICK COWBELL IPOD REAL AND LECTURES FREQUENT, PROGENY AND DARTH, NO WAY TO DETOUR, THE ANIMAL TOOK ME FOR A WALK, I AM SO LUCKY LUCKY FOR THAT ANIMAL, Oh spider oh spider! Apropos genomes apropos spiders HEGEL calls it EARTH HORSE BLISS ENIGMA my prosthetic horn is bruised come here spider so I might love you! COME HERE SPIDER SO I MIGHT LOVE YOU! It is a sense event of pure becoming she said IS THAT WHAT SHE SAID? SHE SAID WHAT WAS IT THAT SHE said WHAT was it that she said? SAID SPIDERS WHAT OF IT? SHE SAID, SHE DID SAY . . . SPIDER VOICE (cont) COWBELL COWBELL FINALE COORDINATED WITH OTHER COWBELL 59
60 Aaren Yandrich stills from Make a Horse Look Like It’s Running
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RFORMATIVITY PERFORMANCE & PERFORM
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CONTRIBUTORS 4 — Editor 6 — cri
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And so take this, from Stuart Calto
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That among hard gesticulating male
Page 10 and 11: your ticket to the free guide loved
Page 12: “Providing efficacious and exagge
Page 16 and 17: possibility of associative thought.
Page 18 and 19: Not-god brings the sky down Vulnera
Page 20 and 21: If-then economy economy you work if
Page 22 and 23: § What unfenced region we term mem
Page 24 and 25: § Yet isn’t utter autonomy utter
Page 26 and 27: The country (the country we recall)
Page 28 and 29: Grief tax death tossed Not in you t
Page 30 and 31: Taken from the “Memo Concerning C
Page 32 and 33: Her Rice-Sheets Squealing Fatima Ne
Page 34 and 35: Degeneracy theory replaced its pred
Page 36 and 37: ‡ Some masturbatory myths… 1. M
Page 40 and 41: Michael Basinski Someone Wake Up Th
Page 42 and 43: Words in Church 41
Page 44 and 45: Ric Royer Performing the Word, Soun
Page 46 and 47: capable even of choosing; all it ca
Page 48 and 49: art (something to be exhibited as a
Page 50 and 51: performance, Young’s composition,
Page 52 and 53: the reading of writerly texts as
Page 54 and 55: Conclusions/Departures Performance
Page 56 and 57: A performance piece for two perform
Page 58 and 59: SPIDER VOICE It’s very nice to be
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Page 84 and 85: 1. three/ little/ words one/ anothe
Page 86 and 87: 3. her/ thin/ moat literature’s/
Page 88 and 89: 5. the/ south-eastern/ tip revolved
Page 90 and 91: 7. some/ legendary/ concern for/ br
Page 92 and 93: 9. read/ those/ names cut/ and/ dea
Page 94 and 95: 11. unnameable/ until/ teamed besid
Page 96 and 97: 13. hanno preso mia figlia/ or/ ma
Page 98 and 99: Giles Goodland Caleb Whitefoord: Th
Page 100 and 101: current coin. Now in rehearsal the
Page 102 and 103: a brass candlestick, value ten-penc
Page 104 and 105: Mark Wallace from Notes From The Ce
Page 106 and 107: to the twists of a shining countena
Page 108 and 109: uthless individual leap. Capitalizi
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Christ only calling the beat machin
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y radio we mean what listens — a
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Keith Tuma After Theory, After Amer
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Raworth, and Riley, among other sen
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making for new or renewed alliances
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propositions and information offere
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Mark Mendoza after Haroldo de Campo
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Growing on me. - Each darkened to v
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It’s the wording at those things
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Major Brass: Drops design the ocean
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Stuart Calton VERSUS ALL OVER BODY-
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ody ghost cat on the vibes spectral
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on top of your mimed re-constructio
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part of your home. Begin to disenga
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going well, will lead to a final pa
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Keith Tuma. Topical Ointment (Slack
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MAGAZINES / ANTHOLOGIES 1913: a jou
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BARQUE PRESS in association with HU
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OXFORD MAGAZINE ISSUE XX ❧ NOW ON
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