Bowie Style

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In his dual ‘Blue Jean’ role as the nerdish Vic, Bowie tried to tempt fellow style merchant and Seventies rival, Bryan Ferry, into the role of his well-dressed flatmate. Perfoming ‘Golden Years’ in 1983: “That’s one of my favourite songs of his. It’s a direct descendent of ‘Happy Years’, a Fifties single by The Diamonds.” -Mannish Boy, Bob Solly. This clean slate was reflected in his Bowie’s music and stage presentation. Let’s Dance was slick
and upbeat, bearing all the sophisticated dancefloor trademarks of Chic’s producer Nile Rodgers. The tie-in Serious Moonlight tour, which lasted seven months, was conducted on a grand scale, with Mark Ravitz, a veteran from the Diamond Dogs s hows, returning to supervise the sets. The musicians were casually dressed in the manner of a Fifties Hong Kong bar band; Bowie in his pastel-coloured suits, shirt, tie and braces, looked more like a hip Wall Street businessman than the “magnificent outrage” of yore. He was pushing 40, still undeniably pretty and eager to show that he had the enthusiasm and bushy-tailed outlook of a spoilt teenager. Rock in the mid-Eighties became sophisticated, ironic and fiercely individual. No one believed in purity anymore. The get-rich-quick philosophy was mirrored by a fame-at-any-price fix. The bastard offspring of David Bowie were everywhere, from Eurythmics and Scritti Politti in Britain, U2 in Ireland and Madonna and Talking Heads in America, though some were more clever than others. Certainly most were more financially astute than Bowie had once been. Unfortunately, not many of them were capable of making decent records because everyone was so overawed by technology and desperate not to appear behind the times that they handed over their music to the technobores who sat behind the mixingdesks. Unfortunately, there wasn’t a Brian Eno amongst them.
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Gavin Evans/Retna: Front & back cov
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© MTV Europe: 140bl; G. Neri/ Sygm
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At manager Ken Pitt’s flat, Londo
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Only One Paper Left. New York, 1997
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Yes, Bowie’s project was about st
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ultimately, Bowie is less about tra
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SHAPING UP As early as 1962, Bowie
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1.1 The Buddha Of Suburbia Suburbia
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The boy David. By 1953 the Jones fa
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May 1964. Tonight, Matthew, I’m g
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Superstar to the hilt. Only favoure
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Tolkien, would be played out to the
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Bowie dressed in a quilted black pl
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When you’re a boy, they dress you
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Almost Grown. “He was always into
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I’M YOUR FAN Bowie celebrated his
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Suede Twenty years later, the “I
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A rare publicity shot of The Kon-ra
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The dilated pupil in Bowie’s left
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music, Wendy Carlos’s Moog take o
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Bunuel and Dali’s surrealist shor
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Garland for the rock generation”.
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some of that locally in Bromley, bu
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Portrait of a young man as an art b
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are O-level pass in the subject. Hi
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Fulham, 1995, with samples of his w
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Walter Gramattè’s 1921 canvas, S
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Afro/Pagan And Work 1975-1995, a re
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Bowie recently revamped The Crowd P
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The Mannish Boys in Maidstone’s M
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Safely inside the BBC Television Ce
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Elvis Presley “I saw a cousin of
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Jacques Brel Bowie discovered Belgi
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loved her,” there’s a very high
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mainman Marc Bolan, whose revivalis
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change. He’d briefly called himse
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MICK ROCK Bowie, pictured with phot
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“It was all done on a shoestring
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he’d sign anything without readin
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1.3 Renaissancemanbowie In paisley.
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hard concepts to put into song, tho
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GAY GAMES This European CD of Sixti
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other that I took home and neatly f
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ock a potent spokesman.” A year l
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liberating effect Bowie had in unlo
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deal after Bowie’s 1967 LP floppe
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Ken Pitt: “Now you see the genesi
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Bowie seized his moment. He attende
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At the Beckenham Free Festival. “
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‘Hole In The Ground’ is a littl
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Bowie’s continuing interest in Bu
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inflicted my taste for the theatric
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dark days of the mid-Seventies, he
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The late Sixties quest for alternat
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might be. In another song, ‘Width
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A paint-splattered Ziggy doing some
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A rare colour shot of Growth’s Su
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At the BBC’s Paris Cinema Studios
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Mick Jagger The spectacle of these
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John Lennon They never shared a sta
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Tin a Turner Bowie was regularly se
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1.5 The Man Who Bought The Dress In
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Long tresses and long dresses. “O
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Most Sixties and early Seventies ro
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Showing off designer footwear, 1971
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Trouser rehearsal for The Man Who S
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oo style like Veronica Lake’s. Mo
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Lauren Bacall Veronica Lake.
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I FELT LIKE AN ACTOR As the anarchi
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As Thomas Jerome Newton in The Man
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CLASSIC CREATIONS
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of the decade he’d succumbed to t
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of those four guys, although aspect
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Lucky numbers. Ziggy plays guitar i
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STARMAN: SECOND BITE Black shoes, w
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Stardom, as John Lennon was fond of
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the QE2. But a punishing work sched
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Bowie’s mind during 1971 and the
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As Bowie and his Ziggy doppelganger
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When I first wrote it was just an e
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THE ZIGGY ENIGMA Bowie’s most eni
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keen to stress the importance of th
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throwback to the first idol of Glam
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The Nazz, Todd Rundgren’s band.
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The Aladdin Sane lightning bolt was
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‘Drive In Saturday’ was also pe
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these girls try to get me over to t
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John Hutchinson. The threesome appe
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Kornilof, a costume and set designe
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never been central to their relatio
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Ava Cherry, the funk-soul sister. W
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Paris, May 1976. Dalliances with Je
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With Iman at London’s Cork Street
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No outfit was out of bounds to Bowi
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“This was the first Japanese cost
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Bogart, Sinatra, right and below),
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switched again, to Marlboro Lights.
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made it more durable than its prede
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Watch That Man. At New York’s Rad
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MIND YOUR OWN BUSINESS A man of wea
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with her own bank account. David Bo
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Bowie’s flagging creativity. Igno
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2.3 Soul Survivor At the Amstel Hot
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the heat out of Bowiemania, and wit
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previously,” Bowie insisted. He w
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“To this day he was the most extr
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Aleister Crowley The so-called Wick
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Nazism The power of a modern media
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David Bowie circa 1974 is not rock
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above the audience, were cradled by
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Never mind the quality, feel the wi
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The Mask. Performing ‘Aladdin San
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The wedge cut -Phil Oakey was intri
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Bauhaus Oh dear. Punk met Glam and
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Japan David Batt enjoyed the “cra
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Not many people needed Leo Sayer (a
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Psychedelic Furs Richard Butler tho
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Bowie gets ready to ‘wave’ to t
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Fashion! Turn to the right. Bowie:
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Bowie tried out different outfits e
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“All my reading in that particula
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Decked out like a Christmas tree. A
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Page 264 and 265: changed outfits - but his real wort
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Page 270 and 271: At a VIP gala premiere of The Man W
Page 272 and 273: This Ziggy-era reissue of Bowie’s
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Page 285 and 286: ERASE & REWIND Come Blow Your Horn.
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Page 289 and 290: Proof that the deification of David
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Page 330 and 331: which Bowie was, he maintained, mer
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Page 334 and 335: On stage in the Nineties. Tin Machi
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Page 338 and 339: Unfair, yes, but kind of understand
Page 340 and 341: In 1996, Bowie’s hair made an ata
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Page 352 and 353: The male stiletto at The Brit Award
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Bowie Style

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