ARCHITECTURE PORTFOLIO RICARDO CUELLAR
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<strong>ARCHITECTURE</strong> <strong>PORTFOLIO</strong><br />
<strong>RICARDO</strong> <strong>CUELLAR</strong>
Table of Contents<br />
<strong>RICARDO</strong> <strong>CUELLAR</strong><br />
<strong>ARCHITECTURE</strong><br />
<strong>PORTFOLIO</strong><br />
Bachelors of Architecture<br />
Texas Tech University<br />
Phone: (806) 470-3244<br />
Email: ricardo.cuellar@ttu.edu<br />
PROJECT_01<br />
Frost Bank<br />
Pg. 3-15<br />
Comprehensive Studio<br />
PROJECT_02<br />
College of Architecture<br />
Pg. 16-23<br />
Design Studio IV<br />
PROJECT_03<br />
Tension Spire<br />
Pg. 24-31<br />
Design Studio III<br />
PROJECT_04<br />
Place Du Caire<br />
Pg. 34-39<br />
Study Abroad<br />
PROJECT_05<br />
The Richard Wilson Museum<br />
Pg. 40-45<br />
Design Studio I<br />
PROJECT_06<br />
Unreal Estate<br />
Pg. 46-47<br />
Design Studio II<br />
PROJECT_07<br />
Unity Square<br />
Pg. 48-53<br />
Urban Design Studio
PROJECT_01<br />
Frost Bank<br />
Concept: Energy<br />
Frost Bank<br />
Project Goals<br />
-A financial building that incorporates the site as well as<br />
the needs of its clients into its presence in order to create<br />
an inviting yet protected environment.<br />
-A High End Financial Building- Clients are treated as<br />
people not just another number and provide them with<br />
financial services.<br />
-Buildings Presence- efficient in resources and welcoming<br />
feel in the community<br />
-Protected environment- Through careful designing the<br />
structure will remain protected without having to distance<br />
itself from the community<br />
Site Materials and Water Feature<br />
Project 2 Page 2<br />
Project 1 Page 5
1<br />
Office<br />
1<br />
1<br />
Floor Plans and Perspective Views<br />
Ground Level<br />
1.<br />
Frost Room<br />
Men<br />
Vault<br />
3<br />
Conference Rm<br />
PB Room<br />
Corridor<br />
Vestibule<br />
Elevator<br />
Lobby<br />
Coffee Table<br />
Vestibule<br />
2<br />
3<br />
1<br />
Frost Room<br />
Stairs<br />
4<br />
2<br />
2.<br />
3.<br />
4.<br />
Lobby/Public Space<br />
Office/Admin<br />
Core<br />
4<br />
Elec/Tele Data<br />
Women<br />
2<br />
A 1 02<br />
Teller<br />
Community Rm<br />
A 1 05<br />
Second Level Perspective<br />
4<br />
Mech<br />
Women<br />
Stairs<br />
J/C<br />
Men<br />
Office<br />
Storage<br />
Corridor<br />
2<br />
A 1 02<br />
Office<br />
elevator<br />
1<br />
Admin<br />
3<br />
Corridor<br />
Work Copy<br />
Office<br />
2<br />
Office<br />
Corridor<br />
Office<br />
A 1 05<br />
Stairs<br />
4<br />
Mech<br />
Office<br />
Second Level<br />
1.<br />
Public Space<br />
2. Office<br />
3. Admin<br />
4. Core<br />
Office<br />
Office<br />
Storage<br />
Elevator<br />
Men<br />
Chase<br />
Women<br />
Admin<br />
4 3<br />
Stairs<br />
1<br />
Office Office<br />
Light Well<br />
Corridor<br />
Office<br />
Office<br />
Work/Copy<br />
2<br />
Office<br />
Office<br />
Office<br />
Office<br />
Stairs<br />
Chase<br />
4<br />
Third Level<br />
1.<br />
Public Space<br />
2. Office<br />
3. Admin<br />
4.<br />
Core<br />
Third Level Perspective<br />
Project 1 Page 7
Longitudinal Section<br />
Project 1 Page 9<br />
Project 1 Page 7
2<br />
A 1 02<br />
S h a d i n d g e v ei c<br />
1<br />
1 " = 1 ' - 0"<br />
1<br />
A 1 06<br />
To p o f Ro of<br />
4 0' - 6 "<br />
F . F . L e v e 3 l<br />
27 ' - 0"<br />
F . F . L e v e 2l<br />
1 3 ' - 6 "<br />
F . F . L e v e 1 l<br />
0' - 0"<br />
T. O. D<br />
- 1 ' - 6 "<br />
Entrance to Frost Room<br />
1<br />
A 1 05<br />
2<br />
A 1 06<br />
2<br />
A 1 02<br />
1<br />
A 1 05<br />
3<br />
Shading and Daylighting Strategies and Transverse Section<br />
S h a d i n g S t r a t e g y<br />
Summer<br />
Office<br />
Admin<br />
Equinox<br />
13’-6”<br />
13’6”<br />
9’<br />
100%<br />
Winter<br />
To p o fRo of<br />
4 0' -- 66 ""<br />
Northern Light<br />
40%<br />
8’<br />
Steel Perforated Panels<br />
1/8 Diameter Perfprations<br />
3/16” Spacing<br />
60% Daylight reflected<br />
F . F . L e v e l 3<br />
27 ' -- 0"<br />
Admin<br />
Storefront Window<br />
Perforated Steel Mesh Panel<br />
SHGC= 0.39<br />
U Factor= 0.25<br />
VT= 0.70<br />
F . F . L e v e l 2<br />
1 3 ' - 6 "<br />
3’ Barrier<br />
Daylighting Seasons<br />
Summer Solstice<br />
Winter Solstice<br />
Equinox<br />
F . F . L e v e l 1<br />
T. O. D 0' - 0"<br />
- 1 ' - 6 "<br />
Lobby<br />
Frost<br />
Elec/Tele<br />
ele Data<br />
Women<br />
Men<br />
Vault<br />
Elevator<br />
Conference ence Rm<br />
PB Room<br />
Corridor<br />
Vestibule<br />
Lobby<br />
Vestibule<br />
Community Rm<br />
Frost Room<br />
Stairs<br />
Mech<br />
Women<br />
Men<br />
J/C<br />
Office<br />
Storage<br />
Corridor<br />
Office<br />
elevator<br />
evator<br />
Corridor<br />
Admin<br />
Work Copy<br />
Office<br />
Office<br />
Corridor<br />
Office<br />
Office<br />
Stairs<br />
Mech<br />
Office<br />
Chase<br />
Women<br />
Stairs<br />
Men<br />
Storage<br />
Office<br />
Office<br />
Elevator<br />
Admin<br />
Office<br />
Office<br />
Corridor<br />
Office<br />
Office<br />
Work/Copy<br />
Office<br />
Office<br />
Office<br />
Stairs<br />
Chase<br />
Office<br />
Stairs<br />
Ground Level Second Level Third Level<br />
Artificial Lighting Full Daylight Partial daylight<br />
Project 1 Page11
A<br />
1<br />
B<br />
3<br />
4<br />
5<br />
6<br />
7<br />
8<br />
1<br />
4<br />
3<br />
Structure<br />
16x89 Steel Girder<br />
1.From Aloft<br />
6x 20 Steel Beam<br />
VRF Diagram<br />
Outdoor<br />
Unit<br />
Outdoor<br />
Unit<br />
8x10 Steel Girder<br />
Roof Level<br />
8x31 Steel Column<br />
DOA<br />
Unit<br />
32’<br />
Piling Cap<br />
Third Level<br />
Indoor<br />
Unit<br />
2<br />
Tile Finish<br />
Concrete<br />
12’<br />
2<br />
Second Level<br />
Metal Decking<br />
20’<br />
9 1 0 1 1 1 2<br />
1 3<br />
1 4<br />
1 5<br />
1 6<br />
C<br />
N<br />
Ground Level<br />
Project 1 Page 13
-<br />
- - -<br />
-<br />
-<br />
- - -<br />
3<br />
M<br />
4<br />
Parapet Flashing<br />
Wall Section<br />
Support Bracket<br />
3” Air Space<br />
Metall Cladding<br />
Plywood Sheathing<br />
6” Metal Stud<br />
6” Rigid Insulation<br />
Header Connection<br />
Bracket<br />
W8x10 -Flange Beam<br />
Roof Membrane<br />
Metal Decking<br />
Perforated Steel<br />
Mesh<br />
Plywood Sheathing<br />
3.5” Batt Insulation<br />
Interior Finish<br />
Copper Coping<br />
Store Front Window<br />
Plywood Sheathing<br />
Copper Panel<br />
Metal Stud<br />
6” Metal Stud<br />
Steel Grate<br />
5 Pa r a p te<br />
Rigid C.I.<br />
W12x26 Girder<br />
Metall Cladding<br />
Rigid Insulation<br />
8x31 Column<br />
Metal Cladding<br />
Support Bar<br />
Support Bracket<br />
Channel Track<br />
Air Space<br />
Plywood Sheathing<br />
Rigid C.I.<br />
Batt Insulation<br />
6” Meatl Stud<br />
e t a lCl a d d i nc go n n e cn<br />
t i o<br />
Window Sill<br />
Metal Decking<br />
Concrete<br />
Metal Cladding<br />
Channel Track<br />
Window Mullion<br />
3” Metal Tube<br />
Connection<br />
Concrete Fill<br />
Angle Iron<br />
Metal Stud Bracing<br />
S h a d i n D ge v i c eCo n n e c nt i o<br />
Piling Cap<br />
Project 1 Page 15
PROJECT_02<br />
College of Architecture<br />
Concept: Connections<br />
Project Site and Site Drivers<br />
Site Plan<br />
Cleveland<br />
Square<br />
Retail<br />
Project Site<br />
Retail<br />
Garage<br />
Event Space<br />
Theater<br />
San Jacinto<br />
Plaza<br />
Concept Statement<br />
The circulation of the structure is explored in order to generate<br />
social experiences. Social areas can also mark a transition<br />
from one space to another. The concept represented in<br />
this project was concieved based off this knowledge. This<br />
building wouldnt only involve the community but a new form<br />
of circulation in the area that leads towards cleveland square<br />
this would give an educational experience while entering<br />
and exiting the institutional facility.<br />
Project 2 Page 17
Pathways and Connections<br />
Cleveland<br />
Square Museum<br />
Cleveland<br />
Square Library<br />
Retail<br />
Retail<br />
Theatre<br />
Parking<br />
Garage<br />
Parking<br />
Event Space<br />
Pedestrian Connections<br />
Program Connections<br />
Projector Screen Retail College of Architecture<br />
Project 2 Page 19
Pathways and Connections<br />
Shading<br />
Additional Pathway<br />
Views<br />
Project 2 Page 21
Floor Plans and Renderings<br />
Fourth Level<br />
Third Level<br />
Perspective View of Retail<br />
Second Level<br />
Ground Level<br />
Perspective View from the Amphitheatre<br />
The college provides a missing component that completes the<br />
educational block by replacing a parcel of land that was used as<br />
parking lot into an educational facility.The building’s division<br />
provides a shaded amiable path the commuters can take to reach<br />
thier destination. People that take this path are given an interactive<br />
experience between the students work and community in El Paso.<br />
Project 2 Page 23
PROJECT_03<br />
Tension Spire<br />
Concept: Fluidity<br />
Tension Spire<br />
The project is located in Chicago, Illinois adjacent to<br />
North Lake Shore Drive across from the riverwalk. The<br />
project consists of a culinary arts facility,residential<br />
spaces, dormitories, office spaces, multi-use facilities, and<br />
mechanical space. The building integrates structural systems<br />
that generates a unique experience. The high rise has a long<br />
span steel structure that extrudes from the roof and a double<br />
skin along the south side to reduce energy cost.<br />
Project 3 Page 25
Renderings and Long Span Steel Structure<br />
Cable Suspended Roof<br />
The structure will support the roof of the building that covers<br />
the culinary arts restaurant<br />
L e v el 3 9<br />
6 00' - 0"<br />
L e v el 3 8<br />
5 8 5 ' - 0"<br />
L e v el 3 7<br />
5 7 0' - 0"<br />
Culinary Arts<br />
Residence<br />
Dormatorys<br />
Office Spaces<br />
Multi-Use<br />
Mechanical<br />
Project 3 Page 27
D N<br />
D N<br />
D N<br />
D N<br />
D N<br />
D N<br />
D N<br />
-<br />
1<br />
-<br />
1<br />
1<br />
-<br />
0"<br />
D N<br />
-<br />
1<br />
Floor Plans<br />
1<br />
U P<br />
U P<br />
U P<br />
U P<br />
4<br />
4<br />
2<br />
U P<br />
U P<br />
U P<br />
L e v e l 3 9<br />
1 / 3 2" = 1 ' - 0"<br />
D N U P<br />
5<br />
U P<br />
U P<br />
2 L e v e l 4<br />
1 / 3 2" = 1 ' - 0"<br />
2 L e v e l 5<br />
1 / 1 6 " = 1 ' - 0"<br />
U P<br />
2 L e v e l 22 1 / 3 2" = 1 ' - 0"<br />
D N<br />
U P<br />
L e v e l 1 8<br />
1 / 3 2" = 1 ' - 0"<br />
L e v e l 3 9<br />
1 / 3 2" = 1 ' - 0"<br />
D N U P<br />
L e v e l 1 8<br />
1 / 3 2" = 1 ' - 0"<br />
2<br />
10<br />
11<br />
2<br />
3<br />
1<br />
3<br />
1<br />
1<br />
1<br />
1<br />
UU P<br />
3<br />
4<br />
U P<br />
1<br />
2<br />
U P<br />
U P<br />
Ground Level<br />
1.<br />
2.<br />
3.<br />
4.<br />
5.<br />
6.<br />
7.<br />
8.<br />
9.<br />
10.<br />
11.<br />
Lobby<br />
Retail<br />
Public Restrooms<br />
Cullinary Administrative Offices<br />
Director’s Suite<br />
Admissions Office<br />
Career Services<br />
Staff Room<br />
Faculty Area<br />
Receiving Area<br />
Service Area<br />
Second Level<br />
(Culinary Arts College)<br />
1. Teaching Kitchens (5)<br />
2. Student Lounge<br />
3. Classrooms (2)<br />
4. Open to Below<br />
Third Level<br />
1. Lecture Hall<br />
2. Library<br />
3. Wine Room<br />
4. Demonstration Laboratory<br />
5. Multi-use space<br />
Fourth-Sixth Level<br />
MultiPurpose<br />
Rooms (3)<br />
Seventh-Thirteenth<br />
Level<br />
Dormatories<br />
Sixteenth-Twentieth<br />
Level<br />
Offices<br />
Twenty First-Thirty<br />
Ninth Level<br />
Residential<br />
Units<br />
Fortieth Level<br />
Restaurant<br />
Project 3 Page 29
Double Skin facade<br />
Double Skin Facade<br />
-Protects building from direct<br />
solar heatgain<br />
-Insulates the building from<br />
the cold in winter<br />
-Protects against the wind<br />
forces<br />
Project 3 Page 31
PROJECT_04<br />
Place Du Caire<br />
Concept: Everchanging Fashion<br />
Study Abroad Collaborative<br />
Place Du Caire<br />
In order to emphasize the importance of fashion in Paris the Quartier<br />
du Caire was decided to be used as the study of traditional and<br />
experimental textiles. A place will be created by using regular shapes<br />
that will extend its connection throughout the site to direct people<br />
towards the intended location. The place combines trees, pathways,<br />
and green areas to create this unique experience that is familiar to<br />
the citizens in Paris, France.<br />
Place Du Caire is a project that encompasses time and research that<br />
was developed by studying its location. The place is meant to attract<br />
commuters to the intended site to create another central point in<br />
Paris to direct people towards the passage du caire. The project also<br />
is intended to direct people towards an IMC and a Liturgical Space.<br />
The project is an understanding of architecture within its urban fabric<br />
and creating a new place for people to gather and relax.<br />
Project Site<br />
Project 4 Page 33
Place du Caire<br />
Views and Voids<br />
Cafe Elevation<br />
The place incorporates cafe, IMC, and a liturgical space that<br />
would be placed on the cross axis paths leading east to west.<br />
The IMC is placed on east while the LS on the west. The IMC is the<br />
hierarchical element in the place, decisions were made to create<br />
a sense of centrality for the IMC. In order to redirect the focus<br />
to the IMC a sense of in the place. The place then shifts in order<br />
to become an asymmetrical design giving the place a break or a<br />
variable to which people can identify as a main focal point. The<br />
IMC is also lined with single row of lindens trimmed while the LS<br />
has an allee of linden trees which gives off the appearance of a<br />
private precinct within the zone unlike the IMC which has less<br />
objects obstructing the commuters vision.<br />
South Axonometric View<br />
North Axonometric View<br />
North Axonometric View<br />
Project 4 Page 35
Place Du Caire<br />
PLACE DU CAIRE<br />
Neiman-Rex Rules of<br />
Compostion plan and<br />
elevation<br />
The place also incorporates an IMC and a Liturgical<br />
space that would be placed on the cross axis paths<br />
leading east to west. The IMC being placed on east<br />
while the LS on the west. The IMC is the hierarchical<br />
element in the place, so there were decisions that were<br />
made to create centrality for the IMC. In order to redirect<br />
the focus to the IMC in the place, The place then shifted<br />
to become an asymmetrical design giving the place a<br />
break or a variable to which people can identify as a<br />
main focal point. The IMC is also lined with single<br />
row of lindens trimmed while the LS has an allee of<br />
linden trees which gives off the appearance of a private<br />
precinct within the zone unlike the IMC which has less<br />
objects obstructing the commuters vision.<br />
Constants<br />
-16’ bay facade<br />
-Composite Columns<br />
-Arcade<br />
-Tree Heights and dimensions<br />
-Paving pattern along the axis of passage du<br />
caire to Rue Reaumur<br />
-Cafe facade flows along the exterior of<br />
the buildings Rusticated ground floor and<br />
mezzanine<br />
-<br />
Variables<br />
-Break of the alee<br />
-Asymetrical place design<br />
-paving patterns change at thresholds of IMC<br />
and Liturgical spaces<br />
-Change of facade at the IMC<br />
-Height of IMC’s frontal facade is greater<br />
than that of the cafe facade motief<br />
-interpuratation of Vitrine skewed of both<br />
axis and the overlap of the base and main<br />
passage<br />
Centrality<br />
-Crossing of the two passages ways<br />
emphasized<br />
-Trees are used to emphasize the hiearchy<br />
Hierarchy<br />
-Vitrine skew the vision towards IMC<br />
-Main passage through the place is moved<br />
closer to the IMC<br />
-Trees are used to mask the Liturgical space<br />
-The grand space in front of the IMC allows<br />
for a transitional space that directs people<br />
toward the IMC<br />
Project 4 Page 37
IMC Longitudinal Section and Plan<br />
Longitudinal Section Of Place<br />
Beaux Arts<br />
Principles of Design<br />
N<br />
Beaux Arts Principles of Design<br />
Parti<br />
- 16’ bay system<br />
- Grid Structure<br />
- Symetrical spaces for<br />
both flanking spaces<br />
and grand entrance<br />
- Barrel Vaulting in Grand<br />
space to form a long span<br />
strucural system<br />
Composition<br />
- Lobby space<br />
is opens up to three<br />
spaces which all are<br />
connected by opening<br />
-stairs are placed in the<br />
center precinct of the<br />
plan to direct people<br />
to the stairs<br />
-Grand Space is in the back of<br />
the building to give more<br />
privacy<br />
Point<br />
-The Hiearchical element are the stairs<br />
0 10 20<br />
Circulation<br />
40 80<br />
-The spaces are all open to one another<br />
creating an articulated free form of<br />
Ricardo Cuellar and Tyler Knauss circulation<br />
ARCH 4601: Design in the Urban Context<br />
Paris Studio 2012 Marche<br />
Clifton Ellis, PhD and Hal Sharp, PhD, Instructors<br />
-Compression space before entering the<br />
stair space and flanking spaces serve as a threshold<br />
into these spaces<br />
Parti<br />
- 16’ bay system<br />
- Grid Structure<br />
- Symetrical spaces for<br />
both flanking spaces<br />
and grand entrance<br />
- Barrel Vaulting in Grand<br />
space to form a long span<br />
strucural system<br />
Point<br />
-The Hiearchical element are the<br />
stairs<br />
Circulation<br />
-The spaces are all open to one<br />
another<br />
creating an articulated free form of<br />
circulation<br />
Marche<br />
-Compression space before<br />
entering the stair space and<br />
flanking spaces serve as a<br />
threshold into these spaces<br />
Project 4 Page 39
PROJECT_05<br />
Museum<br />
Concept: Museum that Reflects Sculptor<br />
Richard Wilson’s Work<br />
The Richard Wilson Museum<br />
The museum is located on a sloped terrain in between two structures<br />
in a dense urban city. The sloped terrain causes the building to interacts<br />
with both streets in different ways within the urban context. The building<br />
is significantly different from street view compared from one side to the<br />
other in height and design.<br />
The client used for this museum is a sculptor named Richard Wilson who<br />
distorts some his art to create abnormal geometries.The design of the<br />
building is derived from the clients sculptures in order to keep the same<br />
vernacular that is used by the artist’s work. Wilson’s sculptures are very<br />
abstract while retaining the form that conveys his message concerning<br />
his art.<br />
Project 5 Page 41
Distorded Angles<br />
Richard Wilson’s Art<br />
Distorted Mass Devlopment<br />
Museum Axonometric View<br />
Project 5 Page 43
1<br />
3<br />
Floor Plans<br />
D N<br />
U P<br />
4<br />
The Richard Wilson Museum<br />
3<br />
2<br />
5<br />
1<br />
Ground Level<br />
1.<br />
Office 1<br />
2. Office 2<br />
3. Restroom/ Water Closet<br />
4. Gallery<br />
5. Elevator<br />
U P<br />
L e v e l 1<br />
1 / 3 2" = 1 ' - 0"<br />
2<br />
2 L e v e l 2 1 / 3 2" = 1 ' - 0"<br />
D N<br />
3 1<br />
1<br />
4<br />
5 4<br />
Second Level<br />
1. Office 1<br />
2. WorkRoom<br />
3.<br />
4. Gallery<br />
5.<br />
Unisex Restroom<br />
Elevator<br />
2<br />
3<br />
Third Level<br />
1. Office 1<br />
2. Workroom<br />
3. Gallery<br />
4.<br />
Elevator<br />
L e v e l 3<br />
1 / 3 2" = 1 ' - 0"<br />
The structure has a unique geometry which is placed in a<br />
composition that is rectalinear. The building represents the<br />
clients art using the structure and its surroundings as its own<br />
functional art piece. The client’s philosophy and purpose of<br />
his work that is represented in this strucure can be defined<br />
by a quote from the artist.<br />
“I’ve always been concerned with the ways you can change<br />
architectural space – whether it be a room or a whole<br />
building – to alter your perception, to knock your view of the<br />
world off-kilter.” - Richard Wilson<br />
Front<br />
View<br />
Top View<br />
Project 5 Page 45
PROJECT_06<br />
Unreal Estate<br />
Concept: Overlapping Fragments<br />
Unreal Estate<br />
Design II Scenic Dr. Condiminium Complex<br />
located on the slope of the Frankline Mountains<br />
The unreal estate project consists of three tenants an<br />
artis,astrologer, and a contractor to be built and located on a<br />
steep terrain near transmountain. The dimensions of the plot<br />
of land are 145’ x 65’ with offsets of 5’ on each side 25’ in front<br />
and 20’ in back. Each tenant will have its own powder room<br />
, living room, master bath, master bedroom, entry, storage,<br />
hvac/mech, kitchen, dining area, and studio. It also consists<br />
of a common area. The structures purpose is to be used as a<br />
work space.<br />
First Level<br />
Second Level<br />
South Elevation<br />
Third Level<br />
Axonometric Level Diagram<br />
Fourth Level<br />
Project 6 Page 47
PROJECT_07<br />
Unity Square<br />
Concept: Overlaying Public Realms<br />
Capitol<br />
Chatress<br />
Axonometric Site with Proposed Project<br />
Land Use<br />
Commercial<br />
Entertainment<br />
Residential<br />
Industrial<br />
Unity Square Drivers<br />
The project site is located at the Minute Maid parking lot. Unity<br />
Square is a proposal that was designed in order to create connections<br />
from EaDo to Downtown Houston in order unite the areas once again.<br />
There are programs that are encouraging development in EaDo such<br />
the TIRZ 15 and the 380 Program which allows for the possibility of<br />
this proposal. The Project incorporates retail, residential, office,<br />
and public space to fullfill the needs the surrounding land uses.<br />
Unity Square consist of a two level underground parking garage to<br />
accomodate for the existing parking lot that is being reused for this<br />
proposal as well as the future needs of the community. Theproject<br />
includes sky bridges that are common in the area. The roof of parts<br />
of the building as well as the sky bridge are used to form an elevated<br />
platform in order to create a visual connection with downtown.<br />
Texas<br />
Capitol<br />
Rusk<br />
Capitol<br />
Chatress<br />
Transportation Routes<br />
Rail Line<br />
Major Collector<br />
Existing Bike Lanes<br />
Proposed Bike Lanes<br />
by TIRZ 15<br />
Freeway<br />
St. Emmanuel<br />
Project 7 Page 49
- - -<br />
-<br />
Longitudinal Section and Rendering<br />
Design Influences<br />
View from the Lofts at the Ballpark<br />
Pedestrian Bridge<br />
Pedestrian Bridge<br />
Mini Soccer<br />
U P<br />
Water Feature<br />
St. Emmanuel<br />
Unitiy Park<br />
Rusk<br />
Pedestrian Bridge<br />
U P<br />
U P<br />
Pedestrian Bridge<br />
Public Seating<br />
Food Truck Parking/Tail Gate<br />
Project<br />
Open core influence<br />
Connecting Axis Influence<br />
Angle Influence<br />
Project 7 Page 51
-<br />
U<br />
Floor Plans and Rendering<br />
Second Level Third Level Fourth Level<br />
Pedestrian Bridge<br />
Pedestrian Bridge<br />
Mini Soccer<br />
Open to Below<br />
D N<br />
Unity Pavilion<br />
D N<br />
Unity’s Scenic Park<br />
U P<br />
- - -<br />
Sky Bridge<br />
Sky Bridge<br />
Sky Bridge<br />
U P<br />
Open to<br />
Below<br />
U P<br />
Elevated Pedestrian Walkway<br />
Open to<br />
Below<br />
Open to<br />
Below<br />
D N<br />
Sky Bridge<br />
Open to<br />
Below<br />
U P<br />
U P<br />
Pool<br />
Unity Residential<br />
Resort<br />
Water Feature<br />
Unitiy Park<br />
Pedestrian Bridge<br />
U P<br />
U P<br />
Ground Level<br />
Pedestrian Bridge<br />
Public Seating<br />
Food Truck Parking/Tail Gate<br />
Commercial Retail<br />
Commercial Restaurant/Bar<br />
YMCA<br />
Residential<br />
Industrial<br />
Mix Use<br />
Core (Main Elevator and Stairs)<br />
Garage Vent/ Public Seating<br />
Garage Entrance<br />
Light Sculpture<br />
Project 7 Page 53
Details<br />
Art Work
Details<br />
Stone Panel<br />
Concrete Lintel<br />
Flashing<br />
Rigid Insulation<br />
Pivoting Joint for<br />
operable Window<br />
Low E Glass<br />
Steel Tube<br />
Electromotion Pusher<br />
Spider Connection<br />
Mullion Flashing<br />
Window Sill<br />
Vapor Barrier<br />
Rigid Insulation<br />
Railing<br />
Double Panel<br />
Insulated Glass<br />
Finish Floor<br />
Rigid Insulation<br />
Mullion<br />
Curtain Wall Gravity<br />
Anchor<br />
Precast Concrete Slab<br />
Gravity Support<br />
Channel<br />
Back up CMU Wall<br />
Brick Veneer<br />
Fire Stop<br />
2” Air Space<br />
Weep Vent<br />
Parapet Flashing With<br />
Anchoring System<br />
Brick Veneer<br />
Ca v i t y W<br />
a l l - r Cu t a iwn<br />
a l l<br />
Precast Concrete Slab with<br />
Reinforced Rebar<br />
Ca v i t y W<br />
a l l - n Pu c he d w i n d o w<br />
Batt Insulation<br />
Air space<br />
Rigid Insulation<br />
Anchor Channel<br />
Flashing<br />
Balcony Railing with Glass<br />
Soil<br />
Drainage/Moisture<br />
Retention Layer<br />
Single Ply Membrane (PVC)<br />
Flashing<br />
Wood Planks<br />
Steel Beam<br />
Bolt and Concrete Anchor<br />
XPS Insulation<br />
Anti-Root Water<br />
Proofing<br />
High Density EPS Thermal<br />
Break<br />
Precast Concrete Slab with<br />
Reinforced Rebar<br />
Ca v i t y W<br />
a l l - B a l c o n y Co n d i t i o n<br />
Details Page 57
Free Hand Artwork<br />
Art has always been a passion of mine which includes sketching<br />
and painting. The art displayed is in water color, charcoal, chalk,<br />
and pen. The art of freehand gives a sense of free flowing creativity<br />
that transcends into design to produce a product from the artist’s<br />
thought process.<br />
Details Page 59
Ricardo Cuellar<br />
Bachelors of Architecture 2013<br />
Texas Tech University<br />
Phone: (806) 470-3244<br />
Email: ricardo.cuellar@ttu.edu<br />
The Most Awesome Portfolio Ever Page 60