P L A N T A R C H Y 2 - Critical Documents

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13. hanno preso mia figlia/ or/ ma fia own/ proud/ heart or/ faked/ death/ still/ a/ false etymology/ you/ started/ so/ strip/ floors empty/ sets/ hearkening such/ difficult/ murder loll-tongue/ on/ garlic-moon fill/ the/ prayer and/ room/ still hearing/ quantities/ spilt De musica/ the/ right source/ unacknowledged/ “e’en now” 95
96 14. where/ will/ this end/ this/ ceaseless hollow/ this/ annular snap/ cranked/ needle-shaft dip/ never/ hover flee/ never/ wait till/ murmur/ on and/ hear/ ovum craic/ jovial/ spinneys industrious/ hum/ the bee-line/ bleached/by the/ yard/ heather-fields “missus/ out/ back” we’ll/ work/ on’t 30 July – 12 August 2005
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RFORMATIVITY PERFORMANCE & PERFORM
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CONTRIBUTORS 4 — Editor 6 — cri
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And so take this, from Stuart Calto
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That among hard gesticulating male
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your ticket to the free guide loved
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“Providing efficacious and exagge
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possibility of associative thought.
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Not-god brings the sky down Vulnera
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If-then economy economy you work if
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§ What unfenced region we term mem
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§ Yet isn’t utter autonomy utter
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The country (the country we recall)
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Grief tax death tossed Not in you t
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Taken from the “Memo Concerning C
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Her Rice-Sheets Squealing Fatima Ne
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Degeneracy theory replaced its pred
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‡ Some masturbatory myths… 1. M
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Michael Basinski Someone Wake Up Th
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Words in Church 41
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Ric Royer Performing the Word, Soun
Page 46 and 47: capable even of choosing; all it ca
Page 48 and 49: art (something to be exhibited as a
Page 50 and 51: performance, Young’s composition,
Page 52 and 53: the reading of writerly texts as
Page 54 and 55: Conclusions/Departures Performance
Page 56 and 57: A performance piece for two perform
Page 58 and 59: SPIDER VOICE It’s very nice to be
Page 60 and 61: THAT CAUSAL CHAIN IS MADE OF GOLD M
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Page 84 and 85: 1. three/ little/ words one/ anothe
Page 86 and 87: 3. her/ thin/ moat literature’s/
Page 88 and 89: 5. the/ south-eastern/ tip revolved
Page 90 and 91: 7. some/ legendary/ concern for/ br
Page 92 and 93: 9. read/ those/ names cut/ and/ dea
Page 94 and 95: 11. unnameable/ until/ teamed besid
Page 98 and 99: Giles Goodland Caleb Whitefoord: Th
Page 100 and 101: current coin. Now in rehearsal the
Page 102 and 103: a brass candlestick, value ten-penc
Page 104 and 105: Mark Wallace from Notes From The Ce
Page 106 and 107: to the twists of a shining countena
Page 108 and 109: uthless individual leap. Capitalizi
Page 110 and 111: Christ only calling the beat machin
Page 112 and 113: y radio we mean what listens — a
Page 114 and 115: Keith Tuma After Theory, After Amer
Page 116 and 117: Raworth, and Riley, among other sen
Page 118 and 119: making for new or renewed alliances
Page 120 and 121: propositions and information offere
Page 122 and 123: Mark Mendoza after Haroldo de Campo
Page 124 and 125: Growing on me. - Each darkened to v
Page 126 and 127: It’s the wording at those things
Page 128 and 129: Major Brass: Drops design the ocean
Page 130 and 131: Stuart Calton VERSUS ALL OVER BODY-
Page 132 and 133: ody ghost cat on the vibes spectral
Page 134 and 135: on top of your mimed re-constructio
Page 136 and 137: part of your home. Begin to disenga
Page 138 and 139: going well, will lead to a final pa
Page 140 and 141: Keith Tuma. Topical Ointment (Slack
Page 142 and 143: MAGAZINES / ANTHOLOGIES 1913: a jou
Page 145: BARQUE PRESS in association with HU
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OXFORD MAGAZINE ISSUE XX ❧ NOW ON
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P L A N T A R C H Y 2 - Critical Documents

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