Bowie Style

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In the grounds of Haddon Hall, Bowie’s choice of outdoor wear is less than appropriate. Bowie’s lyrics for further clues discovered plenty of references to an uncertain sexuality, some dating back to his 1967 LP. In Spain, one Bowie album was titled El Ray Del Gay Power. Bowie’s arrival certainly broadened the palette of role-models for a generation of pop fans, and many prominent gay celebrities have since described the
liberating effect Bowie had in unlocking their true sexuality. Ultimately, though, Bowie’s personal sexual ambivalence might better be understood in the wider context of his work. It has more to do with the aesthetics of camp than being gay. “Camp sees everything in quotation marks,” wrote Susan Sontag. “It is the fullest extension, in sensibility, of the metaphor of life as theatre.” And, as Sontag states in her ‘Notes On Camp’ essay: “The androgyne is certainly one of the great images of Camp sensibility.” In 1993, Bowie reflected: “I don’t think I did anything that my contemporaries didn’t; it was just that I was the only one who talked about it. In the Sixties anyone who had a sense of style seemed to be gay. I wanted to identify with that.”
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Gavin Evans/Retna: Front & back cov
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© MTV Europe: 140bl; G. Neri/ Sygm
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At manager Ken Pitt’s flat, Londo
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Only One Paper Left. New York, 1997
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Yes, Bowie’s project was about st
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ultimately, Bowie is less about tra
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SHAPING UP As early as 1962, Bowie
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1.1 The Buddha Of Suburbia Suburbia
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The boy David. By 1953 the Jones fa
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May 1964. Tonight, Matthew, I’m g
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Superstar to the hilt. Only favoure
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Tolkien, would be played out to the
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Bowie dressed in a quilted black pl
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When you’re a boy, they dress you
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Almost Grown. “He was always into
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I’M YOUR FAN Bowie celebrated his
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Suede Twenty years later, the “I
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A rare publicity shot of The Kon-ra
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The dilated pupil in Bowie’s left
Page 44 and 45: music, Wendy Carlos’s Moog take o
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Page 51 and 52: some of that locally in Bromley, bu
Page 53 and 54: Portrait of a young man as an art b
Page 55 and 56: are O-level pass in the subject. Hi
Page 57 and 58: Fulham, 1995, with samples of his w
Page 59 and 60: Walter Gramattè’s 1921 canvas, S
Page 61 and 62: Afro/Pagan And Work 1975-1995, a re
Page 63 and 64: Bowie recently revamped The Crowd P
Page 65 and 66: The Mannish Boys in Maidstone’s M
Page 67 and 68: Safely inside the BBC Television Ce
Page 69 and 70: Elvis Presley “I saw a cousin of
Page 71 and 72: Jacques Brel Bowie discovered Belgi
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Page 75 and 76: mainman Marc Bolan, whose revivalis
Page 77 and 78: change. He’d briefly called himse
Page 79 and 80: MICK ROCK Bowie, pictured with phot
Page 81 and 82: “It was all done on a shoestring
Page 83 and 84: he’d sign anything without readin
Page 85 and 86: 1.3 Renaissancemanbowie In paisley.
Page 87 and 88: hard concepts to put into song, tho
Page 89 and 90: GAY GAMES This European CD of Sixti
Page 91 and 92: other that I took home and neatly f
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Page 97 and 98: deal after Bowie’s 1967 LP floppe
Page 99 and 100: Ken Pitt: “Now you see the genesi
Page 101 and 102: Bowie seized his moment. He attende
Page 103 and 104: At the Beckenham Free Festival. “
Page 105 and 106: ‘Hole In The Ground’ is a littl
Page 107 and 108: Bowie’s continuing interest in Bu
Page 109 and 110: inflicted my taste for the theatric
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Page 113 and 114: The late Sixties quest for alternat
Page 115 and 116: might be. In another song, ‘Width
Page 117 and 118: A paint-splattered Ziggy doing some
Page 119 and 120: A rare colour shot of Growth’s Su
Page 121 and 122: At the BBC’s Paris Cinema Studios
Page 123 and 124: Mick Jagger The spectacle of these
Page 125 and 126: John Lennon They never shared a sta
Page 127 and 128: Tin a Turner Bowie was regularly se
Page 129 and 130: 1.5 The Man Who Bought The Dress In
Page 131 and 132: Long tresses and long dresses. “O
Page 133 and 134: Most Sixties and early Seventies ro
Page 135 and 136: Showing off designer footwear, 1971
Page 137 and 138: Trouser rehearsal for The Man Who S
Page 139 and 140: oo style like Veronica Lake’s. Mo
Page 141 and 142: Lauren Bacall Veronica Lake.
Page 143 and 144: I FELT LIKE AN ACTOR As the anarchi
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As Thomas Jerome Newton in The Man
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CLASSIC CREATIONS
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of the decade he’d succumbed to t
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of those four guys, although aspect
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Lucky numbers. Ziggy plays guitar i
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STARMAN: SECOND BITE Black shoes, w
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Stardom, as John Lennon was fond of
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the QE2. But a punishing work sched
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Bowie’s mind during 1971 and the
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As Bowie and his Ziggy doppelganger
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When I first wrote it was just an e
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THE ZIGGY ENIGMA Bowie’s most eni
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keen to stress the importance of th
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throwback to the first idol of Glam
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The Nazz, Todd Rundgren’s band.
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The Aladdin Sane lightning bolt was
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‘Drive In Saturday’ was also pe
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these girls try to get me over to t
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John Hutchinson. The threesome appe
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Kornilof, a costume and set designe
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never been central to their relatio
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Ava Cherry, the funk-soul sister. W
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Paris, May 1976. Dalliances with Je
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With Iman at London’s Cork Street
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No outfit was out of bounds to Bowi
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“This was the first Japanese cost
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Bogart, Sinatra, right and below),
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switched again, to Marlboro Lights.
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made it more durable than its prede
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Watch That Man. At New York’s Rad
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MIND YOUR OWN BUSINESS A man of wea
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with her own bank account. David Bo
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Bowie’s flagging creativity. Igno
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2.3 Soul Survivor At the Amstel Hot
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the heat out of Bowiemania, and wit
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previously,” Bowie insisted. He w
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“To this day he was the most extr
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Aleister Crowley The so-called Wick
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Nazism The power of a modern media
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David Bowie circa 1974 is not rock
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above the audience, were cradled by
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Never mind the quality, feel the wi
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The Mask. Performing ‘Aladdin San
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The wedge cut -Phil Oakey was intri
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Bauhaus Oh dear. Punk met Glam and
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Japan David Batt enjoyed the “cra
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Not many people needed Leo Sayer (a
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Psychedelic Furs Richard Butler tho
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Bowie gets ready to ‘wave’ to t
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Fashion! Turn to the right. Bowie:
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Bowie tried out different outfits e
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“All my reading in that particula
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Decked out like a Christmas tree. A
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“The audiences are always about o
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“I’d got this thing in my mind
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Duke Of Earl. Bowie had recorded a
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‘Be My Wife’. Bowie filmed a vi
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different thing to saying it needs
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changed outfits - but his real wort
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Bowie/Visconti at the Daily Mirror
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2.5 Punk Pierrot Bowie gives a twir
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At a VIP gala premiere of The Man W
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This Ziggy-era reissue of Bowie’s
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Photographed by Snowdon, June 1978.
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anner was draped over a balcony at
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Dallas, April 1978: with hooded mic
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“I think (music) should be tarted
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Costumes and comments by Natasha Ko
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ERASE & REWIND Come Blow Your Horn.
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3.1 I’m Only Dancing As the new d
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Proof that the deification of David
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sexual about ‘Dudes’ as a lyric
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Lulu performing ‘The Man Who Sold
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“My wife says that David wears cl
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“If anything, maybe I’ve helped
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STARMAN: THIRD BYTE Showing off his
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Distraught Beatles fans gather outs
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Tonight (1984): Bowie portrays Scre
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and upbeat, bearing all the sophist
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STAGECRAFT Bowie revived 1974’s m
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wielding skit on Shakespeare’s Ha
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took over during 1974, but for most
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Doing ‘Time’ at London’s Marq
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Waiting in the wings. Doing ‘Time
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off by a more informal suit and sue
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The way you wear your hat. A Sinatr
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“He knows everything. He’s so w
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George Orwell 1984 - The Musical? T
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Jean Genet Genet’s A Thief’s Jo
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Bowie as Baal, August 1981.
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which Bowie was, he maintained, mer
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Soundchecking at the Freddie Mercur
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On stage in the Nineties. Tin Machi
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Tired Of My Life. “I’d hate to
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Unfair, yes, but kind of understand
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In 1996, Bowie’s hair made an ata
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Rakish Georgian sleeves backstage o
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up with the perfect marketing strat
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David in theatrical black, on stage
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I’m Not Losing Sleep. In Neil You
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Bowie received an honorary doctorat
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The male stiletto at The Brit Award
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Bowie Style

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