Penman's Art Journal (Volume 2) - Iampeth
Penman's Art Journal (Volume 2) - Iampeth
Penman's Art Journal (Volume 2) - Iampeth
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F. A. Smith, penman, at the BofliDesf<br />
rsity, KocheBt«r, N. Y., incloses in a<br />
ritten letter eome supe •ior Fpecimei<br />
plai and flourished cardu.<br />
T. R. Williams, Penman at the Iowa City<br />
Oommercial College sendfi a letter written in<br />
elegaot stj-le. In grace, symmetry, and the<br />
correctneSB in forms of the letters, it is rarely<br />
exeeUed- He also incloses a very Bkilfiilly<br />
executed piece of flourishing.<br />
F. W.<br />
street. St.<br />
graphic medley of eight specimens of his pen-<br />
'^0S0S^^,<br />
B. E. Kerr is teaching olasqes at Amador<br />
City, Cal.<br />
.r. p. Holcomb. Mallet Creek, O., is one of<br />
our live penmen. Hie letters are models in<br />
easy, graceful, and rapid business writing.<br />
The Daily Reginter, of Rockford, HI., gives<br />
a well-merited and complimentary notice of<br />
penmanship executed by H. C. Clark, who<br />
has recently become a partner in Mrs. Allis<br />
Cook's Commercial College at that pli<br />
R. J. Mrtgee. an accomplished penman and<br />
teacher, and one of the proprietors of the<br />
Toledo (O. ) Business College, hos recently<br />
entered into a life partnership with Miss Maggie<br />
Turner, of Wheeling, W. Va. Long live<br />
the/rm ; may it grow in pronperity.<br />
Horace Russ"U,<br />
THE PENMAN'S AET JOUENAL<br />
Paragraphs.<br />
Perfumed iok is now used for sentimental<br />
notes.<br />
Soulouqne, formerly Emperor of Hayti,<br />
could not write his own name.<br />
The reason why figures can't lie is. that<br />
they are either running and moanfing np,<br />
or are in a standing account.<br />
Cuttle-fish.<br />
A skilful penman of the 16th century<br />
presented to Queen Elizabeth a bit of<br />
paper of the size of a finger nail, on which<br />
be bad written the Ten Commandments,<br />
tlie Creed and the Lord's Prayer, together<br />
with the name and the date of presenta-<br />
The brave Abbe, confined in the Castle<br />
d'lf, an ancient fortress on an island in<br />
the harbor of Marseilles, wrote a book,<br />
with his own blood for ink, a pen made<br />
is reached when at the finale the pen<br />
catches in the paper and spatters the fair<br />
page.<br />
Two young Frenchmen, twin brothers,<br />
iu 1870, made the discovery uf a rich<br />
violet ink, but i^ere prevented bringing it<br />
into market from lack of funds. Many<br />
days they str-iggled with poverty, and<br />
one dark, bleak Saturday night, peuoilesa<br />
and friendless they were compelled to<br />
It is said that just before Alpbouso<br />
divulge the secret of its manufacture, as<br />
drawingn. The scenes represented are 'Trial took to himself a queen, one of his court-<br />
of Queen Catharine ," " Peterthe Great saved<br />
an offer of five francs was made them.<br />
iers wanted to make Alph-a-bet that he<br />
by his mother;" "Cromwell refusing the<br />
This enabled them to start for the goal<br />
Crown of England;" "Cleopatra before Julius waa A-B-Ccher of her heart.<br />
of prosperity,<br />
CtDsar;" "Joan<br />
and in little more<br />
of Arc<br />
than two<br />
in Prison;" "Last Miss Mary Anning discovered, in the<br />
moments of Marj- Queen of Scotg ;" "Plot to<br />
years they retired from business worth<br />
poison Emperor Frederic II. frustrated<br />
lias by limestone of Lyme Regis, a pen and<br />
his<br />
upwards of half a million dollars.<br />
daughter ;" '* Hudson receiving his com- ink which must have been embedded in<br />
mission from the Dutch East India Co," No the solid rock, ages before the advent of The style of invitation cards is one of<br />
one who has not seen Mr. Wiesehahn's pen<br />
drawing can begin to imagine the marvelous man upon the earth, and yet tliey were extreme simplicity. Monograms are dis-<br />
skill br- 1ms displayed in the execution of both in an excellent state of preservation carded ; ouly plain script is fashionable.<br />
thus. vHi;. II,. .i)q>cnr faultless in spirit, and were proven to be the property of And this is true of visitiug cards.<br />
I<br />
. acm I .[i, and dehcacy of exe-<br />
Loligo—a distant relative of the present<br />
attorney, and fm<br />
Attorney for New Yorl<br />
niar)'2(> to MisK Josf|<br />
of Judge Hilton, the I<br />
ministrator cf tb'. -t.<br />
Stewart & Co i,. -<br />
i<br />
the splendid ifsi.i<br />
WestThirty-fon.'<br />
deuce opposite tl.. [. i><br />
.<br />
pro Hsmg<br />
sentedto the vonni- cnn<br />
. Mr> - .-. T. Ste<br />
presented a verj' fine set of silverware. Among<br />
the guestj were Samuel J. Tildcn, Gov. Rice,<br />
of Massachusetts, and numerous others. Mr.<br />
Russell is a brother of Prof. Russell, bo well<br />
known to the readers of the <strong>Journal</strong>.<br />
Prof. H. P. Smith enters the employment of<br />
Messrs. Ivison. Blnkeman, Taylor 4 Co., as<br />
General Agent for White's <strong>Art</strong> Studies, which<br />
were noticed in our last number. Professor<br />
Smith was formerly connected with the firm<br />
of Potter, Ainsworth & Co., as Agent for<br />
Bartholomew's Drawing and P. D. and S.<br />
Copy-books. More recently he has been employed<br />
in the pubHc schools of this city as<br />
teacher of drawing, and is the President of<br />
the Drawing Teachers' Association. We congratulate<br />
Messrs. Ivison, Blakeman, Taylor A<br />
Co. in seeuring.a gentleman of so much experience<br />
and large acquaintance to represent<br />
their series of Dmwmg Books, and Professor<br />
Smith in connecting himself with so energetic,<br />
liberal, and honorable a firm as that of<br />
IWson, Blakeman, Taylor & Co. is known to<br />
We are rch<br />
we are imable<br />
to answer. He, or any one else who knows<br />
will confer a favor by furnishing the desired<br />
information.<br />
Teachers of Penmanship.<br />
You should learn to teach drawing. Your<br />
chances for obtaining lucrative situations<br />
will be doubled thereby. Teachers of<br />
Penmanship make the best teachers of<br />
iJrawing ; fhey learn to draw rapidly. See<br />
advertisement, Industrial <strong>Art</strong> Education,<br />
and send for circular.<br />
Every penman and admirer of fine<br />
penmanship wants the Joornal. If you<br />
know of any such who does not take it,<br />
tell them about it or send us their names<br />
and address, that we may mail them speci-<br />
The illustration upon this page was floarished<br />
by Jackson Cagle, penman at Moore's<br />
Business College, Atlanta, Ga.<br />
of a piece of iron hoop, i nd by the light<br />
of a lamp made out of shreds of cloth<br />
soaked iu grease obtained from his food.<br />
In a New Jersey Court, evidence of<br />
inebriety was deduced from the handwriting<br />
of the defendant in tb»» ca..e, on<br />
the ground that all men are eiuier drunk,<br />
or sober, and that tlie said defendant<br />
when sober, could never have written his<br />
name plain enough to be deciphered by<br />
auy chirographical rule whatever.<br />
31,000 reward to the penman who<br />
never beard the remark, 'Your writing<br />
is beautiful, veiy beautiful, btit, the best I<br />
ever saw was a piece done by Zerubbabel<br />
Gumption"—and this to you, who had<br />
his scrawls aud knew him to be a<br />
pretentious idiot<br />
!<br />
The latest French toy is a minature penan<br />
the face of which is of a material<br />
permitting the greatest mobiUty of its<br />
features. The machinery, although quite<br />
-^-uple. produces, when wound up, a<br />
movemeot of the hand ou paper previously<br />
adjusted, like that of a tyro in penman-<br />
ship ; and the face expresses the varied<br />
emotions of agony, of joy and self-adoration,<br />
so appropriate to tho occasion. But<br />
the ohmoi of ludiorousnesa of expression<br />
In Eogland the better the position of the<br />
people the more simple their cards. No<br />
coronet or crest ever appears on the cards<br />
of the nobility, gentlemen or ladies. A<br />
gentleman, entitled to the prefix of Right<br />
Honorable, or Honorable, never has it on<br />
his card. A glazed card is only fit for a<br />
care? without the r.<br />
In this country the population of a town<br />
can be determined by the style of cards<br />
In the large cities the plain-<br />
est kind of plain writing upon a plain<br />
white card is required. In towns of 1,000<br />
or 2,000 inhabitants cards faintly tinted,<br />
and ornamental capitals, or flourished<br />
desigus, written or printed in black ink ;<br />
and 1" townships where there are from<br />
three downward to (he sqnare mile, pro-<br />
fuse ornamentation in fancy colors with<br />
gold and silver, written or printed upon<br />
strongly tinted cards.<br />
Business Writing.<br />
Our frieud Hinmau inquires in th*. last<br />
issue of the Jouhnal, " Who will study<br />
the wants of the community, and supply a<br />
style that, when formed iu school, will not<br />
break up and desert one when rapid business<br />
writing is required ? "<br />
I believe that some few of our teachers<br />
are doiug this very thing, and doing it<br />
well. I also think that with many of us<br />
our '<br />
' exact " writing as shown iu our copy-<br />
lines, &c., interferes greatly witlj the stu-<br />
dent's progress, so far at least as rapidity<br />
goes. When we become "independent"<br />
enough, as he expresses it, to give our pupils<br />
for copies such writing as has been<br />
done easily and rapidly, even if the work<br />
be faulty in form, it will not be long be-<br />
fore the pupil will acquire the ueces^a.y<br />
to produce writiag of that<br />
Let it be understood that what the<br />
j<br />
—<br />
business man requires is legibility anrf rapiditt/,<br />
and to these it is not undesirable<br />
to add bea'ily when it detracts nothmg<br />
from the other two.<br />
The simplest forms, too,—tbosti that are<br />
made most easily, — are the best and<br />
the handsomest. The tendency among<br />
the beet writers now-a-days is to make all<br />
the forms as simple as possible.aud waste<br />
no time on flourishes, or graceliues , in a<br />
busiuess hand writing.<br />
I am glad to see in the copy books evidence<br />
of a decided change in that respect,<br />
the letters being much more simple than<br />
formerly, and there is more system in their<br />
arrangement. The next few years will<br />
probably work still gieater changes iu the<br />
style of to-day. a. a. g.<br />
Practical Lessons in Writing.<br />
In the present lesson we complete the<br />
analysis of all the letters in the alphabet.<br />
In lesson No. 6 we shall consider some of<br />
the otiifr essentials to good writing, such<br />
as spacing, slope, bight, connections,<br />
movements, positions, &c., &c. In subsequent<br />
lessons we shall present some<br />
practical bints, with examples for practice<br />
in flourishing and ornamental and artistic<br />
writing.<br />
Fifth Principle, or Capital 0.<br />
Hight, 3 spaces. 'Width, 2<br />
Distance between two<br />
eiuiitiating point,<br />
J space above base. Ciirvfs upon the right<br />
and left equal. Count 1. 2, 1.<br />
1 »/0<br />
VK)<br />
^ combines Prins. 3, 2, 3, S.<br />
^"" hight, 3 spaces. Hight of<br />
u-^- base, 2space8 ; width of same, \\<br />
spaces. Length and width of top, J the<br />
length and width of base. Between left<br />
curves in base oval ^ space. Small loop at<br />
right angles to main slant. Count 1, 2, 3,<br />
4, 5, 6, 1.<br />
[ ^-^^<br />
I /[<br />
B combines Prins. 3, 2, 3, 2,<br />
J<br />
3. 2, 3. Full bight, 3 spaces.<br />
''^l y Full width, 2 spaces. Point of<br />
beginumg, 1\ spaces, and of termina-<br />
tion, \ space above base. Between left<br />
curves at half-higbt, J space. Hight of<br />
small loop, ) space. Count 1, 2, 3, \.<br />
/Ot' C combines Prins. 3, 2, 3, 2.<br />
I<br />
'<br />
jC^ Pull hight, 3 spaces. Hight<br />
'^— of beginning point, 2J spaces.<br />
Width of large loop and Bpaces to its<br />
right aud left, each ) space. Lower end<br />
of loop, \ space above base. Count 1, 2<br />
3,1.