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Volume 9 Issue 3 - November 2003

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Music THEATRE SPOTLIGHT<br />

by Sarah B. Hood<br />

Big Month for Music~1 ·Openings<br />

So far, this Noyember seems like<br />

a banner month for music theatre<br />

fans, with a crowded slate of openings<br />

that's well balanced between<br />

focal and impo~ted work, new productions<br />

and revivals. For instance,<br />

Montreal's hip-hop humoris.ts<br />

Jerome Saibil and Eli Batalion<br />

are bringing Job: The Hip-Hop<br />

Sagq to the Tarragon Extra<br />

Space, begimiing <strong>November</strong> 18. ·<br />

·It's a combination of their two extremely<br />

popular Fringe hits that<br />

riffed wittily on the Biblical tale of<br />

Job. On <strong>November</strong> 11, Tarragon<br />

Theatre brings back Karen Hines'<br />

romantic satire Hello ... Hello, while<br />

Lorraine Kimsa Theatre for<br />

Young People remounts Jacob<br />

Two-Two Meets the Hooded Fang<br />

from <strong>November</strong> 8 on. Also ...<br />

Kevin Quain<br />

in the Tex-Mex and country idioms.<br />

However, Quain's also<br />

known for his collaborations with<br />

theatre and dance artists, so it's not<br />

surprising that he's adapted his<br />

most recent CD as an unorthodox<br />

retelling of Pagliacci set in a remote<br />

Mexican desert town. Under<br />

the direction of Ted Dykstra, Tequila<br />

Vampire Matinee opens at<br />

Theatre Passe Muraille on <strong>November</strong><br />

13.<br />

CAFFEY'S GOOKIN'<br />

Florida performer/writer/director<br />

Marion J. Caffey is in town for<br />

CanStage to direct his acclaimed<br />

show Cookin' at the Cookery,<br />

based on the career of blues singer<br />

Alberta Hunter. Caffey's previous<br />

creations include Street Corner<br />

Symphony, a soul-flavoured pastiche<br />

of '60s and '70s hits like "R- BROADWAY'S PRODUCERS<br />

E-S-P-E-C-T" and "-Midnight The hard-to-get Broadway ticket is.<br />

Train to Georgia", which ran on soon to become just as coveted in<br />

Broadway. Recently Caffey also ·Toronto when The Producers beassembled<br />

the vodi talents of Vic- gins previews at the Canon Thetor<br />

Trent Cook, Rodrick Dixon and atre on <strong>November</strong> 21 (with an of­<br />

Thomas Young for an extremely ficial opening on December 11).<br />

successful African American an- In the Toronto cast of this multiswer<br />

to the success of the Three pie award-winning show' Sean<br />

Tenors called Three Mo' Tenors, Cullen plays the flamboyant Broadwhich<br />

was taped for the PBS Great way impresario Max Bialystock,<br />

Performances Series. Cookin' at the who conspires with retiring ac­<br />

Cookery opens on <strong>November</strong> 13 countant Leo Bloom (Michael<br />

at the Bluma Appel Theatre with Therriault) to stage a musical that's<br />

powerful local blues diva Jackie bound to flop in the hopes of prof­<br />

Richardson in the title role and iting by the losses. Funnyman'<br />

musical direction by veteran piano Cullen made his ffrst big career<br />

man Joe Sealy.<br />

move performing live as a member<br />

of Toronto's Corky and the Juice<br />

BLOODSUCKERS<br />

Pigs, then moved into such televi-<br />

WITH LEMON-WEDGES? sion spots as NBC's Late Friday,<br />

On any given night the odds are The Tonight Show with Jay Leno,<br />

better than even that musician and This Hour Has 22 Minutes and<br />

songwriter Kevin Quain will be his very own The Sean Cullen<br />

playing somewhere in this town - Show. Therriault is a Stratford<br />

most likely someplace with a liq- Festival stalwart (Camelot, Fiddler<br />

uor .license. He's perhaps best On The Roof and maJJy others).<br />

known for his Sunday night gigs He's also performed in summer<br />

at the Cameron House with The musicals around Ontario, like West<br />

Mad Bastards, but he and his ac- Side Story at Huron Country Playcordion<br />

are also frequently to be house, She Loves Me at the Drayfound<br />

at The Rex, Rancho Relaxo ton Festival and You're A Good<br />

and Graffiti's in Kensington Mar- Man Charlie Brown at the Grand<br />

ket with a variety of collaborators. Theatre in London.<br />

AND SINCE<br />

CHICAGO SOLD OUT ...<br />

Stephen Sheffer. Cabaret "Emcee"<br />

If you've caught any of that recent ·<br />

WNED program . about classic<br />

Broadway, you may have seen<br />

Joel Grey, who originated the role<br />

of the Emcee in Cabaret, performing<br />

the signature tune with an "allgirl"<br />

band. If so, like me, you may<br />

have an itch to see the whole show<br />

again. Well, we're in luck! It may<br />

not star Joel Grey, but Lloyd Allison<br />

Entertainment is presenting<br />

a completely new productiop of the<br />

classic Kander and Ebb show in a<br />

very suitable, intimate location, the<br />

little New Yorker Theatre on<br />

Yonge Street. It promises a modest<br />

budget, a local cast and a goodsized<br />

live band. Cabaret runs from<br />

<strong>November</strong> 14 to December 6.<br />

IN THE WINGS<br />

The Shaw Festival has announced<br />

that its musicals for next summer<br />

will be Pal Joey by Rodgers, Hart<br />

and O'Hara at the Royal George<br />

and the much lesser known Floyd<br />

BOOK<br />

SHELF<br />

by Pamela Margles<br />

With so many special musical<br />

events going on this month -<br />

from a rare concert by Oscar<br />

Peterson and an opportunity to<br />

hear all eight of R. Murray<br />

Schafer's great string quartets,<br />

to the massive festival celebrating<br />

the music of Benjamin Britten, .<br />

organized by the Herculean Nicholas<br />

Goldschmid(, it's good<br />

to have these four significant<br />

books to set the scene and enhance<br />

our enjoyment of the music.<br />

BRITTEN<br />

Paul Kildea<br />

Britten on Music<br />

edited by Paul Kildea<br />

Oxford University Press<br />

456 pages<br />

hardcover $90.00<br />

Collins by Adam Guettel and Tina Though his musical ideas provid­<br />

Landau at the Court House Theaed<br />

an unstoppable flow of ·<br />

tre. (This rarity is inspired by the works, Benjamin Britten was not<br />

true story of a Kentucky man who a particularily prolific writer.<br />

was trapped in a narrow cave, to Paul Kildea has done a superb<br />

the burning interest of the media job of collecting his words from<br />

and the general public, in 1925.) speeches, radio broadcasts, inter-<br />

Also, Mirvish Productions views, concert notes, and even<br />

has announced that Disney's The letters to the editor. He has wise­<br />

Lion King will close definitively ly arranged them chronologically,<br />

on January 4, 2004. Meanwhile, with introductions, biographical<br />

Mamma Mia! continues at the summaries, annotations and<br />

Royal Alex u~til at least Fe?ru~ry cross-references.<br />

29. Now stamng as ~onna is K.m~ _ Britten's writings prove inval­<br />

Huffma~, a two-time Gemim uable for shedding light on his<br />

A ward w1,nner for her appearanc- creative process and his role in<br />

es on TV s Traders.<br />

twentieth century music.·<br />

Sarah B. Hood's new book Toron- Throughout, he offers tributes<br />

to: The Unknown City, cowritten to cruci.al figures in his life like<br />

with Howard Akler, is now availa- his beloved teacher, Frank<br />

ble in bookstores around town. Bridge, his longtime performing<br />

32 WWW. THEWHOLENOTE.COM NOVEMBER 1 - DECEMBER 7 <strong>2003</strong>

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