program - American Society for Eighteenth-Century Studies - Johns ...

Thursday, March 18, 201054. “Border Crossings: National Identities and Music during the LongEighteenth Century”Alvarado AChair: Jane MILLING, University of Exeter1. John S. POWELL, University of Tulsa, “Channel Crossings: TheMigration of French Music and Musicians to England during the EarlyYears of the Restoration”2. Kathryn LOWERRE, “‘Les Goûts Réunis’ in English Opera?: Frenchand Italian Tastes in Performance c. 1715"3. Amanda Eubanks WINKLER, Syracuse University, “The Frenchconnection: Post-Purcell dramatick opera and Lully’s tragédies enmusique”4. Leslie RITCHIE, Queens University, “Femininity and Foreignness inColman’s Farce, The Musical Lady”LCD PROJECTOR / CD PLAYER55. “Women Without Gender?: A Roundtable Discussion” (Roundtable)WeaverChair: Katherine BINHAMMER, University of Alberta1. Alison CONWAY, University of Western Ontario2. Vivien JONES, University of Leeds3. Kathyrn R. KING, University of Montevallo4. Betty A. SCHELLENBERG, Simon Fraser University56. “Concepts of Debt in Eighteenth-Century Culture” – I PotterChair: Linda ZIONKOWSKI, Ohio University1. D.N. DELUNA, University College London, “On the Repudiation ofState Debt in Fact and Whig Fiction”2. Robert MARKLEY, University of Illinois, “”Rethinking England’sNational Debt in the Age of Bernie Madoff”3. Reed BENHAMOU, Indiana University, “Charles-Joseph Natoire andthe Money Market”4. Diane KELLEY, University of Puget Sound, “Indebtedness as aNarrative Strategy in Early Modern French Women’s Fiction”57. “Jonathan Swift and His Circle VII” Suite 218Chair: Donald C. MELL, University of Delaware1. Paul W. CHILD, Sam Houston State University, “Performing Medicine:Swift's A Consultation of Four Physicians”2. Mary CARTER, Millikin University, “Swift’s Frenemies”3. Louise BARNETT, Rutgers University, “La Différence: Gender andSwift’s Friendships”4. Judith HAWLEY, Royal Holloway, University of London, “Clubbing. Together: Swift and the Scriblerus Club”5. Joseph MCMINN, University of Ulster, “Why Swift Liked Gay’s TheBeggar’s Opera” LCD PROJECTOR17