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Download issue as PDF - SLUG Magazine

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S<br />

91 ,<br />

Iisirgrounds<br />

h e Fairgrounds anc<br />

hard-core are back in "95<br />

with .a show sponsored<br />

thr! "truck driving hacks A.<br />

Diesel." Raunch and Stim<br />

Boy used to book these<br />

things fifteen, years ago in<br />

,&$-empty hall. A roller<br />

skating rink, the Indian<br />

center or the Fairgrounds<br />

.kwhjlny hhd-core outfit<br />

.m 6 m&&%iff-stage. The<br />

inm;$rq&ed€ed to Any numkkF$cc!ubs<br />

(all of which<br />

,#i&d)with the ell-ages for-<br />

.@if per the years. The.<br />

araqitd pi?h@~'s and ancid logc inted on Davis a cl<strong>as</strong>sically trained multi-instrumentalist;<br />

tke~~~6~;iackets and mohawks UF-<br />

. r--:, <strong>as</strong> a member of Korn he provides the vocals and<br />

:$I '<br />

'$ Q$e..=.- - .<br />

plays the bagpipes for one song. The song,<br />

?d2%$~6@& becoming a little excited <strong>as</strong> I '$Shoots and Idders," opens with the bagpipes<br />

1{s%n%o iheef3's ofthe scheduled bands and and degenerates into the rhythmic..disquieting<br />

think about driving down to Tenth West and noise heard throughout the album. The lyrics are<br />

North T~qple to participate in the festivities. segments taken from the nursery rhymes of child-<br />

There's nothins like an old f<strong>as</strong>hioned hard-core hood strung together for a chronicle of their his-,<br />

$$$$~t t&% blood pumpjng. 0f course, hard- toric b<strong>as</strong>is and a critique of modem times, Two<br />

~fd~chikged a little over the yew and 1' other songs of special interest are "Faget" and<br />

+$&rporate !@k journalist now so the Ski "Daddy." "Faget" is not a gq b<strong>as</strong>hing song. It is<br />

ed ers woad pummel me to death if they kr Davis l<strong>as</strong>hing out at the jocks from high school<br />

.fat 1 look like. I'm n ~r afraid because eac1.1 mu and their name calling, bullying ways. "DaddyYY is<br />

every band scheduled h<strong>as</strong> signed to a major label. the most tightening, disturbing piece of music on<br />

They're all"'sel1-out" bands.<br />

the disc. The song concerns child abuse and<br />

..,Opening the sh& is Korn, who sold th Davis becomes the abused child <strong>as</strong> the piece<br />

-<br />

sdu1s.F !my. I've l$ad their album since the l<strong>as</strong>t 4; &proaches its finish. Weeping and wailing he<br />

tib'e' e$$&d through. I listened to it once and ,;brings the pain of the child through the ears and<br />

dism&&& thing rts another mediocrity. since! '. into the brain of the listener. "Daddy" is the closthey<br />

$e returning and I plan b use my impres- $' er, when it ends my response w<strong>as</strong> to sit in<br />

siv&edia credentials or suck up to a major label shocked ailem. That is exactly the reaction Korn<br />

'<br />

representative in order to avoid the drain on my desires because the disc continues to spin until a<br />

fiances actually paying $10 for a ticket would hidden track is revealed. It's a conversation<br />

create. I searched my home for the disc, the between an obvious redneck (Km is from<br />

glossy photo, the bio and listened. looked and Bakersfield) and his girlfriend ,or wife. He<br />

read ag&nn. ". attempts to explain the mechanics of their truck's<br />

Two g ~ & a ~ drummer, , a b<strong>as</strong>sist and a choke while verbally abusing the female. It is<br />

singeribagp$e~ &ay= went into Malibu's Indigo hysterically fumy andoffensive at the same time.<br />

Ranch stud'i<strong>as</strong>to record the heavy grind of their After Korn pounds brains and bodies into<br />

ylf-titled deb< I'm not sure what mood I w<strong>as</strong> in mush Orange 9mm will take over. They are<br />

(probably-my usual drunken stupor) the rust time newly signed to e<strong>as</strong>hvesi and their first album for<br />

I listeaed+~~$w disc because it is not mediocre. a maior label arrived in the stores on February 28.<br />

Inchrded, the new album, features<br />

the clang and k g of<br />

Gang uFT~ur wii&tl&@br<strong>as</strong>ive<br />

rendencies of Livitl$<br />

Colwr and the funk of a hd-<br />

er v&#.r~f the Red Hot<br />

ChilP'P&ppws. Their hardcore<br />

roots are not polishdQp for<br />

m<strong>as</strong>s consumption. Thetnusic<br />

is <strong>as</strong> raw <strong>as</strong> the inner thighs<br />

on&kf&&$$man after a long<br />

wa . ~af"&z, bruising.<br />

create a frenzy inside the<br />

Fairgrounds Arts& Crafts<br />

building. &.;<br />

Headliners Sick Of It All are<br />

a pbpular group in Salt Lake<br />

City. They Tale<strong>as</strong>ed two<br />

albums on the indie Relativity<br />

before making the move to<br />

be bigs. Several quotes in their bio lead me to<br />

believe their days in the minors were not wholly<br />

their treatment at e<strong>as</strong>twes<br />

*"<br />

Koller. There are a ton of good sqqspn the<br />

One of them deserves a little extrz attent:-- &"*<br />

before they arrive. "Who Sets The Rules &<br />

these lyrics and they are addressed to you ..A<br />

more appropriately to me. "Fly by night scer.<br />

ester, fly by night hipster. never suffered, never<br />

paid the dues, living contradiction, live a lie, oh<br />

so f<strong>as</strong>hionable, what a god<br />

Most of the good pun<br />

heard lately were done by<br />

I'd almost forgotten the pl<br />

good punk record dqne by<br />

h<strong>as</strong> me in love with the mug<br />

Some of the best punk records<br />

came from bands appearing in s~kcalce. Texx<strong>as</strong><br />

put one out which recal<br />

years and they played at<br />

might receive some pre<br />

and they will also plqy 8tEp~ky"k~Mgv<br />

It All rele<strong>as</strong>es a h'wdcere CD on a major 46bp.rh4-<br />

which proves once and for all that punk is not<br />

ages.<br />

.l.. i

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