P L A N T A R C H Y 2 - Critical Documents

More documents

Recommendations

Info

9. read/ those/ names cut/ and/ dealt grit/ for/ 11 miles ride/ pickaback/ country-style with/ strikebreakers/ for your/ own/ good try/ not/ to get/ lynched/ if you/ do/ try not/ to/ In-der-Welt-Sein regulated/ flushed/ pit table-manners/ or/ cock-blood dancing/ sticky/ feathers everywhere/ sold-out/ petrol rush/ a/ breeze 91
92 10. “delicate/ cirrus-like/ cumulus” an/ amorous/ occlusion deriving/ Lorentz’/ equations from/ cracker/ pulls le ore/ piled/ on four-dimensional/ quilt-work/ rounded illative/ streak/ uralic image/ test-based/ for continuity/ the/ blade-load torquing/ withershins/ any tousy/ landscape/ Birmingham perhaps/ you/ need to/ see/ flashbulb effects/ their/ “milky residue”
Page 2 and 3:
RFORMATIVITY PERFORMANCE & PERFORM
Page 4 and 5:
CONTRIBUTORS 4 — Editor 6 — cri
Page 6 and 7:
And so take this, from Stuart Calto
Page 8 and 9:
That among hard gesticulating male
Page 10 and 11:
your ticket to the free guide loved
Page 12:
“Providing efficacious and exagge
Page 16 and 17:
possibility of associative thought.
Page 18 and 19:
Not-god brings the sky down Vulnera
Page 20 and 21:
If-then economy economy you work if
Page 22 and 23:
§ What unfenced region we term mem
Page 24 and 25:
§ Yet isn’t utter autonomy utter
Page 26 and 27:
The country (the country we recall)
Page 28 and 29:
Grief tax death tossed Not in you t
Page 30 and 31:
Taken from the “Memo Concerning C
Page 32 and 33:
Her Rice-Sheets Squealing Fatima Ne
Page 34 and 35:
Degeneracy theory replaced its pred
Page 36 and 37:
‡ Some masturbatory myths… 1. M
Page 40 and 41:
Michael Basinski Someone Wake Up Th
Page 42 and 43: Words in Church 41
Page 44 and 45: Ric Royer Performing the Word, Soun
Page 46 and 47: capable even of choosing; all it ca
Page 48 and 49: art (something to be exhibited as a
Page 50 and 51: performance, Young’s composition,
Page 52 and 53: the reading of writerly texts as
Page 54 and 55: Conclusions/Departures Performance
Page 56 and 57: A performance piece for two perform
Page 58 and 59: SPIDER VOICE It’s very nice to be
Page 60 and 61: THAT CAUSAL CHAIN IS MADE OF GOLD M
Page 82 and 83: This page left intentionally blank.
Page 84 and 85: 1. three/ little/ words one/ anothe
Page 86 and 87: 3. her/ thin/ moat literature’s/
Page 88 and 89: 5. the/ south-eastern/ tip revolved
Page 90 and 91: 7. some/ legendary/ concern for/ br
Page 94 and 95: 11. unnameable/ until/ teamed besid
Page 96 and 97: 13. hanno preso mia figlia/ or/ ma
Page 98 and 99: Giles Goodland Caleb Whitefoord: Th
Page 100 and 101: current coin. Now in rehearsal the
Page 102 and 103: a brass candlestick, value ten-penc
Page 104 and 105: Mark Wallace from Notes From The Ce
Page 106 and 107: to the twists of a shining countena
Page 108 and 109: uthless individual leap. Capitalizi
Page 110 and 111: Christ only calling the beat machin
Page 112 and 113: y radio we mean what listens — a
Page 114 and 115: Keith Tuma After Theory, After Amer
Page 116 and 117: Raworth, and Riley, among other sen
Page 118 and 119: making for new or renewed alliances
Page 120 and 121: propositions and information offere
Page 122 and 123: Mark Mendoza after Haroldo de Campo
Page 124 and 125: Growing on me. - Each darkened to v
Page 126 and 127: It’s the wording at those things
Page 128 and 129: Major Brass: Drops design the ocean
Page 130 and 131: Stuart Calton VERSUS ALL OVER BODY-
Page 132 and 133: ody ghost cat on the vibes spectral
Page 134 and 135: on top of your mimed re-constructio
Page 136 and 137: part of your home. Begin to disenga
Page 138 and 139: going well, will lead to a final pa
Page 140 and 141: Keith Tuma. Topical Ointment (Slack
Page 142 and 143:
MAGAZINES / ANTHOLOGIES 1913: a jou
Page 145:
BARQUE PRESS in association with HU
Page 149:
OXFORD MAGAZINE ISSUE XX ❧ NOW ON
show all

P L A N T A R C H Y 2 - Critical Documents

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?