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THE RECORD NEWS - The Digital South Asia Library - University of ...

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India honored her with ‘Padmabhushan’ title. This honor was for her music. Her<br />

voice was not sweet but had a command over a uniform volume in all the three<br />

octaves. She would modulate it keeping the same volume. Her ragas like<br />

Basanti-Kedar, Bihagada, Malkauns, Jaijiawanti and Tilak Kamod were very<br />

popular among her listeners.<br />

Fortunately, she has recorded for the Gramophone Company during 1935-55 in<br />

three different phases. One can trace the evolution <strong>of</strong> her music and the style<br />

through these records. In 1935, she cut four records for Madras based Broadcast<br />

Record Company in which she has sung ragas Gauri, Des, Kafi Kanada,<br />

Khambavati, Phag and Bhairvi. <strong>The</strong>se early recordings reflect the Jaipur-Atrauli<br />

taalim that she received from Alladiya Khan. During 1945-50, she cut 12 ragas<br />

on six 12” records on HMV label with play time <strong>of</strong> about four minutes per side.<br />

One can listen to her matured voice in beautiful ragas such as Lalat, Malkauns,<br />

Paraj, Desi, Kukubh Bilawal, Jaunpuri, Nand, Durga, Nat Kamod, Lalita Gauri,<br />

and Gaud Malhar. During 1953-1955, she cut eighteen songs on nine, ten-inch<br />

diameter HMV label records. In addition to ragas, they contain light classical<br />

items such as Hori, Chaiti, Kajri and Bhajans. Due to the dispute between the<br />

Gramophone Company and Kesarbai, these records were released later and<br />

never played on All India Radio except Goa station. As a result, these records did<br />

not reach the music lovers. In 1994, Gramophone Company reissued them on<br />

tapes and now on CD’s. In 2004, her earlier Broadcast label records were<br />

reissued on CD by the Underscore records company. Her sarangi player Majid<br />

Khan had recorded some <strong>of</strong> her concerts and Majid Khan’s son released them in<br />

a pack <strong>of</strong> six tapes. Private collectors have hours <strong>of</strong> recordings <strong>of</strong> Kesarbai and<br />

one can judge her changed style after the demise <strong>of</strong> Alladiya Khan in 1946. Truly<br />

one can describer her voice as ‘<strong>The</strong> Voice <strong>of</strong> the Century’.<br />

------------------------------------------------------------------------------------------------------------<br />

Kesar Bai Kerkar C.1935 C.1965<br />

15

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