Volume 06
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1905<br />
June<br />
2015
CONTRIBUTORS<br />
JENNIFER CARRILLO | PHOTOGRAPHER<br />
RAYA JADE | PHOTOGRAPHER<br />
RENE BJORHEIM | PHOTOGRAPHER<br />
MARCO RIVERA | PHOTOGRAPHER<br />
CHELSEA DOLLAR | PHOTOGRAPHER<br />
CALLAN RAMIREZ | CREATIVE DIRECTOR<br />
DARNELL THOMAS | CREATIVE DIRECTOR<br />
MARIAH ROMERO | STYLIST<br />
ANA STINA RIMAL | WRITER<br />
ANAIAH LUPTON | WRITER<br />
ANDIE FULLER | WRITER/PHOTOGRAPHER
LETTER FROM THE EDITORS<br />
It is crazy that June is here already. The two of us have just finished another<br />
semester and are ready for summer. We wanted to keep the June issue very<br />
low key but also fun to celebrate another year of college completed and another<br />
summer ahead of us to relax and make memories. This issue was inspired<br />
by the beautiful colors we see around us these days as the weather is<br />
getting warmer. So let’s celebrate the colors from the sky, the yummy foods<br />
we find on our plates, the water, the lights we see at night from the streets<br />
or at the fair, and all the new places we have the priviledge of exploring.<br />
Another aspect of summer we are looking forward to is the simplicity. We<br />
channeled this earning for simple summer days in the layout of this issue.<br />
We hope you can enjoy this issue we worked so hard on and your summer.<br />
XOXO<br />
Darnell & Mariah
PHOTOGRAPHER. MARCO RIVERA /// MODEL. NATALIE BUCKNER /// MODEL. VALENCIA LUSK
PHOTOGRAPHER. JENNIFER CARRILLO /// CREATIVE DIRECTOR. DARNELL THOMAS /// MODEL. MEG COLBURN
Photography by Andie Fuller
SALMON WITH SRIRACHA<br />
Written by Andie Fuller<br />
And just like that we’ve made it to June, it’s time to<br />
celebrate the fact that we’ve made it 6 months into 2015<br />
and summer fun is upon us. I suggest we all go play in<br />
the sun, the summer rain and enjoy as much good food,<br />
drink and company as possible. I wanted to share this<br />
recipe to spice up your (my) salmon game. I like to pair<br />
mine with homemade coleslaw or steamed edamame.
RECIPE & INSTRUCTIONS<br />
Here’s what you need:<br />
1 ½ lbs salmon fillet<br />
1 lemon, juiced<br />
1 ½ Tbsp sriracha sauce<br />
½ tsp sea salt<br />
2 Tbsp parsley or cilantro, chopped<br />
2-3 drizzles of honey<br />
Here’s what you do:<br />
Pre heat your oven to 425 F. Place parchment or oil the<br />
bottom of a baking dish. Wisk lemon juice, honey, sriracha<br />
and salt in a small bowl. Place salmon into baking<br />
dish and cover with sriracha sauce. Bake salmon for 15-<br />
20 minutes until cooked through and flaky. Timing will<br />
depend on how thick the cut of salmon is. Sprinkle with<br />
parsley or cilantro and enjoy!
enjoy!
PHOTOGRAPHER. RAYA JADE /// MODEL. MEG COLBURN
AYSIA STIEB<br />
Written by Ana Stina Rimal<br />
It can be difficult to spend so much<br />
time and energy in school when the world<br />
is moving forward with or without us. Art<br />
school can feel like a bubble. In my personal<br />
experience, I have struggled with the prospect<br />
of going to school to learn how to write or to<br />
try to get a job or internship writing as means<br />
of learning the craft and forming connections.<br />
The fact of the matter is; it is crucial to have<br />
both. In the classroom one’s art is challenged<br />
by people it may have never interacted with<br />
before. College provides supportive and sustainable<br />
environments to experiment and grow<br />
as artists. It is important, though, to step out<br />
of the classroom and ask people to consider<br />
one’s art on a professional level. Aysia Stieb<br />
balances the tension of working as a professional<br />
photographer, interning in a museum,<br />
studying full-time at California College of the<br />
Arts, maintaining a top-notch Instagram, all<br />
while creating interesting and engaging art.<br />
I asked a few questions to Aysia about<br />
her work, her style, and her inspiration.<br />
1905: Your work relies heavily on principles of<br />
design and it seems as though, when I look at<br />
your earlier work, this is your commercial photography<br />
influencing your personal projects. Is<br />
this perception true? Is there a duality between<br />
the commercial and the personal or have the two<br />
developed separately from each other?<br />
AS: The two “ways of working” are completely<br />
intertwined now. I think that I used to<br />
(not very long ago) try to separate them. But<br />
recently I have been making work that uses the<br />
technical aesthetic of commercial photography,<br />
especially in food photography, to discuss<br />
something larger… or stranger and often times<br />
more personal (which is opposite of commercial).<br />
1905: In terms of design, what is an aesthetic or<br />
style that is interesting to you? Any specific art or<br />
design inspirations?<br />
AS: In art, I am inspired all over the place<br />
by lots of things, mostly thanks to amazing<br />
professors at school who feed with me exciting<br />
work they know I will enjoy. For a general<br />
aesthetic - Northern California artists and<br />
designers and their sense of style in lifestyle,<br />
art, and design always inspire me, specifically<br />
of the 1950’s-70’s.<br />
1905: Do you feel like your personal style reflects<br />
your interests as an artist? Who are your fashion<br />
inspirations?<br />
character analysis
AS: I’m not sure. I think sometimes. I like<br />
jeans and comfortable clothing that also<br />
fits me well or in an interesting way, often<br />
times clean and basic. I think much of<br />
my photos and other work is “basic” in an<br />
essential, pared-down way. Not like basic<br />
b-word. ;) (maybe.) but I try to make<br />
things for what they really are or what they<br />
are trying to say. I like on-liners I art, even<br />
though they are looked down upon. For<br />
style inspiration – California style mentioned<br />
before – double denim, surfers, earth<br />
artists. I also like the designer Margaret<br />
Howell. Also Comme Des Garcons basics.<br />
Sandals and hats are cool.<br />
1905: How dependent would you say the editing<br />
process is to being a photographer?<br />
AS: I think if you are working primarily with<br />
images, it is crucial. Editing, sequencing,<br />
reframing, etc. can make up half the content.<br />
Even photographers who work expansively or<br />
with an obsessive approach have some form<br />
of editing – even if it’s not about removing<br />
certain images, it is often in sequencing or<br />
installation.<br />
1905: In relationship to art students looking to<br />
have careers in a professional setting, what is your<br />
most valuable media asset?<br />
1905: A lot of your work is focused on food.<br />
Could you give some insight into your relationship<br />
to food and how that may relate to your work?<br />
AS: Lately it is all and only about food.<br />
Oranges/Citrus. It is a weird, obsessive relationship<br />
I have to this subject. You are the<br />
millionth person to ask me this week “WHY<br />
FOOD?” and I’m in a strange state with it<br />
right now. It is kind of a jumping off, spiraling<br />
in different directions subject for me.<br />
Often times about sensory experience, personal<br />
relationship to the food, associations,<br />
and ideas of perfection, desire vs. necessity,<br />
and a type of slowness and meditation. It is<br />
everything?? Lol<br />
AS: Instagram probably – for a brand it is<br />
kind of amazing and the best type of marketing<br />
right now. For an individual, it is helpful<br />
and an exciting way to keep contact with<br />
friends, acquaintances, and other artists/<br />
galleries/brands you want to keep up with<br />
and interact with. It has harmful qualities<br />
though, so be careful! ;)<br />
1905: In a lot of cases involving photography,<br />
your work is dependent on a person as a subject<br />
to photograph. How does this relate to a<br />
sense of collaboration?<br />
AS: Less so now, but when I am photographing<br />
a person I always want it to be a dual
Photographer. Aysia Stieb
effort, their ideas just as valid as mine in<br />
making the photo. Even if the photo is for my<br />
own purpose and not a freelance thing for<br />
them I always want to make sure the person<br />
is comfortable and represented the way they<br />
want to be.<br />
AS: Okay there are two right now: white<br />
jeans and Tevas. I just bought another pair<br />
of Tevas: universal in black as well as white,<br />
oops. I walk a ton and they’re so crazy comfortable<br />
and look great, simple in my opinion.<br />
1905: Do you seek out/enjoy collaboration<br />
with other artists in a more formal sense<br />
(not the relationship between subject and<br />
photographer)? What are its benefits in<br />
your work?<br />
AS: Yes! Well with some people, and with<br />
those people I want to collaborate with we<br />
often both feel the same and also feel that<br />
desire pretty quickly. When shooting I think<br />
collaboration is more frequent than not. I<br />
would like to collaborate on things other<br />
than photographs, videos, design – like collaborative<br />
curation or an exchange.<br />
1905: When you are stuck in a stylistic rut,<br />
be it in your art or in your personal ascetic,<br />
where do you turn for rejuvenation?<br />
AS: For rejuvenation ~ THE BEACH! I try<br />
to go to the beach once a week, which has<br />
been hard lately. I feel so lucky to live by the<br />
ocean. I like the before and after moments of<br />
going to the beach as well. I think that entire<br />
experience is where I find calmness and a<br />
sense of reality or presence – it allows me<br />
to feel out where I really am. That probably<br />
makes no sense…. Also the library and also<br />
magazines…<br />
1905: What is one clothing item/accessory that<br />
you cannot live without?<br />
Be sure to follow Aysia Instagram (@aysia)<br />
and check out her website (aysiastieb.com)!
PHOTOGRAPHER. CHELSEA DOLLAR /// STYLIST. MARIAH ROMERO /// MODEL. AMY WEST
PHOTOGRAPHER. RENE BJORHEIM /// CREATIVE DIRECTOR. CALLAN RAMIREZ /// MODEL. CASSIDY KAHLER
PHOTOGRAPHER. RENE BJORHEIM /// CREATIVE DIRECTOR. CALLAN RAMIREZ /// MODEL. TAWANDA SUESSBRICH-JOAQUIM
PHOTOGRAPHER. RENE BJORHEIM /// CREATIVE DIRECTOR. CALLAN RAMIREZ /// MODEL. TAWANDA SUESSBRICH-JOAQUIM
REDUCING PLASTIC<br />
Written by Anaiah Lupton<br />
The difference between man and animal is the act of<br />
adaptation. Animals adapt to their surroundings and adjust<br />
to circumstance, where as humans change the world<br />
around them to fit their needs and adapt to the circumstances<br />
that they have created. Change is a requirement<br />
for human development and evolution, however we<br />
have created a society based off of instant gratification<br />
and we have blinded ourselves to consequences. One of<br />
our largest issues in this country is our instinct to say<br />
yes to products that promote ease, haste, quantity, and<br />
pre-packaging. In my last article I wrote about how I am<br />
spending this year transitioning to free trade clothing,<br />
and saying no to sweat shops. This act of consciousness<br />
began as a struggle and I felt like I was missing out on<br />
cute clothing. After a few months, I began to feel like I<br />
could breathe easier and I no longer felt like I was missing<br />
out on anything. This experience has inspired me to<br />
be conscious in other aspects of my life, specifically with<br />
trash. I am taking on the task to reduce my trash and<br />
say no to plastic. Although I do not plan on quitting<br />
cold turkey I plan on making subtle changes each day<br />
towards leaving a smaller plastic footprint.<br />
“Approximately 55% of 220 million tons of waste<br />
generated each year in the United States ends up in one<br />
of the over 3,500 landfills.”-Duke University, Center for<br />
Sustainability and Commerce. The plastic we accumulate<br />
everyday is typically disassociated and easily forgotten<br />
due to the trendy grab and go life style. This lack of<br />
consciousness perpetuates until we see it first hand, for<br />
instance when one finds more trash on the beach than<br />
seashells. As I have made the transition from buying<br />
sweat shop clothing to free trade clothing I have found<br />
that my fashion choices have shifted and I have found<br />
myself gravitating towards better forms of cotton and<br />
quality fabrics over the items I used to have. It has also<br />
changed my perspective on what I need. Rather than<br />
buying in quantity I am more focused on what use the<br />
item will have in over a year from now, “how long will<br />
I find this fashionable?” or “How long will this style be<br />
‘in’?”. These same questions can be asked when buying<br />
simple things like plastic containers, plastic utensils, and<br />
plastic food packaging-How long will I need/use? What<br />
happens to it when I am done with it? I hope that with<br />
this next transition of living minimally and reducing<br />
waste I will become more passionate about the things<br />
that I can buy over the things that I cannot buy.<br />
Part of this transition will include using more glass<br />
products such as Mason Jars. Thanks to my mom, she<br />
is helping me with this process by collecting jars for me<br />
at home to transport food, and water. These jars can<br />
be used as I make some of my own necessities such as<br />
toothpaste, deodorant, shampoo, and other day-to-day<br />
products. I have also saved some of the clothes I have<br />
outgrown to sew together bags, and napkins to reduce<br />
paper towel usage.<br />
Part of this life style will include buying products<br />
in bulk rather than buying pre-packaged items. Whole<br />
foods offers many products in bulk but they offer plastic<br />
bags and containers for transportation. Part of this<br />
mindset will involve being more conscious about providing<br />
my own bags and jars in order to retrieve groceries<br />
and house hold items.<br />
I reflected on my waste trail and realized that it is<br />
the day to day that weighs me down the most, whether<br />
it is a coffee to go, the plastic wrap around my sandwich,<br />
the straw I used in my drink, my plastic toothbrush<br />
or the packaging in my cabinets, I discovered my<br />
garbage is ubiquitous.<br />
In order to compensate for this new life style I will have<br />
to be diligent on being concenceous before going out<br />
by providing my own Tupperware, drinking glasses, and<br />
napkins. As apart of this culture I will have the most<br />
difficulty saying “no” for the times when I did not plan<br />
ahead, for instance, If I forget my drinking glass, I will
come to terms with passing up what ever is being offered<br />
out of the plastic cup. There are useful websites to look<br />
at for inspiration. I was surprised to find that there are<br />
a plethora green alternatives to plastic. Websites such as<br />
http://www.lifewithoutplastic.com/store/ and<br />
http://www.trashisfortossers.com/ offer recipes, ideas,<br />
and purchasable products.<br />
“Besides, environmentalism<br />
is sexy. ”<br />
“Trash is for tossers” is especially interesting because it<br />
is a blog by Lauren Singer. Lauren Singer, Brooklyn NY,<br />
has spent the past two years creating almost zero trash.<br />
Singer was an environmentalist major in college and she<br />
found it more than necessary to not only believe in her<br />
values but also live by them. When she moved to Brooklyn<br />
she down sized and started her life over by living<br />
sustainably and creating alternatives to create zero waste.<br />
The only waste she has accumulated regularly, are the<br />
stickers on fruits and vegetables and condoms.<br />
In my sweatshop free article I discussed how the cost<br />
of fair trade clothing in comparison to other clothing<br />
averaged out to be the same. The same goes for a plastic<br />
free life style. Razors for instance, are gendered to<br />
increase profit. Razors are purchased semi regularly and<br />
are made of plastics that cannot be broken down. They<br />
usually end up in oceans and landfills. I began shaving<br />
when I was about 12. (It was terrifying but all my friends<br />
were doing it). For the past eight years I had bought<br />
razors once every other month for about $7. In short,<br />
I have spent nearly $360 on razors. I could have spent<br />
that money on a plane ticket, VIP passes to a music<br />
festival, pay for college tuition, or replace the alternator<br />
in my car. Buying a chrome, stainless steel razor costs<br />
about $45 and is a onetime buy that can be used for<br />
years. When I include items like tooth brushes, plastic<br />
sandwich bags, beauty products, plastic water bottles,<br />
feminine products, bags, gift wrapping, etc. etc. etc.<br />
etc. The numbers add up quickly and all of the sustainable<br />
products that seamed expensive at first now appear<br />
to be freeing.<br />
Rather than looking at this as an animal life style of<br />
adaptation, it’s just a way of being aware of our surroundings<br />
and respecting the earth. The percentage of<br />
my time on earth is miniscule in comparison to human<br />
existence. Yet, the choices I make on trash lasts for decades.<br />
We have the power to say yes and a responsibility<br />
to say no to the things we do not need. Having less has<br />
made me feel less jaded. With each Item I have donated<br />
and discared I feel as though I can breathe easier, and<br />
the things I do own I cherish. By owning less clothes I<br />
tend to only own things I absolutely love, which makes<br />
me feel good because each day I know I will be comfortable.<br />
With fewer options I don’t feel as stressed in the<br />
morning wondering what I am going to wear. Although<br />
it sounds silly, those extra ten minutes has helped a lot<br />
with getting ready for class or sitting down to eat breakfast<br />
in less of a rush. With fewer plastics, and consuming<br />
buys, I take less trips to the store, leaving my agenda<br />
with one less errand and one less concern. When I<br />
switched to fair trade clothing and began thinking in<br />
terms of practicality I realized I don’t need eight tops<br />
with different animals and inspirational quotes on them.<br />
The same goes for my garbage trail. I don’t need trash,<br />
and neither do you.<br />
-----Besides, environmentalism is sexy. Especially if the<br />
only trash you leave behind are condoms.
PHOTOGRAPHER. MARCO RIVERA /// MODEL. AMANDA TYLER /// MODEL. NOLAN BLAIR
ISSUE <strong>06</strong> /// NINETEEN 0 FIVE