Viva Lewes April 2015 Issue #103

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Panoramic An exhibition by Richard Billingham 25 April - 28 June 2015 townereastbourne.org.uk In association with the Anthony Reynolds Gallery Towner is registered charity no. 1156762
on this month: art FOCUS ON: The Mountain by Ori Gersht What’s the story behind this photograph? My father-in-law survived the Holocaust. He vividly remembers events that took place on this mountain in Kosov, a village in Ukraine. When the Germans entered Kosov, they dug two pits on top of the mountain, and summoned the Jewish community. My father-in-law was five years old. His family was on their way up the mountain when a German officer told them to go back. On the mountain, the Jewish people were shot, and pushed into those pits. Some managed to crawl out, and later told what had happened. No one wanted to believe them. In 2005, my wife and I travelled to Kosov, and saw that the ‘mountain’ is actually a small hill. But in the memory of a five-year-old, seventy years later, it was a mountain. How did you create the effect on the photograph? I exposed the film for a long time. The processed image is ethereal, ephemeral, quite removed from our mundane experience of standing in front of a hill. I’ve always been puzzled by the relationship of photography to truth. I wanted to create a fusion between what was tangibly there, and something more elusive – a memory. What is the connection between your films and your photography in the exhibition? Geographically, thematically and historically my photographs and films are all connected. For my film The Forest, I returned to Kosov, working with the image of a nearby forest as a veil for lost memories. Who inspires you? Goya, Juan Sanchez Cortan, Josef Koudelka, Andreas Gursky, and Josef Sudek. If you could take one piece of art to a desert island, what would it be? A Cup of Water and a Rose, by Francisco de Zurbarán. Ori Gersht – Don’t Look Back exhibits at the Towner Gallery, Eastbourne, until April 25. 31
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Viva Lewes April 2015 Issue #103

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