06.07.2015 Views

QUILTsocial | Issue 03 Spring 2015

FREE issue of QUILTsocial Magazine! Featuring a full 68 pages packed with tips, projects, and quilting know-how! Take it all off!! This issue reveals the quilts created by Elaine Theriault and Jennifer Houlden for What's good for the gal, is good for the guy Quilt Challenge. Not to miss! Plus...7 design elements that add personality to your quilts; Quilting with templates; Sewing applique shapes; and Thread painting with DecoBob thread! And did I mention the awesome projects?... It's a must-read issue! Spread the news about QUILTsocial...don't forget to share / post / tweet / pin to let your friends in on all the fun! And don't forget to follow our blog at www.QUILTsocial.com for daily tips and techniques.

FREE issue of QUILTsocial Magazine! Featuring a full 68 pages packed with tips, projects, and quilting know-how!

Take it all off!! This issue reveals the quilts created by Elaine Theriault and Jennifer Houlden for What's good for the gal, is good for the guy Quilt Challenge. Not to miss! Plus...7 design elements that add personality to your quilts; Quilting with templates; Sewing applique shapes; and Thread painting with DecoBob thread! And did I mention the awesome projects?... It's a must-read issue!

Spread the news about QUILTsocial...don't forget to share / post / tweet / pin to let your friends in on all the fun! And don't forget to follow our blog at www.QUILTsocial.com for daily tips and techniques.

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Zigzag squares all in a row<br />

16<br />

4 variations of the blanket stitch<br />

Manly-looking decorative stitches<br />

Decorative stitches<br />

on the<br />

PFAFF Creative 4.5<br />

Decorative stitches that look manly<br />

Since this quilt is for a young man, I wouldn’t want to be adding<br />

decorative stitches that looked girlie such as hearts, flowers and<br />

leaves. I went searching for stitches that had a more manly look<br />

to them and came up with a few that I think are interesting.<br />

I found a few that looked interesting, however they won’t work<br />

very well for securing the applique pieces because they are too<br />

difficult to place along the edge of the applique shape.<br />

I love the 'circle in a circle' motif, however, here too, it will be<br />

difficult to use for the purpose of applique.<br />

Adding the applique shapes<br />

When I started with the applique shapes, I had visions of the<br />

hexagons being connected with lines of fabric. As I placed and<br />

re-placed the shapes on the quilt to get the optimal placement<br />

of the hexagons within the design of the quilt, I changed my<br />

mind about connecting them. I only wanted the shapes to be<br />

placed on the background fabric but didn’t want to use up all of<br />

the negative space. Otherwise, the quilt would be too busy and,<br />

if I’d connected each shape, the background space would be<br />

overwhelmingly busy. Instead, I did the opposite and went with<br />

the more of the minimalist thing.<br />

TIP Placing the quilt sections on the large design wall<br />

made it easier to see what the whole piece is going to look<br />

like. Standing back at least 10 feet and looking straight at<br />

your work makes a huge difference when auditioning fabrics,<br />

shapes, colors, blocks, etc. If you don’t have the space<br />

to stand back and look at your work, then use a reducing<br />

glass to achieve the same effect. Taking a picture and looking<br />

at it on the camera or on a computer screen will give<br />

the same perspective.<br />

I’ve added the applique pieces to the sections I sewed together.<br />

The corner sections each have three hexagon rings arranged<br />

together in a straight line coming out from the snowball block.<br />

Arranging the hexagons this way creates the look of a linked<br />

chain.<br />

The outer edge middle sections continue the hexagon line from<br />

the snowball block, as well as, adding solid hexagons to the<br />

points of the intertwined block.<br />

Finally, the middle section has solid hexagons added around<br />

the intertwined block and in the middle block of the quilt.<br />

Keeping these pieces in sections rather than sewing the whole<br />

quilt together will make it easier to stitch around the applique<br />

pieces.<br />

There’s so much the PFAFF Creative 4.5 has to offer in decorative<br />

stitches; there are all kinds of options. I’ve only touched<br />

on a small amount of what this machine can do. If I were to go<br />

through it all, we would be here all year – well, not quite, but it’s<br />

quite extensive. See the large variety of stitches in our March post.

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