The Annual Meeting of the ASECS 0th NWSECS Annual Meeting0th37. “What’s in a ‘Querelle’?” Suite 418Chair: Kate E. TUNSTALL, University of Ox<strong>for</strong>d, Besterman Centre <strong>for</strong> the40th NWSECS Enlightenment Annual Meeting1. Ourida MOSTEFAI, Boston College, “Taking Sides in French EpistolaryQuarrels”2. David MACKLOVITCH, Columbia University, “Hermeneutics at Play inthe ‘Querelle de l’Éloquence Sacrée’”3. Alexis TADIÉ, Université de Paris IV - Sorbonne, “Translation,Transposition, Ficitionalisation of Quarrels: From the Querelle to theBattle of the Books”4. Sabine VOLK-BIRKE, MLU Halle-Wittenberg, “The Quarrel About the(Literary) Critic: Authority Contested”38. “The Stage on the Page: Plays, Players, and Playhouses in the<strong>Eighteenth</strong>-<strong>Century</strong> Novel”TurquoiseChair: Robert DIMIT, New York University1. Bridget DRAXLER, University of Iowa, “Generic Inheritance in the<strong>Eighteenth</strong>-<strong>Century</strong> Novel: The Role of the Theater in MariaEdgeworth’s Belinda”2. Marcie FRANK, Concordia University, “Provocations: The ProvokedHusband and Aesthetic Response in the Novel”3. Sophie DELAHAYE, Washburn University, “Life Imitates Art:Actresses as Role Models in Sade’s Novel Aline et Valcour”Respondent: Paula R. BACKSCHEIDER, Auburn University39. “Artists’ Lives and Afterlives: Fact, Fiction, and Fabrication”Alvarado BChair: Heather MCPHERSON, University of Alabama at Birmingham1. Sarah MONKS, University of East Anglia, Norwich, “Life/<strong>Studies</strong>:Living as an Artist in Late <strong>Eighteenth</strong>-<strong>Century</strong> London”2. Robert MODE, Vanderbilt University, “Staging the Life of Hogarth orThe Artist’s Progress”3. Paulo M. KUHL, State University of Campinas (Brazil), “Making Heroesin the Institut de France: Joachim Le Breton’s ‘Notices Historiques’”LCD PROJECTOR AND LIGHTED PODIUM40. “‘Mixture’ in <strong>Eighteenth</strong>-<strong>Century</strong> Britain: Poetry and Theory”Chair: David FAIRER, University of Leeds Suite 3181. Wolfram SCHMIDGEN, Washington University, St Louis, “MixtureUnbound”2. Jennifer OHLUND, Cali<strong>for</strong>nia State University, Los Angeles, “The‘Huge Confluent’ of Culture in John Gay’s Trivia”3. Juan Christian PELLICER, University of Oslo, “Charlotte Smith’sBeachy Head and the <strong>Eighteenth</strong>-<strong>Century</strong> Tradition of Generic Mixturein Poetry”12
Thursday, March 18, 20104. Suvir KAUL, University of Pennsylvania, “An Imperial Poetics? Empireand the Poetry of Mixed Form”41. “The <strong>Eighteenth</strong>-<strong>Century</strong> Road Trip” Alvarado AChair: Inger Sigrun BRODEY, University of North Carolina, Chapel Hill1. Andrew FRANTA, University of Utah, “From Map to Network: Travelin Humphry Clinker”2. Pamela PHILLIPS, University of Puerto Rico, Rio Piedras, “InsiderKnowledge: Pedestrian Travel in <strong>Eighteenth</strong>-<strong>Century</strong> Spain”3. Jon KERSHNER, University of Birmingham, “The (Com)Motion ofLove: Theological and Moral Formation in John Woolman’s ItinerantMinistry”4. Tom REINERT, University of North Carolina, Chapel Hill, “Providencein the Picaresque”LCD PROJECTOR42. “Staging the Atlantic Revolutions in the Long <strong>Eighteenth</strong> <strong>Century</strong>”Suite 218Chair: Kathleen WILSON, State University of New York, Stony Brook1. Marc LERNER, University of Mississippi, “William Tell as an EnduringRevolutionary Symbol in the Atlantic Long <strong>Eighteenth</strong> <strong>Century</strong>”2. Peter REED, University of Mississippi, “Rebels and Refugees: TheHaitian Revolution and the North <strong>American</strong> Stage”3. Jenna GIBBS, Florida International University, “The Black Spartacus ofthe East End London Theatre: Toussaint as an Icon of UniversalResistance”43. “Considering Slavery: Representation of Enslavement(s) in the Long<strong>Eighteenth</strong> <strong>Century</strong>”Alvarado FChair: Srividhya SWAMINATHAN, Long Island University1. Amy WITHERBEE, Independent Scholar, “‘Arabian Nights’, theSultan’s Slaves and the Slave to Love”2. Laura MARTIN, University of Cali<strong>for</strong>nia, Santa Cruz, “‘PerpetualServants’ and ‘Slaves <strong>for</strong> Four Years’: The Interchange of Servitudeand Slavery in Oroonoko’s Long <strong>Eighteenth</strong> <strong>Century</strong>”3. Susan Houghton LIBBY, Rollins College, “When is Slavery Liberty?Social Death and Rebirth in Abolitionist Prints of the FrenchRevolution”4. Aida RAMOS, West Texas A&M University, “‘Slaves to Their OwnWants’: Sir James Steuart on Physical and Commercial Slavery in the<strong>Eighteenth</strong> <strong>Century</strong>LCD PROJECTOR13
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