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Penman's Art Journal (Volume 2) - Iampeth

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Traveling Teachers of Pemnaiuhip.<br />

As tbi8 seems to be a favorite theme for<br />

dtscaseion by several of the leadiug con-<br />

tributors of the various penmau's papers,<br />

perhaps a few words from one who served<br />

in the ranks for some time may not come<br />

entirely amies. The theories and methods<br />

of some who have never tried the realities<br />

more than to make aeveral attempta which<br />

have resulted for the most part in failure,<br />

remiude me of some of our renowned<br />

slratepists dnring the late nu pleasantness,<br />

who, after the battle had been fought aud<br />

lost, were always discovering some miraculous<br />

pliin, which, had they been heard<br />

and heeded, would have resulted in a<br />

marvellous victory, nufortunately tliese<br />

plana came everlastingly too late. The<br />

forepart of the war developed an astouisli-<br />

iiig number of just such generals, but as<br />

time went on we found theories and<br />

methods giving way to practical and stubborn<br />

fact ; we found sober, modest men<br />

rising from the ranks to take the place of<br />

those whose ostentatious show of gold-lace<br />

fuse and feathers waa all that could commend<br />

them to public favor. In fact, we<br />

saw a tanner come from his humble occu-<br />

pation to assume command of one of the<br />

grandest armies ever marched in the field<br />

to lead it to victory. It may seem the<br />

hdiighth of absurdity to some to try to draw<br />

an analogy beti\ een the success of a general<br />

in the field and a teacher of penmanship,<br />

but we would do well to recollect what lias<br />

been said by onH of the greatest liviug<br />

authors, which is, that life in all its<br />

various phases is a battle-field of labor,<br />

and the teacher of penmanship in entering<br />

the field, which I helifve is a pre-eminently<br />

useful calling, enters a field in which rose-<br />

colored downy beds of ease, and succes.s<br />

are as far apart a« the equator and the<br />

poles. Eternal vigilance, works, ability,<br />

tact, talent, aud "Never say die," is the<br />

price of true success.<br />

There are few callings or professions requiring<br />

gi-eater or more persistent effort<br />

for success and in which a greater per centage<br />

of these making the effort fail, than in<br />

the profession of the traveling writing<br />

teacher.<br />

But the great point in the d<br />

what is necessary to success.<br />

Hinman and Shattuck wrote two very<br />

good articles upon the subject some time<br />

ago. I find however that Prof. Hinman's<br />

ideas as regards teachers paying their attention<br />

exclusively to large towns and<br />

ignoring small ones altogether, rather con-<br />

trary to my own experience, although I<br />

have taufht for aeveral years in some of<br />

the largest towns of the east aud west, and<br />

many times I have had large classes in<br />

some remote scliool district or districts,<br />

clubbing together and securing a large<br />

class, my expenses while teaching such<br />

class would be very light compared with<br />

large towns.<br />

The ability to secure a school room is<br />

one of the greatest hindrances that traveling<br />

penmen have to encounter. There<br />

seems to be a lurking prejudice by the<br />

teachers of the pubUc schools everywhere<br />

agamst them which seems to wax stronger<br />

as time advances, and this is mainly for<br />

reasons expressed by Prof. Shattuck, on<br />

account of so many frauds in the profession,<br />

the remedy suggested by him is a good one.<br />

That there (ire some unmitigated scoundrels<br />

who make their living by securing money<br />

in advance from students and then dis-<br />

appear, without rendering any equivalent,<br />

has in some localities created a suspicion<br />

and distrust of traveling teachers, and the<br />

only remedy is for teachers to show them-<br />

selves competent and worthy of patronage,<br />

and collect their tuition near the close of<br />

their term. If he does his duty he will not<br />

lose mnoh of his pay. It should be borne<br />

in mind that it is much harder to get up a<br />

class in writing now than it was during the<br />

flush times that immediately succeeded<br />

the war, and of course ttiiUon, ic, has to<br />

be put at much lower figures. I am aware<br />

in advocating this reduction of prices will<br />

THE PENMAN'S ART JOURNAL.<br />

lay me open to attack from friend Hinman,<br />

but I shall sustain my position with what<br />

seems to me good argument and common<br />

sense. It is a well known fact that those<br />

who sustain our writing scbool«, and most<br />

other schools for that matter, come from<br />

the poor and middle classes, while the<br />

high-toned rich nabobs comprise but a very<br />

small part.<br />

I believe that nearly or fully ninety per<br />

cent, of our writing classes are composed<br />

of the sons and daughters of the poor and<br />

middle classes, except in rare cases. It<br />

is also a well known fact that fully as large<br />

a proportion of our successful business<br />

men, millionaires, &c., come from this very<br />

same class, I regard it then the very height<br />

of absurdity for a teacher to put the tuition<br />

BO very high in hard times like the present<br />

so that none but a few {pampered aristo-<br />

crats) can have the advantage of a course<br />

of lessons. I have tried both methods myself,<br />

and have seen others do the same, and<br />

the universal verdict has been in favor of<br />

moderate tuition ; the prices of everything<br />

has declined within the post year or two,<br />

and why should a teacher be extravagant<br />

in hia demands more than any other person.<br />

I believe the price for a course of lessons<br />

as heretofore announced editorially in the<br />

<strong>Penman's</strong> Akt JotniNAL altogether reasonable,<br />

and I believe that a teacher would<br />

be more apt to succeed on those prices<br />

than on higher terms. As regards private<br />

lessons, why this is quite another matter<br />

for those that are rich and can afford to<br />

pay for a private courae of instruction. 1<br />

have often received fifty cents per person,<br />

and considered that my services quite as<br />

as beneficial, if not more so, than the music<br />

teacher, who received the same for an<br />

hour's instruction.<br />

Which 1<br />

" An eagle made a swoop from a high<br />

rock, and carried off a lamb. A jackdaw,<br />

who saw the exploit, thinking that he<br />

could do the like, bore down with all the<br />

force he could muster upon a ram, intend-<br />

ing to bear him off as a prize. But his<br />

claws becoming entangled in the wool, he<br />

made such a flntteriug in his efforts to escape,<br />

that the shepherd, seeing tbrougu<br />

the whole matter, came up and caught<br />

him, and having clipped his wings, carried<br />

him home to his children at nightfall.<br />

' What bird is this, father, that you have<br />

brought us?' exclaimed the children.<br />

'Why,' said he, * if you ask himself he<br />

will tell you that he is an eagle ; but if you<br />

will take my word for it, I know him to be<br />

but a jackdaw,' "<br />

The above fable, though originating in<br />

the fertile brain of .Esop nearly six cen-<br />

turies before the ChrLstian era, quite fully<br />

foreshadows and embodies conditions at<br />

present existing.<br />

The teacher of penmanship who, by a<br />

long course of training, has learned the<br />

elements of letters, their combinations in<br />

letters and words and the various movements<br />

required in their formation, who<br />

rigidly adheres to certain essentially excel-<br />

lent and uuvariable forms, aud who im-<br />

parts a knowledge of the same to his<br />

pupils, may be likened to the eagle of the<br />

faille, while the teacher who ignores all<br />

rule, and relies wholly upon movement,<br />

exercise, and a general unrestrained imita-<br />

tion of a copy which, to correspond to his<br />

peculiar system, or boasted lack of system,<br />

must of necessity be imperfect and vari-<br />

able, and who from such course antici-<br />

pated greiiter practical results than by the<br />

former method of teaching, shall find his<br />

counterpart in the jackdaw of this same<br />

fable; aud as he is not content with the<br />

lamb of one approximately perfect style<br />

of Penmanship, must needs be, pounce<br />

upon the ram of free, unrestricted, incon-<br />

stant and consequently impractical penmanship,<br />

and there becoming entangled in<br />

the wool of doubt and uncertainty (perhaps<br />

having some of the wool pulled over his<br />

eyes by uuscrupulous teachers who could<br />

not bear the drudgery of careful intelli-<br />

gent practice) he is captured by the shepherd<br />

who is not a scribbler, or an "ink<br />

slinger" and with wings clipped he is<br />

taken home to the children and—the se-<br />

quel is seen in the fable.<br />

From a perusal of various articles which<br />

have from time to time appeared in the<br />

JoniiNAL, and from conversation with seve-<br />

ral penmen of my acquaiutance, I learn<br />

that the idea, although not a growing one,<br />

yet prevails to a certain fortunately limited<br />

extent, that to acquire a good business<br />

hand-writing the pupil should be unlram-<br />

elled by rules, and after becoming familiar<br />

with movements should be left to " follow<br />

hia own sweet will" in order that his<br />

wi'ttiug shall be legible and rapidly exe-<br />

cuted, aud thus meet the demauds of the<br />

Now, I think it a fact conceded by all<br />

that legibility and rapidity are the two<br />

grand essentials of u business penman, but<br />

I am far from admitting that these results<br />

may be best attained by ignoring rules, or<br />

in any degree abating their force.<br />

If the pupil have before him an engraved<br />

letter, and. taught its exact proportions,<br />

and at first slowly, carefully and intelligently<br />

draw it, either with finger, muscular,<br />

whole arm or combined movement, he<br />

shall by many repetitions attain to a men-<br />

tal conception of its form, and his pen will<br />

be moved in obedience to that mental con-<br />

ception, aud by constant repetition he will<br />

acquire the ability to write with ease, freedom<br />

and exactness, and it is reasonable<br />

to believe, with much greater rapidity than<br />

would be the case were he to imitate a letter<br />

which to-day shall be made one way<br />

and to-morrow another way, vary it never<br />

BO slightly.<br />

Nor is this fact confined to penmanship alone.<br />

The artisan can execute his work much<br />

more rapidly if allowed to take his usual<br />

course. Go to the shoemaker and get a pair<br />

of shoes made to order, and although they<br />

may not appear better than those in stock,<br />

yet more time was required in their manufacture.<br />

Order a coat from a tailor and<br />

when you can get it you may fiud not one<br />

stitch more upon the coat, nor any appearance<br />

of additional time having been<br />

required, but when you pay for it you will<br />

think it made expressly for you. And thus<br />

you will find through all the list of manufacturers,<br />

or the professions or whatever<br />

calling in which a man may engage that a<br />

lack of uniformity retards the execution of<br />

tlie work.<br />

Aud movement.i alone count as nothing<br />

without fixed principles of action to re-<br />

strain. A few years ago there waa not a little<br />

enthusiasm generated by the introduction<br />

of a series of movement exercises cast in<br />

metal and which were to be followed by a<br />

correspondiug movement in the groove<br />

thus made by pen, or wooden or metallic<br />

point held as a pen is held, but that<br />

enthusiasm soon met with a far deep-<br />

er depression than the grooves in the<br />

metal uutil now the fact of the existence<br />

of such machinery is hardly known.<br />

An adept may himself write with a con-<br />

siderable degree of abandon, but to permit<br />

a pupil to imitate such writing is the<br />

height of absurdity ; for experience teaches<br />

that the imitation is certain to be an exag-<br />

geration of the deformity in the original.<br />

To advise this freedom in the practice of a<br />

youth is like giving him permisaiou to indulge<br />

in Church lotteries, or gome other occasional<br />

departure from the path of moral<br />

rectitude—a few white lies, with now and<br />

then a discolored one that he may enjoy<br />

a little freedom, or that the moral barriers<br />

may not seem so rigid and, so to speak,<br />

"impractical." Ho can't be perfect, reason<br />

they, why try to be ? He can't reach<br />

the sun—why aim so high ?<br />

There is a " broad rood" of license in<br />

teoching i-enmanshp as well as in morality,<br />

aud there is also the "narrow way" of uni-<br />

formity, aud I prefer to be among those<br />

who " fiud it ."<br />

KiNGSViLLE, Ohio, April 1, 1878.<br />

Pro/. D. T. Ames:<br />

Dhae Sir—I have herein not only to acknowledge<br />

the receipt of your last number<br />

of The <strong>Penman's</strong> <strong>Art</strong> Jodrnal, but also<br />

several other numbers which should have<br />

been acknowledged before.<br />

Of these numbers I will not say which ia<br />

superior. 1 can imagine nothing more elegant<br />

or better than either in this line. They<br />

not only abound in choice articles that re-<br />

vive old memwies and lost/riends, but are<br />

rich in wholesome instruction, each num-<br />

ber being embellished by superb bits of<br />

art, not only redolent of progress, but<br />

warmed by the ever creative brain and<br />

cunning hand of genius and trained skill.<br />

I feel greatly obliged for these favors, and<br />

inclose a brief tribute to P. R. Speneer,<br />

which you will dispose of as you think<br />

best. Truly friendly to you, and >our enterprises,<br />

and a well-wisher to yourself<br />

and co-workers always.<br />

I remain, truly yours,<br />

H. P. Cooper.<br />

PhUjADelphia, April 22, 1878.<br />

Prof. Ames :<br />

Deak Sir—The back numbers of the<br />

<strong>Journal</strong> have just arrived, audi am very<br />

glad that waa able to get them.<br />

I regard your paper as being far in advance<br />

of any periodical which has yet been<br />

published on the subject of penmanship,<br />

and I sincerely wish you the pecuniary success<br />

which you so richly deserve.<br />

Fraternally,<br />

H. W. FUOKINOER.<br />

the publishers of the JIotiu OueU, Boston,

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