Volume 9 Issue 3 - November 2003

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A great Bookstore ... now with Music! GREAT ~OOK.S • GREAT Ml:JSfC JAZZ CLA~~fCAf;; Of>ERA C~ORAL JtOOT~ ~Ol:JN@TRACK.~ f>Of> tf~TENfNG ~TA TfON~ AN@ MOJtE rl'I• World'• f1n•U tlH•lul Q .J•U Mlltl~ ttnPP•h•fll L '!t~J.t~_r.~ri ·g .orian WANTED: Composer for Open.ing Night 2004! "New Creations" Competition for Young Composers • Open to composers residing in Ontario, up to the age of 35 as of September 2004 '• Composers must be.Canadian citizens or Permanent Residents • Deadline for submissions: March 1, 2004 Music Director Designate Peter Oundjian is inviting young Canadian composers residing in Ontario to submit a work for possible inclusion in the opening concert of his first season as Music Director of the Toronto Symphony Orchestra ·(2004/2005). Scores will be judged by Peter Oundjian. \ , For details and application information, visit www.tso.ca or call 416.593~776'9, ext. 382. BATTLER FOR BRITTEN . A mere year and a half after'his third major choral festival in Toronto, "The Joy of Singing within the Noise of the World," the ninety-five year old Nicholas Goldschmidt has masterminded "Benjamin Britten: A Celebration" in honour of the composer's ninetieth birthday. The event provides us with an opportunity not only t0 assess or re-assess Britten's contribution to music in the Twentieth Century, but also to examine our own ideas of what a composer could or should be, of "modernity"· or "contemporariness" in music, and the place of art in life. The Oxford Dictionary of Music says of Britten: "Few composers have caught the public's imagination in their lifetime as vividly as did Britten; each new work was eagerly awaited and absorbed." In 1964 he was honoured with the first Aspen Award, which was established the year before' to honour "the individual anywhere in the world judged to have made the greatest contribution to the advancement of the humanities." In 1976 he was honoured by being awarded a life peerage. He wrote music for the greatest performers of his time, including Rostropov ich, Vishnevskaya, Fischer- . Dieskau, Janet Baker' and Peter Pears and in his visits to the Soviet Union became, a friend of Shostakovich, who dedicated his Fourteenth Symphony to him. What perhaps makes these extraordinary accomplishments all the more remarkable is that his music was tonal and therefore stylistically out of the mainstream.' Retired Dean of Music at the University of Toronto,. Carl Morey, who will be giving lectures on "Britten and the Crisis in Tradition" as part of the festival, told me that in 1945- French composer 01- •ivier Messiaen called Britten brave for writing tonal music. One of the problems for post-romantic composers from Britten's day up to the present time, Professor Morey told me, is whether to stay within the parameters of a tradition considered moribund and thus rejected by many composers, or to follow the lead of those who had broken with the tradition - in Britten's day Stravinsky and Schoenberg. It was Britten's decision to write tonal music; and, according to Morey, to work within strict traditional musical forms. While this may have QUODLIBET by Allan Pulker Benjamin Britten 1975 been courageous it was ultimately a decision to be true to himself. He addressed this issue in his acceptance speech for the Aspen Award: "There are many dangers which hedge round the unfortunate composer: pressure groups which demand true proletarian music, snobs who demand the latest avant-garde tricks ... . [who] may makethe ... composer self-conscious, .and instead of writing his own music ... which springs naturally from his gift and personality, he may be frightened into writing pretentious nonsense or deliberate obscurity." While this decision resulted in Britten's music never being highly valued by musical academia, it did result in music that audiences were eager to hear. It is music which, 27 years after his untimely death, still speaks to those who hear it. "Benjamin Britten: A Celebration" will give people in Southern Ontario many opportunities to hear some of Britten's greatest works. The War Requiem, Noye's F,ludde, The Prodigal Son and concerts of his solo voice and chamber music in Toronto, London, Waterloo, Guelph and Goderich. Also veiy much in the spirit of Britten, the festival has commissioned Canadian composer, Gary Kulesha, to write a work for the event. "I believe," wrote Kulesha, "that the best way for a contemporary Canadian composer to celebrate Britten is to be true to the ideals that he established. Britten often spoke and wrote about the relationship between technique and expression, and articulated a paradigm which perfectly suits my own beliefs: technique must be elegant, polished, and detailed, but subservient to expression." You can hear the paradigm in action when Kulesha's Variations on CONTINUES ON PAGE 16 NOVEMBER 1 - DECEMBER 7 <strong>2003</strong>
World renowned tenor Michael Schade and mezzo soprano Norine Burgess, with the Toro~to Philharmonia, bring you an . evening of pure musical pleasure with 'excerpts from -Donizetti, Bizet, Lehar and Mozart. Sponsored by if ludwig l/{An were CA live. he'd hCAve (ion/ row seCAIS by now I December 1, 8:00 p.m. George Weston Recital Hall, Toronto Centre for the Arts Tickets: $38-$52 TORONTO PHILH ,ARMONIA Ticketmaster: 416-870-8000 Toronto Centre for the Arts: 416-733-9388 Toronto Philharmonia: 416-499.-2204 wwwtorontophi l.on.c a Season Sponsors / CL A SS ICA~_9@g;[ f" AUdl · :-..Li k in g life so und l>
Page 3: November at the TSO Rachmaninoff's
Page 6 and 7: COVER STORY Jennifer Waring & Conti
Page 8: SNAP SHOTS compiled and edited by D
Page 11 and 12: SNAP SHOTS, CONTINUED FROM PAGE 8 s
Page 13: presents Euphoria · Sunday, Novemb
Page 17 and 18: The Royal Conservatory Orchestra Se
Page 19 and 20: The Great Gala Saturday, January 31
Page 21 and 22: (the year before Mendelssohn's deat
Page 23 and 24: NEWS FROM THECOALITION OF NEW Music
Page 25 and 26: organize one more minimal music pie
Page 27 and 28: JAZZ NOTES by Jim Galloway This mon
Page 29 and 30: BAND STAND by Merlin Williams Novem
Page 31 and 32: Toronto Centre for the Arts for ' p
Page 33 and 34: and life partner, tenor Peter Pears
Page 35 and 36: Welcome to WholeNote's Live Listing
Page 37 and 38: conductor. Roy Thomson Hall, 60 Sim
Page 39 and 40: - 12:30: York University Dept of Mu
Page 41 and 42: theatre listings. - 8:00: Academy C
Page 43 and 44: horn; Michele Verheul, bass clarine
Page 45 and 46: Mississauga. 905-306-6000. - 8:00:
Page 47 and 48: Russian and French Jewels. See Nove
Page 49 and 50: Sunday December 07 - 1 :30: CAMMAC/
Page 51 and 52: Percussion Ensemble. Calvary Church
Page 53 and 54: Benjamin Britten: A Celebration. No
Page 55 and 56: ANNOUNCEMENTS, LECTURES/SYMPOSIA, M
Page 57 and 58: Jimmy Briere. Mazzoleni Conceri Hal
Page 59 and 60: I . I Pinchas Zukerman playing Moza
Page 61 and 62: a relaxing. uncomplicaJed collectio
Page 63 and 64: Lalo - Symphonic espagnole, Op.21;
Page 65 and 66:
music of Part) with the Tallinn Cha
Page 67 and 68:
successful. It is difficult to see
Page 69 and 70:
away,"' says Cassandra Wilson. when
Page 72:
The Mikado Mar 9, 10, 11, 2004 LAC
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Volume 9 Issue 3 - November 2003

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