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Lalo - Symphonic espagnole,<br />
Op.21; Saint-Saens; Ravel<br />
Maxim Vengerov, violin<br />
Philharmonia Orchestra<br />
Antonio Pappano ·<br />
EMI Classics 7243 5 57593 2 0<br />
and thematic invention that Ravel<br />
bring~ to bear is brought out<br />
wonderfully in this performance, as<br />
well.<br />
A good deal of the history of the<br />
violin - Stradivari, gypsy rooµi; Sar.·<br />
asate, Hungarian and Spanish }gfl·uences<br />
- meld with the promise of its<br />
future in this brilliant recording. I'd<br />
recommend it highly.<br />
Larry Beckwith<br />
Conversations (Brahms; Elgar;<br />
Saint-Saens ...) ,<br />
Alain Trudel, trombone; Y anick<br />
Nezet-Seguin, piano<br />
This recording is indeed a classic.<br />
ATMA Acm22s9<br />
The Siberian-born violinist Vengerov<br />
is among the top violinists .under the<br />
age of 30 in the world to~ay and<br />
could easily capitalize on his fame<br />
and srmply "chum out the hits". This<br />
recording is no knock-off, however.<br />
The connections .abound in the<br />
carefully-chosen program: the Saint<br />
Saens Concerto No.3 and Lalo's<br />
Symphonie espagnole were both<br />
written for the important 19th century<br />
Spanish virtuoso Pablo de Sarasate I took an Alain'Trudel CD into one<br />
and Ravel's Tzigane is one of the of the schools I work at recently and ·<br />
more substantial short pieces in the played it for s01ye stu~ents. They<br />
violin repertoire, exploring as it does listened reasonably attentively, for an<br />
the "gypsy" roots of the fiddle. eighth grade class. The thing that<br />
The CD opens with Lalo's five- really made them sit up and pay atmovement<br />
Spanish-flavoured musi- tention was when I told them that<br />
cal essay. Vengerov handles the was a trombone they were hearing.<br />
flashy episodes with aplomb and Their reaction? "So THAT'S what<br />
injects maxrmum excitement into the a trombone is supposed to sound<br />
proceedings. The orchestra never like!"<br />
overpowers hrm; rather, one gets ~e Adults seem t 0 have a slightly mod•<br />
feeling Vengerov could hold his ified response; something along the<br />
own opposite an ensemble of twice lines of "I never knew a trombone<br />
the size! Conductor Pappano takes could sound that beautiful." My own<br />
full advantage of his soloist's poise . reaction to Alain Trudel's playing<br />
·and really lets the orchestra loose at seems to encompass both of these<br />
several points. In the more poignant points of view. Trudel's work on<br />
moments, Vengerov lets his Strad "Conversations" has just reinforced<br />
, sing and plumbs the depth of Lalo's that opinion once again.<br />
lyrical lines. - The material on this CD is made<br />
The wonders conti~u~ in 'Saint- up of shorter recital pieces and v~<br />
Saens' underrated 3rd v1ohncon~rt?. calizes (the longest single track 1s<br />
The opening phrase~ from the v10lm . just over eight minutes). Each piece<br />
introduce several different colo~rs is performed with an achingly beauthan<br />
we heard in the Lalo, confirmmg tiful sound, and technique that is so<br />
Vengerov's large palette. M~ .only precise that it doesn't call attention<br />
quibble here conce~ns ~urpns1~gly to itself. The interplay between Truquestionable<br />
intonation m the wmds del and Nezet-Seguin is practically<br />
of the o:ches~ in the first move~ent, telepathic. .<br />
but all is well m the rest of the piece Such traditional recital favountes<br />
- a hint perhaps that the first move- as Faure's Sicilienne and Saint-Saens'<br />
ment was rec?rded in a separate Le cygne are presented along with<br />
session? The third movem~~t .1s han- music by Bruch, Brahms, Gliere and<br />
died with remarkable sens1t1v1ty: ~e Kreisler; all of it with impeccable<br />
dynamics and balance between solmst musicality.<br />
and orchestra are truly thrilling.<br />
Ravel's Tzigane rounds out the<br />
Merlin Williams<br />
disc and Vengerov dives into it with<br />
abandon. One never forgets this is<br />
vfrtuosic writing, but the harmonic<br />
J<br />
THE ACCLAIMED HAYDN EDITION<br />
IS FROM THE SAME TEAM:<br />
'J can't think of a current recorded series that has given me<br />
more pleasure than Richard Hickox' survey of the Haydn<br />
. Masses. For my money, no other conductor on disc com:e;:s<br />
so happily the mingled drama, symphonic power and spmtual<br />
exhilaration.of thf?se works. ' Gramophone<br />
CHAN0592<br />
Theresienmesse,<br />
Kleine<br />
Orgelmesse<br />
CHAN0640<br />
Nelson Mass<br />
CHAN0599<br />
Creation Mass<br />
- CHAN0645<br />
· Heiligmesse<br />
Distributed in Canada by<br />
CH~N0612<br />
Harmoniemesse<br />
M issa Cellensis<br />
S~!J?;.J.<br />
Paukenmesse<br />
Grosse<br />
Orgelmesse<br />
638 The Kings~ay, Peterborough/ Ontario. K9J 7C8 Phone; 705-748-5422 Fax·:705-748-5628<br />
Email: info@sricanada.com www.sncanada.~om<br />
NOVEMBER 1 - DECEMBER 7 <strong>2003</strong> WWW. THEWHOLENOTE.COM 63