Viva Lewes April 2015 Issue #103
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its and bobs<br />
town plaques #1<br />
Located on the southern side of School Hill, the Cinema de<br />
Luxe had 490 seats, all on a single level when it opened. In<br />
the early 1930s the rear of the roof was raised and a balcony<br />
was fitted, which increased the seating capacity to 620 when it<br />
reopened in 1934. The cinema closed on 11 May 1963. The<br />
building lay derelict for several years before it was demolished.<br />
It was manager Reg ‘Fatty’ Briggs’ habit to give private showings<br />
of Pathé News newsreel of the Grand National to members<br />
of the <strong>Lewes</strong> racing fraternity in the pre-television days<br />
of the 1940s. It was also claimed that he made his own local newsreels rather than subscribe to the ones<br />
bringing national news. New series by Marcus Taylor of Friends of <strong>Lewes</strong><br />
lewes in numbers:<br />
accommodating wartime troops<br />
Wartime in the 20th century put severe pressure on <strong>Lewes</strong>, with a resident population of around<br />
12,000. Exactly 100 years ago in spring 1915 over 12,000 artillerymen of the 22nd Division were<br />
billeted in the town, before embarking for France in September 1915. During WW2, troop numbers<br />
are hard to establish, but the YMCA hostel, with about 20 beds, provided 6,907 nights’ accommodation<br />
to servicemen in the year 1943-44. And a volunteer canteen served 3,598 breakfasts, 20,004 hot<br />
drinks, 30,450 main meals and 131,977 snacks that year. Sarah Boughton<br />
lewes worthy - john delap<br />
Rev. Dr. John Delap was vicar of Iford and Kingston for 47 years, though ‘his interests in pastoral<br />
work were not extensive,’ local historian Charles Cooper notes. He spent those 47 years living in<br />
<strong>Lewes</strong>, writing ‘poor poetry’ and plays which, when staged, only ran for a few nights. Hecuba, from<br />
1761, was described as ‘not void of merit, but it cannot by any means be called a good play’. One witness<br />
noted that his drama The Captives (1786) was met with ‘roars of laughter’. He’s notable for having<br />
written an early anti-slavery play, Abdalla (performed in <strong>Lewes</strong> in 1803); though, less nobly, in 1792 he<br />
wrote a long anti-revolutionary poem - Sedition, An Ode - which called Paine ‘Anarchy’s black agent’.<br />
Born in Lincolnshire in 1725, Delap studied at Cambridge, becoming a Doctor of Divinity. He seems<br />
to have been smart and knowledgeable, but also a self-promoting obsessive who was preoccupied<br />
with the opinions of others. After one encounter with him, Fanny Burney wrote ‘he would not let me<br />
rest without either praising what I did not like, or giving explicit reasons why I did not praise.’ He<br />
never married, and died in 1812, having suffered from ill health for most of his life. He knew Samuel<br />
Johnson, Hester Thrale, Burney and David Garrick, though, in the Dictionary of National Biography’s<br />
words, ‘his acquaintance with important literary figures of the day does not seem greatly to have<br />
enhanced his own dramatic abilities.’ Steve Ramsey<br />
With thanks to Timothy Ambrose, who’s working on a biography of Delap<br />
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