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Volume 9 Issue 3 - November 2003

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COMPOSER COMPANIONS<br />

The new music community is rich<br />

with activity this <strong>November</strong> as presenters<br />

and ensembles forge further<br />

into their seasons, creating a wide<br />

range of adventurous opportunities<br />

for the Toronto concertgoer. This<br />

month, Composer Companions<br />

highlights three upcoming new music<br />

concerts and continues to give<br />

you the opportunity to attend with<br />

some of our most accomplished local<br />

composers as your own personal<br />

audio "tour guide".<br />

by Jason van Eyk<br />

Early in the month Sounds.treams<br />

Canada brings to Toronto an international<br />

choral collaboration for the<br />

first concert of its <strong>2003</strong> ·Raise Your<br />

Voices series. On <strong>November</strong> 9th at<br />

the Metropolitan United Church, the<br />

Estonian Philharmonic Chamber<br />

Choir, conducted by Paul Hillier,<br />

and Canada's Elmer Iseler Singers,<br />

conduct~d by Lydia Adams, will<br />

present a combined program influenced<br />

by sacred music. The concert<br />

will include a North American premiere<br />

from internationally renowned<br />

composer Henryk Gorecki, entitled<br />

Salve, Sidus, Polonarum, music of<br />

the Russian Orthodox tradition, compositions<br />

by California-based Canadian<br />

composer Melissa Hui and a<br />

world premiere performance of a new<br />

work by Toronto-based emerging<br />

composer Craig Galbraith. Mr. Galbraith's<br />

work, entitled Cradle Song,<br />

has been specifically commissioned<br />

for the forces of both the Estonian<br />

and Canadian choirs combined.<br />

Based on a poem by William Blake<br />

of the same title, and punctuated with<br />

lines from Latin motets, Galbraith's<br />

latest work musically explores the<br />

soft lullaby in juxtaposition with indirect<br />

but<br />

obvious references to<br />

Christ's<br />

death<br />

present in<br />

Blake's<br />

text. Local<br />

composer<br />

James<br />

Rolfe, also<br />

known for<br />

his vocal<br />

compositions,<br />

has<br />

agreed to be<br />

the compos-<br />

ing journey: "Udo Kasemets is a<br />

composer who, after exploring tonal,<br />

atonal, and serial music, came to<br />

a turning point when in the early<br />

1960's he read the book Silence: lectures<br />

and writings by John Cage.<br />

This book can be found at the Toronto<br />

Reference Library, along with<br />

. many other recordings and writings<br />

by John Cage. In addition, Udo<br />

Kasemets is a regular writer for Musicworks<br />

magazine, whose current<br />

and back copies can be found at both<br />

the Canadian Music Centre, and the ··<br />

music library of the University of<br />

Toronto, in the Edward Johnson<br />

Building. Recordings of his work<br />

are similarly available". Chris Paul<br />

er compan- Craig Galbraith Harman and Linda Catlin Smith,<br />

ion for this<br />

along with local · composers Juliet<br />

concert. For more information, visit Palmer and Wende Bartley, have<br />

.Soundstreams Canada's website at offered to be composer companions<br />

www.soundstreams.ca, or call 416- · for this concert. For more informa-<br />

504-1282. tion, visit Arraymusic's website at<br />

Quatuor Molinari<br />

commercially recorded this complete<br />

cycle of. quartets (on the Atma label),<br />

and to grearcritical and audience<br />

acclaim. Local composer John<br />

Oswald, who says he has "known<br />

R. Murray Schafer for 30 years<br />

now", and emerging composers Bri-<br />

Nearer the end of the month, Arraymusic<br />

will be delivering a fullevening<br />

work by Canadian experimental<br />

composer Udo Kasemets.<br />

Composer Linda Catlin Smith describes<br />

Kasemets as " an inventive<br />

composer, dedicated to finding new<br />

ways to communicate with sound.<br />

His work is very beautiful and very<br />

unusual. I fii;id that Udo's approach<br />

to making music always opens up<br />

my ears to new ways of thiriking<br />

and hearing."<br />

On <strong>November</strong> 29th, the Arraymusic<br />

ensemble, accompanied by<br />

three guest narrators, will take over<br />

the Music Gallery to tackle Kasemets'<br />

multi-disciplinary performance<br />

piece Symphosium . . This concert<br />

should be a true adventure for the<br />

concertgoer, traveling through Kasemets'<br />

diverse inspirations for this<br />

work, including Rabindranat)l Tagore<br />

in conversation with Albert Einstein,<br />

James Joyce's "Thunderclaps" and<br />

the Mayan calendar. Local composer<br />

Chris Paul Harman offers these<br />

tips to help prepare for this far-rangwww.arraymusic.com,<br />

or call 416-<br />

532-3019.<br />

an Current and Christien Ledroit,<br />

On the last day of the month, New have offered to be composer com­<br />

Music Concerts will present the panions for this concert. For more<br />

Molinari Quartet, with guest so- information, visit the NMC website<br />

prano Marie-Danielle Parent, in a at www.newmusicconcerts.com, or<br />

marathon performance of all eight of call 416-961-9594. For more infor­<br />

R._Murray Schafer's string quartets. mation about the Molinari Quartet<br />

The new music community celebrates visit www .quatuormolinari.qc.ca.<br />

Mr. Schafer's 70th birthday this year, The Atma recordings of the comand<br />

New Music Concerts has pleteSchaferquartetcycleareavailplannetl<br />

this concert as part ofa range able through the CMC online at<br />

of collaborative celebratory concerts www .musiccentre.ca, by phone, or<br />

happening throughout the <strong>2003</strong>-2004 in person at Chalmers House (20 St.<br />

season. R. Murray Schafer's string Joseph Street).<br />

quartets are considered as ranking<br />

among his most important works, To book your composer companby<br />

virtue of their extraordinary in- ion for these concerts, or for any<br />

novations as well as their purely concert of new music in the Toronmusical<br />

qualities. They also span a to area, contact the Ontario Region<br />

significant period of Schafer • s creative<br />

endeavour, the first being com- composercompanion.s@musiccentre.ca,<br />

of the Canadian Music Centre at<br />

pleted in 1970 and the eighth having or by phone at 416-961-6601 x.207<br />

received its premiere in the spring of<br />

2002. Hearing the Molinari Quartet Jason van Eyk is the CMC's Ontario<br />

Regional Director. He can be<br />

and Marie-Danielle Parent interpret<br />

these great works will be a rare treat, reached at 416-961-6601 x. 207 or<br />

as thev are the onlv musicians to have jasonv@musiccentre.ca<br />

\<br />

'<br />

New Music Concerts I Robert Aitken, director<br />

19dm9VW9MNewvember<br />

Glenn Gould Studio .' Reservations 4 1 6~ 2 0 5~5555<br />

Monday Nov. 03 • 8:00<br />

Helmut Lachenmann<br />

Composer, pianist and narrator<br />

Helmut Lachenmann, featuring the<br />

Canadian premiere of his ... Zwei<br />

Gefiihle... Co-presented with<br />

Goethe lnstitut Toronto<br />

Sunday Nov. 30 • 3:30 I 8:00<br />

R. Murray Schafer<br />

The eight string quartets of<br />

R. Murray Schafer, prElsented in<br />

two 'concerts by Montreal's<br />

acclaimed Quatuor Molinari with<br />

soprano Marie-Danielle Parent<br />

22<br />

WWW. THEWHOLENOTE.COM N OVEMBER 1 - D ECEMBER 7 <strong>2003</strong>

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