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THE RECORD NEWS - The Digital South Asia Library - University of ...

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More Gramophone Celebrities<br />

---------------------------------------------------<br />

In this section we give short biography and available discography [mainly 78 rpm<br />

records] <strong>of</strong> great gramophone artists.<br />

====================================================<br />

Mr. G. N. Joshi (1909 -1994)<br />

---------------------------------------------<br />

Mr. Govind Narayan Joshi was born in 1909 at Khamgaon, a small town in<br />

Vidarbha, Maharashtra. He was known as G. N. Joshi in HMV and among his<br />

friends. After the school education in Khamgaon, he shifted to Nagpur and Pune<br />

for higher studies and obtained B.A. and L.L.B degrees. Although he practiced<br />

for a short while as a lawyer, soon he gave it up for the more attracting career in<br />

music. During his school and college days, he played roles in Marathi drama and<br />

learnt music. He used to give concerts, broadcast from radio and set tunes to<br />

Marathi poems written by young poets. One such favorite poem was ‘Sheel’<br />

(whistle) written by Mr. N. G. Deshpande from Mehekar, a place near Khamgaon.<br />

In one such concert, Mr. Ramakant Roopji, manager <strong>of</strong> the gramophone<br />

Company, Mumbai listened to his music and invited him for cutting gramophone<br />

discs. This was year 1930 when Mr. Joshi was just twenty years old. He was<br />

asked to record only two songs. However, the recording session continued<br />

overnight and he recorded eight songs. Soon, these records proved to be best<br />

sellers and company <strong>of</strong>fered him a job. He readily accepted it and contributed<br />

substantially till his retirement. During 1930-50, he cut over 50 records [100<br />

songs] on 78-rpm shellac discs. <strong>The</strong>se included classical, light classical, Marathi<br />

and even Gujrathi songs. His name – G.N.Joshi, B.A.L.L.B. is found on many<br />

record labels. After about 1950, he took keen interest in obtaining recordings <strong>of</strong><br />

the leading vocalists and instrumentalists. He also continued it in the era <strong>of</strong> vinyl<br />

LP/EP records. He had many interesting experiences during this long period. He<br />

has narrated them in his Marathi book – ‘Swargangechya Teeri’. It was later<br />

translated in English – ‘Down Melody Lane’. This book gives an account <strong>of</strong> the<br />

efforts made in obtaining the records <strong>of</strong> great persons like Bade Gulam Ali Khan,<br />

Faiyaaz Khan, K. L. Saigal, D. V. Paluskar, Begum Akhtar, Kesarbai Kerkar,<br />

Ameer Khan, Bismillah Khan, Kumar Gandharva, Vasantrao Deshpande, Laxmi<br />

Shankar, Siddheshwari Devi, Rasoolan Bai and many others. After the sad and<br />

untimely death <strong>of</strong> Bapurao Paluskar, he released LP <strong>of</strong> his famous bhajans from<br />

78 rpm era. On the other side <strong>of</strong> this LP record, he included raga Shree. Bapurao<br />

had recorded this raga just before leaving for China. Mr. Joshi edited and<br />

expanded available recording and made 18 minutes raga Shree. This record is<br />

really a ‘Collector’s Item’.<br />

During LP/EP era, he recorded longer pieces <strong>of</strong> Pt. Ravi Shankar, Ustad Ali<br />

Akbar Khan, V. G. Jog and Bismillah Khan, Pt. Ram Narayan, Pannalal Ghosh,<br />

Shivkumar Sharma and Ameer Khan. His most favorite singer was Pt. Bhimsen<br />

Joshi and he has recorded several LP and EP records during 1960-70. He also<br />

reissued some selected 78’s <strong>of</strong> old masters on LP records. <strong>The</strong>se include Bal<br />

20

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