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ARCHITECTURE PORTFOLIO RICARDO CUELLAR

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<strong>ARCHITECTURE</strong> <strong>PORTFOLIO</strong><br />

<strong>RICARDO</strong> <strong>CUELLAR</strong>


Table of Contents<br />

<strong>RICARDO</strong> <strong>CUELLAR</strong><br />

<strong>ARCHITECTURE</strong><br />

<strong>PORTFOLIO</strong><br />

Bachelors of Architecture<br />

Texas Tech University<br />

Phone: (806) 470-3244<br />

Email: ricardo.cuellar@ttu.edu<br />

PROJECT_01<br />

Frost Bank<br />

Pg. 3-15<br />

Comprehensive Studio<br />

PROJECT_02<br />

College of Architecture<br />

Pg. 16-23<br />

Design Studio IV<br />

PROJECT_03<br />

Tension Spire<br />

Pg. 24-31<br />

Design Studio III<br />

PROJECT_04<br />

Place Du Caire<br />

Pg. 34-39<br />

Study Abroad<br />

PROJECT_05<br />

The Richard Wilson Museum<br />

Pg. 40-45<br />

Design Studio I<br />

PROJECT_06<br />

Unreal Estate<br />

Pg. 46-47<br />

Design Studio II<br />

PROJECT_07<br />

Unity Square<br />

Pg. 48-53<br />

Urban Design Studio


PROJECT_01<br />

Frost Bank<br />

Concept: Energy<br />

Frost Bank<br />

Project Goals<br />

-A financial building that incorporates the site as well as<br />

the needs of its clients into its presence in order to create<br />

an inviting yet protected environment.<br />

-A High End Financial Building- Clients are treated as<br />

people not just another number and provide them with<br />

financial services.<br />

-Buildings Presence- efficient in resources and welcoming<br />

feel in the community<br />

-Protected environment- Through careful designing the<br />

structure will remain protected without having to distance<br />

itself from the community<br />

Site Materials and Water Feature<br />

Project 2 Page 2<br />

Project 1 Page 5


1<br />

Office<br />

1<br />

1<br />

Floor Plans and Perspective Views<br />

Ground Level<br />

1.<br />

Frost Room<br />

Men<br />

Vault<br />

3<br />

Conference Rm<br />

PB Room<br />

Corridor<br />

Vestibule<br />

Elevator<br />

Lobby<br />

Coffee Table<br />

Vestibule<br />

2<br />

3<br />

1<br />

Frost Room<br />

Stairs<br />

4<br />

2<br />

2.<br />

3.<br />

4.<br />

Lobby/Public Space<br />

Office/Admin<br />

Core<br />

4<br />

Elec/Tele Data<br />

Women<br />

2<br />

A 1 02<br />

Teller<br />

Community Rm<br />

A 1 05<br />

Second Level Perspective<br />

4<br />

Mech<br />

Women<br />

Stairs<br />

J/C<br />

Men<br />

Office<br />

Storage<br />

Corridor<br />

2<br />

A 1 02<br />

Office<br />

elevator<br />

1<br />

Admin<br />

3<br />

Corridor<br />

Work Copy<br />

Office<br />

2<br />

Office<br />

Corridor<br />

Office<br />

A 1 05<br />

Stairs<br />

4<br />

Mech<br />

Office<br />

Second Level<br />

1.<br />

Public Space<br />

2. Office<br />

3. Admin<br />

4. Core<br />

Office<br />

Office<br />

Storage<br />

Elevator<br />

Men<br />

Chase<br />

Women<br />

Admin<br />

4 3<br />

Stairs<br />

1<br />

Office Office<br />

Light Well<br />

Corridor<br />

Office<br />

Office<br />

Work/Copy<br />

2<br />

Office<br />

Office<br />

Office<br />

Office<br />

Stairs<br />

Chase<br />

4<br />

Third Level<br />

1.<br />

Public Space<br />

2. Office<br />

3. Admin<br />

4.<br />

Core<br />

Third Level Perspective<br />

Project 1 Page 7


Longitudinal Section<br />

Project 1 Page 9<br />

Project 1 Page 7


2<br />

A 1 02<br />

S h a d i n d g e v ei c<br />

1<br />

1 " = 1 ' - 0"<br />

1<br />

A 1 06<br />

To p o f Ro of<br />

4 0' - 6 "<br />

F . F . L e v e 3 l<br />

27 ' - 0"<br />

F . F . L e v e 2l<br />

1 3 ' - 6 "<br />

F . F . L e v e 1 l<br />

0' - 0"<br />

T. O. D<br />

- 1 ' - 6 "<br />

Entrance to Frost Room<br />

1<br />

A 1 05<br />

2<br />

A 1 06<br />

2<br />

A 1 02<br />

1<br />

A 1 05<br />

3<br />

Shading and Daylighting Strategies and Transverse Section<br />

S h a d i n g S t r a t e g y<br />

Summer<br />

Office<br />

Admin<br />

Equinox<br />

13’-6”<br />

13’6”<br />

9’<br />

100%<br />

Winter<br />

To p o fRo of<br />

4 0' -- 66 ""<br />

Northern Light<br />

40%<br />

8’<br />

Steel Perforated Panels<br />

1/8 Diameter Perfprations<br />

3/16” Spacing<br />

60% Daylight reflected<br />

F . F . L e v e l 3<br />

27 ' -- 0"<br />

Admin<br />

Storefront Window<br />

Perforated Steel Mesh Panel<br />

SHGC= 0.39<br />

U Factor= 0.25<br />

VT= 0.70<br />

F . F . L e v e l 2<br />

1 3 ' - 6 "<br />

3’ Barrier<br />

Daylighting Seasons<br />

Summer Solstice<br />

Winter Solstice<br />

Equinox<br />

F . F . L e v e l 1<br />

T. O. D 0' - 0"<br />

- 1 ' - 6 "<br />

Lobby<br />

Frost<br />

Elec/Tele<br />

ele Data<br />

Women<br />

Men<br />

Vault<br />

Elevator<br />

Conference ence Rm<br />

PB Room<br />

Corridor<br />

Vestibule<br />

Lobby<br />

Vestibule<br />

Community Rm<br />

Frost Room<br />

Stairs<br />

Mech<br />

Women<br />

Men<br />

J/C<br />

Office<br />

Storage<br />

Corridor<br />

Office<br />

elevator<br />

evator<br />

Corridor<br />

Admin<br />

Work Copy<br />

Office<br />

Office<br />

Corridor<br />

Office<br />

Office<br />

Stairs<br />

Mech<br />

Office<br />

Chase<br />

Women<br />

Stairs<br />

Men<br />

Storage<br />

Office<br />

Office<br />

Elevator<br />

Admin<br />

Office<br />

Office<br />

Corridor<br />

Office<br />

Office<br />

Work/Copy<br />

Office<br />

Office<br />

Office<br />

Stairs<br />

Chase<br />

Office<br />

Stairs<br />

Ground Level Second Level Third Level<br />

Artificial Lighting Full Daylight Partial daylight<br />

Project 1 Page11


A<br />

1<br />

B<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

1<br />

4<br />

3<br />

Structure<br />

16x89 Steel Girder<br />

1.From Aloft<br />

6x 20 Steel Beam<br />

VRF Diagram<br />

Outdoor<br />

Unit<br />

Outdoor<br />

Unit<br />

8x10 Steel Girder<br />

Roof Level<br />

8x31 Steel Column<br />

DOA<br />

Unit<br />

32’<br />

Piling Cap<br />

Third Level<br />

Indoor<br />

Unit<br />

2<br />

Tile Finish<br />

Concrete<br />

12’<br />

2<br />

Second Level<br />

Metal Decking<br />

20’<br />

9 1 0 1 1 1 2<br />

1 3<br />

1 4<br />

1 5<br />

1 6<br />

C<br />

N<br />

Ground Level<br />

Project 1 Page 13


-<br />

- - -<br />

-<br />

-<br />

- - -<br />

3<br />

M<br />

4<br />

Parapet Flashing<br />

Wall Section<br />

Support Bracket<br />

3” Air Space<br />

Metall Cladding<br />

Plywood Sheathing<br />

6” Metal Stud<br />

6” Rigid Insulation<br />

Header Connection<br />

Bracket<br />

W8x10 -Flange Beam<br />

Roof Membrane<br />

Metal Decking<br />

Perforated Steel<br />

Mesh<br />

Plywood Sheathing<br />

3.5” Batt Insulation<br />

Interior Finish<br />

Copper Coping<br />

Store Front Window<br />

Plywood Sheathing<br />

Copper Panel<br />

Metal Stud<br />

6” Metal Stud<br />

Steel Grate<br />

5 Pa r a p te<br />

Rigid C.I.<br />

W12x26 Girder<br />

Metall Cladding<br />

Rigid Insulation<br />

8x31 Column<br />

Metal Cladding<br />

Support Bar<br />

Support Bracket<br />

Channel Track<br />

Air Space<br />

Plywood Sheathing<br />

Rigid C.I.<br />

Batt Insulation<br />

6” Meatl Stud<br />

e t a lCl a d d i nc go n n e cn<br />

t i o<br />

Window Sill<br />

Metal Decking<br />

Concrete<br />

Metal Cladding<br />

Channel Track<br />

Window Mullion<br />

3” Metal Tube<br />

Connection<br />

Concrete Fill<br />

Angle Iron<br />

Metal Stud Bracing<br />

S h a d i n D ge v i c eCo n n e c nt i o<br />

Piling Cap<br />

Project 1 Page 15


PROJECT_02<br />

College of Architecture<br />

Concept: Connections<br />

Project Site and Site Drivers<br />

Site Plan<br />

Cleveland<br />

Square<br />

Retail<br />

Project Site<br />

Retail<br />

Garage<br />

Event Space<br />

Theater<br />

San Jacinto<br />

Plaza<br />

Concept Statement<br />

The circulation of the structure is explored in order to generate<br />

social experiences. Social areas can also mark a transition<br />

from one space to another. The concept represented in<br />

this project was concieved based off this knowledge. This<br />

building wouldnt only involve the community but a new form<br />

of circulation in the area that leads towards cleveland square<br />

this would give an educational experience while entering<br />

and exiting the institutional facility.<br />

Project 2 Page 17


Pathways and Connections<br />

Cleveland<br />

Square Museum<br />

Cleveland<br />

Square Library<br />

Retail<br />

Retail<br />

Theatre<br />

Parking<br />

Garage<br />

Parking<br />

Event Space<br />

Pedestrian Connections<br />

Program Connections<br />

Projector Screen Retail College of Architecture<br />

Project 2 Page 19


Pathways and Connections<br />

Shading<br />

Additional Pathway<br />

Views<br />

Project 2 Page 21


Floor Plans and Renderings<br />

Fourth Level<br />

Third Level<br />

Perspective View of Retail<br />

Second Level<br />

Ground Level<br />

Perspective View from the Amphitheatre<br />

The college provides a missing component that completes the<br />

educational block by replacing a parcel of land that was used as<br />

parking lot into an educational facility.The building’s division<br />

provides a shaded amiable path the commuters can take to reach<br />

thier destination. People that take this path are given an interactive<br />

experience between the students work and community in El Paso.<br />

Project 2 Page 23


PROJECT_03<br />

Tension Spire<br />

Concept: Fluidity<br />

Tension Spire<br />

The project is located in Chicago, Illinois adjacent to<br />

North Lake Shore Drive across from the riverwalk. The<br />

project consists of a culinary arts facility,residential<br />

spaces, dormitories, office spaces, multi-use facilities, and<br />

mechanical space. The building integrates structural systems<br />

that generates a unique experience. The high rise has a long<br />

span steel structure that extrudes from the roof and a double<br />

skin along the south side to reduce energy cost.<br />

Project 3 Page 25


Renderings and Long Span Steel Structure<br />

Cable Suspended Roof<br />

The structure will support the roof of the building that covers<br />

the culinary arts restaurant<br />

L e v el 3 9<br />

6 00' - 0"<br />

L e v el 3 8<br />

5 8 5 ' - 0"<br />

L e v el 3 7<br />

5 7 0' - 0"<br />

Culinary Arts<br />

Residence<br />

Dormatorys<br />

Office Spaces<br />

Multi-Use<br />

Mechanical<br />

Project 3 Page 27


D N<br />

D N<br />

D N<br />

D N<br />

D N<br />

D N<br />

D N<br />

-<br />

1<br />

-<br />

1<br />

1<br />

-<br />

0"<br />

D N<br />

-<br />

1<br />

Floor Plans<br />

1<br />

U P<br />

U P<br />

U P<br />

U P<br />

4<br />

4<br />

2<br />

U P<br />

U P<br />

U P<br />

L e v e l 3 9<br />

1 / 3 2" = 1 ' - 0"<br />

D N U P<br />

5<br />

U P<br />

U P<br />

2 L e v e l 4<br />

1 / 3 2" = 1 ' - 0"<br />

2 L e v e l 5<br />

1 / 1 6 " = 1 ' - 0"<br />

U P<br />

2 L e v e l 22 1 / 3 2" = 1 ' - 0"<br />

D N<br />

U P<br />

L e v e l 1 8<br />

1 / 3 2" = 1 ' - 0"<br />

L e v e l 3 9<br />

1 / 3 2" = 1 ' - 0"<br />

D N U P<br />

L e v e l 1 8<br />

1 / 3 2" = 1 ' - 0"<br />

2<br />

10<br />

11<br />

2<br />

3<br />

1<br />

3<br />

1<br />

1<br />

1<br />

1<br />

UU P<br />

3<br />

4<br />

U P<br />

1<br />

2<br />

U P<br />

U P<br />

Ground Level<br />

1.<br />

2.<br />

3.<br />

4.<br />

5.<br />

6.<br />

7.<br />

8.<br />

9.<br />

10.<br />

11.<br />

Lobby<br />

Retail<br />

Public Restrooms<br />

Cullinary Administrative Offices<br />

Director’s Suite<br />

Admissions Office<br />

Career Services<br />

Staff Room<br />

Faculty Area<br />

Receiving Area<br />

Service Area<br />

Second Level<br />

(Culinary Arts College)<br />

1. Teaching Kitchens (5)<br />

2. Student Lounge<br />

3. Classrooms (2)<br />

4. Open to Below<br />

Third Level<br />

1. Lecture Hall<br />

2. Library<br />

3. Wine Room<br />

4. Demonstration Laboratory<br />

5. Multi-use space<br />

Fourth-Sixth Level<br />

MultiPurpose<br />

Rooms (3)<br />

Seventh-Thirteenth<br />

Level<br />

Dormatories<br />

Sixteenth-Twentieth<br />

Level<br />

Offices<br />

Twenty First-Thirty<br />

Ninth Level<br />

Residential<br />

Units<br />

Fortieth Level<br />

Restaurant<br />

Project 3 Page 29


Double Skin facade<br />

Double Skin Facade<br />

-Protects building from direct<br />

solar heatgain<br />

-Insulates the building from<br />

the cold in winter<br />

-Protects against the wind<br />

forces<br />

Project 3 Page 31


PROJECT_04<br />

Place Du Caire<br />

Concept: Everchanging Fashion<br />

Study Abroad Collaborative<br />

Place Du Caire<br />

In order to emphasize the importance of fashion in Paris the Quartier<br />

du Caire was decided to be used as the study of traditional and<br />

experimental textiles. A place will be created by using regular shapes<br />

that will extend its connection throughout the site to direct people<br />

towards the intended location. The place combines trees, pathways,<br />

and green areas to create this unique experience that is familiar to<br />

the citizens in Paris, France.<br />

Place Du Caire is a project that encompasses time and research that<br />

was developed by studying its location. The place is meant to attract<br />

commuters to the intended site to create another central point in<br />

Paris to direct people towards the passage du caire. The project also<br />

is intended to direct people towards an IMC and a Liturgical Space.<br />

The project is an understanding of architecture within its urban fabric<br />

and creating a new place for people to gather and relax.<br />

Project Site<br />

Project 4 Page 33


Place du Caire<br />

Views and Voids<br />

Cafe Elevation<br />

The place incorporates cafe, IMC, and a liturgical space that<br />

would be placed on the cross axis paths leading east to west.<br />

The IMC is placed on east while the LS on the west. The IMC is the<br />

hierarchical element in the place, decisions were made to create<br />

a sense of centrality for the IMC. In order to redirect the focus<br />

to the IMC a sense of in the place. The place then shifts in order<br />

to become an asymmetrical design giving the place a break or a<br />

variable to which people can identify as a main focal point. The<br />

IMC is also lined with single row of lindens trimmed while the LS<br />

has an allee of linden trees which gives off the appearance of a<br />

private precinct within the zone unlike the IMC which has less<br />

objects obstructing the commuters vision.<br />

South Axonometric View<br />

North Axonometric View<br />

North Axonometric View<br />

Project 4 Page 35


Place Du Caire<br />

PLACE DU CAIRE<br />

Neiman-Rex Rules of<br />

Compostion plan and<br />

elevation<br />

The place also incorporates an IMC and a Liturgical<br />

space that would be placed on the cross axis paths<br />

leading east to west. The IMC being placed on east<br />

while the LS on the west. The IMC is the hierarchical<br />

element in the place, so there were decisions that were<br />

made to create centrality for the IMC. In order to redirect<br />

the focus to the IMC in the place, The place then shifted<br />

to become an asymmetrical design giving the place a<br />

break or a variable to which people can identify as a<br />

main focal point. The IMC is also lined with single<br />

row of lindens trimmed while the LS has an allee of<br />

linden trees which gives off the appearance of a private<br />

precinct within the zone unlike the IMC which has less<br />

objects obstructing the commuters vision.<br />

Constants<br />

-16’ bay facade<br />

-Composite Columns<br />

-Arcade<br />

-Tree Heights and dimensions<br />

-Paving pattern along the axis of passage du<br />

caire to Rue Reaumur<br />

-Cafe facade flows along the exterior of<br />

the buildings Rusticated ground floor and<br />

mezzanine<br />

-<br />

Variables<br />

-Break of the alee<br />

-Asymetrical place design<br />

-paving patterns change at thresholds of IMC<br />

and Liturgical spaces<br />

-Change of facade at the IMC<br />

-Height of IMC’s frontal facade is greater<br />

than that of the cafe facade motief<br />

-interpuratation of Vitrine skewed of both<br />

axis and the overlap of the base and main<br />

passage<br />

Centrality<br />

-Crossing of the two passages ways<br />

emphasized<br />

-Trees are used to emphasize the hiearchy<br />

Hierarchy<br />

-Vitrine skew the vision towards IMC<br />

-Main passage through the place is moved<br />

closer to the IMC<br />

-Trees are used to mask the Liturgical space<br />

-The grand space in front of the IMC allows<br />

for a transitional space that directs people<br />

toward the IMC<br />

Project 4 Page 37


IMC Longitudinal Section and Plan<br />

Longitudinal Section Of Place<br />

Beaux Arts<br />

Principles of Design<br />

N<br />

Beaux Arts Principles of Design<br />

Parti<br />

- 16’ bay system<br />

- Grid Structure<br />

- Symetrical spaces for<br />

both flanking spaces<br />

and grand entrance<br />

- Barrel Vaulting in Grand<br />

space to form a long span<br />

strucural system<br />

Composition<br />

- Lobby space<br />

is opens up to three<br />

spaces which all are<br />

connected by opening<br />

-stairs are placed in the<br />

center precinct of the<br />

plan to direct people<br />

to the stairs<br />

-Grand Space is in the back of<br />

the building to give more<br />

privacy<br />

Point<br />

-The Hiearchical element are the stairs<br />

0 10 20<br />

Circulation<br />

40 80<br />

-The spaces are all open to one another<br />

creating an articulated free form of<br />

Ricardo Cuellar and Tyler Knauss circulation<br />

ARCH 4601: Design in the Urban Context<br />

Paris Studio 2012 Marche<br />

Clifton Ellis, PhD and Hal Sharp, PhD, Instructors<br />

-Compression space before entering the<br />

stair space and flanking spaces serve as a threshold<br />

into these spaces<br />

Parti<br />

- 16’ bay system<br />

- Grid Structure<br />

- Symetrical spaces for<br />

both flanking spaces<br />

and grand entrance<br />

- Barrel Vaulting in Grand<br />

space to form a long span<br />

strucural system<br />

Point<br />

-The Hiearchical element are the<br />

stairs<br />

Circulation<br />

-The spaces are all open to one<br />

another<br />

creating an articulated free form of<br />

circulation<br />

Marche<br />

-Compression space before<br />

entering the stair space and<br />

flanking spaces serve as a<br />

threshold into these spaces<br />

Project 4 Page 39


PROJECT_05<br />

Museum<br />

Concept: Museum that Reflects Sculptor<br />

Richard Wilson’s Work<br />

The Richard Wilson Museum<br />

The museum is located on a sloped terrain in between two structures<br />

in a dense urban city. The sloped terrain causes the building to interacts<br />

with both streets in different ways within the urban context. The building<br />

is significantly different from street view compared from one side to the<br />

other in height and design.<br />

The client used for this museum is a sculptor named Richard Wilson who<br />

distorts some his art to create abnormal geometries.The design of the<br />

building is derived from the clients sculptures in order to keep the same<br />

vernacular that is used by the artist’s work. Wilson’s sculptures are very<br />

abstract while retaining the form that conveys his message concerning<br />

his art.<br />

Project 5 Page 41


Distorded Angles<br />

Richard Wilson’s Art<br />

Distorted Mass Devlopment<br />

Museum Axonometric View<br />

Project 5 Page 43


1<br />

3<br />

Floor Plans<br />

D N<br />

U P<br />

4<br />

The Richard Wilson Museum<br />

3<br />

2<br />

5<br />

1<br />

Ground Level<br />

1.<br />

Office 1<br />

2. Office 2<br />

3. Restroom/ Water Closet<br />

4. Gallery<br />

5. Elevator<br />

U P<br />

L e v e l 1<br />

1 / 3 2" = 1 ' - 0"<br />

2<br />

2 L e v e l 2 1 / 3 2" = 1 ' - 0"<br />

D N<br />

3 1<br />

1<br />

4<br />

5 4<br />

Second Level<br />

1. Office 1<br />

2. WorkRoom<br />

3.<br />

4. Gallery<br />

5.<br />

Unisex Restroom<br />

Elevator<br />

2<br />

3<br />

Third Level<br />

1. Office 1<br />

2. Workroom<br />

3. Gallery<br />

4.<br />

Elevator<br />

L e v e l 3<br />

1 / 3 2" = 1 ' - 0"<br />

The structure has a unique geometry which is placed in a<br />

composition that is rectalinear. The building represents the<br />

clients art using the structure and its surroundings as its own<br />

functional art piece. The client’s philosophy and purpose of<br />

his work that is represented in this strucure can be defined<br />

by a quote from the artist.<br />

“I’ve always been concerned with the ways you can change<br />

architectural space – whether it be a room or a whole<br />

building – to alter your perception, to knock your view of the<br />

world off-kilter.” - Richard Wilson<br />

Front<br />

View<br />

Top View<br />

Project 5 Page 45


PROJECT_06<br />

Unreal Estate<br />

Concept: Overlapping Fragments<br />

Unreal Estate<br />

Design II Scenic Dr. Condiminium Complex<br />

located on the slope of the Frankline Mountains<br />

The unreal estate project consists of three tenants an<br />

artis,astrologer, and a contractor to be built and located on a<br />

steep terrain near transmountain. The dimensions of the plot<br />

of land are 145’ x 65’ with offsets of 5’ on each side 25’ in front<br />

and 20’ in back. Each tenant will have its own powder room<br />

, living room, master bath, master bedroom, entry, storage,<br />

hvac/mech, kitchen, dining area, and studio. It also consists<br />

of a common area. The structures purpose is to be used as a<br />

work space.<br />

First Level<br />

Second Level<br />

South Elevation<br />

Third Level<br />

Axonometric Level Diagram<br />

Fourth Level<br />

Project 6 Page 47


PROJECT_07<br />

Unity Square<br />

Concept: Overlaying Public Realms<br />

Capitol<br />

Chatress<br />

Axonometric Site with Proposed Project<br />

Land Use<br />

Commercial<br />

Entertainment<br />

Residential<br />

Industrial<br />

Unity Square Drivers<br />

The project site is located at the Minute Maid parking lot. Unity<br />

Square is a proposal that was designed in order to create connections<br />

from EaDo to Downtown Houston in order unite the areas once again.<br />

There are programs that are encouraging development in EaDo such<br />

the TIRZ 15 and the 380 Program which allows for the possibility of<br />

this proposal. The Project incorporates retail, residential, office,<br />

and public space to fullfill the needs the surrounding land uses.<br />

Unity Square consist of a two level underground parking garage to<br />

accomodate for the existing parking lot that is being reused for this<br />

proposal as well as the future needs of the community. Theproject<br />

includes sky bridges that are common in the area. The roof of parts<br />

of the building as well as the sky bridge are used to form an elevated<br />

platform in order to create a visual connection with downtown.<br />

Texas<br />

Capitol<br />

Rusk<br />

Capitol<br />

Chatress<br />

Transportation Routes<br />

Rail Line<br />

Major Collector<br />

Existing Bike Lanes<br />

Proposed Bike Lanes<br />

by TIRZ 15<br />

Freeway<br />

St. Emmanuel<br />

Project 7 Page 49


- - -<br />

-<br />

Longitudinal Section and Rendering<br />

Design Influences<br />

View from the Lofts at the Ballpark<br />

Pedestrian Bridge<br />

Pedestrian Bridge<br />

Mini Soccer<br />

U P<br />

Water Feature<br />

St. Emmanuel<br />

Unitiy Park<br />

Rusk<br />

Pedestrian Bridge<br />

U P<br />

U P<br />

Pedestrian Bridge<br />

Public Seating<br />

Food Truck Parking/Tail Gate<br />

Project<br />

Open core influence<br />

Connecting Axis Influence<br />

Angle Influence<br />

Project 7 Page 51


-<br />

U<br />

Floor Plans and Rendering<br />

Second Level Third Level Fourth Level<br />

Pedestrian Bridge<br />

Pedestrian Bridge<br />

Mini Soccer<br />

Open to Below<br />

D N<br />

Unity Pavilion<br />

D N<br />

Unity’s Scenic Park<br />

U P<br />

- - -<br />

Sky Bridge<br />

Sky Bridge<br />

Sky Bridge<br />

U P<br />

Open to<br />

Below<br />

U P<br />

Elevated Pedestrian Walkway<br />

Open to<br />

Below<br />

Open to<br />

Below<br />

D N<br />

Sky Bridge<br />

Open to<br />

Below<br />

U P<br />

U P<br />

Pool<br />

Unity Residential<br />

Resort<br />

Water Feature<br />

Unitiy Park<br />

Pedestrian Bridge<br />

U P<br />

U P<br />

Ground Level<br />

Pedestrian Bridge<br />

Public Seating<br />

Food Truck Parking/Tail Gate<br />

Commercial Retail<br />

Commercial Restaurant/Bar<br />

YMCA<br />

Residential<br />

Industrial<br />

Mix Use<br />

Core (Main Elevator and Stairs)<br />

Garage Vent/ Public Seating<br />

Garage Entrance<br />

Light Sculpture<br />

Project 7 Page 53


Details<br />

Art Work


Details<br />

Stone Panel<br />

Concrete Lintel<br />

Flashing<br />

Rigid Insulation<br />

Pivoting Joint for<br />

operable Window<br />

Low E Glass<br />

Steel Tube<br />

Electromotion Pusher<br />

Spider Connection<br />

Mullion Flashing<br />

Window Sill<br />

Vapor Barrier<br />

Rigid Insulation<br />

Railing<br />

Double Panel<br />

Insulated Glass<br />

Finish Floor<br />

Rigid Insulation<br />

Mullion<br />

Curtain Wall Gravity<br />

Anchor<br />

Precast Concrete Slab<br />

Gravity Support<br />

Channel<br />

Back up CMU Wall<br />

Brick Veneer<br />

Fire Stop<br />

2” Air Space<br />

Weep Vent<br />

Parapet Flashing With<br />

Anchoring System<br />

Brick Veneer<br />

Ca v i t y W<br />

a l l - r Cu t a iwn<br />

a l l<br />

Precast Concrete Slab with<br />

Reinforced Rebar<br />

Ca v i t y W<br />

a l l - n Pu c he d w i n d o w<br />

Batt Insulation<br />

Air space<br />

Rigid Insulation<br />

Anchor Channel<br />

Flashing<br />

Balcony Railing with Glass<br />

Soil<br />

Drainage/Moisture<br />

Retention Layer<br />

Single Ply Membrane (PVC)<br />

Flashing<br />

Wood Planks<br />

Steel Beam<br />

Bolt and Concrete Anchor<br />

XPS Insulation<br />

Anti-Root Water<br />

Proofing<br />

High Density EPS Thermal<br />

Break<br />

Precast Concrete Slab with<br />

Reinforced Rebar<br />

Ca v i t y W<br />

a l l - B a l c o n y Co n d i t i o n<br />

Details Page 57


Free Hand Artwork<br />

Art has always been a passion of mine which includes sketching<br />

and painting. The art displayed is in water color, charcoal, chalk,<br />

and pen. The art of freehand gives a sense of free flowing creativity<br />

that transcends into design to produce a product from the artist’s<br />

thought process.<br />

Details Page 59


Ricardo Cuellar<br />

Bachelors of Architecture 2013<br />

Texas Tech University<br />

Phone: (806) 470-3244<br />

Email: ricardo.cuellar@ttu.edu<br />

The Most Awesome Portfolio Ever Page 60

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